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French and Francophone Literature Commons™
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- Alphonse de Lamartine (2)
- Feminism (2)
- Feminist (2)
- George Sand (2)
- Literature (2)
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- Romanticism (2)
- Victor Hugo (2)
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Articles 1 - 7 of 7
Full-Text Articles in French and Francophone Literature
Avant Et Après : Examen Du Proto-Féminisme À Travers La Résistance Littéraire En France Au Xve Siècle Et Au Mexique Au Xviie Siècle, Madison Coleman
Avant Et Après : Examen Du Proto-Féminisme À Travers La Résistance Littéraire En France Au Xve Siècle Et Au Mexique Au Xviie Siècle, Madison Coleman
World Languages and Cultures Senior Capstones
This essay seeks to understand the implications of a “before” distinction in the feminist canon— i.e., why is there “proto-feminism”, and not just “feminism”? This essay will explore the works of “proto-feminist” writers, Christine de Pizan and Sor Juana Inés de la Cruz, and examine how the feminist themes and issues prevalent throughout their respective works are in response to the respective and collective inequities and injustices they experienced. Their oeuvres provide insight into what advocacy for women and other marginalized peoples looked like outside of the modern understanding of the historical “waves” of feminism. This essay seeks to examine …
Indiana Par George Sand : Une Perspective Écoféministe, Lily Gauntt
Indiana Par George Sand : Une Perspective Écoféministe, Lily Gauntt
World Languages and Cultures Senior Capstones
George Sand’s 1832 novel Indiana explores themes of love, individuality and social class as the titular character, Indiana, battles with the temptations and consequences of an affair with the handsome and elusive Raymon de Ramière. Sand’s novel centrally explores place as it jumps back and forth from high society France and Paris to the Ile Bourbon where Indiana is from. Sand’s depiction of the Ile Bourbon presents the agency of the more-than-human world as Indiana struggles against the society that she has been forced into and the male characters that control her life. The novel’s interplay between the more-than-human world …
Le Proto-Féminisme De George Sand, Jasmine Harrison
Le Proto-Féminisme De George Sand, Jasmine Harrison
World Languages and Cultures Senior Capstones
George Sand, the pen name of Amantine Lucile Aurore Dupin, was a radical and revolutionary writer. Through her writing, she challenged social norms and incorporated gender equality into her novels. This presentation examines Sand's four works: Indiana, Valentine, Lélia, and La Mare au diable. The question of Sand's status as a feminist writer, or even as an early feminist writer, is explored through women's roles in society through the analysis of nineteenth-century literature.
Le Dix-Neuvième Siècle : Les Mouvements Littéraires Français Et La Classe Ouvrière, Grace Horton
Le Dix-Neuvième Siècle : Les Mouvements Littéraires Français Et La Classe Ouvrière, Grace Horton
World Languages and Cultures Senior Capstones
This presentation is an analysis of the connections between the different literary movements of 19th century France, such as romanticism, realism, and modernism, and how they were initiated by the French revolutions of 1830 and 1848. It covers the impacts of these revolutions on different prolific 19th century French writers such as Alphonse de Lamartine, Victor Hugo, Honoré de Balzac, and Charles Baudelaire, and how each writer prompted their respective movements.
L’Évolution Du Libéralisme Dans La Littérature Au Xixe Siècle, Sophie Hardy
L’Évolution Du Libéralisme Dans La Littérature Au Xixe Siècle, Sophie Hardy
World Languages and Cultures Senior Capstones
This presentation is a dissection of a quote made by Victor Hugo during the preface of his work Hernani (1830), where he wrote that, “romanticism is just liberalism in literature". This presentation strives to contradict this statement by analyzing Hugo’s early works before the revolution of 1830 to prove that not all of his works discussed liberalism. This presentation will also analyze the works of Alphonse de Lamartine and Alfred de Musset during this romantic era and compares Hugo’s earlier statement to their works.
A Lyrical Comparison Of Suzanne And Its Translation, Natalie Sadler
A Lyrical Comparison Of Suzanne And Its Translation, Natalie Sadler
The Corinthian
This paper compares Leonard Cohen’s song Suzanne and its French translation by Graeme Allwright. It takes translation principles into account, by relying on translator Antoine Berman’s “Twelve Deforming Tendencies of Translation.” In his reliance on the instrumental model, which tries to find equivalence and treat the translation as a reproduction of the original, Allwright’s translation misinterprets several important elements in the original, namely the relationship between the speaker and the Suzanne character. In Cohen’s original, the character Suzanne is expected to follow the speaker and is changed by his “superior” intellect, while in Allwright’s version Suzanne is likened to a …
God, Nature, And Man In Justine, Kayley R. Roberson
God, Nature, And Man In Justine, Kayley R. Roberson
Georgia College Student Research Events
In the French Enlightenment writer the Marquis de Sade’s best-known novel, Justine, issues surrounding God, nature, and humankind pose significant problems for the protagonist of the story. Sade’s materialist philosophical work affirms his belief that nature is the most influential factor in the lives of humans and that God does not exist. Sade states that violence, immorality, and vice derive from nature and exist as the basic instincts of man. He argues that these temptations must be praised rather than forbidden. While Justine, the virtuous title character, faces corruption at every turn, she refuses to concede victory to the depravities …