French and Francophone Literature Commons^™

Playing Proverbs With Madame De Genlis, Rebecca Cypess

ABO: Interactive Journal for Women in the Arts, 1640–1830

The theatrical genre known as the proverbe dramatique, which flourished as a pastime of French high society during the late eighteenth century, has often been understood through the written exemplars left by the author and artist Louis Carrogis, known as Carmontelle. Yet Carmontelle’s literary contributions to the genre have obscured the vast range of activities known as jouer des proverbes (playing proverbs)—activities associated especially with women—which included conversational games, pantomime, poetry, dance, and music making. Attending to the many descriptions of jouer des proverbes left by Stéphanie Félicité Ducrest de Saint-Aubin, the Com­tesse de Genlis, reveals that the literary …

The Sounds Of Madame Geoffrin’S Salon, Melanie Conroy

ABO: Interactive Journal for Women in the Arts, 1640–1830

Salons were core institutions of the eighteenth-century European social calendar, especially in Paris. Literary performances and philosophical conversation were the core activities of many of these gatherings. What did conversation and literary readings actually sound like at these events? To what extent were voices audible to everyone in the room, or too muffled or far away to be heard? What was the impact of the ambiance or of ephemeral sound on the reading or reception of the hearing? Using textual descriptions, paintings, and architectural information, I reconstruct two legendary readings of eighteenth-century texts, Voltaire’s L’Orphélin de la Chine and Marmontel's …

Toxic Varnishes: Perfumes, Stench, And Glow In Eighteenth-Century French Salons, Érika Wicky

ABO: Interactive Journal for Women in the Arts, 1640–1830

As several historians, including Alain Corbin, have noted, a new sensitivity to odors emerged in the 18^th century that increased people’s negative responses to strong smells and heightened the demand for fragrances that were not only pleasant but also light and subtle. Some scholars see this period as a true “olfactory revolution.” How was this expressed in the salon, perceived both as a luxurious space and a site of elite sociability? This focus on the smell of varnish aims to illustrate how the scent of materials intertwined with the pleasures of decorative arts, both in the entire space of …

The Patronage Of Noble Medieval Women And Marie De France’S Yonec, Rex Wagner

Rushton Journal of Undergraduate Humanities Research

Marie de France’s Lais emerged during the twelfth and thirteenth centuries, reflecting the literary patronage of noble women. This paper focuses on the lai Yonec, a story that centers on a noblewoman trapped in a loveless marriage to an elderly king, exploring themes of romantic longing and the constraints of dynastic unions. By examining historical expectations of marriage alongside advancements in vernacular literature, the paper reveals how Yonec articulates the frustrations of women feeling confined by political arrangements. Ultimately, it argues that these women used literary patronage to express their desires for love and fulfillment.

Speculum Feminarum: Feminine Representation And Identity In Fifteenth-Century France, Karli R. Snyder

Art & Art History ETDs

Late medieval views of women in Western European culture, specifically in fifteenth-century France, were predicated on the ideologies of "other." According to normative sociocultural attitudes of this period, women were immoral, lascivious, and indulged in frivolity. Their culturally acceptable and, therefore, natural roles were delineated solely as that of wife and mother. Although the origin of these views is obscured by time, there are scores of textual and visual examples of this cultural labeling. This thesis focuses on how the ideologies of feminine sociocultural roles developed and matured during the late Middle Ages. By comparatively analyzing copies of the visual …

De La Saleté A La Poésie : Portrait De La France Périphérique Dans L’Été Des Charognes De Simon Johannin, Julie Catel

Tête à Tête: Journal of Francophone Studies

Simon Johannin's debut novel, "L'Été des charognes," published in 2017, offers a vivid portrayal of life in La Fourrière, an isolated village located in the Vosges. This area falls within what the French sociologist Christophe Guilluy terms 'France périphérique,' which refers to rural regions plagued by poverty and a sense of neglect. Through the perspective of an adolescent narrator, Johannin depicts the village's harsh daily reality, emphasizing its pervasive violence and the filth that characterizes its landscape. The narrative is saturated with descriptions of unpleasant odors, particularly from the decomposing carcasses of farm animals awaiting disposal, which permeate the village …

Japanese-English Translation:「翻訳について」、岸田國士著、一九三五年一月作 The Question Concerning Translation, By Kishida Kunio (Penned January 1935), Translated By Christopher Southward, November 2024, Christopher Southward

Comparative Literature Faculty and Student Scholarship

Japanese translator, essayist and dramatist Kishida Kunio (1890-1954) on the craft of translation with an emphasis on French literature and French - Japanese translation

Introduction To The Special Issue On "J.R.R. Tolkien And Medieval Poets", Jane Beal Phd

Journal of Tolkien Research

This is an “Introduction” by Dr. Jane Beal to the Special Issue of the Journal of Tolkien Research on the theme of “J.R.R. Tolkien and Medieval Poets” in honor of Richard C. West.

