Reconstructing A Science Fiction Autobiography,
2015
Virginia Commonwealth University
Reconstructing A Science Fiction Autobiography, Jason R. Rood
Theses and Dissertations
This is a collection of essays revolving around concepts pertinent to my current visual arts practice, centering on a deconstruction of personal narrative mythologies. What is generated is a web of connection that spans Narrative Modes, Science Fiction, the use of Lines and Drawing, the Digital and Space and Time. Through this interweaving of topics, I am beginning the process of rebuilding the structure of a personal story for the future.
The Object Inbetween,
2015
Virginia Commonwealth University
The Object Inbetween, Lucy L. Derickson
Theses and Dissertations
My mission is to bring attention to the unusual, undefined, and fluid connections we have to objects through various avenues of experience. Things, objects, and devices have shaped our culture, environment, and personal philosophies. We live, grow, learn, and mourn with objects. We worship, sympathize, and relate to objects. But what I am most interested in is a human tendency to retreat to objects, allowing them to mediate experiences of friendship and intimacy between people.
During my graduate studies, I have been evaluating my personal and professional connections with others in order to understand how technology such as smart phones …
Play Doh's Cave And The Pursuit Of The American Cream,
2015
Becky Star Sellinger
Play Doh's Cave And The Pursuit Of The American Cream, Becky S. Sellinger
Theses and Dissertations
Take a minute. Imagine Wiley Coyote and Road Runner are in a domestic partnership. What would that look like? Close your eyes and Pause for 30 seconds. Don’t you see? Coyote never catches up. They keep running faster and faster. Everything in the house gets swept into the whirlwind they’ve created in their paths - the books, the shelves, the bed, and the desk lamp. Their circling movement creates a vacuum, which ultimately causes the entire structure to implode upon itself.
This text is an examination of my work and its relationship to the economic and the domestic. The metaphor …
Distance Moving Through Me: Working In Exile,
2015
Virginia Commonwealth University
Distance Moving Through Me: Working In Exile, Anne Beth Albagli
Theses and Dissertations
This thesis and accompanying exhibit, Untitled [Distance Moving Through Me: Giselle and Marco] explores contemporary issues of displacement and our relationship to the site of home. Through the trope of a pilgrimage in the desert, both virtual and in person, inspired by the eviction and imprisonment of my paternal family from Egypt in 1956, Distance Moving Through Me: Working in Exile asks how we can use our virtual experience and changing perspectives of the landscape to our advantage for a more empathic world.
Limelight & Indigestion,
2015
Virginia Commonwealth University
Limelight & Indigestion, Joshua D. Thorud
Theses and Dissertations
This thesis chronicles the progression toward and creation of my thesis show, Limelight & Indigestion, as well as the cultural, technological and artistic influences and discussions that underpin the works therein. The show is an exploration of celebrity, mass media, and the nature of the desire for fame. I hope to situate my work through an investigation of topics such as Hollywood and the use of green screens and associated technology, our physical and ideological connection to cinema, the absurd in cinema history, and the complex nature of media digestion.
New Patriarchies: A Turbulence Of Source And Subject,
2015
Virginia Commonwealth University
New Patriarchies: A Turbulence Of Source And Subject, Stephen Fuller
Theses and Dissertations
Experiencing a turbulence of source and subject in the variable inversions and supports of one source to another--the wreck of the U-352, Carpeaux’s Ugolino and his Sons, a movie poster for J.A. Bayona’s The Impossible, and Cassiopeia mythology--these four sources as sons, in sacrifice to and surviving by way of “daddy” documentation, are here refigured to reenact and critique the patriarchally recreational, monumental, cinematic, and mythological infrastructures supporting the sources of this work and thereby serving to critique the newer patriarchies to which these sources and their subjectifications here seek to cross consumptively dead end. Following three public …
Z Axis Follies,
2015
Virginia Commonwealth University
Z Axis Follies, Adam Collignon
Theses and Dissertations
This document will outline the nature of performance / object interaction, and the role of documentation in this interaction. In addition, I will explore the body / object as a site of multiplicities, the quality of simultaneity in appearance and apprehension of such multiplicities, and traverse the triumphs and travails of the body / object’s journey from one state of being to the next.
