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French and Francophone Language and Literature Commons™
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Articles 1 - 30 of 54
Full-Text Articles in French and Francophone Language and Literature
Index (N° 55)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Front Matter And Table Of Contents (N° 55)
Front Matter And Table Of Contents (N° 55)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Présentation, Patricia-Pia Célérier
Présentation, Patricia-Pia Célérier
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Le Portrait Sociologique De La Femme Benjellounienne Dans Le Premier Amour Est Toujours Le Dernier, Ana Soler
Le Portrait Sociologique De La Femme Benjellounienne Dans Le Premier Amour Est Toujours Le Dernier, Ana Soler
Présence Francophone: Revue internationale de langue et de littérature
An analysis of the female characters in this collection of short stories reveals two contradictory images of Woman: on the one hand, the discreet presence of Woman as an oppressed being, subjugated by Islamic dogma and, on the other, the much more salient emancipated woman who transgresses canonical principles. Hence, the appearance of two kinds of couples, both of which are shown to be the site of power struggles that ultimately veer towards a masters/ ave relationship. Pledged to defeat, love is thus presented as no more than a utopic quest.
Madame Arnoul De Jean-Noël Pancrazi : Algérie, Attachements, Arrachements, Anne-Marie Obajtek-Kirkwood
Madame Arnoul De Jean-Noël Pancrazi : Algérie, Attachements, Arrachements, Anne-Marie Obajtek-Kirkwood
Présence Francophone: Revue internationale de langue et de littérature
This work narrates the childhood of a young Pied-Nair in colonial French Algeria, the first twelve years of his love for this colonized country. Yet these years were even more marked by the war which was to tear apart all the inhabitants, natives and colonizers alike, and lead the narrator and his family to exile. The text is therefore deeply structured by the two opposing poles of attachment and wrenching.
Rafika Merini, Two Major Francophone Women Writers, Assia Djebar And Leila Sebbar: A Thematic Study Of Their Works. New York : Peter Lang, 1999, 159 P., Mary Mccullough
Rafika Merini, Two Major Francophone Women Writers, Assia Djebar And Leila Sebbar: A Thematic Study Of Their Works. New York : Peter Lang, 1999, 159 P., Mary Mccullough
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Parties Annexes (N° 55)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Présence Francophone, Numéro 55
Présence Francophone, Numéro 55
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Déchirures De V. Y. Mudimbe Ou Le Cri Pour Un Renouveau Poétique En Afrique Centrale, Kavwahirehi Kasereka
Déchirures De V. Y. Mudimbe Ou Le Cri Pour Un Renouveau Poétique En Afrique Centrale, Kavwahirehi Kasereka
Présence Francophone: Revue internationale de langue et de littérature
V.Y. Mudimbe's Dechirures (1971) has been widely analyzed. Some critics have emphasized the poet's hermetism or intellectualism; others, his themes; still others attempt to reveal the moral lesson that emerges from his poetry. In this article, by focussing on the meaning of the poet's opening declaration ('I would like to cry out against poems''), by weighing quotations from Jean de la Croix, Rembrandt and Mallarme in the text, and by situating this collection in the context of African literature, the author is seeking to demonstrate that Dechirures can be considered as a manifesto for a postnegritude poetry. This new poet …
Abstracts (N° 55)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Notes On David Krell’S The Good European, David B. Allison
Notes On David Krell’S The Good European, David B. Allison
Research Resources
So many things come together so beautifully in The Good European, it is hard
to imagine not being moved by it. I discuss what kind of book this is and, more specifically, try to explain, in some detail, just how this work is able to achieve the remarkably performative effect that it has on the reader — at least on this reader. At the outset, it should be said that The Good European is an oversized, illustrated book — a well-known genre — although it is quite unusual to find an example of such work devoted to the life …
Caught In/On The Web: To Publish Without Perishing In The Digital Age, Brian G. Kennelly
Caught In/On The Web: To Publish Without Perishing In The Digital Age, Brian G. Kennelly
World Languages and Cultures
Publishing online is an increasingly prevalent means for scholars to test their ideas. But what of its challenges? Focusing on an ill-fated Web site dedicated to the polemic French writer Louis-Ferdinand Céline, and on a proposed hypertextual edition of his most multilinear and multisequential work, this paper asks how to reconcile the need of academics with the bullheadedness of publishers who resist the renegotiation of copyright and the marketplace it (once) enabled.
