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Articles 1531 - 1560 of 1645

Full-Text Articles in Performance Studies

The Fight Master, January 1982, Vol. 5 Issue 1, The Society Of American Fight Directors Jan 1982

The Fight Master, January 1982, Vol. 5 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.


0364: Oretha Morgan Foard Papers, 1855-1979, Marshall University Special Collections Jan 1982

0364: Oretha Morgan Foard Papers, 1855-1979, Marshall University Special Collections

Guides to Manuscript Collections

Huntington, West Virginia, resident. Papers consist primarily of printed pamphlets, play programs, and travel brochures. Includes some school papers while a student at West Virginia University in the 1920's. The collection as a whole reflects her interests in drama, especially Shakespeare.


The Fight Master, October 1981, Vol. 4 Issue 4, The Society Of American Fight Directors Oct 1981

The Fight Master, October 1981, Vol. 4 Issue 4, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.


A Sourcebook For The Interpretation Of Traditional Dance By Outdoor Museums & Historic Sites, Jan Alm Sep 1981

A Sourcebook For The Interpretation Of Traditional Dance By Outdoor Museums & Historic Sites, Jan Alm

Masters Theses & Specialist Projects

Folklife scholars often produce work which is valuable to outdoor museums and historic sites. Folklife scholars deal with functional, contextual, emic, and interdisciplinary studies--all approaches which produce valuable interpretive data for museums and sites. This thesis is an example of folklife work designed for use in the museum field.

Outdoor museums and historic sites are increasingly involved with the interpretation of social and emotional life. Because it is a social and emotional event, dance can be a valuable part of this interpretation.

Sites and museums developing programs of traditional dance interpretation may find it helpful to follow several steps: 1.) …


The Fight Master, July 1981, Vol. 4 Issue 3, The Society Of American Fight Directors Jul 1981

The Fight Master, July 1981, Vol. 4 Issue 3, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.


Preparing For College Theatre, Abe J. Bassett Apr 1981

Preparing For College Theatre, Abe J. Bassett

Theatre Faculty Publications

The most significant characteristic of the department of theatre arts at Wright State University is that it has chosen to be a comprehensive but exclusively undergraduate department. Because the twenty faculty and professional staff are graduates of universities who offer advanced degrees, we are all aware of how an undergraduate student can be pushed aside in favor of the older, more mature graduate student. This is, in part, the reason for the deliberate decision to teach undergraduate students only.


The Fight Master, April 1981, Vol. 4 Issue 2, The Society Of American Fight Directors Apr 1981

The Fight Master, April 1981, Vol. 4 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.


The Fight Master, January 1981, Vol. 4 Issue 1, The Society Of American Fight Directors Jan 1981

The Fight Master, January 1981, Vol. 4 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.


The Fight Master, October 1980, Vol. 3 Issue 4, The Society Of American Fight Directors Oct 1980

The Fight Master, October 1980, Vol. 3 Issue 4, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.


The Fight Master, July 1980, Vol. 3 Issue 3, The Society Of American Fight Directors Jul 1980

The Fight Master, July 1980, Vol. 3 Issue 3, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.


The Costume Design For A Midsummer Night’S Dream, Phyllis Vancleave May 1980

The Costume Design For A Midsummer Night’S Dream, Phyllis Vancleave

Masters Theses & Specialist Projects

The procedures taken in designing and constructing the costumes for Western Kentucky University’s production of A Midsummer Night’s Dream, which was presented on November 13-19, 1979, were examined in retrospect to (1) the approach (2) the process and construction and (3) the evaluation. In establishing an approach for the production, considerations presented were title implications, thematic concept, historical periods, character sources, and the director’s notes. Solutions arrived at comprised a style suggestion, design/plot emphasis, color organization, texture contrasts, and line direction. In developing the design process and construction procedures, steps outlined were the preparations prior to designing, the organization …


The Fight Master, April 1980, Vol. 3 Issue 2, The Society Of American Fight Directors Apr 1980

The Fight Master, April 1980, Vol. 3 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.


