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Amédée Pichot And Walter Scott’S Parrot: A Fabulous Tale Of Parroting And Pirating, Céline Sabiron

Studies in Scottish Literature

Describes the background and origin of Le perroquet de Walter Scott (Paris, 1834), by the French writer and translator Amédée Pichot, who had visited Scott (and Scott's home at Abbotsford) in 1822, discussing the complex interrelationship in Pichot's work between parody, translation, and piracy, and also considering more briefly Pichot's work as anticipating the better-known parrots in Flaubert and Julian Barnes.

In Between Realms: The Search For Feminine Selfhood In The Essais Of Montaigne, Anna Suarez

Comparative Woman

My purpose is to explore factors of the Renaissance that determined women’s selfhood in Montaigne’s Essais. I argue that the shift into modernity is responsible for the loss of women’s autonomy as well as the anxiety experienced by men regarding their power as well as their potential. Montaigne and Renaissance discourse defines women only by their bodies (sexual organs) and I explore the elements that established biological essentialism. This paper exemplifies comparative literature in the sense that it combines literature, theory, and art for the purpose of creating a well-researched examination of the root causes for why women were …

Literature Of The Self In Foucault: Parrhesia And Autobiographical Discourse, Álvaro Luque

CLCWeb: Comparative Literature and Culture

In his article "Literature of the Self in Foucault: Parrhesia and Autobiographical Discourse" Álvaro Luque Amo analyzes the framework of Foucault’s study of the technologies of the self. In his study, Michel Foucault analyses the practices of self-writing in the Graeco-Roman period. From this perspective, Foucault approaches the texts of classical authors to interpret what he calls a process of ethopoiesis, or construction of the subject: a subject who tells the truth about himself in the text. Foucault introduces concepts and ideas that are essential to understanding the evolution of autobiography and literature of the self. This article studies …

"The Politics Of Literature In Michel Foucault: Veridiction, Fiction And Desire", Azucena G. Blanco

CLCWeb: Comparative Literature and Culture

This article is based on two hypotheses. The first is that in the later Foucault we would find a reformulation of the status that literature had occupied in his work and the development of a politics of literature (already developed in “Sujetos irregulares: ficción y política en el Sade de Michel Foucault”). The second considers that fiction and desire are inseparably joined, which leads me to analyse the logic of Sade as logic of desire in the lectures that Foucault gave on the author at the University of Buffalo (1970). A reading of both aspects together needs to be …

Four Phases Of Subjectivity: A Rhetorical And Phenomenological Analysis Of Aimé Césaire And Cahier D’Un Retour Au Pays Natal, Chelsea Binnie

Electronic Theses and Dissertations

This dissertation project sets out to perform a rhetorical and phenomenological analysis of the subjectivity that Césaire portrays in his epic poem Cahier d’un retour au pays natal, or Notebook of a Return to My Native Land. Césaire published and republished Cahier four times in a 17-year period and the modified accounts of subjectivity presented in the lines of the poem mirrors that of Césaire’s own human subjectivity. Césaire poetically unleashes Cahier and his Négritude project in an effort to shift the geography of reason from its self-appointed European center, to create a liminal space for the totalized …

Contact, Christine M. Stevralia

LSU New Orleans Theses and Dissertations

A year after Alyssa Milano’s tweet launched the #MeToo movement, survivors of sexual assault are being called ‘accusers’ in the media, and public opinion is swinging in favor of guilty men. #MeToo raised awareness but not understanding. What is rape? What is consent? As evidenced by the #MeToo movement and the backlash against it, clearly, as a society, we don’t know. Contact is a work of Creative Nonfiction that uses scenes and details from the narrator’s personal experiences to illuminate the micro-negotiations that occur in sex and seduction.