Switching Codes: Class, Clothing And Cultural Change In The Works Of Marivaux And Watteau, Amy S. Wyngaard
Switching Codes: Class, Clothing And Cultural Change In The Works Of Marivaux And Watteau, Amy S. Wyngaard
Languages, Literatures, and Linguistics - All Scholarship
Article compares the treatment of social class in the writing of Pierre Carlet de Chambalin de Marivaux and the art of Antoine Watteau.
Which Original Works? Tracking Sophocles' Narrative In "Jean De Florette" And "Manon Des Sources", Marie-Jo Binet
Which Original Works? Tracking Sophocles' Narrative In "Jean De Florette" And "Manon Des Sources", Marie-Jo Binet
French Faculty Publications
Pagnol's two-part novel, L'Eau des collines ( 1962), was inspired by his own films, Manon des sources and Ugolin, released ten years before (1952). Much better known are Berri's 1986 films bearing the novel's titles Jean de Florette and Manon des sources.
In this essay I want to examine the architectural and thematic transformations between the three types of "texts:'
I will show that each piece is referring to a different diegetic universe. Pagnol's film is a celebration of provencal verbal activity, ` joie de vivre," and of the Christian notions of redemption and forgiveness. The musical motif of L'Arlesienne …
Présence Francophone, Numéro 54
Présence Francophone, Numéro 54
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Josias Semujanga, Dynamique Des Genres Dans Le Roman Africain: Éléments De Poétique Transculturelle, Paris, L'Harmattan, 1999, 208 P., André Djiffack
Josias Semujanga, Dynamique Des Genres Dans Le Roman Africain: Éléments De Poétique Transculturelle, Paris, L'Harmattan, 1999, 208 P., André Djiffack
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Front Matter And Table Of Contents (N° 54)
Front Matter And Table Of Contents (N° 54)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Crosta, Suzanne (1998), Recits D'Enfance Antil/Aise, Saintefoy, Grelca, Coll. «Essais», N° 15; Crosta, Suzanne (Dir.) (1998), Recits De Vie De L'Afrique Et Des Antilles: Exil, Errance, Enracinement, Sainte-Foy, Grelca, Coll. «Essais», N° 16., Dennis F. Essar
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Index (N° 54)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Abstracts (N° 54)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Parties Annexes (N° 54)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Livres Reçus (N° 55)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
The Pragram, French Language, Literature, And Culture, Syracuse University
The Pragram, French Language, Literature, And Culture, Syracuse University
Syracuse University French Colloquium
No abstract provided.
He Said, She Said: A Feminist Approach To Teaching The Twentieth-Century Novel In The Twenty-First Century, Elizabeth Richardson Viti
He Said, She Said: A Feminist Approach To Teaching The Twentieth-Century Novel In The Twenty-First Century, Elizabeth Richardson Viti
French Faculty Publications
The question of women's relationship to the literary canon is still pertinent today and is particularly significant for those of us who are both guided by feminist pedagogy and constrained by departmental limitations. How do we give an overview of the novel without either diminishing the importance of certain male novelists or eliminating female writers altogether? The author suggest that a thematic approach in which pairs of texts make explicit two different gender perspectives is useful. This approach underscores the notion that gender informs writing as well as reading and, equally significant, introduces feminist theory as a tool for literary …
Style Guide Of Clcweb: Comparative Literature And Culture, Steven Tötösy De Zepetnek
Style Guide Of Clcweb: Comparative Literature And Culture, Steven Tötösy De Zepetnek
CLCWeb Library
No abstract provided.
