Art Education Commons^™

Fostering The Efficacious Adolescent Artist, Regina Beltowski

Masters Theses

Low self-esteem and insecurity is common among adolescents. In the secondary-school art room, students often stop engaging in art practice, believing that they lack talent, when the truth is that they lack specific skills. Students who are fortunate to have teachers who help them develop their skills experience a boost in feelings of self-efficacy, and often reengage with art production. This thesis project focuses on strengthening students’ self-efficacy in the visual arts at the secondary level. Clarifying the differences between related terms – self-esteem, self-concept, and perceived control – I focus on self-efficacy as a characteristic that plays a significant …

Creative Concentrations: A Secondary Design Curriculum, Linnea Roberta Gustafson

Masters Theses

Design education, as distinct from art education, has been overlooked as an area of student learning, creative expression, and career potential. This thesis explores the benefits of design education for students at the secondary level, when identities are being formed and areas of future study and work are considered. Guided by the newly published National Core Arts Standards, this paper provides a model design curriculum that introduces secondary students to a design-oriented view of the world, explores design principles through real-world applications, and calls attention to professional career options.

All lessons in the curriculum encourage creative approaches to solving design …

Choice--‐Based Art: Students Who Create, Not Replicate, Hillary K. Moczerad

Masters Theses

The problem that I researched in today’s art education world is how to teach our art students to be problem solving, confident, independent thinkers. It seems that in a classroom that is supposed to be full of innovation and creativity, it is currently falling flat. Through research, I discovered a teaching methodology called Choice-­‐Based Art that claims to eliminate these problems in the art room through student-­‐directed learning and choice while still delivering art curriculum. In order to test these theories, I aligned my classroom with the demands of the methodology and planned a field test with two groups of …

Enduring Peripheries, Anna Yeroshenko

MFA in Photography and Integrated Media Theses

In the 80s when Russian state-sanctioned architectural production consisted of standardized buildings that deplored any unnecessary ornament or decoration, an architect functioned only as an interpreter of numerous limiting factors. As an act of protest against the stagnation in architecture, a group of young architects began to create projects that existed only on paper. For them ‘Paper Architecture‘ became a way of bypassing restrictions and dissenting, a way to critique the dehumanizing nature of the architectural style that prevailed at that time. Spatial compositions, which were hard to comprehend visually, elements of inverse perspective, and impractical, idealistic environments depicted a …

Tales From The Fells, Anne Elder

MFA in Photography and Integrated Media Theses

Our relationship with the natural world is complicated and under scrutiny as we make irrevocable changes to the earth. We enter the woods to get lost, and to find ourselves. We walk there to find thrills, peace, inspiration; to hear ourselves think, to be surprised, to make profit. Our childish fears may have changed from bears, monsters and getting lost, replaced by adult fears (bears, unsavory humans, getting lost). The woods may frighten us or be a place of comfort, but it is rarely a neutral experience. When we lose access to these spaces, it affects our ability to find …

Cognitive Function And The Administration Of A Writing Strategy Compendium Incorporating Autobiographical Recall And Art, Jonnie Sue Cleveland

Dissertations

The ability to write is vital in many academic areas (U.S. Department of Education, 2011). Roughly 70 percent of U. S. students in a representative sampling during 2010 (grades 8 and 12) scored only at the Basic (fractional grasp of prerequisite information and abilities) level and below (U.S. Department of Education, 2011).

Fifty-four percent of students in the eighth grade and 52 percent of students in the twelfth grade in the United States scored at the Basic level. Another 20 percent of students in the eight grade and 21percent of students in the twelfth grade scored below the Basic level. …

Maude I. Kerns: Overlapping Interpretations Of Art And Pedagogy In The Northwest And Along The Pacific Coast, 1890–1932, Mary Helen Burnham

Dissertations, Theses, and Capstone Projects

Maude Irvine Kerns (1876-1965) was first active as an artist and educator during the early decades of the twentieth century in multiple locations along the Pacific Coast, including her home state of Oregon where she was primarily based. Limited considerations of her career have yet to examine the dynamic nature of the dual roles she assumed during these critical years and therefore fail to account for her significance to the later artistic and cultural growth of the region.

This first reading of the initial phase of Kerns's lengthy career centers on her activities between approximately 1890 and 1932. Through key …

We Begin When We Finish When We Begin, Students Of Risd, Risd Archives

All Student Newspapers

We Begin When We Finish When We Begin was a graduate student publication published in 2015. It featured essays, interviews, and student work dealing with themes of identity, geography, academics, and student life. Students as well as faculty contributed.

