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Salvaging Print: Letterhead In Post-Industrial Urban America, Nancy Sharon Collins 2014 Loyola University New Orleans

Salvaging Print: Letterhead In Post-Industrial Urban America, Nancy Sharon Collins

The Mid-America Print Council Conference

This panel will explore the link between today’s small press movement and the formal aspects of commercial printing during the American 20th century. Panelists include Christine Medley , Philip Gattuso, and Nancy Bernardo.

Using as its primary example letterhead from defunct companies in Detroit, and secondarily, specimens of business and legal letterhead from other urban centers of the industrial United States, this panel will examine and discuss: What did letterhead represent to 20th century printers in local markets such as Detroit? What is the significance of printed letterhead, and stationery, to the art of small press printing in post-industrial cities …


Marshall University Music Department Presents A Master Class, With, Milen Parashkevov (Bulgaria), Milen Parashkevov 2014 Marshall University

Marshall University Music Department Presents A Master Class, With, Milen Parashkevov (Bulgaria), Milen Parashkevov

All Performances

No abstract provided.


Marshall University Music Department Presents The Jazz Guest Artist Series Concert #1, Soul Alchemy & The Voodoo Horns, Marshall University 2014 Marshall University

Marshall University Music Department Presents The Jazz Guest Artist Series Concert #1, Soul Alchemy & The Voodoo Horns, Marshall University

All Performances

No abstract provided.


Marshall University Music Department Presents "La Musique L'Exprime!", Faculty Recital, Elizabeth Reed Smith, Violin, Şőlen Dikener, Violoncello, Wendell Dobbs, Flute, Elizabeth Reed Smith, Şőlen Dikener, Wendell B. Dobbs Dr. 2014 Marshall University

Marshall University Music Department Presents "La Musique L'Exprime!", Faculty Recital, Elizabeth Reed Smith, Violin, Şőlen Dikener, Violoncello, Wendell Dobbs, Flute, Elizabeth Reed Smith, Şőlen Dikener, Wendell B. Dobbs Dr.

All Performances

No abstract provided.


Marshall University Music Department Presents Milen Parashkevov, Guitar, Milen Parashkevov 2014 Marshall University

Marshall University Music Department Presents Milen Parashkevov, Guitar, Milen Parashkevov

All Performances

No abstract provided.


Marshall University Music Department Presents Music From The Age Of Invention, The Maelzel Woodwind Quintet, Performing On Historical Instruments From The Early 19th Century, Wendell Dobbs, Flute, Richard Kravchak, Oboe, Richard Spece, Clarinet, Stephen Lawson, Horn, Kay Lawson, Bassoon, Wendell B. Dobbs Dr., Richard Kravchak, Richard Spece, Stephen Lawson, Kay Lawson 2014 Marshall University

Marshall University Music Department Presents Music From The Age Of Invention, The Maelzel Woodwind Quintet, Performing On Historical Instruments From The Early 19th Century, Wendell Dobbs, Flute, Richard Kravchak, Oboe, Richard Spece, Clarinet, Stephen Lawson, Horn, Kay Lawson, Bassoon, Wendell B. Dobbs Dr., Richard Kravchak, Richard Spece, Stephen Lawson, Kay Lawson

All Performances

No abstract provided.


Marshall University Music Departmentpresents A Master Class, With, Erisvaldo Borges (Brazil), Erisvaldo Borges 2014 Marshall University

Marshall University Music Departmentpresents A Master Class, With, Erisvaldo Borges (Brazil), Erisvaldo Borges

All Performances

No abstract provided.


Marshall University Music Department Presents Erisvaldo Borges, Guitar, Erisvaldo Borges 2014 Marshall University

Marshall University Music Department Presents Erisvaldo Borges, Guitar, Erisvaldo Borges

All Performances

No abstract provided.


Marshall University Music Department Presents A Faculty Recital, American Modern, Michael Stroeher, Trombone, Richard Kravchak, Oboe, Henning Vauth, Piano, Michael Stroeher, Richard Kravchak, Henning Vauth 2014 Marshall University

Marshall University Music Department Presents A Faculty Recital, American Modern, Michael Stroeher, Trombone, Richard Kravchak, Oboe, Henning Vauth, Piano, Michael Stroeher, Richard Kravchak, Henning Vauth

All Performances

No abstract provided.


Strangers In A Strange Land - An Exhibition On The History Of Italian-Language American Imprints, The Italian Book Company, Italian American Directory Co. 2014 Seton Hall University

Strangers In A Strange Land - An Exhibition On The History Of Italian-Language American Imprints, The Italian Book Company, Italian American Directory Co.

Exhibition Catalogs

Catalog for the exhibition Strangers in a Strange Land - an Exhibition on the History of Italian-language American Imprints held at the Seton Hall University Walsh Gallery, September 8 - October 17, 2014. Curated by James Periconi. Includes essays by Jeanne Brasile and James Periconi. Includes color illustrations.


Dotphotozine Issue 4, September 2014, Students of the CSUSB Art Department, Thomas McGovern 2014 California State University, San Bernardino

Dotphotozine Issue 4, September 2014, Students Of The Csusb Art Department, Thomas Mcgovern

Dotphotozine

No abstract provided.


