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Articles 1 - 14 of 14
Full-Text Articles in Performance Studies
The Cutting Edge, November/December 2002, Vol. 12 Issue 6, The Society Of American Fight Directors
The Cutting Edge, November/December 2002, Vol. 12 Issue 6, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
The Cutting Edge, August-October 2002, Vol. 12 Issue 5, The Society Of American Fight Directors
The Cutting Edge, August-October 2002, Vol. 12 Issue 5, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
The Cutting Edge, May-July 2002, Vol. 12 Issue 4, The Society Of American Fight Directors
The Cutting Edge, May-July 2002, Vol. 12 Issue 4, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
The Fight Master, Spring/Summer 2002, Vol. 25 Issue 1, The Society Of American Fight Directors
The Fight Master, Spring/Summer 2002, Vol. 25 Issue 1, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
Commedia Del Arte, Tyler Olsen
Commedia Del Arte, Tyler Olsen
Honors Capstones
Capstone submitted as a graduation requirement for the BSU Honors Program.
The Works Of Giuseppe Verdi: A Consideration Of Its Impact, Linda B. Fairtile
The Works Of Giuseppe Verdi: A Consideration Of Its Impact, Linda B. Fairtile
University Libraries Faculty and Staff Publications
The rationale for preparing a critical edition of Verdi's works is by now well known. The unavailability of printed orchestral scores for some operas, disagreements among performing materials for others, and a proliferation of new scholarship illuminating the complex Verdian source situation all point to the need for a scholarly edition of the complete works of this extremely popular composer. In 1983 the University of Chicago Press and Casa Ricordi began jointly producing scores and other performing materials in a series entitled «The Works of Giuseppe Verdi» («WGV»). Rigoletto was the first volume to appear, followed by Ernani, Nabucco, …
Moulinet: An Action Quarterly, Volume 3, Issue 1, Moulinet Staff
Moulinet: An Action Quarterly, Volume 3, Issue 1, Moulinet Staff
Moulinet: An Action Quarterly
No abstract provided.
Moulinet: An Action Quarterly, Volume 3, Issue 2, Moulinet Staff
Moulinet: An Action Quarterly, Volume 3, Issue 2, Moulinet Staff
Moulinet: An Action Quarterly
No abstract provided.
Dance In Iran, Anthony Shay
Dance In Iran, Anthony Shay
Pomona Faculty Publications and Research
Two basic types of dance are performed in this Iranian cultural sphere, and in the Middle East generally. The first is regional folk dancing, most often (but not exclusively) performed in groups. The second is solo improvised dance (sometimes referred to as majilesi 'social' or 'party'). This second form often evokes a strongly negative reaction, reflected, now as in the past, in attempts to ban public performances of solo improvised dance and to marginalize professional performers. People in this area of the world sometimes seem to have what I call a "choreophobic" mentality; yet the same people who might condemn …
The Fight Master, Fall/Winter 2002, Vol. 25 Issue 2, The Society Of American Fight Directors
The Fight Master, Fall/Winter 2002, Vol. 25 Issue 2, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
0713: Marceline White Platania Collection, 1929-1976, Marshall University Special Collections
0713: Marceline White Platania Collection, 1929-1976, Marshall University Special Collections
Guides to Manuscript Collections
This collection consists of one scrapbook of clippings and photos and one folder of ephemera. The scrapbook includes extensive clippings and a limited number of photos of the 1937 flood in Huntington, West Virginia. Ephemera includes a copy of “The Belle of Barcelona: A Musical Comedy in Three Acts”, a 1929 program for said comedy at Huntington High School, and a ticket, pamphlet, clipping, and envelope about the 1976 American Freedom Train in Huntington.
The Mind Museum: Rudolf Schwarzkogler And The Vienna Actionists, Philip Barnes
The Mind Museum: Rudolf Schwarzkogler And The Vienna Actionists, Philip Barnes
Reconstruction: Studies in Contemporary Culture
[Sixth paragraph]
In the following essay I discuss the Austrian artist Rudolf Schwarzkogler. I have enjoyed the process of ferreting out articles and references to him, although these are seemingly as scarce as his own artistic output. Schwarzkogler spent just 2 years staging performance-actions in his apartment in the 1960s. These methodically photographed scenes involved sliced fish, bandages, light bulbs, razor blades, foodstuffs and surgical apparatus, all manipulated by anonymous figures. The photographs, works of art in their own right, have since toured internationally. Schwarzkogler was the least outgoing of a group called the Viennese Actionists, whose orgiastic, bloody Happenings …
On Guillermo Gomez-Peña's El Mexterminator And Cyber Vato, Michael Benton
On Guillermo Gomez-Peña's El Mexterminator And Cyber Vato, Michael Benton
Reconstruction: Studies in Contemporary Culture
[First paragraph]
While attending Bowling Green State University in 1997 I had an experience that changed my worldview. I was a teaching assistant in the Popular Culture department and part of my responsibilities included teaching Introduction to Popular Culture (POPC 100) and Introduction to Mass Media (POPC 165). I had been struggling to engage my students in examining the way in which social reality is represented to them through popular entertainments [2]. The majority of my students were white, middle class students from the surrounding Northern regions of Ohio. My students were well-versed in the ongoing controversy over whether or …
Catalunya Invisible: Contemporary Drama In Barcelona, Sharon G. Feldman
Catalunya Invisible: Contemporary Drama In Barcelona, Sharon G. Feldman
Latin American, Latino and Iberian Studies Faculty Publications
During the winter of 2000, Lluís Pasqual staged a Catalan version of Anton Chekov's The Cherry Orchard at Barcelona's Teatre Lliure, the historic home of Catalonia's most stable, accomplished, and distinguished repertory theatre company. In Chekov's play, Madame Lyobov Andreyevna Ranyevskaya, an emblem of the fading elegance and dwindling supremacy of the Russian aristocracy, is compelled by her situation of financial despair to sell her estate and cherry orchard to the nouveau-riche Lopakhin and then return to Paris on the eve of the Revolution. The orchard that was once admired for its beauty eventually will be destroyed in order to …