Fallen/Lifted,
2015
Virginia Commonwealth University
Fallen/Lifted, Hillary Waters Fayle
Theses and Dissertations
I use found botanical material such as leaves, seedpods, and branches to explore human connection to the physical world. By combining these organic objects with the rich traditions of needlecraft, I bind nature and the human touch. Both tender and ruthless, this intricate stitch work communicates the idea that our relationship with the natural world is both tenuously fragile and infinitely complex.
The way I think about and make art mirrors the way I think about my life and how I walk through the world. What I do is about elevating details. It is about noticing cycles and connections. It …
Facing Reality,
2015
Louisiana State University and Agricultural and Mechanical College
Facing Reality, Mitchell Patrick Hobbs
LSU Master's Theses
Facing Reality is a show of landscape paintings and drawings of Baton Rouge, executed mostly through direct observation. Working this way has allowed me to slow down and specifically engage my surroundings and the physical locations that are compelling to me. I am interested in being open to the possibilities provided by experience, and using what I find to create meaningful, honest, and visually poetic pictures.
The Veil,
2015
Louisiana State University and Agricultural and Mechanical College
The Veil, Eric Richard Euler
LSU Master's Theses
The Veil is a print media exhibition exploring the politics surrounding internet and internet related technologies and how they shape our identity. All of the works shift within a satirical and enigmatic visual language which accumulates to form a critique of our online habits and rituals. My work is driven by questions surrounding digital identity, privacy, data mining, narcissism, and commodity fetishism. How is the internet changing us as people and consumers? What are the repercussions of frivolously sharing private information online? And how are new government bills affecting our freedom online? Gallery visitors will encounter the hand-pulled print in …
Unexpected Zeus,
2015
University of Montana - Missoula
Unexpected Zeus, Adam Lambert
Graduate Student Theses, Dissertations, & Professional Papers
No abstract provided.
Art 102 Research Paper Guide,
2015
CUNY Borough of Manhattan Community College
Art 102 Research Paper Guide, Rachelle Street, Robert Rubyan, J S. Held
Open Educational Resources
This art analysis form will help guide your students through looking at artwork with the aim to writing a research paper on a work they observe in-person.
Model Sosialisasi Kearifan Lokal Masyarakat Baduy Dalam Pelestarian Hutan Kepada Generasi Muda Di Kampung Balimbing, Baduy Luar,
2014
Universitas Indonesia
Model Sosialisasi Kearifan Lokal Masyarakat Baduy Dalam Pelestarian Hutan Kepada Generasi Muda Di Kampung Balimbing, Baduy Luar, Isman Pratama Nasution, R. Cecep Eka Permana, Dian Sulistyowati
Paradigma: Jurnal Kajian Budaya
The Baduys are rice farming communities who rely on nature and the forest. Therefore, they keep and maintain their forests through customs and cultural practices. Dudungusan is preserved forest, prohibited for cultivation. Garapan is the land that can be processed into fields (huma), following the needs and rules of cultivation. Although the Baduys live in groups in small villages at the foot and slopes of hills or mountains, they keep and follow their local wisdom. This is evident from the review and the community activities that have been done earlier. There are records of the knowledge, views, and understanding of …
The Inter-Asia Global Marriage: Interaksi Budaya Di Dalam Perkawinan Campuran Pasangan India-Indonesia Di Jakarta,
2014
Universitas Indonesia
The Inter-Asia Global Marriage: Interaksi Budaya Di Dalam Perkawinan Campuran Pasangan India-Indonesia Di Jakarta, Song Angjaya
Paradigma: Jurnal Kajian Budaya
The paper analyzes the cultural interaction in mixed marriage of Indian national who live in Jakarta with Indonesian in the more penetrating globalization process in Asia in the 21st century. The research aims to examine the binding of two cultures tied in the knot in the marriage institution, its problem and negotiation. The qualitative methods used here is conducted through questionnaire and direct interview and through the social media. The result of which shows that factors such as cultural difference, respective country rules, and family tie interfere the social interaction in mixed marriage. But, despite the challenges, it is capable …
Identitas Kosmopolitan Dan Parokial Pekerja Migran India Di Batam Sebagai Strategi Negosiasi Budaya,
2014
Universitas Indonesia
Identitas Kosmopolitan Dan Parokial Pekerja Migran India Di Batam Sebagai Strategi Negosiasi Budaya, Dian Mukti Wuri
Paradigma: Jurnal Kajian Budaya
