University of Massachusetts Amherst
University of Richmond
University of the Pacific
Western Kentucky University
Kutztown University
Scripps College
Lesley University
A United, Not A Divider: Community, Identity, Performance & The Tomato Krewe Parading Group Of East Nashville's Tomato Art Festival,
2023
Western Kentucky University
A United, Not A Divider: Community, Identity, Performance & The Tomato Krewe Parading Group Of East Nashville's Tomato Art Festival, Allison Cate
Masters Theses & Specialist Projects
This thesis is an ethnographic study of the “Tomato Krewe,” a social group that participates in the parade of East Nashville’s annual Tomato Art Festival. Drawing on participant-observation, interviews, and my own experiences as a member of the krewe and resident of East Nashville, I examine krewe members’ narratives about the festival, the material culture that they create for the parade, and the levels of performance that they engage in while parading. Central to my analysis is how krewe members understand the Tomato Art Festival as an expression of East Nashville identity.
Creating A Play Using Noh And The Stanislavski Method,
2023
Mississippi University for Women
Creating A Play Using Noh And The Stanislavski Method, John Alex Nunnery
Merge
No abstract provided.
Purposefully Feminizing Masculinity: Femininity In Male Rock And Metal Stars 1950s - 1980s,
2023
Susquehanna University
Purposefully Feminizing Masculinity: Femininity In Male Rock And Metal Stars 1950s - 1980s, Maria Myer
The Compass
Traditionally in Western culture, men have had the privilege of promoting rebellion while women have had to be submissive and socially desirable. This expectation applied to all women but especially women in the rock ‘n’ roll scene. The overwhelming loudness of rock and the typical message of rebellion was connected to the power that men held within society.1 The combination of loud and fast paced music with the electronic nature of the instruments is what sets rock ‘n’ roll and metal apart from other genres. The attention that rock ‘n’ roll music demands, both from the challenging nature of …
The Potentiality Of Brown,
2023
University of California, San Diego
The Potentiality Of Brown, Ariana Ruíz
Criticism
A Review of The Sense of Brown by José Esteban Muñoz. Durham: Duke University Press, 2020. Pp. 224. $99.95 cloth, $25.95 paper.
Incarcerated Bodies – Embodied Autoethnography In Prison,
2023
Al-Quasemi Academic College, University of Haifa
Incarcerated Bodies – Embodied Autoethnography In Prison, Shulamit Kitzis
The Qualitative Report
Prison is a study field in which everyone – inmates, guards, and prison researchers – experiences powerful sensory stimuli comprised of sounds, sights, and smells in a crowded, closed space. Yet traditional academic research has socialized researchers to “wash away” their physical and emotional feelings for fear they would jeopardize the scientific nature and validity of their studies. Nevertheless, at times in a prison setting, the researchers’ bodies are the only tool that enables them to document what goes on; so much so that ignoring their bodies and emotions leads to a loss of valuable information. Using embodied autoethnography (EA), …
Stand-Up Comedy Visualized,
2023
The Graduate Center, City University of New York
Stand-Up Comedy Visualized, Berna Yenidogan
Dissertations, Theses, and Capstone Projects
Stand-up comedy has become an increasingly popular form of comedy in the recent years and comedians reach audiences beyond the halls they are performing through streaming services, podcasts and social media. While comedic performances are typically judged by how 'funny' they are, which could be proxied by the frequency and intensity of laughs through the performance, comedians also explore untapped social issues and provoke conversation, especially in this age where interaction with artists goes beyond their act. It is easy to see commonalities in the topics addressed in comedians’ work such as relationships, race and politics.This project provides an interactive …
Shifting Once Again,
2023
University of Montana
Shifting Once Again, Hannah Dusek
Undergraduate Theses, Professional Papers, and Capstone Artifacts
Change is constant; an action and a reaction. “Shifting Once Again” is an exploration of how changes in an individual affect one's relationship to themself and others. Figuring out who we are - that is change. Such shifts can be terrifying, exciting, and in some cases, underwhelming. I invite you to reflect on these shifts in your own life as you watch this piece, and how they might have even brought you to this very audience tonight. The knowledge that everyone around us is constantly going through changes can be comforting. Finding comfort in those changes, without resistance, is what …
A Virada Performativa Do Grupo Galpão: Presença E Acontecimento No Espetáculo Nós,
2022
Universidade do Minho
A Virada Performativa Do Grupo Galpão: Presença E Acontecimento No Espetáculo Nós, Fernando Luiz Silva Chagas, Julia Guimarães
