French and Francophone Language and Literature Commons^™

Françoise Naudillon (2004). Entretiens Avec Jean Métellus. Des Maux Du Langage À L’Art Des Mots, Cilas Kemedjio

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Présence Francophone, Numéro 64 (2005)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Abstracts

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Loving What We Cannot Understand : Camus' ''The Plague'' And The Tsunami, Eamon Maher

Articles

Material reproduced by kind permission of Reality

Jules Verne's English Translations, Arthur B. Evans

Global Language Studies Faculty publications

No abstract provided.

Jules Verne's English Translations: A Bibliography, Arthur B. Evans

Global Language Studies Faculty publications

No abstract provided.

Stratégies Pour L'Enseignement Du Cinéma Africain, Sylvie Vanbaelen

Scholarship and Professional Work - LAS

Depuis plusieurs annees, les programmes de francais meme les plus "traditionnels" s'ouvrent au monde francophone, conscients de ses richesses et repondant ainsi aux exigences de la diversite culturelle. Les manuels d'enseignement du francais incluent des sections entieres sur les cultures et les litteratures des pays et des peuples francophones. Des cours specialises emergent, centres sur les productions culturelles et litteraires de l'Afrique, des Caraibes, de l'Amerique du Nord, de l'Asie et de l'Europe. Dans le large eventail des possibilites qui s'offrent aux enseignants, le cinema africain represente probablement l'une des moins aisees.

L’Intertextualité Géopolitique Dans Le Petit Chat Est Mort De Fejria Deliba, Sarah Buchanan

French Publications

In this article, Buchanan examines how Fejria Deliba’s short film, Le petit chat est mort, questions the ideas that conservative members of North African and French communities mobilize to separate themselves from each other. Using theories of intertextuality and geopolitical conscience, Buchanan illustrates how “imagined communities” are always influenced by other national narrations, and how “home” is never isolated, pure or preserved. On the contrary, Buchanan highlights how Deliba presents the French and North African cultures as spaces of intersection and interface, that is, of intertext.

Le Célibataire Invisible: Solitude Et Fantastique Dans Le Secret De Wilhelm Storitz, Peter Schulman

World Languages and Cultures Faculty Publications

[First paragraph]

Anne Macvicar Grant, poétesse écossaise vivant à New York à la fin du dix-huitième siècle, concevait les célibataires en termes d’êtres « qui passaient à travers la société comme des fantômes silencieux, et qui, de toute évidence, se considéraient assez supérieurs aux autres » (“passing in and out [of society] like silent ghosts and seeming to feel themselves superior to the world.”¹ De même, Jean Borie identifie le célibataire par rapport à son invisibilité aux yeux d’un monde qui ne cesse de le rejeter : « Le célibataire, » conclut Borie, «quoique gris muraille et presque invisible …

L'Espace Du Célibataire Fantastique: Le Secret De Wilhelm Storitz, Peter Schulman

World Languages and Cultures Faculty Publications

No abstract provided.

Marguerite Duras Et Le Nouveau Roman, Brianne Yancy

The Corinthian

Puisque Marguerite Duras s'est distinguee avec son propre style a elle, elle n'est consideree que rarement comme ecrivain du nouveau roman. Quoiqu'elle soit un ecrivain couronne de succes, elle n'est pas consideree parmi les ecrivains les plus celebres du nouveau roman. Neanmoins, comme je vais le demontrer, son oeuvre a beaucoup de caracteristiques en commun avec les autres oeuvres du nouveau roman.

Jules Verne: Exploring The Limits, Arthur B. Evans

Global Language Studies Faculty publications

No abstract provided.

Accomodating Arabic: A Look At Malika Mokeddem's Fiction, Jane Evans

Selected Works Temporary Series

No abstract provided.

The Fairy Tale Revisited In Malika Mokeddem's Le Siècle Des Sauterelles, Jane Evans

Selected Works Temporary Series

Expatriate Algerian author Malika Mokeddem has modified literary genres throughout her fiction of the 20th and 21st centuries. For example, her second novel, Le siècle des sauterelles, combines elements of history and fantasy. This paper analyzes the ways in which the above novel containing fairy tale elements departs from strict fairy tale code. Les Mille et une nuits, and works by Perrault, Aulnoy, and Propp will provide the theoretical bases of my arguments.

