French and Francophone Literature Commons^™

Formes Et Fonctions Du Métatexte Dans Le Cavalier Et Son Ombre De Boubacar Boris Diop, Morgan Faulkner

Présence Francophone: Revue internationale de langue et de littérature

This article examines the metatextual discourse elaborated in the novel Le cavalier et son ombre by Senegalese author Boubacar Boris Diop, a work in which reality and the imaginary are constantly confused and intertwined. This research looks at the forms and functions of metatextuality, which develop a reflection on the relationship between these two spheres (reality and fiction). Drawing notably from Gerard Genette's theories on the metatext and the metalepsis, this article examines how the novel highlights and critiques its own function as a literary text. What narrative practices does Diop use to reflect on the author, writing, words and …

Métamorphoses De L'Écrivain Dans Le Roman Francophone Subsaharien, Christian Uwe

Présence Francophone: Revue internationale de langue et de littérature

In his very first novel - La vie et demie - the question was put forward: wherefrom shall Sony Labou Tansi write so as to be? With a stunning lucidity, the author observed the irreducible gap that separates him from (and yet links him to) his writing: "I who speak of the absurdity of the absurd [ ... ] wherefrom do you think I speak if not from the outside?" (1979: 9). Starting from that novel, this paper explores the way the figure of the author is revealed by the writing. To that end, it explores five takes on such …

Felwine Sarr (2017). Ishindenshin. De Mon Âme À Ton Âme, Montréal, Mémoire D'Encrier, 68 P. Isbn 978-2-89712-516-5, Saïdou A. Barry

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Livres Reçus (N° 91)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Savagery In Père Goriot, Marin J. Hoffman

Conspectus Borealis

No abstract provided.

Le Roman Policier Francophone : Entre Esthétique Et Politiques Du Genre En Afrique Et En Haïti, Lise Madeleine Mba Ekani

LSU Doctoral Dissertations

My dissertation, “Recasting Crime Fiction: The Francophone African and Haitian Crime Novel between Aesthetics and Politics”, investigates the social and literary meanings of the concept of politics as represented in African and Haitian crime novels. In this work, selected novels were examined considering their cultural, regional and linguistic particularities, as well as their perspectives on social criticism and politics. Drawing from fields such as sociocritical theory, philosophy, and history, this work allows for a more complex exploration of popular cultural productions while calling into question the literary genres. Consequently, it provides the opportunity to question cultural productions as an ideological …

(Re)Casting The Concierge In Muriel Barbery's L' Élégance Du Hérisson, Mariah Devereux Herbeck

World Languages Faculty Publications and Presentations

«Être maire de Paris, c'est aimer les concierges et les stars, parce que les concierges sont les stars de notre quotidien!" (Greco). Before Anne Hidalgo aligned the commonplace French apartment caretaker with celebrated icons of the stage and screen during her 2014 Paris mayoral campaign, the Parisian concierge had never stood so high upon a pedestal. The closest the French concierge had come to such limelight was perhaps the fictionalized representation of the working-class figure in Muriel Barbery's 2006 novel, L' élégance du hérisson. The newspaper Libération described Barbery' s novel as France's "surprise bestseller of the year" (Lançon) …

La Femme Bisclavret: The Female Of The Species?, Alison Langdon

Medieval Feminist Forum: A Journal of Gender and Sexuality

Conventional humanist readings of Bisclavret approach the lai from an anthropocentric perspective, in which animal nature is merely an allegory for human nature. In such a reading, the werewolf protagonist is a foil for his much more beastly if wholly human wife, with the underlying assumption being that animal nature is something to be rejected. That the marker of Lady Bisclavret's bestial nature—her noselessness—is transmitted through the generations of only female descendants seems to echo medieval antifeminist truisms about female perfidy. However, approaching the lai from a critical animal studies perspective can help dismantle conventional assumptions about the privileged status …

El Cuento Como Recurso Didáctico En La Enseñanza Del Francés Lengua Extranjera, Sonia R. Badenas

Faculty Publications

Este artículo ofrece una reflexión pragmática sobre el uso del cuento como material didáctico en el aula de francés

lengua como extranjera (FLE). Tras revisar brevemente las diferentes ventajas de trabajar con cuentos y géneros afines en la enseñanza de lenguas, se analiza la utilidad de este género como material pedagógico para la práctica de la expresión escrita. Sobre esta base proponemos un acercamiento práctico a la integración del cuento en la enseñanza del francés en niveles universitarios dentro de un contexto comunicativo y a la luz del Marco Común Europeo de Referencia para las Lenguas (MCERL).

