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French and Francophone Language and Literature Commons™
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Articles 901 - 930 of 3885
Full-Text Articles in French and Francophone Language and Literature
La Créolisation De Caliban: Plurilinguisme, Contrôle Colonial, Et Créativité Linguistique Dans Une Tempête D'Après "La Tempête" De Shakespeare; Adaptation Pour Un Théâtre Nègre D’Aimé Césaire, A. Josephine Thrasher , '21
La Créolisation De Caliban: Plurilinguisme, Contrôle Colonial, Et Créativité Linguistique Dans Une Tempête D'Après "La Tempête" De Shakespeare; Adaptation Pour Un Théâtre Nègre D’Aimé Césaire, A. Josephine Thrasher , '21
Senior Theses, Projects, and Awards
No abstract provided.
The (French) Creole Turn?, Jonathan Gosnell
The (French) Creole Turn?, Jonathan Gosnell
French Studies: Faculty Publications
In what ways can study of cultural mixing or métissages, often linked to histories of empire, colonization, and assimilation, help to better understand complexities in contemporary French and francophone societies? How can theories of creolization explain ambiguous ethnic, racial, and national phenomena that have long existed but have remained obscure? This article critically examines hybrid cultures that have coalesced as a result of pervasive French presence in the world over the last several centuries. The publications of Histoire mondiale de la France and its English translation France in the World: A New Global History sparked debate both inside and outside …
Banal/Queer/Spectacular: Reframing Blue Is The Warmest Color, Sophie Frank
Banal/Queer/Spectacular: Reframing Blue Is The Warmest Color, Sophie Frank
Comparative Literature M.A. Essays
In this essay, I interrogate visual representations of a lesbian love story in Jul’ Maroh’s graphic novel Le bleu est une couleur chaude and its film adaptation by director Abdellatif Kechiche, La vie d’Adèle : Chapitres 1 et 2. By studying the diegesis of each work’s opening scene, I reveal that the graphic novel embodies Barthes’s concept of a writerly text, or one that requires its reader to produce its meaning, while the film, as a readerly work, constructs a passive viewing experience for its audience. I argue that each author’s narratological approach exemplifies the particular manner in which they …
Ouvrages De Lydie Salvayre, Warren Motte
Ouvrages De Lydie Salvayre, Warren Motte
French Language and Literature Papers
La Déclaration. Paris: Julliard, 1990. Paris: Verticales, 1997.
La Vie commune. Paris: Julliard, 1991. Paris: Verticales, 1999.
La Médaille. Paris: Seuil, 1993.
La Puissance des mouches. Paris: Seuil, 1995.
La Compagnie des spectres. Paris: Seuil, 1997.
Quelques Conseils utiles aux élèves huissiers. Paris: Verticales, 1997.
La Conférence de Cintegabelle. Paris: Seuil/Verticales, 1999.
Les Belles Âmes. Paris: Seuil, 2000.
Le Vif du vivant. Paris: Éditions Cercle d’Art, 2001.
Contre. Paris: Seuil/Verticales, 2002.
Et que les vers mangent le boeuf mort. Paris: Seuil/Verticales, 2002.
Passage à l’ennemie. Paris: Seuil, 2003. …
À Propos De Lydie Salvayre, Mahir Guven
À Propos De Lydie Salvayre, Mahir Guven
French Language and Literature Papers
Cher Professeur Notte-- Vous noterez que je continue à buter sur votre patronyme. Allez savoir pourquoi ma mémoire n’a pas enregistré Motte. Allez comprendre le fonctionne du cerveau. Vous en savez quelque chose vous ? Moi non ? Il faudrait demander à Lydie Salvayre. Vous ne pensez pas ? La fille a exercé comme psychiatre. La tronche, la caboche, elle connaît, pendant plus de trente ans, elle a nagé dans les délires et les névroses. Et ? Donc ? De quoi je parle ? J’y viens, cher Professeur. Patience. Faisons à la Française. D’abord, les politesses.