Un Nuovo Dato Per La Cronologia Della Versione Cinematografica Della Nuova Colonia Di Luigi Pirandello, Stefano Giannini

Languages, Literatures, and Linguistics - All Scholarship

Luigi Pirandello (1867-1936) wrote numerous film-treatments inspired by his short-stories and plays that were not completed as films. Among the never completed films there is La Nuova Colonia. The history of the film-project La Nuova Colonia [The New Colony] is important for the further understanding of Pirandello’s poetics. Nestled in the plot of Pirandello’s novel Suo marito [Her Husband], La Nuova Colonia took on independent life in 1926 as the play of the same name that premiered in Rome in March 1928. The two dates indicated for the play are not the chronological limits for the La Nuova Colonia …

Disjunction In Free Choice And Polarity In Malagasy, Ileana Paul

French Studies Publications

No abstract provided.

Or, Wh- And Not: Free Choice And Polarity In Malagasy, Ileana Paul

French Studies Publications

This paper explores the distribution of Free Choice Items (FCI) and Negative Polarity Items (NPI) in Malagasy. Both FCIs and NPIs in Malagasy are syntactically complex: they are expressed by disjunctions of wh-words. It is shown that this morphosyntactic structure directly reflects their semantics. In other words, FCIs and NPIs are semantically as well as syntactically disjunctive. Moreover, the Malagasy data support analyses of disjunction as a polarity sensitive element.

The Well-Tempered Savage: Albert Schweitzer, Music, And Imperial Deafness, Pim Higginson

French and Francophone Studies Faculty Research and Scholarship

This paper examines how Bassek ba Kobhio's 1995 film Le Grand Blanc de Lambarene uses music to deconstruct the iconic figure of Albert Schweitzer. At key moments throughout the film, the doctor encounters a young drummer with whom he attempts and fails to communicate musically. The moments have little to do with the otherwise linear narrative. Nevertheless, they structure the film's argument and demonstrate the ways in which an expressive medium becomes an essential ingredient in Western ordering and mastering of the world. Having established this connection, ba Kobhio proposes another model of social identity in which music offers a …

Salvator Rosa In French Literature: From The Bizarre To The Sublime, James S. Patty

Studies in Romance Languages Series

"Salvator Rosa (1615–1673) was a colorful and controversial Italian painter, talented musician, a notable comic actor, a prolific correspondent, and a successful satirist and poet. His paintings, especially his rugged landscapes and their evocation of the sublime, appealed to Romantic writers, and his work was highly influential on several generations of European writers. James S. Patty analyzes Rosa’s tremendous influence on French writers, chiefly those of the nineteenth century, such as Stendhal, Honoré de Balzac, Victor Hugo, George Sand, and Théophile Gautier. Arranged in chronological order, with numerous quotations from French fiction, poetry, drama, art criticism, art history, literary history, …

Entre Etre Et Devenir La Recherche De L'Identité Dans Trois Romans Maghrébins, Ariana Giles '05

Honors Projects

Les Maghrébins sont toujours en train de négocier leur identité à cause des lésions laissées par l'ère coloniale. Pour les occidentaux, l'expérience d'un choc culturel et d'une crise d'identité sont amenés par un voyage. La plupart les occidentaux ont le choix (c'est-à-dire ils peuvent voyager ou non) et risquer le choc culturel et la crise d'identité qui les accompagnent. Par contre, le choc culturel et la crise d'identité sont imposées aux maghrébins. La colonialisation et la pression de l'assimilation produisent un choc culturel et une crise d'identité impossibles à éviter. Au moins pour les maghrébins qui avait plus de contact …

Le Cahier Noir/L'Impériatif Présent (French), J. Vincent H. Morrisette

Languages Faculty Publications

Book reviews:

Tremblay, Michel. Le Cahier noir. Montreal et Aries: Lemeac et Actes Sud, 2003.

Tremblay, Michel. L'Imperiatif présent. Montreal: Lemeac, 2003.

