French and Francophone Literature Commons^™

Queer Not: Medieval Romance's Toll On Queerness, Kyle Gaydo

Seton Hall University Dissertations and Theses (ETDs)

How does a contemporary audience handle medieval queerness? What, exactly, constitutes medieval queerness, and how does the medieval literary genre of romance impact it? This thesis attempts to grapple with these questions, and many more, utilizing the 13th-century Old French romance Le Roman de Silence by Heldris de Cornuälle. Medieval romances are particularly fruitful for this analysis because, on one hand, the genre consistently re/turns to cisheteronormativity, and, on the other, because scholarship generally has not applied queer theory to the study of romance. Silence follows Silence, a young Englishwoman who is raised as a boy to protect her family’s …

Fictions Posthumanistes: Temporalités, Agencements, Énonciation, Fanny Leveau

Electronic Thesis and Dissertation Repository

Contemporary French fiction fits within a broader trend that seeks to question the end of humans. In the context of the Anthropocene where ecological disasters threaten human’s life and habitat, many disciplines such as literature, philosophy and cognitive sciences study the relations between humans and non-humans. Posthumanism envisions a world that reconfigures the terms imposed by classical humanism and anthropocentricism. It seeks to redefine where humans stand, by considering the co-constitutive links that emerge from interactions between humans, other living species, and technology. Fiction constitutes a privileged space to develop a posthumanist discourse as it aims to create different worlds. …

Entre Rêve Et Résignation – Références Intertextuelles Dans Les Chemins Qui Montent (1957) De Mouloud Feraoun, Inès Kremer

Journal of Amazigh Studies

Résumé :

Malgré la présence évidente et continue des références intertextuelles dans les romans de Mouloud Feraoun, celles-ci n’ont été que rarement étudiées. C’est notamment dans son troisième roman, Les chemins qui montent, que les renvois à la littérature orale de la Kabylie comme à l’œuvre romanesque et philosophique d’Albert Camus se prêtent particulièrement à une analyse approfondie. Ils révèlent la résignation profonde du protagoniste qui se refuse à la révolte métaphysique au sens camusien, révolte rendue impossible par la condition coloniale.

Mots clés : Feraoun, intertextualité, Camus, et littérature orale kabyle

Abstract:

Despite the importance of intertextual references …

Evaluating The Efficacy Of The Christian Reformational Transcendental Model Of Art Criticism As A Literary Theory Through Albert Camus’S The Stranger, Elizabeth Miller

Electronic Theses and Dissertations

The subfield of art criticism and theory within Christian reformational philosophy, a descendent of the neo-Calvinist theology developed through the work of Dutch Reformer Abraham Kuyper and others, is becoming increasingly diverse. Recently, scholars such as Leland Ryken, Glenda Faye Mathes, and Philip Graham Ryken have built upon twentieth-century theologian Francis Schaeffer’s worldview approach by popularizing a transcendental model of art criticism, an approach that applies the transcendentals of truth, goodness, and beauty to works of art. However, the transcendentals, while widely discussed in the fields of philosophy, theology, and, to a lesser extent, art theory, have not been explicitly …

« Monologue » : Une Femme Rompue Impactée Par Les Atteintes Sociétales, Sloane Larsen

World Languages Student Scholarship

“Monologue,” an essay from Simone de Beauvoir’s THE WOMAN DESTROYED, is a rambling and disjointed account of motherhood, madness, and chagrin. The short story is told by a mother named Murielle, a woman who has lost everything, including her daughter Sylvie, by suicide. Simone de Beauvoir, the author of this story, is considered the “mother” (Kruks and Coryell) of second-wave feminism and is well-known for her fight for equality between the sexes. In “Monologue,” de Beauvoir sheds light on the difficulties mothers face and proposes a reflection on life, femininity, and descent into madness. De Beauvoir incorporates her feminist theories …

Figures Du Père Et Parenté Littéraire Dans La Vie De Saint Alexis Et Le Livre De La Cité Des Dames, Marie Bellec

Vernacular: New Connections in Language, Literature, & Culture

Cet article examine la figure paternelle dans trois récits de la vie des saints, La Vie de Saint Alexis, « Sainte Marine » et « Sainte Euphrosine » dans Le Livre de la Cité des Dames, de Christine de Pizan. Les pères respectifs des saints incarnent certaines attentes sociales et familiales, ils exercent notamment sur leurs enfants une pression pour qu’ils se marient. Les contraintes ne sont pas les mêmes selon le genre des saints : alors que la piété d’Alexis l’empêche de convoler, l’oppression sociale se déplace vers celle du genre pour nos hagiographies au féminin. Par …

Le Petit Prince : Une Histoire Qui Persiste, Allison Rau

Senior Theses and Projects

No abstract provided.

Timothy Bewes. Free Indirect: The Novel In A Postfictional Age. Columbia U.P., 2022., Emily Hall

Studies in 20th & 21st Century Literature

Review of Timothy Bewes. Free Indirect: The Novel in a Postfictional Age. Columbia U.P., 2022. 315 pp.

Anne Donadey. The Algerian War In Film Fifty Years Later, 2004-2012. Lexington Books, 2020., Anna Rocca

Studies in 20th & 21st Century Literature

Review of Anne Donadey. The Algerian War in Film Fifty Years Later, 2004-2012. Lexington Books, 2020. 246 pp.