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
Abstract: This paper analysis the performative extent present in the play Nós (Us), by Grupo Galpão (State of Minas Gerais, Brazil). The approach is through the idea of theater as event and presence, based on concepts of the aesthetics of the performative (Fischer-Lichte), performative theater (Féral), and theater as an ontological event (Dubatti). In this sense, performativity is presented as an instrument of reflection and analysis of the contemporary theater, which has been troubling the traditional paradigms of representation in the performing arts. We depart from practical elements of the theatrical phenomenon to approach the problematization subscribed to …
Front Matter,
2022
Minnesota State University, Mankato
An Experiment Testing The Influence Of Oral Interpretation On Entertainment And Persuasion,
2022
University of South Dakota
An Experiment Testing The Influence Of Oral Interpretation On Entertainment And Persuasion, Shane Semmler, Megan Swets, Bailey Quanbeck, Blake Warner
National Forensic Journal
A post-test only experimental design evaluated the empirical influence of three 2016 National Forensic Association final round oral interpretation performances (two Dramatic Interpretations and one Prose Interpretation) on entertainment (parasocial interaction, identification, and narrative transportation); the capacity of entertainment to elicit enjoyment; and the capacity of entertainment to elicit persuasion (i.e., changes to attitude valence and attitude importance) through the mediating process of reduced counterarguing against subjective interpretations of arguments in the oral interpretation performances. The influence of oral interpretation on entertainment, enjoyment, counterarguing, and persuasion was substantially similar to that found in the larger body of empirical scholarship investigating …
Resisting And Persisting Through Organizational Exit: An Autoethnographic Exploration Of Disclosing Sexual Harassment In Collegiate Debate,
2022
Undisclosed
Resisting And Persisting Through Organizational Exit: An Autoethnographic Exploration Of Disclosing Sexual Harassment In Collegiate Debate, M. A., Tennley A. Vik
National Forensic Journal
Collegiate debate has documented extensive problems with sexual harassment. This manuscript uses the first author’s layered account of sexual harassment experienced as a collegiate debater, her transition to a different university, and the management of private information with her family. Communication Privacy Management (CPM) theory and a plethora of studies provide a theoretical lens of the first author’s autoethnographic experience. We advance CPM theory by examining how young adult children manage their privacy through constructing more rigid privacy boundaries than their adolescent counterparts and provide the first look at how disclosure can both enable and constrain victims/survivors of sexual harassment, …
Rehearsing With Imagined Interactions Theory: Exploring Imagined Interactions As Framework For Ensemble And Solo Performance Rehearsals,
2022
Santa Rosa Junior College
Rehearsing With Imagined Interactions Theory: Exploring Imagined Interactions As Framework For Ensemble And Solo Performance Rehearsals, Joshua Hamzehee
National Forensic Journal
How should I practice is a common question that comes up while teaching performance and public speaking classes, when directing and performing in productions, and when coaching and competing for forensics squads. This essay provides a rationale for fusing Honeycutt’s imagined interactions theory (2003) with performance rehearsal processes, employing research guiding retroactive and proactive imagined interactions as a template to frame rehearsals that have the purpose of future actor ó spectator engagement. I use my experiences applying imagined interactions to an ensemble performance rehearsal and during a solo performance rehearsal to show the usefulness, limitations, and potentials of this methodological …
Full Volume,
2022
Minnesota State University, Mankato
Mozart & Schikaneder: Production Of Theatre In The 18th Century,
2022
Augustana College, Rock Island Illinois
Mozart & Schikaneder: Production Of Theatre In The 18th Century, Quinne Weinzierl, Miranda Preuss, Haley Tromblee
2022 Festschrift: Mozart's Die Zauberflöte
Die Zauberflöte was composed by Wolfgang Amadeus Mozart, with the libretto written by Emanuel Schikaneder. In this essay, we aim to present our findings regarding Mozart’s Die Zauberflöte in relation to the theater culture found in the 18th century. Because of the lack of writing on the production of Die Zauberflöte we aimed our research towards Schikaneder and the general layout of the theater surrounding the time Die Zauberflöte premiered. Using cross referencing and sources from the 18th century, we have put together a general synopsis of how Die Zauberflöte was likely promoted and produced. All of this information comes …
