French and Francophone Literature Commons^™

Entre Rêve Et Résignation – Références Intertextuelles Dans Les Chemins Qui Montent (1957) De Mouloud Feraoun, Inès Kremer

Journal of Amazigh Studies

Résumé :

Malgré la présence évidente et continue des références intertextuelles dans les romans de Mouloud Feraoun, celles-ci n’ont été que rarement étudiées. C’est notamment dans son troisième roman, Les chemins qui montent, que les renvois à la littérature orale de la Kabylie comme à l’œuvre romanesque et philosophique d’Albert Camus se prêtent particulièrement à une analyse approfondie. Ils révèlent la résignation profonde du protagoniste qui se refuse à la révolte métaphysique au sens camusien, révolte rendue impossible par la condition coloniale.

Mots clés : Feraoun, intertextualité, Camus, et littérature orale kabyle

Abstract:

Despite the importance of intertextual references …

The Revolting Monster - A Consideration Of Existentialist Themes In Mary Shelley's Frankenstein Through A Comparison To Albert Camus' The Stranger, Felipe Rodriguez Ii

Theses and Dissertations

This Master’s thesis is concerned with analyzing key themes and ideas in Mary Shelley’s Frankenstein through an existentialist lens which is made possible through a comparison to themes and ideas in Albert Camus’ The Stranger. I aim to make a contribution to my field by fulfilling a comparison that has long been made since the late 1960s when conversations about British Romanticism and Existentialism were still common. The purpose of my first chapter is to elucidate a new argument about the relationship between these two novels. There is a discernable element of Camusian Revolt exhibited by the Creature in …

The Extinction Race: Techniques Of The Human In Proust, Via Houellebecq, James Dutton

CLCWeb: Comparative Literature and Culture

In his article, “The Extinction Race: Techniques of the Human in Proust, via Houellebecq” James Dutton “reads” identity and race from the point of view of technics. Namely, he does so through the work of two nominally “Eurocentric” authors, Marcel Proust and Michel Houellebecq, observing how familial and racial resemblance is a living inscription of “lost time.” This inscription comes about through the technical means available to and constitutive of the categories which bind them. Thus, instead of furthering unfinishable racial distinctions which only serve to support discourses of racism, this article follows assertions made in the novels of …

Operatic Mysticisms: Mountains, Deserts, Waterscapes, Andrew Demczuk

Electronic Theses and Dissertations

Operatic Mysticisms: Mountains, Deserts, Waterscapes examines the ways we encounter environments as readers/viewers of operas, literature, film, and sound recordings, and how each medium requires different detail-gathering techniques. Respective to the previously mentioned mediums, Sun & Sea (2017), Mount Analogue (1952), El Mar La Mar (2017), and Energy Field (2010) are analyzed by engaging with environmental media studies and invention. Reflecting the nature of each landscape—summits of mountains, aporias of deserts, and mysteries of waterscapes—an elemental approach is taken in investigating how these spaces may be noticed, internalized, recorded, and traversed by both the artist and viewer. …

Stephen Ross, Editor. Modernism, Theory, And Responsible Reading: A Critical Conversation. Bloomsbury Academic, 2022., Anne Cunningham

Studies in 20th & 21st Century Literature

Review of Stephen Ross, editor. Modernism, Theory, and Responsible Reading: A Critical Conversation. Bloomsbury Academic, 2022. 239 pp

Sin Without Absolution: A Critical And Comparative Analysis Of Select Works By Albert Camus, Will Hodges

Honors College Theses

The Fall by Albert Camus, published in 1956, is cryptic and easily misunderstood. On first reading, it can appear to be a condemnation of modern man, a declaration that all have sinned and there is no divine absolution. However, this bleak misreading is deceptive because The Fall is not a condemnation; it is a warning. It does not condemn modern man as he is, but rather as what he could become if he succumbs to living in bad faith, a cautionary tale that resonates today. Camus presents the same message through his philosophy of revolt in The Plague and The …

Le Secret D’Une Pyramide : Diderot, La Double Doctrine Et L’Encyclopédie, Rudy Le Menthéour

French Faculty Research and Scholarship

No abstract provided.