The paper describes the economic influence in the cultural policy seen through the big number of the diaspora of ethnic and national of India in Southeast Asia. Although in one hand, the India diaspora is one of the substantial sources in developing India, however, on the other, there are some obstacles found in this matter, such as that the Indian policy is partial against other countries in Southeast Asia, so as that the countries of Southeast Asia partial against the Indian diaspora. The writer of this paper, starts his argument with the idea to offer double citizenship to the Indian …
Kebijakan Diaspora India Di Asia Tenggara: Corak Strategi Ekonomi Dalam Ikatan Identitas Budaya,
2014
Universitas Indonesia
Kebijakan Diaspora India Di Asia Tenggara: Corak Strategi Ekonomi Dalam Ikatan Identitas Budaya, Naufal Azizi
Paradigma: Jurnal Kajian Budaya
The paper describes the economic influence in the cultural policy seen through the big number of the diaspora of ethnic and national of India in Southeast Asia. Although in one hand, the India diaspora is one of the substantial sources in developing India, however, on the other, there are some obstacles found in this matter, such as that the Indian policy is partial against other countries in Southeast Asia, so as that the countries of Southeast Asia partial against the Indian diaspora. The writer of this paper, starts his argument with the idea to offer double citizenship to the Indian …
Male And Female Differences In Colour Naming, A Case Study Of Fib Ui English Students,
2014
Universitas Indonesia
Male And Female Differences In Colour Naming, A Case Study Of Fib Ui English Students, Gevintha Karunia Maully
Paradigma: Jurnal Kajian Budaya
Male and female are not only differentiated by their physical and emotional condition. There are many other aspects that can be explained to prove male and female differences, one of those differences can be seen by how they name colour. Using Lakoff’s theory, which talks about female and male differences in colour naming, as the main theory, this research is conducted. Using ten FIB UI English students as the sample, five males and five females, this research aims to prove Lakoff’s theory whether it is suitable with the condition of FIB UI English students or not. Besides, by the end …
Magic As A Form Of Oppression Towards Women: Gender Ideology In Maleficent (2014),
2014
Universitas Indonesia
Magic As A Form Of Oppression Towards Women: Gender Ideology In Maleficent (2014), Thalia Shelyndra Wendranirsa
Paradigma: Jurnal Kajian Budaya
Previous studies propose that female protagonists in Disney movies are represented based on gender construction that causes oppression towards women, but in 2014, Disney produces Maleficent which offers different characterization and theme opposing the aforementioned gender construction. By focusing on its different female main character and theme, this paper aims to see what kind of oppression occurs and how Disney presents their gender ideology in the movie. The findings reveal that even though Maleficent is portrayed as a powerful woman, she is also oppressed. Her magical power becomes a trigger of her oppression since men consider Maleficent’s power as a …
Clinical Art Therapy And Hebrew Calligraphy: An Integration Of Practices,
2014
Loyola Marymount University
Clinical Art Therapy And Hebrew Calligraphy: An Integration Of Practices, Debra Linesch
Journal of Clinical Art Therapy
This paper explores the process of integrating two apparently disparate practices, clinical art therapy and the rendering of Hebrew calligraphy as religious ritual. A growing body of literature that supports this attempt at integration is briefly reviewed. Following this, an exploration of the potential integration is described, discussed and analyzed. The author’s own images are viewed as an example of an image making process that is developed from a faith tradition and informed by the understandings and values of clinical art therapy. The findings of the exploration suggest that art therapy understandings have the potential to illuminate and support many …
Repositioning Art Work From Patients Suffering From Anorexia Nervosa In A Gendered, Socio-Cultural Context: A Self-Reflective Study,
2014
Psychological Art Therapy Services of Pittsburgh
Repositioning Art Work From Patients Suffering From Anorexia Nervosa In A Gendered, Socio-Cultural Context: A Self-Reflective Study, Dafna Rehavia-Hanauer
Journal of Clinical Art Therapy
This article, conceptualized within a post-structuralist, feminist approach to art therapy, addresses the role of visual images as a controlling constituting discourse significant to the formation of the eating disorder anorexia nervosa. As a core position this article argues for a change in the way art work created within the art therapy process by women who suffer from anorexia nervosa is interpreted and analyzed by art therapists. The article argues for an enhanced appreciation and critical analysis of gendered, social-cultural contextualization of visual images and recognition of how these forces have a role in directing women to enact behaviors of …