In a world where women are still expected to stay small and …

Two Poems By Robert Desnos, Armine Kotin Mortimer

Transference

Translated from French by Armine Kotin Mortimer:

• So often have I dreamt of you
• No, love has not died

Poems By Rilke, Catullus, And Baudelaire, Susan Mclean

Transference

Translated by Susan McLean:

• From German - Die Erblindende (The Woman Going Blind) by Rainer Maria Rilke (1875-1926)
• From Latin - Catullus 11 by Catullus (c.84 - c.54 BC)
• From French - Les Deux Bonnes Sœurs (The Two Sisters of Mercy) and Bien loin d'ici (Very Far from Here) by Charles Baudelaire (1821-1867)

Three Poems By Alfred De Musset, Zack Rogow

Transference

Translated from French by Zack Rogow:

• To Ulric G.
• I love the first shiver of winter
• Venice

Three Poems From The Fabric Of The Universe By Andrée Chedid, Kathryn L. Kimball

Transference

Translated from French by Kathryn Kimball:

• Still Here Passing Through
• Growing Old VI
• Dying IV

Three Laisses From The Franco-Italian Song Of Roland, John T. Duval

Transference

These three laisses, that is, decasyllabic verse-paragraphs of various lengths whose lines end with the same assonance, are from the thirteenth-century Franco-Italian version of The Song of Roland, known as the V4 manuscript of St. Mark's Church, Venice. They illustrate creative thirteenth-century innovations, in a slightly different language, added to the much better known twelfth-century Anglo-Norman French Chanson de Roland, known as the Oxford version.

“La Chanson de Roland”: The French Corpus, Vol. 1, Part 2, The Venice 4 Version, 2005, Brepols, 2005, pp. 97, 100-1, 246-7.

Six Poems From Cargo Of Stars — Coolitude By Khal Torabully, Nancy Naomi Carlson

Transference

Translated from French by Nancy Naomi Carlson:

• I refuse
• I have faith in the rhythm of waves
• I know the echo
• No grammar can express
• My cargo mother-of-pearl
• Night will shower the hidden flowers

Transference Vol. 6, Fall 2018

Transference

Complete issue with covers of Transference Vol. 6, Fall 2018

Amjambo Africa! (December 2018), Kathreen Harrison

Amjambo Africa!

In This Issue...

Listings ...............................Page 3

Empower the Immigrant Woman..... .........................................Pages 8 & 9

McAuley Residence..............Page 12

Okay So I Lost an Election...Page 12

Treating Mental Health .......Page 13

Public Charge .......................Page 15

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Voix Narratives Et Transfigurations De L'Écrivain Dans Le Roman Francophone, Cheikh M. Diop

Présence Francophone: Revue internationale de langue et de littérature

In biblical language, transfiguration refers to the "change in bodily appearance" of the crucified Christ revealing his "divine nature". In the same way, it can be said that the writer is metamorphosed through the process of writing by the creation either of an alter ego or of an imaginary double, be it, animal or inanimate. The first case proposes original figures of the "social status" of the writer. In the second, the latter borrows the voice of a cat or makes a piece of furniture or an intimate object to speak. Therefore, we wonder if the transfiguration of the narrative …

Écrire Pour Qui? Enquête Sur La Figure Du Lecteur Dans L'Œuvre De Moussa Konaté, Christiane Ndiaye

Présence Francophone: Revue internationale de langue et de littérature

The question of the readership is a recurring one in francophone literature. However, the aim here is not to attempt a sociological study of actual readers of the works of Moussa Konaté but rather to retrace, from a few of his novels, the profile of the reader constructed by the text. The analysis focuses particularly on the knowledge of detective fiction and of the cultures and history of Africa attributed to the fictitious reader, and on sketching his axiological portrait. This investigation leads us to the conclusion that these novels construct the figure of a "transcultural" reader who is, above …

Abstracts (N° 91)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Front Matter And Table Of Contents (V.67)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

La Figuration De L'Art Dans Les Romans De V.Y. Mudimbe, Olga Hel-Bongo

Présence Francophone: Revue internationale de langue et de littérature

In Mudimbe's novels, art depicts the author and his writings, through a play of substitution and decentering. The author uses the artistic medium to escape constraints of discursive, religious, political or sexual order and as a place of transfiguration of the characters' desires. The aim of this article is to show that references to painting, literature, cinema and music reflect the refusal of the I to speak about oneself, except indirectly. The author chooses a strategy of decentering by combining the language of words and of images, and suggests, behind the mask of narrative representation, a taste for provocation, social …

Front Matter And Table Of Contents

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Front Matter And Table Of Contents (N° 91)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Présentation (N° 91), Kodjo Attikpoé, Josias Semujanga

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Présence Francophone, Numéro 91

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

La Figuration De L'Écriture Dans Quelques Romans Africains Contemporains, Adama Togola