The Fight Master, January 1980, Vol. 3 Issue 1, The Society Of American Fight Directors Jan 1980

The Fight Master, January 1980, Vol. 3 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.


The Fight Master, October 1979, Vol. 2 Issue 4, The Society Of American Fight Directors Oct 1979

The Fight Master, October 1979, Vol. 2 Issue 4, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.


The Fight Master, July 1979, Vol. 2 Issue 3, The Society Of American Fight Directors Jul 1979

The Fight Master, July 1979, Vol. 2 Issue 3, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.


The Fight Master, April 1979, Vol. 2 Issue 2, The Society Of American Fight Directors Apr 1979

The Fight Master, April 1979, Vol. 2 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.


The Fight Master, January 1979, Vol. 2 Issue 1, The Society Of American Fight Directors Jan 1979

The Fight Master, January 1979, Vol. 2 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.


A Comparative Study Of The Performer's Empathic Process In The Arts Of Interpretation And Modern Dance, Patricia Reddinger Geist Jan 1979

A Comparative Study Of The Performer's Empathic Process In The Arts Of Interpretation And Modern Dance, Patricia Reddinger Geist

Dissertations and Theses @ UNI

The present study was designed as a comparative analysis of the performer's empathic process in the arts of interpretation and modern dance. The similarity between the performer's empathic process in both arts provided a method for exploring the utility that modern dance offers the interpreter. It was the purpose of this thesis to suggest that training in modern dance provides an experience in expressive movement which develops the interpreter's ability to empathize with the literature.

The performer's experience in modern dance and interpretation involves an empathic response to stimuli presented within the choreography or within the literature. Examination of various …


The Fight Master, October 1978, Vol. 1 Issue 3, The Society Of American Fight Directors Oct 1978

The Fight Master, October 1978, Vol. 1 Issue 3, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.


The Development Of An Appalachian Regional Theatre For Young People, Bob Willenbrink Jul 1978

The Development Of An Appalachian Regional Theatre For Young People, Bob Willenbrink

Morehead State Theses and Dissertations

A thesis presented to the faculty of the School of Humanities at Morehead State University in partial fulfillment of the requirements for the Degree of Master of Arts by Bob Willenbrink on July 16, 1978.


The Fight Master, July 1978, Vol. 1 Issue 2, The Society Of American Fight Directors Jul 1978

The Fight Master, July 1978, Vol. 1 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.


A Visual Concept For Robinson Jeffers' Adaptation Of Euripides' Medea, H. Kevin Lanham Apr 1978

A Visual Concept For Robinson Jeffers' Adaptation Of Euripides' Medea, H. Kevin Lanham

Masters Theses & Specialist Projects

The theatrical elements of setting, costumes, and make-up for Robinson Jeffers' adaptation of Euripides' Medea were designed and constructed in an attempt to create an effective visual concept. Through careful script analysis and close communication with the director and production staff, the designer combined the visual elements. As a record of the concept development from generalities to rough sketches and from formal drawings and diagrams to the finished product, the designer uses the accounting to trace both the artistic creation and the physical construction of each set element and costume for Medea.


The Fight Master, April 1978, Vol. 1 Issue 1, The Society Of American Fight Directors Apr 1978

The Fight Master, April 1978, Vol. 1 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.


The Design And Execution Of The Costumes For "The Eumenides", Donald Edward Lillie Aug 1977

The Design And Execution Of The Costumes For "The Eumenides", Donald Edward Lillie

Morehead State Theses and Dissertations

A thesis submitted in partial fulfillment of the requirements for the Degree of Master of Arts in the Division of Communications at Morehead State University by Donald E. Lillie in August in 1977.


