French and Francophone Literature Commons^™

The Kali Yuga And Camus’ The Plague, Shantanu Jain '12

2011 Fall Semester

Hinduism is a religion in which scientific observations play an important role. Through extensive observation of astronomical phenomena, Hindu cosmologists created a calendar based on the relative positions of planets to the moon. This calendar played an important role understanding the Hindu cycle of the creation and destruction of the universe. This cycle is referred to as the cycle of the Yugas, in which the increasingly vice-ridden world is destroyed and replaced with a morally and religiously pristine one. Camus’ The Plague explores this cycle of human malice and immorality, which is corrected by natural or supernatural forces as an …

Mille-Feuille Magazine Littéraire Spring 2006

Mille-Feuille Magazine Littéraire

Spring 2006

DePaul University

Department of Modern Languages

Mille-Feuille Magazine Littéraire Spring 2005

Mille-Feuille Magazine Littéraire

Spring 2005

DePaul University

Department of Modern Languages

Mille-Feuille Magazine Littéraire Spring 2007, Pascale-Anne Brault

Mille-Feuille Magazine Littéraire

Spring 2007

DePaul University

Department of Modern Languages

Mille-Feuille Magazine Littéraire Spring 2008, Pascale-Anne Brault

Mille-Feuille Magazine Littéraire

Spring 2008

DePaul University

Department of Modern Languages

L’Evolution De La Position Du Philosophe, Intellectuel Engagé A Travers Les Exemples De Voltaire Et Des Nouveaux Philosophes, Thomas Choukroun

Master's Theses

Entre cette nouvelle image du philosophe véhiculée par Voltaire et celles des Nouveaux Philosophes en France dans les années 1970, il n’y a pas grande différence. Le terme « nouvelle philosophie » ou « nouveaux philosophes » est pour la première fois apparu dans le journal Les Nouvelles Littéraires, dirigé par Jean-Marie Borzeix, alors éditeur d’un des piliers de la « Nouvelle Philosophie », Bernard-Henry Lévy.

Pourtant ce sont ces liens que nous allons chercher ici à élaborer, afin d’en présenter à la fois les similitudes et les différences, et de comparer les deux figures du philosophe « engagé …

Les Trois Visionnaires: The Narrative Of Balzac, Flaubert, And Zola, Jonathan C. Landwer

Jonathan C. Landwer

The focus of this study concerns the critical analysis and interpretation of three nineteenth-century French novels: La Cousine Bette by Honoré de Balzac, one of the pair of Les Parents Pauvres novels and last of La Comédie Humaine; Madame Bovary by Gustave Flaubert, his first complete and successful novel; and, Nana, Émile Zola’s ninth novel in the Rougon-Macquart series. The voice of the authors is of particular interest to this study: how they, as writers, manipulate their creations through effective narrative to convey action to the character, suspense in a scene, and conflicts in plot. It is through the authors’ …

Dancing Into The Spotlight: Louise Bertin And La Esmeralda, Juliana Starr

Juliana Starr

The field of musicology lags far behind literature and the visual arts in the study of its women practitioners. Indeed, it has been nearly forty years since art historian Linda Nochlin published her ground-breaking study, "Why Have There Been No Great Women Artists?" with its remarkable parallel implications for women composers. This essay attempts to address this question by studying the life and work of Louise-Angelique Bertin--the only composer to collaborate directly with Victor Hugo on an opera, the earliest French composer to write an opera based on Goethe's Faust, an artist in the middle of the biggest political and …

Men Looking At Art: Aesthetic Voyeurism In Two Novels By Emile Zola, Juliana Starr

Juliana Starr

No abstract provided.

Men Looking At Women Through Art: Male Gaze And Spectatorship In Three Nineteenth-Century French Novels, Juliana Starr

Juliana Starr

No abstract provided.

Painting On The Periphery: Women Artists In Three French Texts, Juliana Starr

Juliana Starr

No abstract provided.

The Two Faces Of Eve: Villiers's Response To Zola's La Faute De L'Abbé Mouret, Juliana Starr

Juliana Starr

No abstract provided.

Digestive Divas: Women And Food Problems In Two Texts By J. K. Huysmans, Juliana Starr

Juliana Starr

No abstract provided.

Coal Miners' Daughters: Representations Of Women In Germinal, Matewan And Harlan County, Usa, Juliana Starr

Juliana Starr

No abstract provided.

Gérard Bessette (1920-2005): A Monstre Sacré In French Canadian Literature, Steven Urquhart

Studies in 20th & 21st Century Literature

This article examines Gérard Bessette’s relative marginalization in French Canadian literature by means of rereading his first novel, La Bagarre (1958) in terms of its monstrous aesthetic and its rapport with subsequent novels, notably Le Semestre (1979). Bessette’s first novel allows us not only to understand the deviant nature of his aesthetic and its evolution, but also how it relates to his individualistic and transgressive position with the French Canadian literary institution in which he embodies a monstre sacré, an author and a character of sorts, who is at once revered and cursed.

