Steam With A Capital A: Learning Frenzy,
2013
Syracuse University, New York, USA
Steam With A Capital A: Learning Frenzy, David Rufo
The Transdisciplinary STEAM+ Journal
A student dipped a brush into a bowl of viscous tempera paint and in a few quick strokes formed thick magenta letters on a large display board. Nearby a handful of students were working together to attach string to paper cups and balloons. Across the room a small group of girls were lying on the floor carefully adding multi-colored text to a poster. Two others created characters out of Popsicle sticks for a puppet show...This is how the integration of Science, Technology, Engineering, Arts, & Math (S.T.E.A.M.) happened with the fourth and fifth graders during the first few weeks of …
Keeping Abreast With Liberal Arts And Science Through Steam,
2013
Museum of Contemporary Art San Diego, San Diego, California, USA
Keeping Abreast With Liberal Arts And Science Through Steam, Tanya Rivas, Gregory Knotts
The Transdisciplinary STEAM+ Journal
The integrated unit on breast cancer described here includes biological science and visual art standards and was targeted at high school juniors and seniors. The goal was to make a potentially controversial and taboo subject relatable through an art-science approach
Reflections ~ How Stem Becomes Steam,
2013
Jack Swigert Aerospace Academy, Colorado Springs, Colorado, USA
Reflections ~ How Stem Becomes Steam, Ruth Catchen
The Transdisciplinary STEAM+ Journal
Reflections from designing a STEAM class for high-risk students.
Broad Vision: The Art & Science Of Looking,
2013
University of Westminster, London, United Kingdom
Broad Vision: The Art & Science Of Looking, Heather Barnett, John R. A. Smith
The Transdisciplinary STEAM+ Journal
Undergraduate students and academic staff from diverse disciplines in the arts and sciences investigated questions of mediated vision through a year-long interdisciplinary research project at the University of Westminster, London, United Kingdom. The Broad Vision project explored the perception and interpretation of microscopic worlds, and investigated the benefits and challenges of working across disciplinary divides in a university setting. This article describes the three-phase model for interdisciplinary learning and research developed through the project, providing a valuable case study for inquiry based art/science education.
Merging Science And Art: The Bigger Picture,
2013
Universidad de Les Illes Balears, España (University in the Balearic Islands, Palma, Balearic Islands, Spain)
Merging Science And Art: The Bigger Picture, Natasha Hall
The Transdisciplinary STEAM+ Journal
It has been stated that artists comprehend and chronicle the completeness of the visible world (Wallach & Bret, 1987), defining Art as the creative expression of knowledge about the visual world. But to what extent does that awareness extend into a scientific appreciation of the world? The acronym STEAM is an abbreviation of Science, Technology, Electronics, Arts and Mathematics. Weaving interactions between Science and Art, have been shown by Clarke and Button (Clarke & Button, 2011), to intensify interconnections between nature, with Landscape, and ultimately with sustainability.
Getting Real About The E In Steam,
2013
University of California - Los Angeles, California, USA
Getting Real About The E In Steam, James Catterall
The Transdisciplinary STEAM+ Journal
STEM and STEAM are in the news. Researchers and educators in my field (cognition, art, and creativity) argue reasons for adding the A to STEM. While I visit this below, my focus is elsewhere. In this brief essay, I want to explore the meaning and importance of the E appearing in both STEM and STEAM. What’s engineering doing in this mix? And what are some reasons for affirming the arts when the role of engineering is clarified?
The Responsive Roles Of Campus Art Museums/Galleries In Urban Public Universities: A Case Study Of Organizational Ddaptation,
2013
Seton Hall University
The Responsive Roles Of Campus Art Museums/Galleries In Urban Public Universities: A Case Study Of Organizational Ddaptation, Daphne, Mei-Yuan Chao, Dawn
Seton Hall University Dissertations and Theses (ETDs)
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Hyper-Realism And Surrealism,
2013
California State University, San Bernardino
What Is Art? Ages 5-7,
2013
California State University, San Bernardino
Introductory History Of Photography,
2013
California State University, San Bernardino
Introductory History Of Photography, Community Based Art
Curricula
No abstract provided.
World Of Art,
2013
California State University, San Bernardino
David Lucas,
2013
Morehead State University
David Lucas, David Lucas, Kentucky Folk Art Center
Kentucky Folk Art Center Exhibition Catalogs
2013 Kentucky Folk Art Center exhibition catalog for artist David Lucas.
Exhibition September 27 – November 27, 2013,
2013
Lawrence University
Exhibition September 27 – November 27, 2013, Wriston Art Center Galleries
Exhibition Materials
Leech Gallery: Capturing Modernity: Art, Fashion and Artifice. Curated by Elizabeth Carlson, associate professor of art history.
