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Sex In China (Book Review), Wenqing Kang

History Faculty Publications

No abstract provided.

On Forms And Regulations Of Han Poetry, Shang-Ju Chiang

Chinese Language Teaching Methodology and Technology

Traditional poetics is gradually disappearing under the impact of modernization. Aiming to provide Chinese with specific ways to understand the poetics of Chinese characters, this article articulates and analyzes most of the Han Poetry forms and regulations illustrated with the author-created poems, such as the traditional quatrains and regulated poems and many more. It is the author’s hope that more people will appreciate and inherit classic poetry but also be innovative.

林夕歌詞的比喻與比擬研究

Dissertations from all years

近年香港各明星組合冒起，流行曲又再掀起熱潮。從六、七十年代到今，每個時期都有各自的當紅歌手和填詞人。能橫跨樂壇三十多年，詞作出色令人驚嘆的非他莫屬──林夕。

林夕原名梁偉文，從八十年代中開始填流行歌詞。林夕詞作除了產量多，更出色於用典、節奏、故事性、宗教思想等。因此對林夕歌詞之研究每多圍繞其主題或概念，甚少以歌詞細讀的形式分析。

文本將從修辭角度入手，分析林夕歌詞中的比喻與比擬運用。正文將分成三部份──第一部份分析其歌詞中的比喻與比擬如何加強情感；第二部份分析其歌詞中的比喻與比擬如何營造意象；第三部份分析其歌詞中的比喻與比擬在情感和意象上如何相輔相成地突出主題，達至共融。

Workers Below Chairman Mao As The Sun

Chinese Art Posters

Chinese propaganda poster. Wood block print. Translation: "Long live Mao Zedong thought!" c. 1960s.

先秦賦研究論著敘録

嶺南學報 Lingnan Journal of Chinese Studies

新時期（1978—）的先秦賦研究取得了輝煌成績。在文獻整理方面，吳廣平輯校的《宋玉集》（2001）、高志明《宋玉四家注集釋與彙評》（2014）、劉剛《宋玉研究資料類編》（2015）最見功力；在作品真僞和藝術成就方面，主要有朱碧蓮《宋玉辭賦譯解》（1987）、高秋鳳《宋玉作品真僞考》（1999）、吳廣平《宋玉研究》（2004）、劉剛《宋玉辭賦考》（2011）等多種；在辭賦普及方面，又有袁梅《宋玉辭賦今讀》（1986）、金榮權《宋玉辭賦箋評》（1991）、曹文心《宋玉辭賦》（2006）等。此外，葉舒憲《高唐神女與維納斯》（1997）、魯瑞菁《聖婚與聖宴》（2013）、江柳《宋玉辭賦的美學解讀》（2014）、姚守亮《宋玉辭賦語法修辭研究》（2015）分别從原型批評、神話學、美學和語言學角度深化了對宋玉辭賦的研究。值得一提的是，學術界組織的宋玉國際學術研討會已召開四次，每次都能收到學術論文近百篇，並且結集出版，有力地促進了宋玉賦研究的深化與拓展。但是在熱鬧局面的背後，亦有諸多值得檢討的問題：學術界對荀子賦的研究尚嫌薄弱，表現出重宋玉而輕荀子的傾向；對於先秦賦的俗文學性質，也期待能够有新的突破；低水準重複的著作甚多，激情有餘而創新不足。

Since 1978, the research on Pre-Qin rhapsody has seen great achievements. Song Yu ji (Collected Works of Song Yu; 2001) annotated by Wu Guangping, Song Yu sijia zhu jishi yu huiping (Four Commentators’ Collected Annotations and Commentaries on Song Yu’s Rhapsody; 2014) compiled by Gao Zhiming, and Song Yu yanjiu ziliao leibian (Collected Research Materials on Song Yu; 2015) edited by Liu Gang are among the best publications in the area of archival research. Outstanding among the research on the authenticity and achievements of Song Yu’s works are Zhu Bilian’s Song Yu ci fu yijie (Interpretations of Song Yu’s …

Li Bai's "Twelve Imitations Of The Old Poems" And Its Image Construction

Theoretical Studies in Literature and Art

Li Bai's cycle of poems "Twelve Imitatations of the Old Poems" is an imitation of "Nineteen Old Poems". It was preceded by Lu Ji's method of imitating other texts and could be seen as part of the practice of imitating older poems from the Six Dynasties to the Tang Dynasty. Li Bai's imitations are richer both in "images" and "implications" than those in the imitated poems, perhaps because he borrowed some techniques from the Qi and Liang Dynasties to enhance the traditional modes of conveying and inspiring, and Li Bai tried to combine expressionist and representational techniques to demonstrate the …

「強強互攻」設定下中國網絡耽美小説中的性別形象與關係想像——以巫哲《三伏》為例

Dissertations from all years

攻受是中國網絡耽美文學的核心設定之一，攻受的劃分基於戀愛雙方的性愛體位，插入方為攻，被插入方為受。中國網絡耽美文學中的攻受更代表着作者及讀者對角色形象、以至相處模式的期望。攻受明確的中國網絡耽美文學相當常見，但亦存在部分例外，如「互攻」。本文以巫哲《三伏》為研究對象，分析在「強強互攻」的設定下，小說所呈現的性别形象及關係想像。