Transatlantic Détournement? An Institutional Perspective On François Bon’S Reception Of Kenneth Goldsmith’S Uncreative Writing, Gert-Jan Meyntjens

Journal of Creative Writing Studies

This article investigates the ambivalent reception of Kenneth Goldsmith’s Uncreative Writing by the French author and writing workshop facilitator François Bon. Although admiring Goldsmith’s radical poetics, Bon hesitates when it comes to integrating digitally-driven uncreative writing methods in his own workshop. In one entry on his personal website, Bon proposes a détournement of Goldsmith’s experimental practices in the form of a return to the novel. To account for this ambivalence on the part of Bon, this article takes the contexts of American creative writing and the French atelier d’écriture into account. It argues that the novelty of Goldsmith’s project can …

Transposition Objective Du Fait Divers Dans Histoire De La Violence D’Edouard Louis, Annie Jouan-Westlund

World Languages, Literatures, and Cultures Faculty Publications

Un soir de Noel, rentrant du reveillon, l’ecrivain Edouard Louis est aborde par Riahd B (alias Reda), jeune Kabyle sans papiers. Cette banale rencontre amoureuse tourne au drame lorsqu’a la fin de la nuit, accuse d’avoir vole le portable de Louis, le jeune Kabyle cogne, viole, essaie d’etrangler l’ecrivain et le menace d’un revolver. L’originalite d’Histoire de la violence, dont le titre generique est emprunte au film de David Cronenberg et au livre de Michel Foucault, est de vouloir transpos...

Perspectives Plurielles Sur La Danse Du Lion Et Du Dragon: La Chinafrique, Suzanne Crosta

Présence Francophone: Revue internationale de langue et de littérature

When it comes to China and Africa, one thinks spontaneously of immensity versus mosaic, but one can also be fascinated by the rooting in the past. To create La legende des siècles, a French epic, Victor Hugo allowed himself to be carried by "history listened through the gates of legend", according to his own words. Imagine what would be the writing of The legend of the millennia for China and Africa, impressive asteroids launched in the sky of time? Thousand eyes scrutinize with their camera the interactions between the people of the great country and those of the African …

La Fermeture Des Salles De Cinéma En Afrique De L'Ouest Et Ses Impacts Sur L'Internet Et La Télévision, Mouhamadou Cissé

Présence Francophone: Revue internationale de langue et de littérature

This article analyzes the importance of the film industry in West Africa by posing the problem of the closure of cinemas in recent decades in three countries: Senegal, Mali and Burkina Faso. The disappearance of movie theatres jeopardizes reception and drives the use of the Internet and television as broadcasting outlets for movies. This issue occupies little space in film criticism that privileges, according to Claude Forest, the "creative and cultural aspects" and therefore the aesthetics of African film.

La Question Du Cinéma Populaire En Afrique Du Nord, Michel Serceau

Présence Francophone: Revue internationale de langue et de littérature

The different North African cinemas, which appeared after the independences and were the work of film directors trained in Europe, were, as a principle, an art-house cinema at odds with the classical cinema type. Presented at festivals very often, they were not really embraced by the national audiences, who were mainly consumers of popular productions, either western or Egyptian. But the production of genre films (especially comedies) which were very rare until the 1990s is increasing today, at least in Morocco. Their arrival at the top of the Moroccan box-office where they compete with the American blockbusters prove that the …

Abstracts (N° 90)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Esthétique Écologique Et Hybridité Dans Les Génériques De Début Des Feuilletons Télévisés Camerounais, -- Ngetcham, Leslie Goufo Zemmo

Présence Francophone: Revue internationale de langue et de littérature

The first television pictures appeared in Cameroon thirty years ago, proposing series for public consumption. These imported products later on suffered a singular competition from local artists, whose works were mostly broadcast on private channels, besides what was proposed by the single public media of Cameroon Television (CW). In this article, we intend to carry an ecocritical analysis on the aesthetic aspects of ten credit titles; we also bring out the formal process of producing movies; this is how we can identify hybridity through costumes, languages and scenery because they go beyond the local environment which they reveal to present …

Parties Annexes (N° 90)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Front Matter And Table Of Contents (N° 90)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Présentation, Françoise Naudillon

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Présence Francophone, Numéro 90

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Cinéma Ambulant Et Éducation: Télé Yaka Et Cinomade, Vincent Bouchard

Présence Francophone: Revue internationale de langue et de littérature

Cinomade is an association that tries to sensitize the populations about the HIV pandemic in Burkina Faso. Télé Vaka, literally the "Neighborhood Television" in more language, was an itinerant local television around Koudougou in Burkina Faso. By comparing the reception of screenings organized in rural areas by Télé Vaka and Cinomade, this article describes a popular form of consumption of audio-visual images in West Africa. By causing the debate inside the communities using a heterogeneous device connecting endogenous (the chief's words, those of the elders, etc.) and exogenous (video projection and public testimony), ways of communication, this experiment modifies our …

Les Modes De Réception Des Films Populaires Africains Au Brésil: Entre Usage Socioculturel Et « Plaisir Du Texte », Mahomed Bamba

Présence Francophone: Revue internationale de langue et de littérature

In this article, I discuss the uses and the reception of African films (popular films and films d'auteur) in Brazil, especially in some Mostras. I examine, among other issues, the role of these mini-festivals in the establishment of what we can call a popular African cinema experience in a community. These contexts of reception produce in the audience a level of expectation, but also some constraints that impact the films' reading and interpretation.