“Real” Places In Marguerite Duras’S Wartime Paris, Jennifer Willging

Studies in 20th & 21st Century Literature

In the four autobiographical narratives in Marguerite Duras’s La Douleur (1985) The War (1994), over one hundred proper place names appear. While these place names all refer to real places, the relationship between these signifiers and their actual geographical referents is mediated, first by their signifieds—the reader’s mental constructs of the places mentioned—and further by their appearance in a text that necessarily creates its own, non-material world. Yet this essay argues that in this uncharacteristically realist text Duras works hard to create the illusion that the Paris there is in fact Occupied Paris, the real city in which she lived …

Pierre Bayard's Wormholes, Warren Motte

Studies in 20th & 21st Century Literature

The recent work of Pierre Bayard is trenchant, original, and deeply engaging. From Qui a tué Roger Ackroyd? (1998) Who Killed Roger Ackroyd? (2001) onward, Bayard's books have piqued the interest of readers well beyond the limited circle of those who habitually consume French criticism and literary theory, and have served thus to expand the horizon of possibility of critical writing in significant ways. Bayard writes in a conditional, hypothetical mode, rather than a declarative one, keenly aware of how very mobile literary objects are. Bayard is not afraid to take risks, and he searches for new forms through a …

Reviews Of Recent Publications

Studies in 20th & 21st Century Literature

Elisabeth Mermann-Jozwiak and Nancy Sullivan. Conversations with Mexican American Writers: Languages and Literatures in the Borderlands by Tanya González

Barbara Mennel. The Representation of Masochism and Queer Desire in Film and Literature by Amy Gates-Young

David Damrosch. How to Read World Literature by Lisabeth Hock

Maria DiFrancesco. Feminine Agency and Transgression in Post-Franco Spain: Generational Becoming in the Narratives of Carme Riera, Cristina Fernández Cubas and Mercedes Abad by Maryanne L. Leone

Jennifer Wawrzinek. Ambiguous Subjects: Dissolution and Metamorphosis in the Postmodern Sublime by Claudine Fisher

Maria Cristina Fumagalli. Caribbean Perspectives on Modernity: Returning Medusa’s Gaze by Laurence M. Porter …

Mille-Feuille Magazine Littéraire

Mille-Feuille Magazine Littéraire

Spring 2011

DePaul University

Department of Modern Languages

Thought And Verse: French Poetry In Conversation With French Existentialist Philosophy, Maxwell E. Edmonds

Senior Honors Projects

Thought and Verse: French Poetry in Conversation with French Existentialist Philosophy

Maxwell Edmonds

Faculty Sponsor: Karen de Bruin, French Language & Literature

What is the meaning of life? Does God exist? How can we live authentically and with purpose? How can we conduct our day to day lives, while faced with our own mortality? These are several of the principle themes focused upon within existentialist philosophy, the philosophy of existing as a mortal human being.

I chose to study existentialist philosophy through the lens of one of my other interests: French poetry. This combination has allowed me to approach both …

The Perpetual Creation And Provocation Of The Self, Krista Damico

Senior Honors Projects

The Perpetual Creation and Provocation of the Self

Krista D’Amico

Faculty Sponsor: Stephen Barber, English

This project consists of four related parts. The first part is a critical and creative work of prose in which I converse with the thought of two philosophers, namely Spinoza and Gilles Deleuze. This conversation enables me to present my own thought and subjectivity in relationship to a very important aspect of my life: music-making. The second part of my project is a critical essay in which I contemplate the work of another artist, Virginia Woolf, and the way that her credo Three Guineas (1938) …

Les Trois Visionnaires: The Narrative Of Balzac, Flaubert, And Zola, Jonathan C. Landwer

Master of Liberal Studies Theses

The focus of this study concerns the critical analysis and interpretation of three nineteenth-century French novels: La Cousine Bette by Honoré de Balzac, one of the pair of Les Parents Pauvres novels and last of La Comédie Humaine; Madame Bovary by Gustave Flaubert, his first complete and successful novel; and, Nana, Émile Zola’s ninth novel in the Rougon-Macquart series. The voice of the authors is of particular interest to this study: how they, as writers, manipulate their creations through effective narrative to convey action to the character, suspense in a scene, and conflicts in plot. It is through the authors’ …

Subversive Representations Of Education In Francophone Novels Of The Colonial Maghreb, Whitney Bevill

Masters Theses 1911 - February 2014

Much work exploring alterity and hybridity in the Maghreb ignores representations of education which confront seminal formative experiences, specifically education. French colonial education was problematic because it granted access to the colonizer’s culture, yet it also created a rupture in self-identity for Maghrebi students. In this thesis, I interrogate the literary representations of sites and sources of education by analyzing how these representations discuss the tension between formal French education and informal Maghrebi education.

