Editorial: Preoccupy/Maximum Occupancy,
2013
Northern Illinois University
Editorial: Preoccupy/Maximum Occupancy, Kryssi Staikidis
Journal of Social Theory in Art Education
When the Editor and Associate Editor conceived of this call for papers for PreOccupy/Maximum Occupancy, it was based on the Caucus members’ input during the annual meetings of the Caucus on Social Theory and Art Education (CSTAE) at the National Art Education Association conference, NAEA 2012, New York. We listened to our colleagues speak about the year’s events, and we discussed how we as art educators could respond to the needs of the Caucus and of our field for Volume 33 of the Journal of Social Theory in Art Education (JSTAE).
Anonymous: The Occupy Movement And The Failure Of Representational Democracy,
2013
University of Alberta
Anonymous: The Occupy Movement And The Failure Of Representational Democracy, Jan Jagodzinski
Journal of Social Theory in Art Education
In this essay I try to make the case that the Occupy Movement can be thought through as a Post-Situationist art event which requires that it be thought of in terms of its pragmatic effects and what it can ‘do’ in relation to its viral spreading around major urban centers of the globe. I further try to make my case by utilizing the conceptual tool kit of Deleuze and Guattari; hence such ideas as sense-event, territory, virtual, and actual are part of this repertoire. I then try to further the complexity of Post-Situationism by including hacktivism and exploring the importance …
Poetic Occupations: Artists As Narrator-Protagonists,
2013
Ohio State University - Newark
Poetic Occupations: Artists As Narrator-Protagonists, Jack Richardson
Journal of Social Theory in Art Education
What does it mean to “occupy” space? Referencing the Occupy Wall Street (OWS) protests of 2011, this paper articulates a type of public art practice that can be understood as poetic occupation. The paper further suggests that shifting one’s understanding of public art practice provokes a reconsideration of the role of the artist. To this end, Miwon Kwon’s (2002) term “narrator-protagonist” is useful for expressing this alternative role. The paper proceeds with an exploration of the work of the artist collective Lone Twin, supported by Michel de Certeau’s (1984) theories associating walking with speaking, and illustrated with an analysis of …
(Pre)Determined Occupations: The Post-Colonial Hybridizing Of Identity And Art Forms In Third World Spaces,
2013
University of Texas, Arlington
(Pre)Determined Occupations: The Post-Colonial Hybridizing Of Identity And Art Forms In Third World Spaces, Amanda Alexander, Manisha Sharma
Journal of Social Theory in Art Education
In this article, we present the effects of globalization on art forms in Peru and on teacher identity in India while exploring hybridization as an ongoing global paradigm in both contexts (Bhabha, 1994; Said, 1979). Peruvian art forms are continuously shifting as global cultures meld and become more technologically connected, which ultimately brings about questions of authenticity. The identities of Indian art educators are evolving, and shifting indicating an assemblage or structure containing many parts working together to perform a particular function. In realizing its function, the structure can be named or its form made visible (Deleuze & Guattari, 1987). …
A Study Of Teacher Effectiveness Evaluation Models In American Schools,
2013
Purdue University
A Study Of Teacher Effectiveness Evaluation Models In American Schools, Lacey Bowman
Open Access Theses
Bowman, Lacey C. M.A., Purdue University, December 2013. A Study of Teacher Evaluation Effectiveness Models in American Schools. Major Professor: F. Robert Sabol, Ph.D.
The quality of education in America is an issue currently being examined through various perspectives. The use of a teacher effectiveness evaluation model is one method used to determine the link between student achievement and the instructional practices of the teacher. The study reported here will focus on the factors leading up to the increased attention on student achievement in American schools, the role of teacher effectiveness evaluation models in delivering a quality education, and the …
Big Gay Church: Religion, Religiosity, And Visual Culture,
2013
Ohio State University
Big Gay Church: Religion, Religiosity, And Visual Culture, James H. Sanders Iii, Kimberly Cosier, Mindi Rhoades, Courtnie Wolfgang, Melanie G. Davenport
Journal of Social Theory in Art Education
Five academics explore their performed occupations of the National Art Education Association Annual Meetings. They have annually mounted Big Gay Church (BGC) services that deconstruct and question the ways visual culture, media representations, scriptural interpretations, and religious teaching have constructed (at times harmful) depictions of lesbian, gay, bisexual, transgender, queer and questioning (LGBTQ2) subjects. This essay recounts how co-authors have drawn on their multiple experiences with/in churches to play with religious rituals and narratives in ways that queerly comment on the damage or support organized religions offer LGBTQ2 students and educators.
