French and Francophone Literature Commons^™

Translating Nonsense: An Analysis Of The Poem “Jabberwocky” And Two French Translations, Kylie R. Deer

Student Scholar Symposium Abstracts and Posters

Is it possible to translate nonsense? If yes, then how?

Lewis Carroll’s “Jabberwocky” is a nonsense poem in which many of the words are invented out of the author’s imagination. As a result, readers depend on Carroll to explain the meanings of such words. The first stanza of “Jabberwocky,” chosen since it contains the largest number of nonsense words in the poem, was analyzed and compared to the first stanza of two French translations (“Le Jaseroque” by Frank L. Warrin and “Bredoulocheux” by Henri Parisot). A word-by-word, and to an extent, syllable-by-syllable close reading of the three texts was performed …

Looking At Shadows: Four French Texts In English Translation, Kalena M. Hermes

World Languages and Cultures

This project present four French texts in English translation that share the theme of loss. This theme is perhaps one of the most poignant and relevant; loss is an experience that every human will encounter, and as people we continue across time to grapple with what it means for us and how to deal with it. These four texts will bring the perspectives of four authors to light in English. When we study how other countries and cultures deal with common human issues, we are able to gain new views on these issues. This project will make these texts accessible …

The New White Moderate: Bearing Witness To The Differend Of Race, Ethan T. Ashley

Honors Theses

As Frantz Fanon demonstrates in his text, Black Skin, White Masks, Sartrean existentialism fails to account for differences in racialized existence. Quite simply, the notion that “existence precedes essence” is reversed in the case of the black subject; he/she is living in a world that has rendered the black subject subservient to a predetermined essence. Ultimately, the fact that the white subject exists and may freely determine his/her essence while the black subject may not further demonstrates this gap or a chasm between black and white subjects that calls for further examination. In the first chapter, I will use …

Esthétique Écologique Et Hybridité Dans Les Génériques De Début Des Feuilletons Télévisés Camerounais, -- Ngetcham, Leslie Goufo Zemmo

Présence Francophone: Revue internationale de langue et de littérature

The first television pictures appeared in Cameroon thirty years ago, proposing series for public consumption. These imported products later on suffered a singular competition from local artists, whose works were mostly broadcast on private channels, besides what was proposed by the single public media of Cameroon Television (CW). In this article, we intend to carry an ecocritical analysis on the aesthetic aspects of ten credit titles; we also bring out the formal process of producing movies; this is how we can identify hybridity through costumes, languages and scenery because they go beyond the local environment which they reveal to present …

Cooking, Language, And Memory In Farhoud's Le Bonheur À La Queue Glissante And Thúy's Mãn, Simona Emilia Pruteanu

CLCWeb: Comparative Literature and Culture

In her article "Cooking, Language, and Memory in Farhoud's Le Bonheur à la queue glissante and Thúy's Mãn" Simona Emilia Pruteanu discusses two moments in the evolution of (im)migrant writing in Québec. Abla Farhoud's 1998 novel shows the struggle of Dounia, a Lebanese immigrant living in Montréal, who in her seventies finds a voice with the help of her daughter's writing and starts to reflect on her identity. Themes of language and cooking overlap and reinforce one another and offer a new perspective on memory and the act of remembering. Language, cooking, and memory also intertwine in Thúy's 2013 …

"Le Créole Est Chez Moi": Le Créole Haïtien Et Dany Laferrière, Jessica Gerdisch

French: Student Scholarship & Creative Works

No abstract provided.

La Double Vie De Baudelaire: Le Trouble Bipolaire Et La Dépendance À L’Opium, Kristen Murphy

Senior Honors Projects

Charles Baudelaire (April 9th, 1821- August 31st,1867) the nineteenth century French poet, was an eccentric and scandalous character who pushed the boundaries of decency and literature quotidianly. Today he is considered the father of the modernist literary movements and is well respected in literary circles. However, during Baudelaire’s lifetime, his great work Les Fleurs du Mal (The Flowers of Evil) was censored by the French government, he was constantly bankrupt, attempted suicide once, and was an opium addict. Charles Baudelaire did not lead a cheerful life and his works show this darkness. In Les Fleurs du Mal, Baudelaire constantly refers …

Les Minorités Postcoloniales Face À La Francophonie, Alec C. Hargreaves

Présence Francophone: Revue internationale de langue et de littérature

The migratory flows from the former colonial territories have encountered in France a settling process of non-native populations, a growing proportion of whom, born of immigrant parents, have obtained French nationality. Literature, film and music reveal that, with respect to Francophonie, the current situation of these frequently stigmatized minorities overturns the traditional categories and demarcation lines between French and Francophones.