The Importance Of Creation: Lessons From The Collision And Performing Justice Projects,
2022
Kennesaw State University
The Importance Of Creation: Lessons From The Collision And Performing Justice Projects, Mariah Johnson
Symposium of Student Scholars
The Collision Project is a performance-based project that introduces young artists to an inspiration which drives them to create their own performative art. During my time participating in Kennesaw State University's 2022 New Connections Collision Project, I had the privilege of working alongside the talented youth graduates in the Department of Justice system. Through my first-hand experience and by examining the works through the lens of Megan Alrutz’s book Digital Storytelling, Applied Theatre, & Youth: Performing Possibility, I learned the importance of personal expression through creation. Projects such as our Collision Project and Alrutz’s Performing Justice Project present highly beneficial …
Experimental Music And Collaboration: Developing Artistry Through Performance Practice,
2022
Louisiana State University
Experimental Music And Collaboration: Developing Artistry Through Performance Practice, John Lambert
LSU Doctoral Dissertations
This project locates collaboration and collaborative performance as a potential site for artistic growth. This study analyzes six collaborative projects: composed pieces for electric guitar accompanying a staged performance of collaged texts, an audio-visual installation, the preparation of several short pieces to accompany choreographed dances, a 90-minute soundtrack to a performance mixed live, an ongoing improvisational duo, and a live visuals performance to accompany Sunburned Hand of the Man at Duke University. It traces the growth of my artistry while also providing a method for both doing and writing about collaboration. In addition, it offers a model for understanding collaborative …
From Franco's Nightmare To A Globalized Spain: A Cinematic Analysis,
2022
Denison University
From Franco's Nightmare To A Globalized Spain: A Cinematic Analysis, Claire Maurer
Claremont-UC Undergraduate Research Conference on the European Union
Spain has had a long history of determining its own identity through successive regime changes, national crises and shifting international alliances. With Las Chicas de la Sexta Planta (Le Guay, 2011), Torremolinos 73 (Berger, 2003), Miente (De Ocampo, 2008) and The Way (Estévez, 2010) as a guide, I examine the distinctive characteristics of Spansh identity across three notable sections of its history: Francoist Spain (1939-1975), “free” Spain (1975-1986), and Spain as a member of the supranational European Union (EU) (1986-), or the European Economic Community (EEC) at that time. These films and time periods help to shed light on important …
La Circassienne: A Study Of The Female Circus Artist In French Literature,
2022
University of Massachusetts Amherst
La Circassienne: A Study Of The Female Circus Artist In French Literature, Crystal Menninga
Masters Theses
This study examines how the female circus artist is represented in twelve pieces of French literature ranging from the late nineteenth century to the modern day. The books are divided into three categories by author type: first, authors without a circus background; second, male authors involved in the circus world; and third, women involved in the circus world. Although predicted that the first section would reveal the largest use of stereotypes and misogyny, the second would show the sexist expectations of the circassienne onstage and off, and the third would call out these stereotypes and suggest improvements, there was less …
Ua68/17/1 Wku Dance: Creating | Thinking | Artists,
2022
Western Kentucky University
Ua68/17/1 Wku Dance: Creating | Thinking | Artists, Wku Theatre & Dance
WKU Archives Records
Newsletter by and about the WKU Dance Program. Articles:
- Dance on the Hill
- Potter College of Arts & Letters Collaborations
- Guest Speakers: Naila Ansari, Shyama Iyer, Jill Flanders
- Guest Artists: Tyler Gilstrap
- WinterDance
- Last Chance to Dance
- National Dance Education Organization
Operation Lone Star: The Spectacle Of Immigration Federalism,
2022
The Graduate Center, City University of New York
Operation Lone Star: The Spectacle Of Immigration Federalism, Danielle Puretz
Dissertations, Theses, and Capstone Projects
Texas Governor Greg Abbott launched Operation Lone Star in March 2021 to respond to the “crisis” at the United States/Mexico border. While in the US immigration is usually thought of as a federal responsibility, different states have worked to expand their capacity to welcome or exclude immigrants. Operation Lone Star is an example of how one state is working to restrict immigration to the US and build notoriety for its republican governor. Drawing on press releases, executive orders, news articles, opinion pieces, and other sources I highlight the performative politics within this initiative. Operation Lone Star is an example of …