It begins with an overview of previous scholarly work on the intersections of medieval poetry with Tolkien’s literary corpus. It explains the process of creating this special issue, which is a festschrift in West’s honor, and it gives an overview of the contents of each of the seven academic articles included in it by contributors Dr. Anna Smol, Dr. Christopher Vaccaro, Dr. Kristine Larsen, Dr. Deidre Dawson, …

Santé, Intimité, Et Identité Dans La Bande Dessinée Autobiographique De Tradition Franco-Belge, Cynthia Laborde

Purdue Studies in Romance Literatures

Santé, intimité, et identité dans la bande dessinée autobiographique de tradition franco-belge examines the ways different autobiographical comic books explore the theme of health, and its influence on identity construction. How do artists represent abstract feelings of pain? How do illnesses influence our sense of self? What is the role of others in our personal history? Our state of health, both physical and mental, has a profound effect on our identity, and how we perceive and tell stories about this dimension of our lives is crucial to forming a sense of self, particularly in a contemporary digitalized world that is …

Desire As A Framework For Adaptation: Examining Aku No Hana As An Unconventional Adaptation Of Les Fleurs Du Mal, Zoe Dalley

All Graduate Reports and Creative Projects, Fall 2023 to Present

In this project, I began by arguing that the 2009 to 2014 manga series Aku No Hana by author and artist Shūzō Oshimi should be considered an unconventional adaptation of the 19th century collection of poems Les Fleurs Du Mal by French poet Charles Baudelaire. I then turned my analysis to the practice of adaptation more broadly, using desire, a central theme to both of my chosen primary texts, as my lens through which I examined some of the central complexities and paradoxes inherent to adaptation, such as the simultaneous expectation of textual faith and a new authorial vision. I …

Sans Hommes, On N’Est Pas Rien”: Defying Patriarchy And Reclaiming Voices In Les Rivières, Warisara E. Sawin

Vernacular: New Connections in Language, Literature, & Culture

This article explores Jennifer Solheim’s conceptualization of “the call to listen” in postcolonial Francophone cultural production, as she argues for the importance of engaging with and responding to immigrant and minority narratives within this cultural milieu. This article further explores the dynamic relationship between media consumption and artistic creation, specifically the innovative realms of “accented” and “intercultural” cinema that have emerged from the conditions of globalization and migration. The unique cinematic languages of these forms convey the intricate experiences of those living in exile or as part of post-migratory populations.

An in-depth analysis is presented on Mai Hua’s documentary Les …

L’Ex-Centrisme Du Personnage Juif Dans Le Roman Québécois, Marcin Janczak

Vernacular: New Connections in Language, Literature, & Culture

Les protagonistes juifs dans les œuvres littéraires québécoises peuvent être qualifiés à ce que Hutcheon désigne comme « ex-centrique » (HUTCHEON, 2002). Appartenant à la marge, le personnage ex-centrique possède une identité complexe qui n’est jamais univoque. Comme l’énumère Janet Paterson, le répertoire du personnage de l’Autre dans le roman québécois est organisé en fonction des catégories suivantes : race et nationalités, étranger qui arrive dans un village, identité sexuelle, religion et santé mentale (PATERSON, 2004). À la recherche de soi, les marginaux ne cherchent pas la vérité sur eux-mêmes à travers une seule conscience, mais, comme le signale Mikhaïl …

French Interwar Popular Romance And Ideals Of Femininity: A Literary And Historical Study Of Magali, Kelly Kamrath

Department of Modern Languages and Literatures: Dissertations, Theses, and Student Research

Against a background of political turmoil, economic crises, and cultural upsets from both within and abroad, France between the two World Wars was home to a flourishing romance novel industry. At first glance lighthearted love stories seem simple and frivolous in comparison to the canonical writings of the time, such as those of Simone de Beauvoir and Jean-Paul Sartre. However, this literature was far from art for art’s sake. The romance novels of interwar France, written half a century before the scholarship of romance fiction would truly begin, have yet to receive the attention they deserve. During the interwar period, …

