Art Education Commons^™

Lessons In And Out Of School, Mary K. Maloney Johnson

Master of Liberal Studies Theses

What are we saying to children when we leave the creativity to others in a visual environment, infused with “attitude”, snobbery, acquisitiveness and Pollyanna innocence? We’re saying that we approve this message. Visual arts teach media literacy in an atmosphere that implicitly uses vices to secure attention. School experiences cannot compete. Parents and teachers, pleading incompetence, pass undiscerning choices to the next generation. Educational illustration typically amounts to copy-machine ready, poorly drawn, saccharin cartoons. Standards exemplified by the likes of Szyk, Holling and others lie hidden on the shelves. Dismay and consternation over the failure to plumb the depths of …

Interweaving Media, Chris Quirk, Risd Xyz

RISD XYZ Fall/Winter 2013: Out of Bounds

Five artists working in wood, glass, clay, metal and fiber collaborate with Pollack’s design team to create a new line of fabrics. Pollack, the NYC textile design firm founded by Mark Pollack 76 TX, embarked on a two-year project with Rachel Doriss 99 TX, to collaborate with five artists and designers working in different media. The goal? To create a line of newly released fabrics—called simply The Makers Collection.

In the end, Pollack selected knit designer Liz Collins 91 TX/ MFA 99 TX in Brooklyn, ceramicist Nathan Craven MFA 08 CR in Roswell, NM, glass artist Katherine …

Divergent Thinking | Risd President, John Maeda, Risd Xyz

RISD XYZ Fall/Winter 2013: Out of Bounds

"Innovation happens when convergent thinkers—people who march straight ahead towards a clearly defined goal—combine forces with divergent thinkers, those who may wander professionally but who are comfortable being uncomfortable and who look for what is real. RISD harbors a lot of divergent, agile thinkers. . .". – John Maeda, RISD President 2008-13

Graphic And Gutsy, Liisa Silander, Risd Xyz

RISD XYZ Fall/Winter 2013: Out of Bounds

Some people just can't help themselves. They've got an indefinable restlessness—a drive to do things most people don’t. By the time she was 26, Jessica Walsh GD 08 had pushed the proverbial envelope enough that esteemed designer Stefan Sagmeister (who had been in the business since before she was born) invited her to become a partner in his NYC-based firm.

Exhibit Curriculum For Condition: My Place Our Longing (Planning And Overview), Sarah Aponte, Dania Diaz

Open Educational Resources

Exhibit curriculum for the CUNY Dominican Studies Institute exhibit, Condition: My Place Our Longing.

The exhibit highlights the work of two young Dominican immigrant artists living in New York: Julianny Ariza and Leslie Jiménez and showcases original pieces produced between 2011 and 2012 that explore the subject of living in between two worlds, and other conditions of living.

The Role Of Visual Art In K-5 Classrooms In A Midwestern School District, Alexis Zaccariello

Theses and Graduate Projects

Art programming, both inside and outside of school, is beneficial to children. It is beneficial because art competencies promote higher order thinking, problem solving skills, self-efficacy, and engagement. It has been shown, however, that not all American students have access to quality art programming. If students are not getting regular art programming from art teachers are they getting a version of art instruction from their classroom teachers? In this study 56 elementary teachers at a mid-western school district were surveyed and interviewed on how they have used visual art in the classroom. These teachers have varying degrees of visual art …

Hosting The Occupation Of Art Education As Aporia, Nadine M. Kalin

Journal of Social Theory in Art Education

This article articulates an ethics of hospitality within art education that adopts an uncertain disposition to visual arts learning and affirms the unforeseeable while inviting openings for the transformation of art education knowledges and associated subjectivities. Throughout, I endeavor to keep the question of whom we teach unanswered and open, while searching for spaces of possibility within unpredictable, aporetic entanglements inherent in normalizing frameworks of art education. I contextualize Derridean notions of aporia, hospitality, monstrous arrivant, undecidability, and responsibility within the specificities of art teaching that call on us to approach the field as contradictory and ambiguous so that we …

Bitter Milking Art Education? (Re)Orienting, (Re)Deeming, (Re)Claiming, (Re)Presenting M(Other)Work In Art Education, Anniina Suominen Guyas, Linda Hoeptner Poling, Kathleen Keys

Art, Design & Visual Studies Faculty Publications and Presentations

Reviewing the existing literature of women and/or mothers in academic roles paints a pretty grim picture. Even worse is the prediction for success that shies far from optimistic. Some inequities in higher education need to be considered: "women lag behind their male counterparts in tenure status, promotion to full professor, and salary. Overall, considering all full-time faculty at all types of institutions, women earn about 80 percent of what men earn" ("Inequities Persist", 2005, p. 1). The adherence to Family Medical Leave Act provisions or other familial and maternal related leave are inconsistent across academia and, even in their most …

Exhibit Curriculum For Condition: My Place Our Longing (Lesson 2 Of 2), Sarah Aponte, Dania Diag

Open Educational Resources

Exhibit curriculum for the CUNY Dominican Studies Institute exhibit, Condition: My Place Our Longing.