Hoffmaster Gallery: Alison Stehlik: Where-House
Kohler Gallery: Stephanie J. Williams: Homegrown
Seedfolks: An Integrated Literature And Visual Art Unit,
2013
Virginia Commonwealth University
Seedfolks: An Integrated Literature And Visual Art Unit, Michi Thacker
Teaching Resource Archive
The book Seedfolks takes place in Cleveland, Ohio, in an inner-city vacant lot. The story develops through a series of 13 vignettes, each culturally isolated character bringing his/her unique perspective and contribution to the story as the trash-ridden lot slowly develops into a community garden.
Through And Beyond The Barbie: 3 Themed Lesson Sequences,
2013
Virginia Commonwealth University
Through And Beyond The Barbie: 3 Themed Lesson Sequences, Rabeya Jalil
Middle School Resources
This lesson sequence will facilitate students to collaborate, explore and experience themes that they can personally relate to on a deeper and meaningful level. The purpose of this unit is to foster a safe and creative environment for early adolescents of 11 – 14 years (7-8th grades) to explore their personal identities, their gender, their socio-cultural beliefs, their values, through critical thinking, self-reflecting, and art making. Through engaging in a conversation and exploratory dialogue to deconstruct the layers that form identity and culture, using both in the traditional and digital media (collage, printmaking, drawing, digital photography, video, Scratch programming software, …
Risd Fact Book 2013,
2013
Rhode Island School of Design
Risd Fact Book 2013, Institutional Research
RISD Fact Books
The Office of Institutional Research is pleased to present the Rhode Island School of Design Fact Book 2013. The Fact Book is a summary of institutional data gathered from many areas of the College, compiled to capture the 2012 Fiscal and Academic Year, as well as the beginning of Academic Year 2012-13. Where appropriate, multiple years of data are provided for historical perspective. While not all-encompassing, the Fact Book provides pertinent facts and figures and is made available as a reference to administrators, faculty, staff and students.
Exhibition March 29 - May 4, 2013,
2013
Lawrence University
Exhibition March 29 - May 4, 2013, Wriston Art Center Galleries
Exhibition Materials
Leech Gallery: Stripped Down: Understanding the Female Nude. Curated by Caitee Hoglund '12.
Hoffmaster Gallery: Sonja Thomsen: nexus
Kohler Gallery: Rafael Salas: You're Invisible Now
Art Education: Perspectives From Lonergan, Langer And Maslow,
2013
Seton Hall University
Art Education: Perspectives From Lonergan, Langer And Maslow, Richard Liddy
Department of Religion Publications
Educare attraverso l’arte: il pensiero di Lonergan, Langer e Maslow. Bernard Lonergan (1904-1984), il filosofo-teologo canadese, spesso faceva riferimento alle opere di Susanne K. Langer (1895-1985) nei suoi scritti sulla coscienza artistica e sim¬bolica. Le analisi sull’arte di Langer, in particolare il suo lavoro del 1953, Sen¬timento e forma, considerava l’arte come l’oggettivazione di modelli puramente esperienziali che ci permettono di prestare attenzione e di «vedere» ciò che altrimenti potremmo ignorare. L’arte educa l’attenzione in modo che vedia¬mo – o sentiamo o percepiamo – le piùprofonde dimensioni dell’esperienza. Congruenti con queste idee di Lonergan e Langer sono quelle di Abraham …
The Artist Avengers: The Power Of Art,
2013
California State University, San Bernardino
The Artist Avengers: The Power Of Art, Marina Santana, Ashley Dee Abarca
Curricula
No abstract provided.
Voices Of Hope: Designing Social Change,
2013
Bridgewater State University
Voices Of Hope: Designing Social Change, Donald Tarallo
Presidential Fellows Program
Proposal Abstract:
If awarded this fellowship, I will devote my time to employ graphic design toward creating positive social change for youth living in the underprivileged neighborhoods of Providence, Rhode Island. The change my project will embody addresses a paradigm shift taking place in the graphic design community as the focus moves from design as a practice that fuels a market to the awareness that graphic design is a social practice and that it can be vehicle for powerful and sustainable social change. This effort will inform my teaching, resulting in a model for art and design education addressing social …