Du Folklore Au Cinéma: La Transformation D'Un Classique De La Littérature Orale, Désiré Nyela

Présence Francophone: Revue internationale de langue et de littérature

Michel Ocelot's film Kirikou et la sorcière became a great success as soon as it hit the screens in 1998. It even inspired a sequel, Kirikou et les betes sauvages, whose release in 2005 earned the figure of the small African boy a permanent place in a wider Francophone imaginary. Originating in a traditional tale, Kirikou et la sorcière is an adaptation and, as such, the result of a transformation. Indeed, it is the result of a two-fold transformation involving a transition from the oral to the written, on one hand, and from the written to the visual, on …

Index (N° 90)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Bending Gender In French Literature, Jacey Flatte

LSU Master's Theses

This paper looks at French literature that defies binary and heteronormative gender roles and identities. The literature spans from the seventeenth- to the nineteenth-century. My goal is not only to bring these pieces of literature to light, proving that non-binary genders have existed long before the recent liberal LGBTQIA+ movement, but also to help modernize these identities from the past. In doing this, I aim to explain that contemporary gender identities are not new, but timeless. The experiences seen in this literature are strikingly similar to how people experience gender today. As a result, I hope that readers will be …

In The Blood: Repressing Reproduction In The French Convent From Sanguinity To Sexuality, John Stanley Patin

LSU Doctoral Dissertations

This project examines the French convent as a convergent point of evolving blood myths in the eighteenth century. According to Michel Foucault, as a society transitions from sovereign power to more liberal forms of government, the target of how power is enforced shifts as well: from the punishment of individuals who pose a threat to the crown to the regulation of perceived “deviants” who threaten the health and stability of the nation’s population. As the eighteenth century was a time of radical social change, the era encapsulates a prime moment for the study of continuities and discontinuities of these various …

Qohelet And Camus: Answering The Absurd, Christian A. Sanchez

Global Tides

Albert Camus contributed greatly to the realm of philosophy with the promotion of absurdism—the school of thought hinging on the belief in the “absurd.” Essentially the divorce between man’s desire for meaning and the universe devoid of meaning, the absurd is the dominating theme of his works. Three millennia beforehand in the Hebrew Bible, the rich discourse of Qohelet was recorded as the book of Ecclesiastes. Qohelet, a word simply meaning teacher, concludes that all is “vanity,” or in Hebrew, “hebel.” This central notion of hebel permeates his discourse on the essence of life here on earth. This article …

Translation Of View From The Ossuary By Antoine Volodine, John Thomas Mahany

Graduate Theses and Dissertations

This is a literary translation from the French of Antoine Volodine’s Vue sur l’ossuaire. Additional creative embellishments have been included in the form of translator’s notes and epigraphs in order to enhance the fictive reality of the work.

Rhetorique Du Soi Dans La Litterature Francophone Haïtienne Du Xxe Siècle. Manques Et Manquements?, Jasmine Narcisse

Dissertations, Theses, and Capstone Projects

Partant du constat de la précarité du genre autobiographique dans la littérature haïtienne, et des théories formelle (Lejeune), philosophique et historique (Price-Mars, Gusdorf, Fanon, Glissant…), psychanalytique et rhétorique (Fanon, Doubrovsky, Kristeva…) sur le genre lui-même ou traitant de l’identité et de l’individuation, je propose un cadre d’établissement d’un corpus haïtien de l’écriture de soi. Ce sera l’occasion d’analyser les mécanismes mis en place par ces textes pour dire le soi dans une société comme la société haïtienne où le JE est pris en otage par un NOUS lui-même lourdement « surdéterminé » par un legs historique paralysant et l’encombrement social …

Le Mythe Comme Patrie Littéraire De L’Écrivain Migrant, Erika Mandarino

Vernacular: New Connections in Language, Literature, & Culture

L’écrivain migrant contemporain tente d’accéder à la reconnaissance dans la littérature-monde en français, et ceci dépend grandement de la décentralisation de la littérature française nationale. Étant un migrant politique, professionnel, issu d’une diaspora ou autre, l’écrivain, coupé de ses racines nationales, renonce à sa patrie et écrit à partir d’un espace situé entre-deux cultures. Ici, l’identité de l’individu surpasse l’identité culturelle. Les psychologues s’accordent à dire que les mêmes mythes se retrouvent à la base du subconscient collectif de chaque culture ; le mythe représente donc un lieu commun auquel l’écrivain migrant peut s’ancrer. Grâce à quelques exemples, nous verrons …