When Critics Are Artists: Ekphrasis In Erotic Art Criticism, Joanna A. Ligon

Dissertations, Theses, and Capstone Projects

In “Against Interpretation,” Susan Sontag argues for an erotics of art in art criticism in place of hermeneutics. In this thesis, I examine erotics of art, a focus on form and experiencing art instead of exclusively on content, in practice. Drawing on other essays by Sontag, specifically the essay “Godard” in comparison with the filmmaker Jean-Luc Godard’s own filmic criticism in Breathless, criticism according to an erotics of art becomes a new artwork itself. Subsequently, I present a definition of erotic through Anne Carson and Roland Barthes and juxtapose the term with Hans-Georg Gadamer’s hermeneutics. The comparison ultimately undoes …

Marvelous Ordinariness: Re-Engaging With Realism’S Social Function, Miranda Ochoa Natera

Comparative Literature M.A. Essays

Against Romanticism, European literary realism of the 19th century aimed to provide an objective representation of reality through mimesis that could capture the truth in an objective way. Yet, its positivist approach severely narrowed down the complexity of truth, reality, and the mundane by wrongfully drawing the universal from the particular. A new way of engaging with realist literature from any time period, called Marvelous Ordinariness, rearranges this triad in ways that expand our understanding of our own and other realities portrayed. Using Alejo Carpentier’s description of “lo real maravilloso,” Marvelous Ordinariness unfolds in three layers that resemble Carl Jung’s …

Le Rôle Des Médias Dans La "Crise Anglophone" Au Cameroun, Arrayán Chia Vanegas-Farrara

CISLA Senior Integrative Projects

This essay is about a country with twenty-six million people, including 1.5 million refugees and a lot of problems due to the Anglophone crisis. It gives an in-depth view on the complex yet vibrant multilingualism in Cameroon with over 240 ethnic groups and many languages. The economically disadvantaged parts of Cameroon are the Anglophone regions such as the North-West with poverty rates at 57% and the South-West at 21% respectively for the year 2019. The article reflects upon how colonial legacies have given rise to contemporary social uneasiness in Cameroon, mostly within Anglophone regions. Additionally, this article highlights how economic …

Le Proto-Féminisme De George Sand, Jasmine Harrison

World Languages and Cultures Senior Capstones

George Sand, the pen name of Amantine Lucile Aurore Dupin, was a radical and revolutionary writer. Through her writing, she challenged social norms and incorporated gender equality into her novels. This presentation examines Sand's four works: Indiana, Valentine, Lélia, and La Mare au diable. The question of Sand's status as a feminist writer, or even as an early feminist writer, is explored through women's roles in society through the analysis of nineteenth-century literature.

Le Dix-Neuvième Siècle : Les Mouvements Littéraires Français Et La Classe Ouvrière, Grace Horton

World Languages and Cultures Senior Capstones

This presentation is an analysis of the connections between the different literary movements of 19th century France, such as romanticism, realism, and modernism, and how they were initiated by the French revolutions of 1830 and 1848. It covers the impacts of these revolutions on different prolific 19th century French writers such as Alphonse de Lamartine, Victor Hugo, Honoré de Balzac, and Charles Baudelaire, and how each writer prompted their respective movements.

L’Évolution Du Libéralisme Dans La Littérature Au Xixe Siècle, Sophie Hardy

World Languages and Cultures Senior Capstones

This presentation is a dissection of a quote made by Victor Hugo during the preface of his work Hernani (1830), where he wrote that, “romanticism is just liberalism in literature". This presentation strives to contradict this statement by analyzing Hugo’s early works before the revolution of 1830 to prove that not all of his works discussed liberalism. This presentation will also analyze the works of Alphonse de Lamartine and Alfred de Musset during this romantic era and compares Hugo’s earlier statement to their works.

Édouard Manet’S Defense Of Modernity: Recontextualizing The Cat In Olympia, Rebecca Schiffman

Theses and Dissertations

The black cat in Édouard Manet’s seminal painting, Olympia, has often been relegated as a crude joke or symbol of reprehensible sexuality. This thesis argues that the cat plays a larger role in Manet’s representation of modernism, and functioned as a defense mechanism by the artist against his critics.

Mille-Feuille Magazine Littéraire, Printemps 2024, Pascale-Anne Brault

Mille-Feuille Magazine Littéraire

No abstract provided.

Tuning Out: Intersections Of Music And Literature In The Contemporary French-Language Novel, Alexander James Claussen

Department of Modern Languages and Literatures: Dissertations, Theses, and Student Research

The past thirty years have seen a shift in French-language novels as authors move from the self-reflexive formal experimentation of the nouveau roman and its successors toward a literature that is again concerned with plot, character, and above all, the problems of the contemporary world. This “retour au récit” is accompanied by a resurgence of interest in writing the self (through experiments in autofiction), the past (through explorations of collective memory and collective guilt), and the present (through novels that challenge existing social structures and seek to define and develop new collective or national identities).