Snapshots Of A Fictional Past: Photographic Nostalgia In The Early 20th Century Art Novel., Harry A. Jones Iv

Theses and Dissertations

In this dissertation I argue that the proliferation of a mass codependent relationship with nostalgia in the twentieth century shares a parallel history with the widespread adoption of the reproducible image being used by collective audiences as a supplement for natural memory, or what Proust names “voluntary memory.” This conflict between nostalgia-hungry consumers and artists inspired groups such as Alfred Stieglitz’s Photo-Secessionists and artistically minded authors like Henry James, who employed increasingly complex photographic and literary practices to resist the images’ tendency to debase the aesthetic quality of their own work. Authors such as Marcel Proust and William Faulkner used …

Scarlett Baron. The Birth Of Intertextuality: The Riddle Of Creativity. Routledge, 2020., Mariaenrica Giannuzzi

Studies in 20th & 21st Century Literature

Review of Scarlett Baron. The Birth of Intertextuality: The Riddle of Creativity. Routledge, 2020. 381 pp.

The Surreal Voice In Milan's Itinerant Poetics: Delio Tessa To Franco Loi, Jason Collins

Dissertations, Theses, and Capstone Projects

Over the course of Italy’s linguistic history, dialect literature has evolved a s a genre unto itself. The scope of research presented in this study examines the question of dialect literature as a valid genre which bears lines of demarcation that would assign it the distinction of genre. Research reveals that in fact the simple election of a language, or dialect, does not itself constitute a genre; moreover, most dialect literature bears characteristics that would neatly place it in another genre.

To examine this verity, this research compares two dialect poets who employ Milanese as a means of transmission …

Community Unclaimed: Plurality And The Problem Of Sovereignty In Bataille, Nancy, And Blanchot, Gregory J. Grobmeier

Electronic Theses and Dissertations

This dissertation takes up the exchange between three prominent French thinkers on the question of “community”: Georges Bataille, Jean-Luc Nancy, and Maurice Blanchot. Taken together, and starting with Bataille’s prewar writings and communitarian activism in the 1930s, the exchange between them now spans nearly a century. Georges Bataille’s importance as a political thinker and writer was brought out of relative obscurity with the publication of Jean-Luc Nancy’s “La Communauté désoeuvrée” in 1983. Less than a year after the appearance of Nancy’s inaugural essay, Maurice Blanchot, a close friend of the late Bataille, published La Communauté inavouable. Blanchot’s text was …

Queer Displacements: Minorities, Mobilities, And Mobilizations In French And Francophone Literature, Thomas Muzart

Dissertations, Theses, and Capstone Projects

Focusing on the work of Virginie Despentes, Jean Genet, Guy Hocquenghem, and Abdellah Taïa, this dissertation challenges the antisocial turn taken in queer theory, by means of a parallel study of the authors’ geographical and intellectual itineraries. While critics like Leo Bersani and Lee Edelman have suggested that the revolutionary potential in queer identity lies in its opposition to romanticized forms of community, I argue, along with José Esteban Muñoz, that their praising of singularity and negativity is similarly extreme. Alternatively, my study shows how the geographical displacements both experienced and imagined by my primary authors can illuminate the passage …

La Princesse Adrosis Fille De L'Empereur Hadrien: Sainte Et Martyre, Laila Fares

Showcase of Faculty Scholarly & Creative Activity

Le présent ouvrage est l’ensemble de leçons hebdomadaires que j’enseignai il y a quatorze ans. Le vif intérêt que témoignèrent mes étudiants à la princesse Adrosis m’avait encouragé à poursuivre l’histoire en prose, au-delà du petit poème que j’avais composé en 2003 au jour de sa fête célébrée au synexaire copte le 18 Hathor. Les questions de compréhension et de réflexion qui suivent chaque leçon peuvent servir dans un but didactique ou ludique. Vous pouvez en faire une activité de loisir ou d’enseignement pour l’édification et le développement spirituel de vos étudiants. L’histoire de la princesse Adrosis relève de l’histoire …

Imaginaire De La Fin, Icônes, Esthétique. (Ir)Représenter La Post-Apocalypse Dans La Bande Dessinée Et Le Cinéma Du Génocide Tutsi., Alain Agnessan

Electronic Thesis and Dissertation Repository

Cette étude sur la bande dessinée et le cinéma du génocide tutsi s’écarte de l’analyse désormais canonique des politiques mémorielles et pratiques testimoniales pour en investir le parti pris post-apocalyptique . Elle s’agence en deux volets, ou, plutôt, en deux lieux de regard. Envisageant l’imaginaire de la fin qui s’est constitué autour du génocide tutsi, le premier volet de l’étude s’attelle à décrire une scène « cross-traumatic » ou transtraumatique, appelée génoscape, sur laquelle la pensée, les images et les discours critiques lient le destin éthique, esthétique et épistémique du génocide tutsi à celui de la Shoah. Cette démarche …

Asher Ghaffar, Editor. History, Imperialism, Critique: New Essays In World Literature. Routledge, 2019., Laura L. Dennis

Studies in 20th & 21st Century Literature

Review of

Asher Ghaffar, editor. History, Imperialism, Critique: New Essays in World Literature. Routledge, 2019. viii + 238 pp.