Almuerz, David Lopez
Almuerz, David Lopez
French Language and Literature Papers
Elle m’a laissé le choix. Salsa amarilla o roja, avec les albondigues. J’ai dit amarille, abuela, c’est ce que je dis à chaque fois qu’elle me pose la question. Bueno elle a répondu, le sourire dans la voix, satisfaite à l’idée de satisfaire, et puis elle a ajouté que nunca elle s’accorde de ce que moi je préfère, parce que mi hermano también il a ça qu’il aime, et puis il vient plus souvent alors parfois elle se confond. Mais c’est vrai qu’on la laisse cociner, comme elle dit, et qu’elle connaît nos préférences, sachant qu’en général on aime bien …
Lydie Salvayre, Écrivain Baroque’N’Roll, Bernard Wallet
Lydie Salvayre, Écrivain Baroque’N’Roll, Bernard Wallet
French Language and Literature Papers
Dès sa petite enfance, Lydie Salvayre parle deux langues. À la maison, elle parle l’espagnol qui est la langue de ses parents, réfugiés politiques dans le sud de la France suite à la prise de pouvoir de Franco. À l’extérieur, elle parle le français. L’espagnol va devenir la langue du dedans, la langue de l’intime, des ripostes intérieures, la langue qui prend en charge tout ce que ne peut porter la langue du dehors, tout ce qui par elle est laissé de côté, tout ce qui est excessif, tout ce qui déborde, tout ce qui ne peut se rendre public, …
Quatre Photos, Lydie Salvayre
Quatre Photos, Lydie Salvayre
French Language and Literature Papers
« Au fond je suis un sportif, le sportif au lit. » — Henri Michaux
Chambre avec vue
Lydie Salvayre – Paris – Mai 2013
Lydie Salvayre – Le Pin – Juin 2018
Deux Artistes, Lydie Salvayre
Deux Artistes, Lydie Salvayre
French Language and Literature Papers
1) Sur Alberto Giacometti : Walking Je nourrissais depuis longtemps une passion pour l’Homme qui marche de Giacometti. L’Homme qui marche, que je n’avais jamais vu que reproduit sur du papier glacé, me semblait constituer l’oeuvre au monde qui disait le plus justement et de la façon la plus poignante ce qu’il en était de notre condition humaine: notre infinie solitude et notre infinie vulnérabilité, mais, en dépit de celles-ci, notre entêtement à persévérer dans le vivre, notre entêtement à persévérer contre toute raison dans le vivre.
2) Sur Thomas Bernhard : Contre Aller dans le sens opposé, c’est ce …
[Lydie Salvayre,] Dans Le Vif Du Vivant, Warren Motte
[Lydie Salvayre,] Dans Le Vif Du Vivant, Warren Motte
French Language and Literature Papers
Les livres de Lydie Salvayre sont implacables, obsessionnels, insistants. Ils débordent de gens qui hurlent, qui fustigent, qui accusent, des gens qui estiment qu’il y a quelque chose qui ne va pas dans l’ordre accepté des choses, et qui ne relâcheront pas. Salvayre dit « Non ! » de manière superbement éloquente ; elle refuse d’approuver la sagesse reçue ; elle pense que tout mérite d’être interrogé. À notre époque si houleuse et incertaine, ces livres sont vivifiants, des vaccins puissants contre les foutaises outrageuses qui nous bombardent de façon quotidienne, constante. Son écriture se situe dans le vif du …
Nés Pour Un Petit Pain? Une Analyse De Classe De La Communauté Franco-Américaine Du Maine, Timothy St. Pierre , '21
Nés Pour Un Petit Pain? Une Analyse De Classe De La Communauté Franco-Américaine Du Maine, Timothy St. Pierre , '21
Senior Theses, Projects, and Awards
No abstract provided.
Visions Du Voile: La Quatrième-Dimensionnalité Dans La Société Néocoloniale Française, Christian L. Precise , '21
Visions Du Voile: La Quatrième-Dimensionnalité Dans La Société Néocoloniale Française, Christian L. Precise , '21
Senior Theses, Projects, and Awards
No abstract provided.
Qui Est Ourika?: Méditations Sur Une Figure Littéraire Et La Condition De La Femme Noire, Abigail X. Young , '21
Qui Est Ourika?: Méditations Sur Une Figure Littéraire Et La Condition De La Femme Noire, Abigail X. Young , '21
Senior Theses, Projects, and Awards
No abstract provided.
Les Legs De Partialité: Les Enjeux Éthiques Dans L'Intelligence Artificielle, Christine Ayoh , '21
Les Legs De Partialité: Les Enjeux Éthiques Dans L'Intelligence Artificielle, Christine Ayoh , '21
Senior Theses, Projects, and Awards
No abstract provided.
