Film and Media Studies Commons^™

Landing: Body, Site, Material, Renata Berta

Masters Theses

I believe that in order to build on the land, I must establish a profound relationship with it. As an outsider to New England territories, I actively seek this connection through immersive activities such as swimming, surfing, climbing, and extensive walks, immersing myself in the land to better understand it and synchronize with its rhythms. In my artistic and architectural practice, I explore dissolving traditional boundaries, emphasizing the vital return to the land to create a more responsive and embodied architecture that symbiotically engages with the landscape

Within this ongoing project, “Landing: Body, Site, Material,” I conceptualize my body not …

Looking For A Better Chair: The L Word And Learning How To Sit, Beans Fernandez

Dissertations, Theses, and Capstone Projects

In the 20 years since the initial airing of Showtime’s The L Word, the series has garnered a massive following among the sapphic and queer community and has cemented itself as a staple of queer media canon. Beyond the basic queer plotlines, though, The L Word captures lesbian and queer identity, politics, and livelihoods while using a seemingly superficial medium to portray queer bodies in a way that brings it to mainstream and cisheteronormative culture. Further, queer media like The L Word is able to guide members of the LGBTQ community into a queer consciousness and existence.

Winter Solstice, Jingwen Cao

Masters Theses

For a long time, I have been thinking about what contemporary photography is, what its position is, and what the relationship is between artists and audiences. At the same time, I was developing my concepts and photographic directions and trying to make my work and my perspective on photography relevant. Winter Solstice includes a series of essays that locate my thinking and my work. Its title references the longest night of the year.

The position of photography has changed significantly over the past few decades. The way people read photos is also changing. Perhaps because of reverence for art and …

Moving Studio, Emilia Miekisz

Masters Theses

This collection of essays chronicles my journey through the MFA program at the Rhode Island School of Design (RISD), exploring the concept of a “moving studio” and its influence on my creative process. From the fluidity of morning routines to the comfort found in Sunday pancake traditions, the essays delve into the intersections of personal experiences, artistic inspiration, and technological innovation. Through reflections on animation projects like “Wakey Wakey” and “Mr. Fragile,” I examine the transformative power of storytelling and the emotional connections fostered through my work. The essays also explore the evolution of perspectives, from initial resistance to embracing …

From Here To The Ground, Courtney Mccracken

Masters Theses

Art, for me, is a thinking process. It is also a process of connection to body and place. It directs my fractured attention toward the things I care about. As I labor through process, I am gifted with a moment of attentiveness. In a time where everything feels urgent, and our perspective can be warped by the endless flood of information, making art is a chance to stop, to think, and to feel.

It is a space for holding, and a space for being held.

Recently, I have been working primarily in animation and sound design, experimenting widely across media …

Embodied Abstractions: Identity And Representation In The Digital Era, Srikar Hari

Masters Theses

The digital image is a copy in motion. As it accelerates, it deteriorates.

It is a ghost of an image, a preview, a thumbnail, squeezed through

digital connections, resized, uploaded, downloaded, reformatted

and re-edited.

- Adapted from “In defense of the Poor Image” by Hito Steryel

With today’s digital technology, the image is no longer a stable

representation of the world, but a programmable database that

is updated in real time. It is not only part of a program, but it

contains its own operating code: the image is a program in itself.

Consequently, the image’s rhetoric has taken on …

Past * An Introduction To The Problem, Zelimir Zilnik, Boris Buden, New Media Center Kuda.Org, Olivera Jokic

Publications and Research

Who can know what is in the past? Is it what historians can tell us? Should we also trust what we can remember? Past • An Introduction to the Problem proposes that the problem of the past now concerns everyone. Visions of a different, brighter future defeated in the Cold War and its heated afterlives, we are being offered the past as the only horizon of possibility. And what are we supposed to find in that past? Philosopher Boris Buden considers these questions in a series of essays and conversations with filmmaker Želimir Žilnik, one of the most prominent filmmakers …

Tea Leaves And Other Stories: Expressing Themes Of Change And Loss Through The Magical Realist Style, Olivia Geist

University Honors Theses

"Tea Leaves and Other Stories" is a collection of "tiny" (1 - 2 page) film scripts and one longer, seven page script that study how themes of change and loss can be expressed through the magical realist style. Inspired by Isabel Allende's essay, "The Short Story", these scripts are both a study of magical realism in film as well as a reflection on the author's process as a writer and the themes present within her work.

Closing, Sarai Devi Dasi, Vivian Jameson

.RAW Journal of Art and Design

No abstract provided.

Contributors, Brandon Schwartz

.RAW Journal of Art and Design

No abstract provided.

'Donut Still Life' & 'Hello?!', Jolina Chen, Emily La Puma

.RAW Journal of Art and Design

No abstract provided.

'Lucky Fix' & 'Jogging Thru The Yard', Dan Lee, Jordan Mendelevitch

.RAW Journal of Art and Design

No abstract provided.

'Babydoll' & 'For The Love Of Type', Kennedy Ray, Brandon Schwartz

.RAW Journal of Art and Design

No abstract provided.

'Supernova' & 'Poison Girl Friend', Zach Kanter, Celeste Ibarra

.RAW Journal of Art and Design

No abstract provided.

'Untitled' & 'Me And My Girls @ The Beach', Vivian Jameson, Zoë Harris

.RAW Journal of Art and Design

No abstract provided.

'The Ducktectives' & 'Blossoming', Trey Bernard, Alara Wiefling

.RAW Journal of Art and Design

No abstract provided.

'Sea On A Plate' & 'Beach Music', Shrishti Dutta, Natalia Celebrini

.RAW Journal of Art and Design

No abstract provided.

'Abjection' & 'Montana Cans', Sara Isabela Cordovez, Sarai Devi Dasi

.RAW Journal of Art and Design

No abstract provided.

'2 Friends In A Laundromat' & 'Strumming Through Color', Andrea Aruino, Sarah Hirst

.RAW Journal of Art and Design

No abstract provided.

'Slowly Unhinging' & 'Rainbow Of Tomato', Michaela Velleno, Sophia Levin

.RAW Journal of Art and Design

No abstract provided.