Performance Studies Commons^™

Amplified Voices: Zines, Theatre, And Open Pedagogy, Bethany B. Mickel, Amy Hunsaker

All Things Open

This interactive presentation highlights a collaborative open pedagogy project implemented in an undergraduate vocal theatre course. The scaffolded assignment guided students through research practices and source evaluation, culminating in the creation of student-authored zines focused on vocal warmups. Students explored the history of zines as small, often hand-designed publications rooted in self-expression, community knowledge-sharing, and alternative publishing, values closely aligned with open education practices.

Rather than producing a traditional research paper, students synthesized their findings into creative zines that center voice both pedagogically and literally. Throughout the project, students engaged in discussions about open licensing, authorship, and consent, making informed …

Restorationland: The Lost And Found Objects Of Atlanta's Doll's Head Trail, Thomas Fish

Faculty Articles

The Doll’s Head Trail is a grassroots, low-art installation nestled within a Southeast Atlanta wildlife preserve. Constructed by volunteers and visitors from decades of environmental debris, the trail converts waste into folk art-inspired “junk” displays. The creative upcycling ranges from a miniscule shrine to “Toxic Masculinity” to a stark shoe pile commemorating child gun violence. This article details how queer theory’s “temporal turn” provides insights into material performance as collaborative regeneration. The curious vignettes playfully invert hierarchies, revealing the merits of small-time memorialization. Through these defiantly unofficial grassroot performances, the Doll’s Head Trail both remembers and restores community ruins, demonstrating …

“Change Is Brewing”: Women Finding Liberation In The Performative Rituals Of Modern Paganism And The Witch Organization, Katie Nelson

The Kennesaw Journal of Undergraduate Research

This project analyzes elements of performative Modern Paganism and Wiccan rituals used by the Women’s International Terrorist Conspiracy from Hell (WITCH) group to determine how these performance practices can provide comfort and agency to those who have been systemically oppressed, particularly women in the United States. The project will focus on WITCH’s activist work, especially during the second wave feminist movement of the 1960-1970s, which used elements of Modern Paganism for social justice purposes by implementing them through guerilla theatre and zap actions. Methodologically, I will be reviewing sources such as performance photos, news articles, and testimonies from the women …

You’Re Invited! Collaborating With Faculty And Students To Create A Successful Library Event, Laura Semrau

Transforming Libraries for Graduate Students

To celebrate the 400^th anniversary of the printing of Shakespeare’s First Folio, the Baylor University Libraries hosted a three-day celebration; “Shakespeare 400” drew faculty members from six academic departments and leveraged the talents of both graduate and undergraduate students. The four main events drew a cumulative crowd of over 200 people. Graduate students contributed to the events through music performance, a dramatic reading, enthusiastic promotion, and engaged participation. This presentation will explore key take-aways for including graduate students in library events.

The success of Shakespeare 400 was largely due to collaborations between the library, faculty members, and graduate …

Under The Wig: A Critique On The Usage Of Boy Actors In The Renaissance, Christopher Nastasi

Symposium of Student Scholars

This paper examines the treatment of boy actors in the Renaissance between the years 1300-1600. With very little primary source material due to the low literacy rate in the Renaissance era, analyzing court records is the primary way of understanding how theatre companies and society harmfully treated the boy actors. One of the many issues the boy actors faced, was their perception from the audience. This study analyzes through a materialistic lens, how the audience treated the boy actors. By using this Marxist approach, focusing on the role of labor, the study dives deeper into the direct physical abuses the …

Puppy Love And [Information] Play: An Intersection Of Theatre, Queer Kink, And Consent, Emily Kitchens

Faculty Articles

This note from the field centers on a nexus of queer kink subcultures and consent-based intimacy work in theatre. I report, investigate and wrangle with the process of incorporating queer kink aesthetics into the production of Love and Information by Caryl Churchill I directed at KSU February 2023. What I have learned and hope to demonstrate throughout the paper, is that queer kink subcultures are often paradigmatic examples of communities built on consent, and we as performing arts practitioners can more visibly expand the margins of our cultural competency dialogues to not only include them but look to them as …

In Yellow: A Solo Poem-Play, Emily Kitchens

Faculty Articles

“In Yellow” was developed in the INKubator residency at Art House Productions (Jersey City, NJ) in 2019 with the following blurb:

In Yellow is a solo poem-play about a relationship between a young woman and a ceramic doll her grandmother made that she has just accidentally broken. It is about grief. It is about breaking out of generationally instilled feminine values. It is about the color yellow. It’s all true.

“In Yellow” is an experiment of a poem and play for one voice. I was in New York City for about 10 years, before that The Bay Area, but am …

The Importance Of Creation: Lessons From The Collision And Performing Justice Projects, Mariah Johnson

Symposium of Student Scholars

The Collision Project is a performance-based project that introduces young artists to an inspiration which drives them to create their own performative art. During my time participating in Kennesaw State University's 2022 New Connections Collision Project, I had the privilege of working alongside the talented youth graduates in the Department of Justice system. Through my first-hand experience and by examining the works through the lens of Megan Alrutz’s book Digital Storytelling, Applied Theatre, & Youth: Performing Possibility, I learned the importance of personal expression through creation. Projects such as our Collision Project and Alrutz’s Performing Justice Project present highly beneficial …

Forbidden Temporalities: The Wayward Aesthetics Of Punchdrunk’S Sleep No More, Thomas Fish

