French and Francophone Literature Commons^™

An Absolute Manner Of Seeing: Flaubert, 1848, And The Development Of Modernist Style, Nicholas Olson

Dissertations, Theses, and Capstone Projects

This dissertation examines Gustave Flaubert’s Sentimental Education as a key work in the emergence of literary Modernism from the tradition of Realism. I begin by exploring the intellectual background of Realism in the works of Honoré de Balzac and the ties between this aesthetic theory and the theory of representative government: here I discuss the work of François Guizot, Friedrich Schiller, Friedrich Schlegel, J.W. Goethe, and Walter Scott as well as later thinkers like György Lukács, Pierre Bourdieu, Jürgen Habermas, and Jacques Rancière. From this, I demonstrate a commonly held theory of the social as a discreet totality, which makes …

Écritures Génésiaques : Violences, Ruptures Et Recommencement Dans Le Roman Africain Francophone, Isaac Bazié

Présence Francophone: Revue internationale de langue et de littérature

This study analyzes the writing of crises in African novels and makes following observation: the novels listed do not represent crises and ruptures to obey a need for mimicry and authenticity in the representation through the art of real violence. The main objective of these novels by staging African crises and violence is rather to reflect a tension: that of a charged present situation, a real historical or imaginary crisis, and the equally important situation of a genesis, a new beginning, the terms of which sometimes remain to be defined.

L’Humour Didactique Dans Guelwaar D’Ousmane Sembène, Anthère Nzabatsinda

Présence Francophone: Revue internationale de langue et de littérature

In Guelwaar, film and novel by Ousmane Sembène (1923- 2007), humor often makes you smile; and when it is comical, it is ironic and parodic. These aspects highlight unusual or contradictory aspects, even serious situations. The aim of this caustic humor is to correct negative situations, especially to denounce the defects of hypocrisy and intolerance. The humorous strategy in Guelwaar is part of the Senegalese filmmaker-novelist’s perspective of a didactic project aimed at the whole of Africa.

Comment Lire Un Texte Francophone? La Traversée De La Mangrove De Maryse Condé, Josias Semujanga

Présence Francophone: Revue internationale de langue et de littérature

This study is structed around three components. It begins with a brief reflection on the paradox of the existence in university education of two literary institutions – French literature and Francophone literatures – whose works are nevertheless written in the same language (French). Then the article proposes a transcultural and transnational approach to overcome such dichotomy – France and French-speaking peripheries – by a methodology based on the principle of unity in the diversity of the elements of the texts from three aspects: literary genre, language/speech, and intertextuality. Finally, this reflection is based on the study of the novel Traversée …

Fatou Diome: Une Création Entre Les Arts, Sada Niang

Présence Francophone: Revue internationale de langue et de littérature

As she began her career in the 1980s, Fatou Diome inherited a rich tradition of literary texts and media productions, African cinema among them. Since she also hailed from a country known as "francophone", it is hardly surprising that her novels resonate with the style and narratives of African, French and other European writers. In this article, we propose to unveil a few of these artistic threads which may have informed and inspired Fatou Diome.

Niodior Ou L'Économie Du Texte Diomien, Mbaye Diouf

Présence Francophone: Revue internationale de langue et de littérature

To a large extent, Niodior may be considered the main biographical and discursive referent of Fatou Diome's entire literary output, to date. In addition to being the birth place of the novelist, Niodior stands as the workshop of the Diomian novel. It is at once the wrestling arena of discourses of the self vs. others, the breeding ground of other "selves" and other possible others. As a consequence, Niodior, in Diome's novels, becomes a textual place which informs the self, the community, immigration and globalization through a semiotic of place. In this article, I argue that an application of geocriticism …

Agency And Political Engagement In Gide And Barrault's Post-War Theatrical Adaptation Of Kafka's The Trial, Yevgenya Strakovsky

CLCWeb: Comparative Literature and Culture

In her article, "Agency and Political Engagement in Gide and Barrault's Post-war Theatrical Adaptation of Kafka's The Trial" Yevgenya Strakovsky considers the political themes of André Gide and Jean-Louis Barrault's Le Procès (The Trial, 1947), the first theatrical adaptation of Franz Kafka's Der Prozess (The Trial, 1914). Strakovsky demonstrates that Le Procès, written and staged in the immediate aftermath of World War II, levels a critique against the passive complicity of citizens in unjust persecution in both its script and its staging. The paper also considers the elements of Kafka's prose that lend themselves to …

The Green And The Red: A Novel By Armand Chauvel, Jenna Gersie

The Goose

Review of Armand Chauvel's The Green and the Red: A Novel.