La Nouvelle Vague Est-Elle Un Cinéma Existentialiste Français ?, Niuniu Zhang

Honors Theses

Throughout the world, Existentialism and New Wave Cinema are two defining pinnacles of French culture. As iconic of France as the baguette and cheese, the two subjects continue to retain their relevance in French and francophone cultural studies. My thesis explores the correlation between French existentialist philosophy and French New Wave cinema to argue for what can be called French Existentialist Cinema. In terms of French existentialist philosophy, I focus mainly on Jean-Paul Sartre, Simone de Beauvoir, and Albert Camus. As for the French New Wave, I focus first on one of its most highly admired precursors, Jean Vigo and …

Ilai Rowner. The Event: Literature And Theory. U Of Nebraska P, 2015., Dane Stalcup

Studies in 20th & 21st Century Literature

Review of Ilai Rowner. The Event: Literature and Theory. U of Nebraska P, 2015. xv + 311 pp.

French Classicism In Four Painters: Where It Went And Why, Kristen Tayler Westerduin

Senior Projects Spring 2019

Senior Project submitted to The Division of Language and Literature and The Division of Arts of Bard College. French Classicism in Four Painters: Where It Went and Why is an analytical approach to the history of classicism and its definitions since being proposed as a style by the ancient Greeks. This paper looks to artists such as Nicolas Poussin, Jacques-Louis David, Charles le Brun, and Eugène Delacroix to understand the evolution of the style’s interpretations within France between the 16^th and 19^th century.

The New White Moderate: Bearing Witness To The Differend Of Race, Ethan T. Ashley

Honors Theses

As Frantz Fanon demonstrates in his text, Black Skin, White Masks, Sartrean existentialism fails to account for differences in racialized existence. Quite simply, the notion that “existence precedes essence” is reversed in the case of the black subject; he/she is living in a world that has rendered the black subject subservient to a predetermined essence. Ultimately, the fact that the white subject exists and may freely determine his/her essence while the black subject may not further demonstrates this gap or a chasm between black and white subjects that calls for further examination. In the first chapter, I will use …

In Between Realms: The Search For Feminine Selfhood In The Essais Of Montaigne, Anna Suarez

Comparative Woman

My purpose is to explore factors of the Renaissance that determined women’s selfhood in Montaigne’s Essais. I argue that the shift into modernity is responsible for the loss of women’s autonomy as well as the anxiety experienced by men regarding their power as well as their potential. Montaigne and Renaissance discourse defines women only by their bodies (sexual organs) and I explore the elements that established biological essentialism. This paper exemplifies comparative literature in the sense that it combines literature, theory, and art for the purpose of creating a well-researched examination of the root causes for why women were …

Literature Of The Self In Foucault: Parrhesia And Autobiographical Discourse, Álvaro Luque

CLCWeb: Comparative Literature and Culture

In his article "Literature of the Self in Foucault: Parrhesia and Autobiographical Discourse" Álvaro Luque Amo analyzes the framework of Foucault’s study of the technologies of the self. In his study, Michel Foucault analyses the practices of self-writing in the Graeco-Roman period. From this perspective, Foucault approaches the texts of classical authors to interpret what he calls a process of ethopoiesis, or construction of the subject: a subject who tells the truth about himself in the text. Foucault introduces concepts and ideas that are essential to understanding the evolution of autobiography and literature of the self. This article studies …

Post-Pastoral And The Nonmodern: Jean Giono’S Engagement With Nature, Gina Stamm

Studies in 20th & 21st Century Literature

Dismissal of the pastoral as naïve and hostile to progress echoes the critiques which Bruno Latour, in We Have Never Been Modern, makes of what he calls the “antimodern” sensibility. Rather than advocating for an abandonment of the past, however, Latour puts forth a position he calls “nonmodern,” one that allows for recognition of the value of the past and of the natural without idolizing it, that does not demand the forward motion of the modern impulse. While eschewing the “modern” label, he seeks a way to resolve contemporary dichotomies of man vs. nature, human vs. technological, etc., which …