The Interpretive-Rhetorical Situation: A Framework For Post Performance Analysis Of Interpretation, John Korinek Aug 1977

The Interpretive-Rhetorical Situation: A Framework For Post Performance Analysis Of Interpretation, John Korinek

Masters Theses & Specialist Projects

The interpretive-rhetorical situation was formulated by blending Lloyd Bitzer's concepts of the rhetorical situation with contemporary interpretation theory. interpretation is momentary, the foundation established as The concept of as a suasory speech act in the sense that it transactional, and intentional, established for theory formation. The key concept an application for the interpretive-rhetorical situation was that it formed a cohesive framework for guiding post performance aspects of interpretation, especially performance criticism and experimental research. An experimental study was conducted, testing the newly formed breakdown of the traditional interpretation elements of writer, reader, and audience into the constituents of exigency, audience …


Approaches To Composition In Selected Directing Texts: A Structural Analysis And Assessment, Kathryn C. Dodele Dec 1976

Approaches To Composition In Selected Directing Texts: A Structural Analysis And Assessment, Kathryn C. Dodele

Dissertations and Theses

Directing texts are inadequate in their various approaches to teaching the concepts of stage-composition. The goal of this thesis was to show that, for an approach to stage composition to be judged adequate, it must systematically provide the student of directing with a firm grounding in design and compositional principles as they relate to the total stage picture.

Nineteen texts were studied and their presentations of compositional principles were analyzed. Eight texts are included in an in-depth structural analysis. The texts analyzed are Fundamentals of Play Directing by Alexander Dean, The Art of Play Production by John Dolman, Play Direction …


Theatre Programs In Ohio High Schools: A Survey, Abe J. Bassett Feb 1976

Theatre Programs In Ohio High Schools: A Survey, Abe J. Bassett

Theatre Faculty Publications

In the Spring of 1975, the Board of Directors of the Ohio Theatre Alliance expressed concern about the quality and quantity of theatre programs in Ohio high schools. Wanting to become involved in helping high school theatre programs, but realizing they lacked data upon which meaningful action could be based, the Board directed that a survey (of the status) of Ohio high school theatre programs be undertaken. The author was charged with that responsibility and this report-- an attempt to quantitatively describe the state of theatre programs in Ohio high schools in the 1975-1976 academic year--is a result of that …


The Hatha Yoga Acting Methodology: An Evening With Me, Oscar N. Cady Jan 1974

The Hatha Yoga Acting Methodology: An Evening With Me, Oscar N. Cady

All Master's Theses

This thesis presents a systematic methodology for preparation of a "one man acting show." The show was designed to demonstrate competency in different styles of acting selected from Classic Greek Drama, Restoration Comedy, Shakespearean Tragedy, Twentieth Century American Drama. Emphasis is placed upon documented research in accordance with the methodology and rehearsals which utilized Hatha Yoga to build toward dynamic physical and mental union as a workable means to achieve character realization for live performance and creative artistry.


Changes In Attitudes Of High School Girls Towards Dance Subsequent To Public Performance Opportunities, Carolyn Brent Culliver Jan 1974

Changes In Attitudes Of High School Girls Towards Dance Subsequent To Public Performance Opportunities, Carolyn Brent Culliver

University of the Pacific Theses and Dissertations

The aesthetic awareness of dance can be experienced by most people. Dancing is both interesting and stimulating to those who can share its common interest. Dance provides them with a chance to tone muscles and acquire better body control while keeping physically fit. It allows those individuals to release tensions, frustrations, and anxieties and yet to experience creativity and enjoyment. Elizabeth Haynes and Margery Turner, among others, have discussed dance as a self-expressional art form.

Now students’ attitudes are affected by the opportunity to perform is related in part to the manner in which teachers are able to motivate students …


The Theatrical Innovations Of Charles Laughton, Gary Joseph Jones Jul 1972

The Theatrical Innovations Of Charles Laughton, Gary Joseph Jones

Masters Theses & Specialist Projects

In most journalistic studies the film career of Charles Laughton overshadows his theatrical activities to the extent that the reader is hardly aware of the importance of his theatrical innovations to the theater of our time. The more commercial side of Laughton’s career was publicized while his artistic efforts, as characterized by the innovations, were frequently forgotten. More people remember him as the man who played Captain Bligh in the movies than as the man who worked with Bertolt Brecht, created the First Drama Quartette and developed a new American art form, Readers’ Theatre.

The rationale of this study is …