The Journal Of Social Theory In Art Education,
2013
Virginia Commonwealth University
The Journal Of Social Theory In Art Education
Journal of Social Theory in Art Education
No abstract provided.
Craft As Activism,
2013
University of Arizona
Craft As Activism, Elizabeth Garber
Journal of Social Theory in Art Education
Craft activists work outside the mainstream of consumer society, in grass-roots efforts, to create social change that positions individuals and groups of people as reflective contributors who occupy a participatory democracy. These activities connect to and draw from feminist and other civil rights movements, sustainability, and do-it-yourself [DIY] activities. They are forms of affective labor. The crafted products are considered in terms of whether they contribute (or do not) to the surplus economy, in terms of class taste, and vis-à-vis their ability to connect people and contribute to social change. Education of craft activists and audiences takes informal forms, such …
Feminist Zines: (Pre)Occupations Of Gender, Politics, And D.I.Y. In A Digital Age,
2013
Adelphi University
Feminist Zines: (Pre)Occupations Of Gender, Politics, And D.I.Y. In A Digital Age, Courtney Lee Weida
Journal of Social Theory in Art Education
This article examines the potential of recent feminist zines as frameworks of grassroots D.I.Y. and direct democracy in physical and digital communities. While the height of zine creations as works on paper may be traced to the 1990s, this form of feminist counterculture has evolved and persisted in cyberspace, predating, accompanying, and arguably outlasting the physical reality of protests, revolutions, and political expressions such as the Occupy Movement(s). Contemporary zines contain not only email addresses alongside ‘snail mail’ addresses, but also links to digital sites accompanying real-world resources. Zinesters today utilize the handmade craftsmanship and hand drawn and written techniques …
Reviews And Responses: Brown And Spitzer’S Public Folklore,
2013
University of Central Florida
Reviews And Responses: Brown And Spitzer’S Public Folklore, Kristin G. Congdon
Journal of Social Theory in Art Education
Book review for Public Folklore, Robert Baron and N. R. Spitzer (Editors), Smithsonian Institution, Washington, 1992.
This Is What Democracy Looks Like: Art And The Wisconsin Uprising,
2013
University of Wisconsin-Milwaukee
This Is What Democracy Looks Like: Art And The Wisconsin Uprising, Kim Cosier
Journal of Social Theory in Art Education
In February of 2011, an enormous popular political movement came to life in Wisconsin. For many people who were engaged in the month-long occupation of the Capitol in Madison, the Wisconsin Uprising was their first experience with direct political action. For the artists who are the focus of this article, taking part in the Wisconsin Uprising seemed like a natural outgrowth of their many years of socially engaged artmaking. In this article, I offer a brief overview of the Wisconsin Uprising followed by a discussion of the contributions of the artists in the protests in the context of their larger …
Exhibit Curriculum For Condition: My Place Our Longing (Lesson 1 Of 2),
2013
CUNY City College
Exhibit Curriculum For Condition: My Place Our Longing (Lesson 1 Of 2), Sarah Aponte, Dania Diaz
Open Educational Resources
Exhibit curriculum for the CUNY Dominican Studies Institute exhibit, Condition: My Place Our Longing.
The exhibit highlights the work of two young Dominican immigrant artists living in New York: Julianny Ariza and Leslie Jiménez and showcases original pieces produced between 2011 and 2012 that explore the subject of living in between two worlds, and other conditions of living.
Incorporating Historic Preservation Into An Accredited Interior Design Program, Reasoning And Application,
2013
Wayne State University
Incorporating Historic Preservation Into An Accredited Interior Design Program, Reasoning And Application, Jenna M. Woodcox
Mid-America College Art Association Conference 2012 Digital Publications
Due to the recent decline of the economic situation in the United States, more credibility needs to be established in regard to the professions that are deemed “luxury career paths”. This essay focuses on interior design and historic preservation integration. This literature is intended to bring more credibility and awareness to the interior design field to show outsiders the potential and importance it holds. Most importantly, this proposal is for current designers who are not working in the field, to not give up hope for their design careers and think of ways to reinvent themselves (like choosing a specialty) to …
Arts Enrichment And Emotion Expression And Regulation For Young Children At Risk,
2013
West Chester University of Pennsylvania
Arts Enrichment And Emotion Expression And Regulation For Young Children At Risk, Eleanor D. Brown, Kacey L. Sax
Psychology Faculty Publications
No abstract provided.