My thesis begins with a historical overview of colonial education in the Maghreb. I then discuss literary methods of negotiating identity, contrasting Arab and Western autobiography …

“Knaller-Sex Für Alle”: Popfeminist Body Politics In Lady Bitch Ray, Charlotte Roche, And Sarah Kuttner, Carrie Smith-Prei

Studies in 20th & 21st Century Literature

Germany has seen a recent upsurge in publications proclaiming that feminism is again an urgent matter for a new generation of women. Faced with the reactionary demography debate and the hegemony of second-wave feminism, young writers, musicians, journalists, and critics call for new models of feminism relevant to women today. As one of these viable models, popfeminism draws on dominant trends in mass culture, on pop’s forty-year history as a cultural prefix in Germany, and on traditional feminism in order to create a new, ostensibly apolitical, feminist subculture based in self-stylization and individual autonomy. Shared by many popfeminist sources is …

The Paratext To Chrétien De Troyes's Cligés: A Reappraisal Of The Question Of Authorship And Readership In The Prologue, Levilson C. Reis

Modern Languages & Cultures Faculty Scholarship

Starting with the premise that medieval manuscripts exhibit paratextual vestiges of their auctores, redactors, copyists, and readers, this article re-examines the question of authorship and readership in Chrétien de Troyes's prologue to Cligés (c. 1176-80) through the lens of paratextual references to the implied author's signature, allusions to possible titles of his previous works, marginal annotations of interpretative readings, and cases of significant manuscript variance. Firmly grounded in the manuscript, editorial, and critical tradition of Cligés, this reading re-evaluates the tripartite thematic structure of the prologue, hypothesizing the paratextual effect that the opening list of literary tides, …

Clergie , Clerkly Studium , And The Medieval Literary History Of Chréétien De Troyes's Romances, Levilson C. Reis

Modern Languages & Cultures Faculty Scholarship

This article traces the development of medieval literary history across the thirteenth century through manuscript readings of Chréétien de Troyes's romances. Redefining clergie as the clerkly pursuit of learning, the author argues that scribes played an important role in shaping Chréétien's romances and establishing their place in medieval literary history. Examining manuscript collections centred on Cligéés, the author delineates synchronic and diachronic shifts in the organization and presentation of Chréétien's manuscripts, evaluating the roles that different scribes and compilers played in the formation of a Chréétien corpus and the development of a romance genre.

Imperial Performativity: The Life, Transgressions, And Writings Of Isabelle Eberhardt Under The Lens Of Queer Theory, Kelsey Deforest

Undergraduate Research Awards

An examination of Isabelle Eberhardt's life and writings with regard to gender norms and imperialist expectations in French-controlled Algeria. The PDF includes the author's entry submission essay for the 2011 Undergraduate Research Awards.

Claude De France, Mere/Mer De Verueuse Memoire, Lidia Radi

Languages, Literatures, and Cultures Faculty Publications

En 1517, Pierre Gringore met en scène Ies spectacles de rue pour l'Entree de la royne [Claude] de France a Paris faicte le mardy XII. jour du mays de May. L'an de grace mil cinq cens et XVII.² Un an plus tard Guillaume Michel, dit de Tours,³ reprend Ia plupart des personnages représentés dans Ies spectacles de Gringore et Ies fait défiler dans son Soulas de Noblesse sus le coronnement de la Rayne de France Claude (1518), qui est Ia dernière pièce de son Penser de Royal Memoire, ouvrage à visée politique et religieuse, dédié …

Ferdinand Oyono, Kasongo Mulenda Kapanga

Languages, Literatures, and Cultures Faculty Publications

Ferdinand Oyono was a Cameroonian statesman and a Francophone novelist of the first generation of African writers who became active after World War II. He entered the literary scene at a time when writers such as his fellow Cameroonian Mongo Beti and the Senegalese Sembene Ousmane and Leopold Sedar Senghor were at their peak. Oyono and Mongo Beti are known as "the forefathers of modern African Identity" for their anticolonial novels.

Une Nouvelle Voix Narrative À La Recherche De Son « Moi », Kasongo Mulenda Kapanga

Languages, Literatures, and Cultures Faculty Publications

Trente ans après les crises d'indépendances, l'Afrique a connu des secousses particulièrement paralysantes dont le prix en vies humaines se mesure au nombre élevé de personnes décimées par des fléaux tels que la famine, les épurations ethniques, les guerres, les génocides et la mauvaise gouvernance. Devant cette tragique situation, l'art, en tant qu'expression du beau, se vide de son attrait sous la pesanteur de l'anormal (l'horreur) qui nécessite, sinon une réparation imminente, tout au moins une dénonciation immédiate. Se sentant abandonnée à son propre sort - l'élite a misérablement échoué - le petit personnage issu du peuple, le délinquant, le …