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Articles 1 - 18 of 18
Full-Text Articles in Performance Studies
December 2003 - Volume Iii, Number 1, Theatre Arts Department
December 2003 - Volume Iii, Number 1, Theatre Arts Department
Sides (Newsletter)
SIDES Volume III Number 1 includes an article about Jean Wolski being appointed Faculty Laureate and a piece about funding for the Doudna Fine Arts Center project.
The Cutting Edge, November/December 2003, Vol. 13 Issue 6, The Society Of American Fight Directors
The Cutting Edge, November/December 2003, Vol. 13 Issue 6, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
John Milton, Blackfriars Spectator?: "Elegia Prima" And Ben Jonson's The Staple Of News, Timothy J. Burbery
John Milton, Blackfriars Spectator?: "Elegia Prima" And Ben Jonson's The Staple Of News, Timothy J. Burbery
English Faculty Research
In the spring of 1626 John Milton was temporarily expelled from Cambridge University, perhaps over a quarrel with his tutor William Chappell, and sent home to London, where he remained for at least several weeks. There, the seventeen-year-old poet composed his first elegy, a Latin verse-letter to his closest friend, Charles Diodati. In it, Milton claims to be enjoying his unexpected holiday by reading, girl watching, and attending the theater. Milton scholars have never reached consensus about his alleged playgoing, for while the young man speaks as a spectator, the plots and characters he mentions-these include comic types such as …
The Cutting Edge, September/October 2003, Vol. 13 Issue 5, The Society Of American Fight Directors
The Cutting Edge, September/October 2003, Vol. 13 Issue 5, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
The Cutting Edge, July/August 2003, Vol. 13 Issue 4, The Society Of American Fight Directors
The Cutting Edge, July/August 2003, Vol. 13 Issue 4, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
The Fight Master, Spring/Summer 2003, Vol. 26 Issue 1, The Society Of American Fight Directors
The Fight Master, Spring/Summer 2003, Vol. 26 Issue 1, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
The Cutting Edge, May/June 2003, Vol. 13 Issue 3, The Society Of American Fight Directors
The Cutting Edge, May/June 2003, Vol. 13 Issue 3, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
Madame Mandze Goes To Niall: An Overview Of Responsibilities For The Creation And Execution Of A Children's Show, Molly Zupon
Madame Mandze Goes To Niall: An Overview Of Responsibilities For The Creation And Execution Of A Children's Show, Molly Zupon
Honors Capstones
Capstone submitted as a graduation requirement for the BSU Honors Program.
The Cutting Edge, March/April 2003, Vol. 13 Issue 2, The Society Of American Fight Directors
The Cutting Edge, March/April 2003, Vol. 13 Issue 2, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
"Such Nonsense": Performance Art Parody, Ellen Mueller
"Such Nonsense": Performance Art Parody, Ellen Mueller
Honors Capstones
Capstone submitted as a graduation requirement for the BSU Honors Program.
The Cutting Edge, January/February 2003, Vol. 13 Issue 1, The Society Of American Fight Directors
The Cutting Edge, January/February 2003, Vol. 13 Issue 1, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
Moulinet: An Action Quarterly, Volume 4, Issue 2, Moulinet Staff
Moulinet: An Action Quarterly, Volume 4, Issue 2, Moulinet Staff
Moulinet: An Action Quarterly
No abstract provided.
Moulinet: An Action Quarterly, Volume 4, Issue 3, Moulinet Staff
Moulinet: An Action Quarterly, Volume 4, Issue 3, Moulinet Staff
Moulinet: An Action Quarterly
No abstract provided.
Moulinet: An Action Quarterly, Volume 4, Issue 1, Moulinet Staff
Moulinet: An Action Quarterly, Volume 4, Issue 1, Moulinet Staff
Moulinet: An Action Quarterly
No abstract provided.
The Fight Master, Fall/Winter 2003, Vol. 26 Issue 2, The Society Of American Fight Directors
The Fight Master, Fall/Winter 2003, Vol. 26 Issue 2, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
“Legal Or Illegal? Documented Or Undocumented?” The Struggle Over Brookhaven’S Neighborhood Preservation Act, Jackson B. Miller
“Legal Or Illegal? Documented Or Undocumented?” The Struggle Over Brookhaven’S Neighborhood Preservation Act, Jackson B. Miller
Faculty Publications
This critical essay applies the concept of “presence” as a theoretical lens for explaining the rhetorical efficacy of protest events surrounding a contemporary debate about immigrants’ rights in a suburban New York township. Specifically, the protests surrounding the town board meetings regarding Brookhaven’s “Neighborhood Preservation Act,” a piece of legislation geared toward making rental laws more stringent, are examined. A group comprised largely of white, upper middle-class citizens voiced their support for the proposed legislation, while a group of day laborers and those sympathetic with their cause characterized the proposed legislation as a form of racial discrimination disguised as a …
Toscanini And The Myth Of Textual Fidelity, Linda B. Fairtile
Toscanini And The Myth Of Textual Fidelity, Linda B. Fairtile
University Libraries Faculty and Staff Publications
Changes in the public perception of performing artists make for fascinating study. There once was a time when the Three Tenors were considered mere mortals. And there was a time when a conductor, Arturo Toscanini, was considered the living embodiment of the composers whose music he performed. Largely through the efforts of the press and the National Broadcasting Company, Toscanini came to be known as the only musician with the integrity and modesty to perform a composition exactly as it was notated in the musical score. Thanks to the existence of recorded performances, as well as the reminiscences of some …
Tornar A Casa, Sharon G. Feldman
Tornar A Casa, Sharon G. Feldman
Latin American, Latino and Iberian Studies Faculty Publications
A l'última escena de Suite, l'obra amb què Carles Batlle i Jordà (Barcelona, 1963) va guanyar el Premi SGAE 1999, hi ha un moment memorable i crucial en el qual l'espectador observa el collapse -«com un castell de cartes»- d'una casa de nines sobre el terra d'una típica sala d'estar. Es tracta d'una metàfora d'inestabilitat domèstica i també d'inestabilitat global, una imatge amb ressonàncies intertextuals que entrelliguen la dramatúrgia de Batlle amb la d'Ibsen -i fins i tot la de Benet i Jornet (penso en aquell teatret en flames a l'escena final d'E.R). Després d'aquest moment crucial, una de …