Qohelet And Camus: Answering The Absurd, Christian A. Sanchez

Global Tides

Albert Camus contributed greatly to the realm of philosophy with the promotion of absurdism—the school of thought hinging on the belief in the “absurd.” Essentially the divorce between man’s desire for meaning and the universe devoid of meaning, the absurd is the dominating theme of his works. Three millennia beforehand in the Hebrew Bible, the rich discourse of Qohelet was recorded as the book of Ecclesiastes. Qohelet, a word simply meaning teacher, concludes that all is “vanity,” or in Hebrew, “hebel.” This central notion of hebel permeates his discourse on the essence of life here on earth. This article …

Rhetorique Du Soi Dans La Litterature Francophone Haïtienne Du Xxe Siècle. Manques Et Manquements?, Jasmine Narcisse

Dissertations, Theses, and Capstone Projects

Partant du constat de la précarité du genre autobiographique dans la littérature haïtienne, et des théories formelle (Lejeune), philosophique et historique (Price-Mars, Gusdorf, Fanon, Glissant…), psychanalytique et rhétorique (Fanon, Doubrovsky, Kristeva…) sur le genre lui-même ou traitant de l’identité et de l’individuation, je propose un cadre d’établissement d’un corpus haïtien de l’écriture de soi. Ce sera l’occasion d’analyser les mécanismes mis en place par ces textes pour dire le soi dans une société comme la société haïtienne où le JE est pris en otage par un NOUS lui-même lourdement « surdéterminé » par un legs historique paralysant et l’encombrement social …

Good Game, Greyory Blake

Theses and Dissertations

This thesis and its corresponding art installation, Lessons from Ziggy, attempts to deconstruct the variables prevalent within several complex systems, analyze their transformations, and propose a methodology for reasserting the soap box within the display pedestal. In this text, there are several key and specific examples of the transformation of various signifiers (i.e. media-bred fear’s transformation into a political tactic of surveillance, contemporary freneticism’s transformation into complacency, and community’s transformation into nationalism as a state weapon). In this essay, all of these concepts are contextualized within the exponential growth of new technologies. That is to say, all of these semiotic …

The Creation Of Power: Leaving The Closed Space Of Voluntary Servitude, Isabel Mae Torgove

Senior Projects Spring 2018

This project is a collection and absorption of concepts and frameworks drawn from centuries of thought. Indebted to the past, this philosophical and literary journey seeks to elucidate a productive path to follow in the wake of the “moment,” derived from Du Bois’ “double consciousness.” This split second explosion, resulting in the severance of the conception of the self from the world’s perception of the self, places one in the position of either submitting voluntarily to the dominant forces or producing and creating something, anything, to aid in the search for understanding the self. The transitive property of a split …

Breaking The Genius Myth, Chaojun Yang

Senior Projects Spring 2018

Senior Project submitted to The Division of Languages and Literature of Bard College.

The Tapestry Of Memory, Kathryn M. Lawson

Electronic Thesis and Dissertation Repository

Rationality points to the complete annihilation and end of a life when the body perishes, and yet when a loved one dies we continue to experience that person in a myriad of ways. The focus of this thesis will be a phenomenological exploration of the earthly afterlife of those we have loved and lost. By positing the subject as always intersubjective and as temporal in nature, this thesis will investigate how we continue to create and interact with the deceased upon the earth. In the introduction, this work will be placed in the context of the phenomenological tradition. The first …

Les Auteures Surréalistes : French And Francophone Women Surrealist Writers -- Joyce Mansour, Valentine Penrose And Gisèle Prassinos, Maitland Sierra Dunwoody

Masters Theses

The notion of the “author” and the purpose of its existence have been the subject of many contemporary debates, with Roland Barthes and Michel Foucault as key. For Barthes, language defines a literary work and the author is relegated to a minor place. And he believes that certain movements, surrealism as an example, effectively aided in the “death” of the author. Though that may sometimes be the case, within the movement of surrealism the author and their language are of almost equal importance – which differs entirely from Barthes’ view considering his notions on the surrealist movement and authorship. In …

Listening/Reading For Disremembered Voices: Additive Archival Representation And The Zong Massacre Of 1781, Jorge E. Cartaya

FIU Electronic Theses and Dissertations

This thesis grapples with questions surrounding representation, mourning, and responsibility in relation to two literary representations of the ZONG massacre of 1781. These texts are M. NourbeSe Philip’s ZONG! and Fred D’Aguiar’s FEEDING THE GHOSTS. The only extant archival document—a record of the insurance dispute which ensued as a consequence of the massacre—does not represent the drowned as victims, nor can it represent the magnitude of the atrocity. As such, this thesis posits that the archival gaps or silences from which the captives’ voices are missing become spaces of possibility for additive representation. This thesis also examines the role voice …