Move, Interact, And Connect Personally Barter Theatre’S Project Real Gets Implicit In Order To Learn, Megan E. Atkinson

Electronic Theses and Dissertations

Body movement, hands-on activity, embodiment, social interaction, emotions, and self-reflection allow teaching artists of Barter’s Theatre’s Project REAL to conduct a lesson with an implicit learning experience as the focus. Barter Theatre’s Project REAL exists as a theatre for education program that collaborates with regular classroom teachers on delivering the curriculum through specific theatre exercises in order to connect the material personally to the students’ lives. Theatre tools provide a human experience that enhances learning for the student by use of kinesthetic movement, social learning, emotions and interpersonal skills. To understand the effects of Barter Theatre’s Project REAL, the director …

The Art Of Integration, Cheyanne M. Williams, Nicole M. Johnson

Scholarly and Creative Works Conference (2015 - 2021)

As a result of the influence of and focus on standardized tests, scheduling conflicts, and lack of funding, more and more students are being denied arts education in the United States of America. However, different bodies of research showed discrepancy about the affects integrating various art programs into the classroom and class activities influences the students test scores, environments, and overall education experience. The first purpose of this study is to determine the benefits of arts education on classroom environment and students’ achievement. The second purpose is to examine how teachers integrate arts into their classrooms. Therefore, this study will …

A/R/Tography As A Guide For Curriculum Design, Michelle M. Hrbek

Department of Teaching, Learning, and Teacher Education: Theses and Other Student Research

A/r/tography is not a method for curriculum development. Rather curriculum designers who see themselves as artist, researcher, and teacher best serve their students by creating lessons and units that encourage the learners to discover the a/r/tographer in themselves. Students who research themes presented in the visual arts classroom, create images that build on their personal experiences and communicate their individual perspective, and then teach others about their process are more likely to have relevant visual arts experiences. This paper explains the idea of a/r/tography and shows how a/r/tography as an overarching guide can inform curriculum whereby student artists construct meaningful …

Finding Your Inner Artist, Community Based Art

Curricula

No abstract provided.

Adult Learners' Perceptions Of Mooc Motivation, Success, And Completion: A Virtual Ethnographic Study, Jamie Lynn Loizzo

Open Access Dissertations

Massive open online courses (MOOCs) have been credited with disrupting the traditional classroom and challenging distance education models in higher education. MOOCs were developed with the intention of opening up education to the masses, specifically those in developing countries who could not readily access educational resources or opportunities. However, early quantitative reports have shown that MOOC participants tend to be adult learners who already possess bachelor's or master's degrees. Additionally, MOOC completion rates have been reported to be significantly low with less than 15% of enrolled students actually completing them. This has led to questions about who the true target …

Mia's Music, Miranda L. Bubenheim

Student Publications

Mia’s Music is a story narrating what I view as an ideal curriculum being put into practice. Music educators have an advantageous and unique position to explore a medium with students that truly has the power to bring people together and help them to understand one another. A curriculum based in the cultural themes that students identify with will challenge them to learn through sharing their experiences and understanding others'.

Advanced Placement Portfolio, Daniel Barney, Mark Graham

Journal of Undergraduate Research

The academic objectives of this research project reached further than the initial objectives. We believe it was a very successful project in terms of meeting our academic objectives. The study affected our curricula here at the university as we investigated our thesis questions for this project. We (Dr. Barney and Dr. Graham) primarily teach undergraduates who are interested in teaching art at the K-­‐12 levels and so there is a strong focus on what is important to know and teach at the K-­‐12 levels. AP Art Studio programs are directed at 11th and 12th graders while foundations programs are usually …

Engaging Young Children In The Art Museum: An Educational Criticism Of An Art Museum Summer Class, Kristina N. Mahoney

Electronic Theses and Dissertations

This research project serves to identify a set of conditions leading to engagement for four- and five-year-old students in an art museum summer class. Utilizing Eisner’s theory on qualitative research, educational criticism and connoisseurship (1998), the researcher interviewed, observed, and received responses to a questionnaire in order to describe, interpret, and analyze the educational event of the summer class. By identifying the intentions of the class, the report describes a set of three objectives acting as a foundation for the classes’ implementation - comfort, empowerment, and connection to collection. Based on analysis of the implementation of these aims, as seen …

Modern Art Chart, Community Based Art

Curricula

No abstract provided.

St. Nicholas Magazine: A Portable Art Museum, Mary Frances Zawadzki

Dissertations, Theses, and Capstone Projects

In November 1873, St. Nicholas Magazine: Scribner's Illustrated Magazine for Girls and Boys made its publishing debut. While it was intended to be a literary magazine, visual imagery was an important component of the monthly. Illustrations and reproductions of fine art and architecture from Antiquity, the Old Masters, and contemporary academic artists illustrated fictional serials, accompanied art historical information, and stood alone as art work for the reader to visually consider. Innovative page layouts took their inspiration from the aesthetic theories and art styles popular among those associated with the American genteel tradition. By choosing certain styles for illustration and …

Institutional Critique, Community Based Art

Curricula

No abstract provided.

What Are They Learning? Assessing Theatre/Dance Performance Experiences, Andrew Vorder Bruegge, Meg Schriffen

College of Visual and Performing Arts Faculty Publications

The model of assessment will demonstrate how to align the assessment of production activity with learning goals set by accrediting bodies, the institution, the department, and the specific program. This alignment insures that measurement of student learning is standardized across the students’ entire experience in the program (courses, performances, rehearsals, technical preparations, etc.) Examples of indirect and direct measurement instruments will be presented.