Zoomprov. Improvisation Exercises For Language Learning In Online Classes With Zoom Or Similar Tech For Beginning And Intermediate Learners And Beyond, Mona Eikel-Pohen
Zoomprov. Improvisation Exercises For Language Learning In Online Classes With Zoom Or Similar Tech For Beginning And Intermediate Learners And Beyond, Mona Eikel-Pohen
Languages, Literatures, and Linguistics - All Scholarship
The improv language exercises in this compilation are chosen from the experience I gathered 20 years ago, but also from the amazing work of Lauren Esposito and Scranton Improv & Comedy that have been more real than anything else to me this past summer, and from Jim Ansaldo, who taught me how to structure improv exercises online. They are organized by level, referring to the Common European Framework of References for Languages. That means, A1 exercises can be conducted at the beginners level but also at all other higher levels, but B2 exercises should not be imposed upon beginners or …
Notes On Contributors, Molly Lynde-Recchia
On Tasso In Prison By Charles Baudelaire, Sharon Fish Mooney
On Tasso In Prison By Charles Baudelaire, Sharon Fish Mooney
Transference
Translation of and commentary on Baudelaire's "On Tasso in Prison," which is an ekphrastic poem after Delacroix's painting of the same name.
Four Poems By Toshiko Hirata, Eric Hyett, Spencer Thurlow
Four Poems By Toshiko Hirata, Eric Hyett, Spencer Thurlow
Transference
Translations of "Is It February?" "Is It March?" "Is It November Again?" and "Is It December Again?"
Lullaby By Rainer Maria Rilke And Amen By Georg Trakl, Wally Swist
Lullaby By Rainer Maria Rilke And Amen By Georg Trakl, Wally Swist
Transference
No abstract provided.
Drops From Black Candles By Abdallah Zrika, Mike Baynham
Drops From Black Candles By Abdallah Zrika, Mike Baynham
Transference
English translation of Abdallah Zrika's "Drops from black candles" accompanied by an essay on the translation process which includes consideration of Laâbi's French translation of the same poem.
While Dreaming, While Writing (Excerpt) By Max Alhau, Patrick Williamson
While Dreaming, While Writing (Excerpt) By Max Alhau, Patrick Williamson
Transference
A free rendering of Max Alhau's "While dreaming, while writing," with commentary. The original source text is included.
Corona By Paul Celan, David Capps
Five Poems By Michael Krüger, Louise Stoehr
Two Poems By Charles Baudelaire, Arnold Johnston
Two Poems By Charles Baudelaire, Arnold Johnston
Transference
Arnold Johnston's translations of Baudelaire's "The Lovely Ship" and "Invitation to the Voyage."
Blue Crystal By Martha Hofmann, Paul J. Shlichta
Blue Crystal By Martha Hofmann, Paul J. Shlichta
Transference
A translation of a German poem by Martha Hofmann into English verse. The commentary includes a brief biography of Hofmann and a link to additional information.
Two Poems By Nohad Salameh, Susanna Lang
Two Poems By Nohad Salameh, Susanna Lang
Transference
Susanna Lang's translations of Nohad Salameh's "I Greet You, My Twin" and "Dance of the One/the Moon."
Four Sonnets By Feng Zhi, Emily Goedde
Four Sonnets By Feng Zhi, Emily Goedde
Transference
Translation of Feng Zhi's Sonnets 6, 12, 16, and 18 by Emily Goedde.
Persistence Of Memory After A Poem By Bashō, John Savoie
Persistence Of Memory After A Poem By Bashō, John Savoie
Transference
This piece merges a classic haiku of Bashō with a contemporary English poem, first as its own new creative piece, then contemplated further in the commentary.
Four Poems By Rainer Maria Rilke, Susan Mclean
Four Poems By Rainer Maria Rilke, Susan Mclean
Transference
Translations of four German poems from New Poems by Rainer Maria Rilke (1875-1926): "The Blind Man," "The Donor," "The Arrival," and "Lady on a Balcony."
From The Villa By Lucretius, James E. Fowler
From The Villa By Lucretius, James E. Fowler
Transference
"From the Villa" is an epistolary poem in hexameters whose argument is loosely based on the Lucretius's De Rerum Natura. It is addressed to Lucretius's putative dedicatee/patron Gaius Memmius, a contemporary politician and poet.