The exhibit highlights the work of two young Dominican immigrant artists living in New York: Julianny Ariza and Leslie Jiménez and showcases original pieces produced between 2011 and 2012 that explore the subject of living in between two worlds, and other conditions of living.

Yearbook, 2013, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.

2013 Risd Wintersession Schedule Of Courses, Risd Registrar's Office, Risd Archives

RISD Course Catalogs / Announcements

No abstract provided.

2013-2014 Risd Course Announcement, Risd Registrar's Office, Risd Archives

RISD Course Catalogs / Announcements

No abstract provided.

Linear Perspective And Montage: Two Dominating Paradigms In Art Education, Charles R. Garoian

Journal of Social Theory in Art Education

As a former public high school art teacher, I was always puzzled by the common belief held by my students in what they referred to as the right way to represent images and ideas in their drawings and paintings. After years of producing art works during early childhood that appeared to be uninhibited in their expressive qualities, their world view in adolescence had shifted dramatically towards a preoccupation with photographic representation realism.

Editorial: Preoccupy/Maximum Occupancy, Kryssi Staikidis

Journal of Social Theory in Art Education

When the Editor and Associate Editor conceived of this call for papers for PreOccupy/Maximum Occupancy, it was based on the Caucus members’ input during the annual meetings of the Caucus on Social Theory and Art Education (CSTAE) at the National Art Education Association conference, NAEA 2012, New York. We listened to our colleagues speak about the year’s events, and we discussed how we as art educators could respond to the needs of the Caucus and of our field for Volume 33 of the Journal of Social Theory in Art Education (JSTAE).

Anonymous: The Occupy Movement And The Failure Of Representational Democracy, Jan Jagodzinski

Journal of Social Theory in Art Education

In this essay I try to make the case that the Occupy Movement can be thought through as a Post-Situationist art event which requires that it be thought of in terms of its pragmatic effects and what it can ‘do’ in relation to its viral spreading around major urban centers of the globe. I further try to make my case by utilizing the conceptual tool kit of Deleuze and Guattari; hence such ideas as sense-event, territory, virtual, and actual are part of this repertoire. I then try to further the complexity of Post-Situationism by including hacktivism and exploring the importance …

Poetic Occupations: Artists As Narrator-Protagonists, Jack Richardson

Journal of Social Theory in Art Education

What does it mean to “occupy” space? Referencing the Occupy Wall Street (OWS) protests of 2011, this paper articulates a type of public art practice that can be understood as poetic occupation. The paper further suggests that shifting one’s understanding of public art practice provokes a reconsideration of the role of the artist. To this end, Miwon Kwon’s (2002) term “narrator-protagonist” is useful for expressing this alternative role. The paper proceeds with an exploration of the work of the artist collective Lone Twin, supported by Michel de Certeau’s (1984) theories associating walking with speaking, and illustrated with an analysis of …

(Pre)Determined Occupations: The Post-Colonial Hybridizing Of Identity And Art Forms In Third World Spaces, Amanda Alexander, Manisha Sharma

Journal of Social Theory in Art Education

In this article, we present the effects of globalization on art forms in Peru and on teacher identity in India while exploring hybridization as an ongoing global paradigm in both contexts (Bhabha, 1994; Said, 1979). Peruvian art forms are continuously shifting as global cultures meld and become more technologically connected, which ultimately brings about questions of authenticity. The identities of Indian art educators are evolving, and shifting indicating an assemblage or structure containing many parts working together to perform a particular function. In realizing its function, the structure can be named or its form made visible (Deleuze & Guattari, 1987). …

This Is What Democracy Looks Like: Art And The Wisconsin Uprising, Kim Cosier

Journal of Social Theory in Art Education

In February of 2011, an enormous popular political movement came to life in Wisconsin. For many people who were engaged in the month-long occupation of the Capitol in Madison, the Wisconsin Uprising was their first experience with direct political action. For the artists who are the focus of this article, taking part in the Wisconsin Uprising seemed like a natural outgrowth of their many years of socially engaged artmaking. In this article, I offer a brief overview of the Wisconsin Uprising followed by a discussion of the contributions of the artists in the protests in the context of their larger …

Exhibit Curriculum For Condition: My Place Our Longing (Lesson 1 Of 2), Sarah Aponte, Dania Diaz

Open Educational Resources

Exhibit curriculum for the CUNY Dominican Studies Institute exhibit, Condition: My Place Our Longing.

The exhibit highlights the work of two young Dominican immigrant artists living in New York: Julianny Ariza and Leslie Jiménez and showcases original pieces produced between 2011 and 2012 that explore the subject of living in between two worlds, and other conditions of living.

Stage As Street: Representation At The Juncture Of The Arts And Justice, E. Gabriel Dattatreyan, Daniel L. Stageman

Publications and Research

Arts educators working with court-involved youth face a set of complex and imbricated challenges. First, how do we gain the interest of the young people we would have participate in what we imagine are col-laborative and mutually generative projects? Second, how do we mediate representational tensions when the project is not solely therapeutic but has a broader public pedagogical purpose—to disrupt the simplistic and pathologizing discourses of poverty and violence that so often capture young men and women of color in the United States? (Bourgois, 2002; Noguera, 2008). Third, and not least, how do we navigate the institutional settings where …