文章分作三部分，第一部分探討強強互攻的意義，第二部分分析《三伏》中的性別形象想像，第三部分從性與事業兩方面探索《三伏》中的性別關係想像。筆者認為，《三伏》通過「強強互攻」的設定模糊攻受身份的邊界，以消解角色間的權力關係及對立，並重塑了性别形象的想像。

塑造"中國" : 成康大分封與成周王畿區的空間整合

嶺南學報 Lingnan Journal of Chinese Studies

後世多將《詩經．北山》“溥天之下，莫非王土”視爲西周王朝美好政治願景，實際這句話真切反映出周人欲實現大一統的宏圖。而要達成這一政治鵠的，藉由分封制的推廣來重構新的“中心—四土”地理格局勢在必行。西周統治核心區爲《漢書．地理志》所言的“洛邑與宗周通封畿”，與西部宗周王畿的形成不同，東部的成周王畿區是周公東征以來軍政謀略運用下的塑造結果，突出展現在成康大分封時代異姓諸侯的徙封和姬姓子弟的新封中。商末周初異國楚、鄂原居中原要地，因其阻礙周人地盤擴張和核心區穩固，迫其南遷，而姻戚陳國的褒封因不合於成王封建佈局，亦徙封至南土。成王在令康叔徙封至衛以領有殷舊畿大部基礎上，再於中原新封邘、凡、共、柞、密諸姬姓國。康王更進一步將姜姓焦國遷出三門峽，另封以姬姓焦國來穩固兩畿之間，並將本居邢丘的邢國徙封至北土邢臺以抗戎，從而真正起到蕃屏功效。每一分封（含徙封）諸侯的背後，都體現周初統治者精心建構其地緣空間、優化國土結構的高超設計，最終令後世爲華夏代名詞的“中國”區域在成康時代基本奠定下來。

"Under the vast heaven, all is the king's land" a line from The Book of Songs "Beishan" has often been interpreted as an expression of the Western Zhou Dynasty's ideal political vision. However, this phrase more accurately reflects the Zhou people's ambition for great unification. To achieve this political goal, the promotion of the feudal enfeoffment system to restructure the new "center-periphery" geographical pattern was essential. The core ruling area of the Western Zhou was the region described in The Book of Han "Geography Records" as "Luoyi and Zongzhou's joint royal domain." Unlike the formation of the western Zongzhou …

Japanese Propaganda Poster 07

Japanese Propaganda Posters

Propaganda poster, in Chinese, produced by Japanese-sponsored governments in China during Sino-Japanese War (1937-1945). These governments were established by major Japanese military commands, and posters were used to promote cooperation between Chinese and Japanese. English translation is "All people desire the North/South unification." Chinese: 全民渴望南北統一. On the left and right flags, English translation is “North China” Chinese:華北; English translation is “Central China” Chinese: 華中. The Provisional Government of the Republic of China was founded in December 1937 by the Japanese North China Area Army (NCAA) and controlled the provinces in North China with its capital in Beijing. The Japanese Central …

古龍《陸小鳳傳奇》的理想型與變態型人物

Dissertations from all years

《陸小鳳傳奇》轟動了文壇，令作者古龍名聲大斐。《陸小鳳傳奇》成功的原因是寫出諸多獨具個性的人物，不論主角配角亦同樣精彩。每個人物都是有血有肉，其行為也是可圈可點。而且這部推理武俠小說的情節懸疑迭起，令讀者如入迷障，引人入勝。再加上文字洗煉優美，當中妙語如珠，像散文詩亦如禪機，可謂精妙絕倫。

全文分作兩大部份，第一部份分析小說中的三個理想型人物，分別為陸小鳳、花滿樓和西門吹雪。本文會以李贄的〈童心說〉作基礎分析陸小鳳的性格，以中國傳統的仁愛道德觀去顯示出花滿樓的完美性格，及以「性痴」來分析西門吹雪這位劍神的內在情感。

第二部份是探索《陸小鳳傳奇》中的變態人物性格特徵，集中分析宮九和牛肉湯這對心理變態的兄妹。古龍善寫變態人物，此二人的變態心理異常矛盾複雜，宮九自卑又自戀，牛肉湯既自大又墮落，這部份會以西方心理學為基礎進行研究，主要用佛洛伊德的心理學理論如性異常和多重性格等，從當九和牛肉湯的行為分析二人形成變態心理的原因和找出他們行為的動機。

古龍正是透過這兩種截然不同的人物的強烈對比，令他們互相突出對方，使兩種人物在小說中性格也非常鮮明。他們的對立衍生出人物之間的愛恨，不但使故事高潮迭起，同時亦因此而深深吸引了讀者，令讀者與小說中的人物一起走進古龍的奇幻武俠世界。