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Articles 1 - 20 of 20
Full-Text Articles in Performance Studies
“It’S The Same Old Song But With A Different Meaning”: Community And Ethnicity In Sikaiana Expressive Culture, William W. Donner
“It’S The Same Old Song But With A Different Meaning”: Community And Ethnicity In Sikaiana Expressive Culture, William W. Donner
Pacific Studies
No abstract provided.
The Theater Of Politics: Contrasting Types Of Performance In Melanesia, Dorothy K. Billings
The Theater Of Politics: Contrasting Types Of Performance In Melanesia, Dorothy K. Billings
Pacific Studies
No abstract provided.
Epilogue: States Of The Arts, Adrienne L. Kaeppler
Epilogue: States Of The Arts, Adrienne L. Kaeppler
Pacific Studies
No abstract provided.
Dancing Defiance: The Politics Of Pohnpeian Dance Performances, Glenn Petersen
Dancing Defiance: The Politics Of Pohnpeian Dance Performances, Glenn Petersen
Pacific Studies
No abstract provided.
Celebrations Of Government: Dance Performance And Legitimacy In The Federated States Of Micronesia, Eve C. Pinsker
Celebrations Of Government: Dance Performance And Legitimacy In The Federated States Of Micronesia, Eve C. Pinsker
Pacific Studies
No abstract provided.
Pulapese Dance: Asserting Identity And Tradition In Modern Contexts, Juliana Flinn
Pulapese Dance: Asserting Identity And Tradition In Modern Contexts, Juliana Flinn
Pacific Studies
No abstract provided.
Politicization Of La Culture Ma‘Ohi: The Creation Of A Tahitian Cultural Identity, Karen Stevenson
Politicization Of La Culture Ma‘Ohi: The Creation Of A Tahitian Cultural Identity, Karen Stevenson
Pacific Studies
No abstract provided.
Heteroglossia In Samoan Oratory, Alessandro Duranti
Heteroglossia In Samoan Oratory, Alessandro Duranti
Pacific Studies
No abstract provided.
The Monster (A Fantasy): A One-Act Play, With An Interview With The Playwright, Vilsoni Hereniko
The Monster (A Fantasy): A One-Act Play, With An Interview With The Playwright, Vilsoni Hereniko
Pacific Studies
No abstract provided.
Comic Theater In Samoa As Indigenous Media, Caroline Sinavaiana
Comic Theater In Samoa As Indigenous Media, Caroline Sinavaiana
Pacific Studies
No abstract provided.
The Cutting Edge, November/December 1992, Vol. 3 Issue 6, The Society Of American Fight Directors
The Cutting Edge, November/December 1992, Vol. 3 Issue 6, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
The Fight Master, Fall 1992, Vol. 15 Issue 2, The Society Of American Fight Directors
The Fight Master, Fall 1992, Vol. 15 Issue 2, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
The Cutting Edge, September/October 1992, Vol. 3 Issue 5, The Society Of American Fight Directors
The Cutting Edge, September/October 1992, Vol. 3 Issue 5, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
The Cutting Edge, July/August 1992, Vol. 3 Issue 4, The Society Of American Fight Directors
The Cutting Edge, July/August 1992, Vol. 3 Issue 4, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
The Cutting Edge, May/June 1992, Vol. 3 Issue 3, The Society Of American Fight Directors
The Cutting Edge, May/June 1992, Vol. 3 Issue 3, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
Musical Quotation In The Music Of George Crumb, Richard M. Dowell
Musical Quotation In The Music Of George Crumb, Richard M. Dowell
All-Inclusive List of Electronic Theses and Dissertations
This study investigates American composer George Crumb's employment of musical quotation in his works from 1962 to 1985. The thesis also contains a brief biography of the composer and overviews of his major compositional style traits and his musical influences. Because Crumb often quotes from the same composers and musics that have influenced his musical style, the subject musical influences is related to the main thesis, musical quotation. Also, Crumb sometimes borrows a specific gesture from another composer's work without actually quoting it--that is making significant note and/or rhythm alterations; this type of borrowing is described by Crumb as a …
The Fight Master, Spring 1992, Vol. 15 Issue 1, The Society Of American Fight Directors
The Fight Master, Spring 1992, Vol. 15 Issue 1, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
The Cutting Edge, March/April 1992, Vol. 3 Issue 2, The Society Of American Fight Directors
The Cutting Edge, March/April 1992, Vol. 3 Issue 2, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
Tabou, Agnieszka Taborska, Julie Strandberg, Vivienne Cho, Jennifer Delventhal, Yvonne Roe, Yutaka Sho, Tamira Estes, Rosanna Garcia, Mariví González, Diana Brozek, Stephanie Hall, Jennifer Hayward, Dawn Marie, Michelle Regan, James O. Barnhill, Nonie Close, David Duvall, Jay Haon, Christopher Schaie, Michael Weiss, Jeff Southard, Candice Goldfarb, Charity Macdonald, Jennifer Delvanthal, Sylvie Toux, Gabriel Albarelo, Erika Munro, Aaron Abroff, Jay Haon, Olexa, Ian Smith, Ming Gale
Tabou, Agnieszka Taborska, Julie Strandberg, Vivienne Cho, Jennifer Delventhal, Yvonne Roe, Yutaka Sho, Tamira Estes, Rosanna Garcia, Mariví González, Diana Brozek, Stephanie Hall, Jennifer Hayward, Dawn Marie, Michelle Regan, James O. Barnhill, Nonie Close, David Duvall, Jay Haon, Christopher Schaie, Michael Weiss, Jeff Southard, Candice Goldfarb, Charity Macdonald, Jennifer Delvanthal, Sylvie Toux, Gabriel Albarelo, Erika Munro, Aaron Abroff, Jay Haon, Olexa, Ian Smith, Ming Gale
Programs
Program for the fifth annual RISD Cabaret held in the Waterman Building. Design and layout by Nonie Close. View the Performance Recording.
The Cutting Edge, January/February 1992, Vol. 3 Issue 1, The Society Of American Fight Directors
The Cutting Edge, January/February 1992, Vol. 3 Issue 1, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.