Faculty Articles

Punchdrunk’s Sleep No More is an immersive theatrical adaptation of Shakespeare’s Macbeth and Hitchcock’s Rebecca that has been staged in New York since 2011 with over 2000 performances. Sprawled over a hundred rooms within three intricately designed warehouses, the event offers a visceral exploration of a labyrinthine space and the potential for anonymous—even erotic—one-on-one encounters with a performer in the dark. This paper offers a new angle on Punchdrunk’s immersive style by considering the embodiment of temporality in performance and its concurrent aesthetic politics. Borrowing from queer theory’s temporal turn, it details how the company manipulates time in the space …

An Investigation Of The Rhetorical And Representational Aspects Of Bleed Green, Jacob A. Segura

The Kennesaw Journal of Undergraduate Research

This essay is a retroactive examination of a personal narrative titled Bleed Green, a story that characterizes my experience working for the supermarket Publix. I performed Bleed Green in front of an audience at the KSU Tellers' Spring 2021 Showcase. This essay serves both to analyze the rhetorical methods of my story and to precede the script of the performance, which accompanies this essay. In the essay, I contextualize the story through the lens of three widely underutilized concepts from various disciplines: framing, foregrounding and backgrounding, and representation and agency. Storytellers often critically analyze their works, particularly with the …

Kinetic Meditative Experimental Drawing, Julie Lord, Elizabeth Adams Thomas, Chai Avery

P-12 Lesson Plans

This lesson for high school students provides an opportunity to make a work of art without a preconceived plan by using their bodies and spontaneous movements to control mark-making. Symmetry is explored along with the art of Heather Hansen and Tony Orrico.

How Theatre Produced By Autistic People Dismantles The Medical Model Of Disability, Ira Eidle

Symposium of Student Scholars

Autism is a neurodevelopmental disability that has a long history of being misunderstood. Said misunderstandings have led to falsehoods about autism and autistic people. The stigma surrounding autism encourages non-autistic people to see themselves as the best advocates for autism, leading to non-autistic people speaking over autistic people constantly. This has come to be known as the medical model of disability. Most autistic people do not consider autism to be a mental illness or disorder. (Kupferstein 2019) That is why when autistic people become informed on these aspects and band together, those misunderstandings can be mitigated. One such way is …

Too Young Or Too Old? Age And The Politics Of Performing King Lear - Successfully!, Jim B. Wallace

The Kennesaw Journal of Undergraduate Research

“It is sometimes said that the problem with the part of Lear is that by the time you are old enough to play it, you are too old to play it.” (Jonathan Bate)

Theatre critics rarely see an outstanding performance of King Lear. The thesis of this paper is that it is possible to successfully perform the role of Lear however it takes much more than excellent acting skills to do so. To successfully play Lear requires a visceral understanding of the profound psychological and physical changes that generally begin around age sixty-five. This paper demonstrates that what one learns …

Bewitching Power: The Virtuosity Of Gender In Dekker And Massinger's The Virgin Martyr, Thomas Fish

Faculty Articles

This paper considers Thomas Dekker and Philip Massinger’s play The Virgin Martyr (1622) in light of scientific notions of the female body circulating during the period to illustrate how the performance of martyrdom manifested a performance of gender virtuosity, elevating it to the status of the supernatural or divine. Like well-known female martyrs from the period, such as Anne Askew, the protagonist, Dorothea, takes on characteristically male attributes: she assumes the role of the soldier and defies scientific understanding of the female gender by sealing her phlegmatic “leaky” body and exuding divine heat that defies her cold, wet “nature." The …

#Parlezvousfemme - A One-Woman Show, Victoria G. Lindbergh

Oglethorpe Journal of Undergraduate Research

#parlezvousfemme is a one-woman show set in 2018 that reimagines the lives of several infamous French women. Each character approaches modern life differently based on her given circumstances and reveals several universal truths about being a woman in today’s society. The famous military leader Joan of Arc is a 19-year-old youtuber criticizing the far-right for using her as their symbol, while revolutionary Olympe de Gouges is a modern-day women’s rights activist. Marie Antoinette is a housewife being interviewed by Vogue and scientist Marie Curie hosts a PBS telethon and addresses the lack of women in science. Designer Coco Chanel is …

News - Oconee County Library, Athens Regional Library System, Rebecca Ballard

Georgia Library Quarterly

No abstract provided.

Narrative Engagement And The Role Of Presence, Stef Nicovich

Atlantic Marketing Association Proceedings

Presence as a phenomenon has been studied for over 20 years with an identifiable progression as to how the field has matured. Initial research explored the physical nature of what conditions were necessary to produce presence focusing on the physical representations of the experience such as vividness and interactivity. This soon segued into more of an exploration into the psychological understanding of what is to experience presence focusing more on the actual “being there” phenomenon experienced by people as they engaged in a CM event. However as our understanding of presence has matured the focus has turned to exploring the …

Dramaturgy: Kurt Well's 'Street Scene': An American Opera And The American Immigrant's Experience, Robert Hadaway

Dissertations, Theses and Capstone Projects

This paper is a reflection of the dramaturgical thesis project performed at the University of Minnesota-Duluth. The Theatre Department's production of Kurt Well's Street Scene was a platform of the project. In this paper, I explore the dramaturgical process and the connection of the production to American Studies.

A Good Country Gentlewoman: Catherine Clive's Epistolary Autobiography, Joallen Bradham

Faculty Articles

Unable to play the gentlewoman on stage, Catherine Clive lived the part in retirement. Her letters document the days and ways of the gentlewoman, Clive's need to assume the role, and the actress's awareness that she performs. In all details, Clive's gentlewoman conforms to contemporary expectations of that figure.