War On Humor: Killing Laughter In Times Of Strife, Maria Christina Kardash

CAFE Symposium 2023

This project explores the use of humor as a coping mechanism throughout the first World War. It focuses on three main aspects: (1) the evolution of humor prior to, contemporary to, and after WWI; (2) the contrast between Germany's strict oppression of humor and France's more free approach; (3) and the distinction between civilian and soldier humor.

Political Economy In Lettres D'Une Péruvienne: Françoise De Graffigny As Philosophe And Reformer, Marguerite J. Van Cook

Dissertations, Theses, and Capstone Projects

This dissertation identifies the significant presence of political economics in Lettres d’une Péruvienne by Françoise de Graffigny, née Françoise d'Issembourg du Buisson d'Happencourt (1695 –1758), to affirm its author as a pioneer in the field. It explores Graffigny’s use of the sentimental novel as a vehicle to carry those ideas to the reading community. It reviews Graffigny’s preparation to propose novel ideas in the area of political economics and to fully participate in the then-emergent discourse with her male contemporaries. Her wide reading in the subject of Political Economy, from Voltaire to Mandeville and Montesquieu and her interactions with contemporaries …

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Studies in 20th & 21st Century Literature

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Special Focus Introduction: Centering Black Cultural Production In Translation, Corine Tachtiris, Priscilla Layne

Studies in 20th & 21st Century Literature

Special Focus Introduction: Centering Black Cultural Production in Translation

Translating The Francophone Caribbean: Centering Black Production, Decentering Translation Practices, Nathan H. Dize, Charly Verstraet

Studies in 20th & 21st Century Literature

In her article, “A Tree as a Record: On Translating Mahagony by Edouard Glissant,” translator Betsy Wing recounts how Martinican writer Edouard Glissant expressed his disinclination to respond to translators’ questions and justified his intention by saying, “I wrote it once, now it’s your turn to write it” (124). According to Glissant, translating and writing are similar in nature. The art of translation therefore does not lie in the process of translating words into another language but in the skill to compose a text anew, that is to say to develop unique ways of ‘writing’ and therefore to deconstruct the …

Sttcl Editorial Board

Studies in 20th & 21st Century Literature

STTCL Editorial Board

“Measuring Silences” In The Translation Of Awa Thiam's La Parole Aux Négresses, Amanda Walker Johnson

Studies in 20th & 21st Century Literature

An overlooked, yet significant text in the genealogy of intersectionality and Black feminist theory is Awa Thiam’s 1978 text La Parole aux Négresses. This paper examines the ways that the English translation, Speak Out, Black Sisters: Feminism and Oppression in Black Africa,though widening the audience for Thiam’s work, engages in various practices of erasure that undermine Thiam’s academic authority, theoretical contributions, activist insights, and ultimately, her own voice. Namely, I contend that these practices, which scholars have linked to receptions and English translations of Black Francophone texts in particular, include de-formalization, domestication, de-philosophizing, untracing, and invisibilisation. I seek not …

Malencontres Coloniaux Et Bâtardises Postcoloniales. Pour Une Poétique Du Fait Colonial Et De L'Hybridité Chez Tierno Monénembo, Antoine Marie Zacharie Habumukiza

Electronic Thesis and Dissertation Repository

Cette thèse analyse la représentation du fait colonial dans l’ensemble de l’œuvre littéraire de Tierno Monénembo. Son périple scriptural à travers les plis tant du passé colonial que du néo-colonialisme contemporain, ne cesse d’exhumer du tréfonds du bassin historique des ingrédients méticuleux et combien diversifiés mais ayant à la fois comme origine et comme fin le brassage culturel et humain, marqué à tout jamais du sceau indélébile du postcolonial.

S’appuyant, d’une part, sur des théories postcoloniales et, d’autre part, sur des théories multidisciplinaires portant sur le nom, la nomination et l’onomastique littéraire d’abord, et sur les notions de parenté et …

La Circassienne: A Study Of The Female Circus Artist In French Literature, Crystal Menninga

Masters Theses

This study examines how the female circus artist is represented in twelve pieces of French literature ranging from the late nineteenth century to the modern day. The books are divided into three categories by author type: first, authors without a circus background; second, male authors involved in the circus world; and third, women involved in the circus world. Although predicted that the first section would reveal the largest use of stereotypes and misogyny, the second would show the sexist expectations of the circassienne onstage and off, and the third would call out these stereotypes and suggest improvements, there was less …

Le Lion De Mer Et La Fourmi, Marie Pascal

The Goose

L'histoire d'une famille atypique qui vit un événement traumatique sur un littoral.

Heritage Repair: Revisiting Familial And Collective Histories In Filiation Narratives By Dalila Kerchouche, Colombe Schneck And Martine Storti, Rebecca R. Raitses

Dissertations, Theses, and Capstone Projects

This thesis offers a critical reading of three French narratives: Dalila Kerchouche’s Mon père, ce harki (2003), Colombe Schneck’s Les guerres de mon père (2018), and Martine Storti’s L’arrivée de mon père en France (2008). These works combine representations of familial history with the explorations of personal and collective traumas or repression. The study addresses the following dimensions of the texts: 1) The catalyst of intergenerational silence behind these and many other similar works; 2) The textual interplay between storytelling and material evidence; 3) The ways in which the authors combine narratives of familial hardships on one hand, and of …