French and Francophone Language and Literature Commons^™

Playing Proverbs With Madame De Genlis, Rebecca Cypess

ABO: Interactive Journal for Women in the Arts, 1640–1830

The theatrical genre known as the proverbe dramatique, which flourished as a pastime of French high society during the late eighteenth century, has often been understood through the written exemplars left by the author and artist Louis Carrogis, known as Carmontelle. Yet Carmontelle’s literary contributions to the genre have obscured the vast range of activities known as jouer des proverbes (playing proverbs)—activities associated especially with women—which included conversational games, pantomime, poetry, dance, and music making. Attending to the many descriptions of jouer des proverbes left by Stéphanie Félicité Ducrest de Saint-Aubin, the Com­tesse de Genlis, reveals that the literary …

Enfilade And Variations: Interpreting Salon Music Through Residential Architecture In Eighteenth-Century Paris, Nicole Vilkner

ABO: Interactive Journal for Women in the Arts, 1640–1830

In eighteenth-century Parisian salons, theme and variations on popular melodies proliferated. Elaine Sisman’s seminal study of variation form provides a foundational approach for understanding variations as rhetorical exercises that persuade through differences in syntax and expression. In this vein, scholars have comprehensively affirmed the ways that salon music reflects the dialogic and sociable practices of Enlightenment receptions (Hanning, Sutcliffe, and Zohn). I suggest that theme and variation form is not only connected to the rhetoric of the salon, but that the concept of sequential elaboration is a principle that was also prized in residential architecture.

Drawing from theoretical writings of …

Nous Sommes Tous Des « Djadjas » : La Question De L’Identité Dans La Musique Française Et Francophone Au 21^E Siècle, Molly Earle

Honors Theses

Le titre de mon travail fait référence à une chanson qui représente les thèmes de la race,1 du genre, de la transculturalité et de la collaboration musicale : « Djadja », une chanson écrite par la chanteuse franco-malienne Aya Nakamura qui a eu beaucoup de succès en 2018 et puis en 2020 avec le remix en duo avec Maluma, un chanteur colombien. Comme d’autres chansons de Nakamura, « Djadja » utilise des sons africains et urbains, mais l’ajout d’influences latino-américaines a aidé la chanson à toucher une plus grande partie du monde (Nakamura et Maluma). Par exemple, cette chanson est …

Sur Quel Pied Le Danser? Ideas For Using Feu! Chatterton In The French-Language Classroom, Brian Kennelly

World Languages and Cultures

Included in this Dossier pédagogique are suggestions for using a wealth of activities encompassing the three modes of communication, and best-suited for students at the upperintermediate or higher levels. Students will use authentic resources to learn both about the French band, Feu! Chatterton, and analyze some of their recent songs.

Music And Communal Division During The French Wars Of Religion, Cameron G. Wade

Honors Theses

This Senior Honors Thesis explores the social and cultural impact of confessional musical composition and performance on the French Wars of Religion (1562-1598). Because Huguenots and Catholics identified with and were widely identifiable by their respective musical styles, cultural divisions between each confession were emphasized by differences in music. This capacity of sacred and confessionally-influenced secular music to highlight and reinforce societal divides is evidenced by the interconfessional violence that accompanied the public performance of sacred music in cities as well as the pressures imposed on composers to create music which clearly aligned with their respective confessions. As the wars …

Undated Book Of Poetry, Songs, And Sheet Music, Marie-Jeanne Laurendeau

Marie-Jeanne Laurendeau

Undated book of poetry, songs, and sheet music written by Marie-Jeanne Laurendeau in French and English.

Songbook 2, Thérèse Laurendeau

Thérèse Laurendeau

Songbook compiled by Thérèse Laurendeau, undated. Text in French.

Songbook 1, Thérèse Laurendeau

Thérèse Laurendeau

Songbook compiled by Thérèse Laurendeau, undated. Text in French.

Immigration Et Clips Musicaux : Vers La Construction D’Espaces Sans Frontières, Souleymane Ganou

Présence Francophone: Revue internationale de langue et de littérature

Immigration is a reality which touches primarily the young in most country. This phenomenon must be undressed of its blaming considerations, in view of its incommensurable contribution in the development of many countries. If the United States of America arrived at the legalization of immigration, by instituting a lottery called “lottery visa”, it is that they are conscious of the benefit that this phenomenon can bring to their nation. Moreover, the United States is a nation built on the bases of the immigration to which they owe their power today. They are numerous these young people who set off to …

Music, Politics, And Sociality: Ethnic Tensions And The Performance Of Gikuyu Nationalism, Peter Njagi Mwangi

Foreign Languages & Literatures ETDs

This thesis examines how some selected Gikuyu popular music propagates ethnic tensions in Kenya by promoting Gikuyu nationalism at the expense of Kenyan nationalism. This music derives its themes from the historical period of the Mau Mau armed struggle against British colonists and connects this struggle with everyday experiences of the Gikuyu people. Memory and the performance of everyday life in this music solidifies the Gikuyu community as tied to a common destiny and distances other Kenyan communities from this destiny. The music consolidates Gikuyu ethnic nationalism and authenticates the position of the community as superior and a dominant force …

From Debussy To Duke: A Look At The Role Of Music, Race, And Sexuality In The Works Of Dany Laferrière, Kendall Smith

Celebration of Learning

Music is used every day as a way of expression. Dany Laferrière, a Haitian born author, uses music in his works to give the reader an idea of racial stereotypes of the black man and white women. The two books that will be the focus of this paper are Comment faire l’amour avec un Nègre sans se fatiguer (How to Make Love to a Black Man Without Getting Tired) and Vers le Sud (Heading South), which use jazz and classical music, respectively. Jazz music, specifically Duke Ellington, is used to show men’s and women’s sexuality through the lyrics and history …

Modernism And The Cult Of Mountains: Music, Opera, Cinema By Christopher Morris (Review), Harald Höbusch

Modern and Classical Languages, Literatures and Cultures Faculty Publications

No abstract provided.