Présence Francophone: Revue internationale de langue et de littérature

The contemporary African novel offers an acute staging of writing, the image of the writer and a reflection on the issues of literature. Its metafictional and metatextual dimensions give rise to a poetics in which writing appears both as a practice and as a theory of fiction. This study, which focuses on novels of Sembène Ousmane, Alain Mabanckou, and Blaise N'Djehoya, addresses the issue of double fiction. It aims to show that the figure of the fictitious writer sometimes appears as a textual substitute, a form of possible objectification of the real novelist, whose novels tend to turn into a …

La Leçon De Ouologuem Ou Le Portrait De L'Artiste En « Pisse-Copie, Nègre D'Écrivains Célèbres », Désiré Nyela

Présence Francophone: Revue internationale de langue et de littérature

The transformation of the African griot/storyteller into a writer was built on the sacredness of his mission, animated by the flame of engagement, inspired by blackness. However, the irruption of Ouologuem into the literary scene brought about a Copernican revolution of sorts by paving the way for a parodic reversal in the conception of the writer. Indeed, Ouologuem's knowledge of the asperities of the literary system surrounding the African novelist leads him to deconstruct the sacred character of the writer's figure; a desecration that places the figure of the writer and the fictional characters of his novel on the same …

Conte Romanesque, Chant-Roman: Postures De La Figure Auctoriale Chez Maurice Bandaman Et Werewere Liking, Adama Coulibaly

Présence Francophone: Revue internationale de langue et de littérature

What is the connection between the author figure and the genre? Contrary to a widespread idea, the generic mention is not a petrified venue. Indeed, from the mention of "song-novel" in Elle sera de jaspe et de corail and La mémoire amputée by Werewere Liking to that of "novelistic tale" in Le fi/s de-la-femme-male or that of the "novel" in L'État Z'héros by Maurice Bandaman, this study shows that, by a play of permanent negotiation of the limits of their fictional status, the writer and the storyteller, figures of the author, produce hybrid genres. The practice summons a kind …

Dialectique De La Figuration. Ken Bugul Au Miroir De Son Œuvre, Justin Bisanswa

Présence Francophone: Revue internationale de langue et de littérature

Drawing from Ken Bugul's novel The Abandoned Baobab, generally considered as a projection of the autobiography of its author, this article shows that the novelist is revealed by veiling, and is thus subject to a self-objectification in which the fantasy narrative echoes the autobiographical narrative. Various self portraits are on display: feminist, rebel, accursed, failed, exiled. The text oscillates between the here and the elsewhere, inversing the fullness lived with the emptiness of there, thus confusing the here and the elsewhere. Three postures of liberation characterize the narrator's attitude: withdrawal, fascination and derision. Through various strategies, while committing to …

Figure De L'Écrivain Chez Sami Tchak. Déterminisrne, Fantasme Et Mythe, Vincent Simédoh

Présence Francophone: Revue internationale de langue et de littérature

This article examines how the figure of the writer manifests himself in the postcolonial novel and the issues associated with all determinisms. Does a representation of oneself in a fictional space give one the possibility of being other than that which one is or is destined to be? Clearly a literary question, in the sense that it makes possibilities exist that are yet unavailable, it comes with few answers. It calls for further investigation to highlight the novelist's consciousness of the present, the writer's image that manifests itself in the novel in various forms by means of fantasies, the creation …

L'Objet Littéraire: Le Livre Et Le Personnage Lecteur Dans L'Œuvre De Sami Tchak, Kodjo Attikpoé

Présence Francophone: Revue internationale de langue et de littérature

This study aims to examine the literary representations of the book and the reader in the novels of Sami Tchak. The fact that the Togolese author's novels are deeply rooted literary recollection reveals a direct link between writing and social issues. Literary references become the structuring principle of his works, which often depict readers "erudite readers". "Ordinary people" as well as a large number of highly-educated persons often read only books from the canon, those by well-known authors. The representation of "Great" literature shows some ranking within the world of books. However, it especially shows the ways of these erudite …

Felwine Sarr (2017). Habiter Le Monde. Essai De Politique Relationne/Le, Montreal, Memoire D'Encrier, 60 P. Isbn 978- 2-89712-519-6, Saïdou A. Barry

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.