La Grande Force Est Le D'Sir: Guillaume Apollinaire's Rewriting Of Merlin's Mother And The Dame Du Lac In L'Enchanteur Pourrissant, Allison Bateman Roark

LSU Doctoral Dissertations

This dissertation analyzes Guillaume Apollinaire's rewriting of Merlin's mother and the Dame du Lac in L'Enchanteur pourrissant as a commentary on writing. I consider Merlin's state in the tomb as an effect of his desire for the Dame du Lac and relate this to the poet's relationship to writing, which is the result of his desire for a unity of expression -- to express what can be designated in the text, but not directly communicated in its totality through language. There is always something missing from any writing, but the very absence of meaning influences poetic production by encouraging attempts …

Marie Darrieussecq Et Ses Truismes, Carla Bota

LSU Master's Theses

The purpose of this thesis is to analyze the relationship between language and themes in Marie Darrieussecq's novel Truismes. Having as its core the theme of metamorphosis, Truismes tells the story of a young woman who after passing through a multitude of experiences transforms into a pig. The character's journey through the metamorphosis is marked by excesses. The excess manifests itself at all levels: in the physical and mental transformation of the female character, in the description of the secondary characters, in the composition of the environment that sustains the narration, and ultimately in the language. By using Julia Kristeva's …

Samuel Beckett And Bilingualism: How The Return To English Influences The Later Writing Style And Gender Roles Of All That Fall And Happy Days, Julien F. Carriere

LSU Doctoral Dissertations

This dissertation addresses Samuel Beckett's bilingualism in an effort to understand how the author's use of language affected his writing style and depiction of gender. Beckett began writing in English, switched to French for the composition of new works for ten years, and then returned unexpectedly to English. His first English works are characterized by stylistic virtuosity, erudition, and misogyny. With Beckett's adoption of French his style became simple, spare, and cerebral. Plot structure based on a journey in early works was abandoned in favor of static situations and dialogue. Women were either ignored or viewed negatively. In 1956, Beckett …

Accomodating Arabic: A Look At Malika Mokeddem's Fiction, Jane Evans

Departmental Papers

No abstract provided.

African Literature (Francophone), Kasongo Mulenda Kapanga

Languages, Literatures, and Cultures Faculty Publications

The term "Francophone African literature" is widely used to designate sub-Saharan African literature written in French by authors living in Africa or abroad. It derives from Francophonie, the nineteenth-century neologism coined by the French geographer Onesine Redus (1837-1916). In the African context, the concept gained relevance in the 1960s under the aegis of Leopold Senghor and Habib Bourguiba, two African presidents who advocated the creation of an organization linking all the nations sharing the French language and culture.

Caribbean Literature (Francophone), Kasongo Mulenda Kapanga

Languages, Literatures, and Cultures Faculty Publications

Caribbean Literature (Francophone), or Antillean literature, is the literature in French from Guadeloupe, Martinique, French Guiana, and Haiti. Except in the case of Haiti, this literature developed along three major concepts: negritude, Caribbeanness, and Creoleness. Critics trace its origins to the rise of the negritude movement (in the 1930s), when black students, intellectuals, and artists revolted against France's assimilation policies to adopt an ideology aimed at restoring black and African values embedded in popular culture. The literary landmark was undoubtedly Aimé Césaire's Notebook of a Return to My Native Land (Cahier d'un retour au pays natal, 1939).

Spivak After Marx After Derrida, Philip Leonard

Reconstruction: Studies in Contemporary Culture

Spivak is often viewed as an unequivocally deconstructive theorist, and she frequently reinforces this impression by proclaiming her allegiance to Derrida's ideas. Recent comments by her suggest, however, that there are limits to her deconstructive convictions. This essay considers some of Spivak's debts to Derrida's work, though it is primarily concerned with those occasions when she states her misgivings about his ability to understand postcoloniality, global power, and resistance movements. Reading Marx more accurately would, she insists, have allowed Derrida both to grasp capitalism's complex logic and to consider the effects of subaltern interventions upon capitalism's global authority. Such an …

Burn The Panopticon: Irigaray's Ethics, Difference, Poetics, Simone Roberts

Reconstruction: Studies in Contemporary Culture

[First paragraph of Prologue]

The following essay has a purpose more than a thesis. This essay explains the central tenets of Irigaray's ethics of sexual difference through an understanding her work as that of a symbolist philosopher. Symbolist poetry and French Feminist philosophy like Irigaray's have several qualities in common. One is that the literal level of language is not where the action is. A reader must think associatively on many levels at once in order to gather and interpret the several indirect messages sent by a particular image or metaphor. Another is an acquired comfort with paradox. Paradoxes lie …

Uncovering The Connections Between The Concepts Of Language, Sexual Difference And The Divine In The Work Of Luce Irigaray, Ajasta Vargas

Theses : Honours

No abstract provided.