Project 3: Clip Et Critique D'Une Chanson, Brenda C. Crosby

French

No abstract provided.

Project 1: Artistes-Musique À Rechercher, Brenda C. Crosby

French

This unit is very flexible and allows for much student choice. Included are three student projects, each of which allow students to choose what they wish to explore. For the first project, students work alone, and simply research and informally present a French or French language artist or group. For the second project, pairs of students research a musical genre or a period of musical history, and present it to the class. The final project asks students to create a clip for an existing song and to critique the song itself. In between the projects, there are several options to …

Project 2: Un Exposé Genres Et Époques Explication, Brenda C. Crosby

French

No abstract provided.

Nous Habitons Les Langues Et Les Langues Nous Habitent, Cheikh Tidiane Sow

Présence Francophone: Revue internationale de langue et de littérature

Who has not his mother, suckles his grandmother. This wolof of Senegal adage tells us that the absence of the native language and the adoption of another language, far from being a handicap, would open more “naturally” to the universal. The author, whose parents are Fulani speaking Pulaar, delivers his experience and his relationship to his two family “second languages”, Wolof and French.

Babelian Cosmopolitanism Or Tuning In To “Sublime Frequencies”, Puspa Damai

English Faculty Research

Jacques Attali, in his critically acclaimed book, Noise: The Political Economy of Music, cites one of Leibniz’s little known but “extraordinary” texts, “Drôle de pensée touchant nouvelle sorte de représentation,” in which the philosopher describes the “Palace of Marvels.” The Palace of Marvels is Leibniz’s idealization of a perfect political organization, which is built in such a way that the master of the house is able to hear and see everything that is being said and done in the premises without himself being perceived by his subjects. Leibniz’s vision of disciplinary society not only predates Bentham’s or Foucault’s subsequent versions …

Nietzsche’S “Gay” Science, Babette Babich

Articles and Chapters in Academic Book Collections

Offers a reading of the allusion to the 'Provencal' in Nietzsche’s The Gay Science, including the troubadour’s art (or 'technic') of poetic song, an art at once secret, anonymous and thus nonsubjective, but also including logical disputation, for which it is the model, and comprising, perhaps above all, the important ideal of action (and pathos) at a distance: l’amour lointain. But beyond the Provençal character and atmosphere of the troubadour, Nietzsche’s conception of a joyful science, Nietzsche's 'gay' science also adumbrates a critique of science understood as the collective ideal of scholarship, and including classical philology as much as logic, …

75e Anniversaire Du Club Musical-Littéraire (Jubilé De Rubis 1888-1963), Club Musical-Littéraire

Club Musical-Littéraire, Lewiston, Maine

Souvenir program for the 75th anniversary of the Musical-Literary Club of Lewiston, Maine.

60e Anniversaire Du Club Musical-Litteraire De Lewiston, Maine (Album Souvenir 1888-1948), Club Musical-Littéraire

Club Musical-Littéraire, Lewiston, Maine

Souvenir program for the 60th anniversary of the Musical-Literary Club of Lewiston, Maine

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1946 Festival De La Bonne Chanson Program, L'Association Des Vigilants

Festival de la Bonne Chanson

Program booklet from the May 5, 1946 Festival de la Bonne Chanson in Lewiston, Maine, the 10th anniversary.

1940 Festival De La Bonne Chanson Program, L'Association Des Vigilants

Festival de la Bonne Chanson

Program booklet from the May 19, 1940 Festival de la Bonne Chanson in Lewiston, Maine.

50Ème Anniversaire Du Club Musical-Littéraire 1888-1938, Club Musical-Littéraire

Club Musical-Littéraire, Lewiston, Maine

50th anniversary of the Musical-Literary Club of Lewiston, Maine

The Relation Of French Poetry And Painting To The Development Of French Impressionistic Music, Phyllis Elaine Threlfall

University of the Pacific Theses and Dissertations

As far as the writer could find in her reading no one has ever written a finished study of this phase of Music, Art, and Literature. Of course, there are hints of it here and there in many books, but in no one in particular was a detailed study given. Paul Landormy’s book, A History of Music, seemed to carry the heart of the subject, however, in an extremely miniature style.

When we think of French music, our minds are generally centered in Paris, for it is here that the greatest organizations have been sponsored, and the important musical ideas …

Constitution Et Reglements Du Club Musical-Littéraire De Lewiston, Maine, Club Musical-Littéraire

Club Musical-Littéraire, Lewiston, Maine

The constitution and rules of the Musical-Literary Club of Lewiston, Maine.