Marshall University Music Department Presents The Violauta Duo, Julio Ribeiro Alves, Guitar, & Wendell Dobbs, Flute, Júlio Ribeiro Alves, Wendell B. Dobbs Dr. 2014 Marshall University

Marshall University Music Department Presents The Violauta Duo, Julio Ribeiro Alves, Guitar, & Wendell Dobbs, Flute, Júlio Ribeiro Alves, Wendell B. Dobbs Dr.

All Performances

No abstract provided.


The Division Of The Works Progression Administration (Wpa) And Their Various Influence On Various Art Forms, Kari Appel 2014 Minnesota State University, Mankato

The Division Of The Works Progression Administration (Wpa) And Their Various Influence On Various Art Forms, Kari Appel

Journal of Undergraduate Research at Minnesota State University, Mankato

This research covered the basic outline of the Works Progress Administration (WPA), as well as its origin and development. Specifically, the many areas of art were examined in greater detail. Major points discussed were architecture, visual art, writing, music, theatre productions, and a larger portion on dance. With these points, other aspects such as particular influences on these Arts areas were also described. Finally, the importance of the Works Progress Administration (WPA) on furthering the Arts was addressed.


Landscapes From Coastal Carolina, A. G. Smith 2014 The University of San Francisco

Landscapes From Coastal Carolina, A. G. Smith

Ontario Review

A. G. SMITH was born in New Mexico, grew up in North Carolina, and received formal art instruction at East Carolina University, where  he earned a B.F.A. He has an M.A. and a M.F.A. from the University of Iowa. He was an instructor of printmaking and figure drawing at  Morehead State University in Kentucky, and now lives in Detroit; he  teaches intaglio printmakng at the University of Windsor. His work has been shown at numerous juried exhibitions, and he has had many one-man shows. The "landscapes" were done in the late 60's.


The Adversity Pop Culture Has Posed, Darel Joseph 2014 University of New Orleans

The Adversity Pop Culture Has Posed, Darel Joseph

LSU New Orleans Theses and Dissertations

I am a collage artist working with multiple mediums such as paint, photography, video, audio, and performance. As a New Orleans’ native, I have a unique history that is unflattering, for my history echoes that of America’s historical misdeeds. I make sociopolitical art because I am of a historically oppressed people. I make art that celebrates my diverse culture that is a collage of Native American, African, and New Orleans’ French Creole.


Portraits (With An Essay Of Masks & Myself: Notes On The Self-Portraits Of February 1983), Barry Moser 2014 The University of San Francisco

Portraits (With An Essay Of Masks & Myself: Notes On The Self-Portraits Of February 1983), Barry Moser

Ontario Review

Barry Moser of West Hatfield, Massachusetts, is a distinguished wood engraver who has done illustrations for special limited editions of Moby Dick, Alice in Wonderland, Frankenstein, Huckleberry Finn, among others.


Getting Sandy: Creating Collapsing Sand Effects For An Ode To Love, Pisut Wisessing 2014 Clemson University

Getting Sandy: Creating Collapsing Sand Effects For An Ode To Love, Pisut Wisessing

All Theses

This thesis presents an artistic approach of creating collapsing sand effects in Brown Bag Films' animated short, An Ode To Love, directed by Matthew Darragh. A combination of rigid body simulation and fluid simulation tools, which are available in Houdini 3D animation software version 13, was used to successfully complete the task. A detailed design and implementation process to achieve the effects is documented in this work.


Marshall University Music Department Presents A Guitar Recital, Rodrigo Altneida, Rodrigo Almeida 2014 Marshall University

Marshall University Music Department Presents A Guitar Recital, Rodrigo Altneida, Rodrigo Almeida

All Performances

No abstract provided.


The Death Of Captain America Represents The Failure Of The American Dream, Dimas Anggara 2014 Universitas Indonesia

The Death Of Captain America Represents The Failure Of The American Dream, Dimas Anggara

Paradigma: Jurnal Kajian Budaya

American Dream is a concept that plays an important role in the American history and its society. The main values of the American Dream are life, liberty, and pursuit of happiness. These are represented in Captain America, carrier of the spirit of America to the world. Captain America, the main character in a comic, also preserved the values in the American Dream, so it is proven that there is a relation between Captain America and the American Dream. The problem is that there are changes in the way people see the concept of the American Dream today. It is because …


Narsisme Sebagai Wujud Eksistensi Diri Dalam Novel “My Name Is Red” Karya Orhan Pamuk, Raden Dibi Irnawan 2014 Universitas Indonesia

Narsisme Sebagai Wujud Eksistensi Diri Dalam Novel “My Name Is Red” Karya Orhan Pamuk, Raden Dibi Irnawan

Paradigma: Jurnal Kajian Budaya

This paper discusses about socio-psychological dimension in paintings pictured in Orhan Pamuk’s novel My Name is Red. The novel shows us fi ne examples about how paintings can be a media of painters who lived in a repressive era of Sultan Murat III which established rigid rules adopted from Islamic principles of how a painting should be done. This idea manifested in the characters’ behaviour, especially Velijan Eff endi, who hold the Islamic or East principles, but dilemmatically fond of Western principles as an aesthetic way of painting. This kind of dilemma born from the presence of East and West …


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