Creative Writing Thesis: Poetry,
2013
Claremont McKenna College
Creative Writing Thesis: Poetry, Desmond Bonhomme
CMC Senior Theses
The title of this compilation of my own creative writings is Trees, Breathe, Paper. This unique collection of poetry, short stories and prose contains a range of work, composed from 2002-2012. The thematic goal of this undertaking is to ballast as many implicit and explicit meanings as are comprehensible, and to extrapolate a distinct spectrum of latent and straightforward explanations with discernible psycho-analytical accuracy. We all know poetry is truly formless and based on springs of natural inspiration. Thus, we derive our purest inspiration from the natural world and we prune it in its unfiltered, raw state. Poetry is an …
Using Digital Representations Of Practical Production Work For Summative Assessment,
2013
Edith Cowan University
Using Digital Representations Of Practical Production Work For Summative Assessment, C. Paul Newhouse
Research outputs 2013
This paper presents the findings of the first phase of a three-year study investigating the efficacy of the digitisation of creative practical work as digital portfolios for the purposes of high-stakes summative assessment. At the same time the paired comparisons method of scoring was tried as an alternative to analytical rubric-based marking because we believed that it was likely that a more holistic approach to scoring would be more appropriate. Researchers created digital representations of the practical submissions of 75 Visual Arts and 82 Design students graduating from secondary school in Western Australia. These digital portfolios were scored using the …
A Qualitative Study: Integrating Art And Science In The Environment,
2013
Wayne State University
A Qualitative Study: Integrating Art And Science In The Environment, Deborah Naughton Mills
Wayne State University Dissertations
The study was used to develop an understanding of the nature of a creative learning experience that incorporated the foundational elements of Reggio Emilia, place-based education, and experience design. The study took place in an urban high school with eight students in an advanced placement art class. The qualitative research project revolved around the pollinator garden that the science teacher planted in the year prior to the study and the garden that was planted in the spring. Students were asked to create an art project that could withstand the Michigan climate. The science teacher lectured on elements of the pollinator …
The Building Blocks Of Museum Education: Examining Early Childhood Education Programs In Art Museums,
2013
CUNY City College
The Building Blocks Of Museum Education: Examining Early Childhood Education Programs In Art Museums, Meghan Ann Lally
Dissertations and Theses
No abstract provided.
Your Brain On Art: Art Therapy In A Museum Setting And Its Potential At The Rubin Musuem Of Art,
2013
CUNY City College
Your Brain On Art: Art Therapy In A Museum Setting And Its Potential At The Rubin Musuem Of Art, Laura Sloan
Dissertations and Theses
Art therapy-based programs could open the doors of the museum to another population of visitors with disabilities, particularly those suffering from mental illness and in need of healing and wellness. The above statement serves as the core of this thesis with the ultimate goal to analyze and research the place of art therapy in a museum setting. Investigation of existing literature, interviews with professionals, and case studies, reveal the ways in which art therapy can be facilitated in a museum setting in order to better reach this population. Furthermore this thesis explores how collaboration between museum educators and art therapists …
In Situ Vision: The Student Experience Of Collaborative Learning In A Virtual Drawing Class,
2013
Antioch University - PhD Program in Leadership and Change
In Situ Vision: The Student Experience Of Collaborative Learning In A Virtual Drawing Class, Annette Cohen
Antioch University Dissertations & Theses
The purpose of this study was to elucidate the construct of collaboration and the co-construction of knowledge in a distance learning drawing class. Distance learning drawing classes are rare, due to resistance by fine arts departments holding onto traditions that date back to Renaissance times. As a result, there is a paucity of literature on the subject. This multiple method study seeks an understanding of how students collaborate in critiques, form virtual communities and socially construct knowledge about learning how to draw. The study commences with the following three research questions: what social processes facilitate learning to draw from the …