Melancholic Mirages: Jules Verne's Vision Of A Saharan Sea, Peter Schulman

World Languages and Cultures Faculty Publications

L’invasion de la mer (The Invasion of the Sea), Verne’s last novel to be published during his lifetime, would appear to be a paradoxical vision of French colonial involvement as it chronicles the attempts of the French army occupying Tunisia and Algeria to capture Tuareg leaders bent on pushing the French out of the Maghreb on the one hand, and thwarting an environmentally disastrous French project on the other. L’Invasion de la mer (The Invasion of the Sea) is a complex, if not melancholic vision of the limits of French expansionism, however. The real-life French army geographer François-Elie Roudaire and …

Représentations De La Mort Dans La Chine De Claudel Et De Verne, Peter Schulman

World Languages and Cultures Faculty Publications

No abstract provided.

Agustín Gómez-Arcos, Eyes Open, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

The last time I saw Agustin Gómez-Arcos was July of 1997. He was in the midst of an extended summer sojourn at the home of his friends Miguel and Pilar in Tarragona. I remember wandering with him through the streets of this Catalan coastal city, accompanied by Miguel and Pilar's young sons. With Agustín as our guide we toured the city's Roman ruins, and he showed us his favorite mosaics at the local archeological museum. Agustín, as I remember him, was filled with vitality, delighting in the everyday activities of summer, buying fresh strawberries and tomatoes at an outdoor market …

Jules Verne's Very Far West: America As Testing Ground In Les 500 Millions De La Bégum, Peter Schulman

World Languages and Cultures Faculty Publications

[First Paragraph] In his famous interview with the American journalist Robert H. Sherard in 1894, Jules Verne, nearing the end of his life, regretted not being able to see America one last time. "I should have liked to have gone to Chicago this year," he lamented, "but in the state of my health [...] it was quite impossible. I do so love America and the American," he continued, "As you are writing for America, be sure to tell them that if they love me- as I know they do, for I receive thousands of letters every year from the States- …

Le Célibataire Invisible: Solitude Et Fantastique Dans Le Secret De Wilhelm Storitz, Peter Schulman

World Languages and Cultures Faculty Publications

[First paragraph]

Anne Macvicar Grant, poétesse écossaise vivant à New York à la fin du dix-huitième siècle, concevait les célibataires en termes d’êtres « qui passaient à travers la société comme des fantômes silencieux, et qui, de toute évidence, se considéraient assez supérieurs aux autres » (“passing in and out [of society] like silent ghosts and seeming to feel themselves superior to the world.”¹ De même, Jean Borie identifie le célibataire par rapport à son invisibilité aux yeux d’un monde qui ne cesse de le rejeter : « Le célibataire, » conclut Borie, «quoique gris muraille et presque invisible …

L'Espace Du Célibataire Fantastique: Le Secret De Wilhelm Storitz, Peter Schulman

World Languages and Cultures Faculty Publications

No abstract provided.

He Said, She Said: A Feminist Approach To Teaching The Twentieth-Century Novel In The Twenty-First Century, Elizabeth Richardson Viti

French Faculty Publications

The question of women's relationship to the literary canon is still pertinent today and is particularly significant for those of us who are both guided by feminist pedagogy and constrained by departmental limitations. How do we give an overview of the novel without either diminishing the importance of certain male novelists or eliminating female writers altogether? The author suggest that a thematic approach in which pairs of texts make explicit two different gender perspectives is useful. This approach underscores the notion that gender informs writing as well as reading and, equally significant, introduces feminist theory as a tool for literary …

Autor De L'Excentricité De Phileas Fogg Et Du Captaine Nemo, Peter Schulman

World Languages and Cultures Faculty Publications

[Premier paragraphe] Pour l'excentrique "décadent" du XIX siècle, le mariage de la modernité avec la technique aboutissait à une crise de névrose et de caprice emblématique de la retraite (Des Esseintes à Fontenay-les-Roses dans Á rebours de Huysmans) ou, comme c'était le cas d'Anatole Baju, le fondateur de la revue Le Décadent, à l'avant-garde de son temps, Phileas Fogg et le capitaine Nemo sont plutôt représantatifs d'une synergie des notions d'innocence et de fantaisie de l'excentricité anglaise avec les inventions et les appropriations de territoire de la France au XIXe siècle.