Copyright Clcweb: Comparative Literature And Culture ©Purdue University, Steven Tötösy De Zepetnek
Copyright Clcweb: Comparative Literature And Culture ©Purdue University, Steven Tötösy De Zepetnek
CLCWeb Library
No abstract provided.
Aha! Vivat Homo Sapiens, Agnieszka Taborska, James Bewley, Szymon Bojko, Conrad Armstrong, Vincent Balistrieri, Heidi Bochain, Sarah Brown, Vale Bruck, Lily Burickson, Marin De Charette, Sarah Dungan, Edie Faig, Matthew Fairbank, Amy Feldman, Jon Fernandez, Hal Forsstrom, Andrea Hackman, Leon Imas, Sherman Kew, Lara Kurtaman, Bri Mcdonnell, Lauren Nassef, Jesse M. Ragan, Allen Spetnagel, Adam Stanforth, Jenny Vovolvski, Ariana White, Chris Yates
Aha! Vivat Homo Sapiens, Agnieszka Taborska, James Bewley, Szymon Bojko, Conrad Armstrong, Vincent Balistrieri, Heidi Bochain, Sarah Brown, Vale Bruck, Lily Burickson, Marin De Charette, Sarah Dungan, Edie Faig, Matthew Fairbank, Amy Feldman, Jon Fernandez, Hal Forsstrom, Andrea Hackman, Leon Imas, Sherman Kew, Lara Kurtaman, Bri Mcdonnell, Lauren Nassef, Jesse M. Ragan, Allen Spetnagel, Adam Stanforth, Jenny Vovolvski, Ariana White, Chris Yates
Programs
Program for the twelfth and final annual RISD Cabaret held in the Cellar at the top of the Waterman Building. View the Performance Recording.
African Film: A Dynamic Medium For A High School French Class Cultural Curriculum, Denise Elizabeth Dunn Barstow-Girel
African Film: A Dynamic Medium For A High School French Class Cultural Curriculum, Denise Elizabeth Dunn Barstow-Girel
MA TESOL Collection
Culture can be an integral part of the French foreign language class when students learn French language and Francophone culture through a content-based approach using the medium of African films. Founded on the pedagogical value of a thematic study of issues aimed at raising linguistic, cultural, and global awareness in adolescent, fourth or fifth year high school French students, I developed this cultural curriculum focused on Francophone African culture. While learning the French language, students will gain knowledge of West African cultures including historical aspects, and the role of the French language in this region.
Le Défi Théâtral Dans Antigone De Félix Morisseau-Leroy Et La Tragédie Du Roi Christophe D'Aimé Césaire, Marie-Denise Shelton
Le Défi Théâtral Dans Antigone De Félix Morisseau-Leroy Et La Tragédie Du Roi Christophe D'Aimé Césaire, Marie-Denise Shelton
CMC Faculty Publications and Research
No abstract provided.
Of Art And Epithets: Approaching The Poetry Of Olivier Larronde Through His "Alberto Giacometti Dégaine", Brian G. Kennelly
Of Art And Epithets: Approaching The Poetry Of Olivier Larronde Through His "Alberto Giacometti Dégaine", Brian G. Kennelly
World Languages and Cultures
At the relatively early age of 38, the French poet Olivier Larronde died of an epileptic fit in October 1965. At that time, he had only published two poetic collections, Les Barricades mystérieuses (in 1946) and Rien voilà l'ordre (in 1959), with his third collection, L'Arbre à lettres, only appearing in print in 1966. Despite his limited literary output, Larronde had been considered by Paul Guth in September 1959 as "[u]n des sommets de la poésie Française depuis la guerre" ("Olivier Larronde poète" 114) and was hailed one month after his death by Jean Cau as "l'archange poète de l'après-guerre" …