This dissertation examines the (re)turn …

Doris Provencher-Faucher Research Library Bibliography, Usm Franco-American Collection

Collection Aids

Doris Provencher-Faucher Research Library Bibliography

Unnatural Issue: Gendered Adaptations Of “Peau D’Âne” In Contemporary French And English Texts, Amy M. Martin

Dissertations, Theses, and Capstone Projects

Unnatural Issue: Gendered Adaptations of “Peau d’Âne” in Contemporary French and English Texts explores trans-genre and transmedia adaptations of Charles Perrault’s seventeenth-century fairy tale using feminist and narratological theories to examine gendered aspects of storytelling and the treatment of father-daughter incest and blame in the work of selected French, British, and American creators. Texts are read comparatively, with analyses of the adaptations’ plots, motifs, characterizations, and modifications, both in relation to Perrault and to the other adaptations. This dissertation features prose and poetry texts by female authors—including Christine Angot, Catherine Cusset, and Emma Donoghue—in the first two chapters. Reading these …

Heroes, Victims, And Future Citizens: Representations Of French Children During World War I, Megan R. Outtrim

Swarthmore Undergraduate History Journal

The effects of total war society in France during WWI dramatically altered the daily lives of both adults and children, witnessing increasing levels of patriotic rhetoric, wartime propaganda, and anti-German sentiment. Children were often made the focal point of this propaganda, as they represented the future of the nation. As such, three specific representations of children emerge from WWI propaganda in France: the heroic child, the victimized child, and the malleable future citizen. Some of these representations were depicted in propaganda meant for children specifically, while others were depicted in propaganda meant to mobilize adults in the name of children. …

Death, Dreaming, And Diaspora: Achieving Orientation Through Afro-Spirituality, Liz Johnston, Jaime Elizabeth Johnston

LSU Doctoral Dissertations

Enslavement, colonization, and the systems that uphold racial injustice were and still are a series of new, unfathomable, and challenging experiences that prompt individuals within the diaspora to seek orientation. How does a human cope with centuries of attempts at the systematic destruction of their humanity, culture, and identity? How can they reclaim that identity, especially when so much of it seems lost? I address these questions by utilizing texts from the expansive body of work regarding ethnographic-historical-religious studies on Afro-spiritual practices to better analyze instances in literature in the ongoing practice of diasporic orientation. In this project, I argue …

Ceci N’Est Pas Une Autobiographie : «  Je N’Est Plus (Seulement) Moi  » Pour Didier Eribon, Édouard Louis Et Ivan Jablonka, Annie Jouan-Westlund Dr.

World Languages, Literatures, and Cultures Faculty Publications

Cet article porte sur brouillage générique entre l’essai et l’écriture de soi, la littérature et la sociologie dans les récits hybrides de Didier Eribon, Édouard Louis et Ivan Jablonka. Il étudie la mise en perspective de l’expérience singulière au sein d’un groupe et l’approfondissement de la matière autobiographique dans un questionnement plus vaste sur la société. Alliant réflexion théorique et démarche auto/biographique, Didier Eribon considère sa propre trajectoire de transclasse en fonction des verdicts sociaux. Édouard Louis expose les langages et conditions d’existence de son milieu d’origine dans une perspective critique sur la violence résultant des conjonctures sociales et économiques …

Autoportrait D’Un Auteur En Exil : Une Magie Ordinaire De Kossi Efoui, Morgan Faulkner

Présence Francophone: Revue internationale de langue et de littérature

Kossi Efoui’s sixth novel, Une magie ordinaire, constitutes his intellectual autobiography in that it follows the reconstruction of an “intellectual development” (Paul Ricoeur, 1995) by retracing his own trajectory as a writer in exile, born and raised in a dictatorship, forced to live the last days of his mother’s life away from her. This study explores the role played by private life, history, and literature in the reconstruction of the writer’s trajectory that unfolds in this novel. How do these three themes, and the discourses that accompany them, interact with each other to build the self portrait of an …

Présence Francophone, Numéro 101

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Le Goût Du Transfert. Dany Laferrière Depuis Sa Vieille Ford Des Années 80, Bernadette Desorbay

Présence Francophone: Revue internationale de langue et de littérature

Dany Laferrière’s chronicles which make up Les années 80 dans ma vieille Ford (2005), are presented in the form of snapshots around situations and personalities that marked him in Haiti, and in North America where he took refuge in June 1976 (Montreal followed by stays in New York and Miami). He talks about colleagues from Le Petit Samedi Soir or intellectuals he portrayed in New York for Haïti-Observateur, with whom he crossed swords on more than one occasion. Throughout his work and up to the Petit traité du racisme en Amérique (2023), he participates in the genre of intellectual autobiography …