Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Other Theatre and Performance Studies (22)
- Feminist, Gender, and Sexuality Studies (19)
- Fine Arts (17)
- Acting (16)
- Art and Design (16)
-
- Interdisciplinary Arts and Media (13)
- Art Practice (12)
- Lesbian, Gay, Bisexual, and Transgender Studies (12)
- Dance (9)
- Sculpture (9)
- Social and Behavioral Sciences (8)
- Theatre History (8)
- American Studies (7)
- Creative Writing (7)
- Dramatic Literature, Criticism and Theory (7)
- Film and Media Studies (7)
- History of Art, Architecture, and Archaeology (7)
- Philosophy (6)
- Contemporary Art (5)
- Fiber, Textile, and Weaving Arts (5)
- History (5)
- Race, Ethnicity and Post-Colonial Studies (5)
- Religion (5)
- Education (4)
- Interactive Arts (4)
- Other Feminist, Gender, and Sexuality Studies (4)
- Other Film and Media Studies (4)
- Institution
- Keyword
-
- Theatre (11)
- Dance (8)
- Performance (7)
- Performance art (5)
- Acting (4)
-
- Queer (4)
- Installation (3)
- Pedagogy (3)
- Video (3)
- Audience Engagement (2)
- Choreography (2)
- Contemporary art (2)
- Culture (2)
- Devised Theatre (2)
- Devised theatre (2)
- Drag (2)
- Embodiment (2)
- Feminism (2)
- Film (2)
- Interdisciplinary (2)
- Media (2)
- Musical Theatre (2)
- Performance Studies (2)
- Phenomenology (2)
- Qatar (2)
- Race (2)
- Sanford Meisner (2)
- Sculpture (2)
- Shakespeare (2)
- Sound (2)
Articles 1 - 30 of 60
Full-Text Articles in Performance Studies
Notes On Rhythm, Maya Lee-Parritz
Notes On Rhythm, Maya Lee-Parritz
Theses and Dissertations
Line meets impulse, association meets sign. I weave the eye towards the smudge and sublime—a fractal lineage flowing through the brush, my body, space itself. I walk toward reality in serial successions, allowing what is fragmentary to move me, to cohere in shards, murky and strange inside of me. My body is a repository of images, of broken rhythms and dissonant ideologies. All of these flow and stutter onto the surface, dripping and blurring over each other. Through all of this, I always try to make something whole, perfect, and true.
Fugitive Formalisms: Strategies Of Dissemblance And Dissent In The Work Of Queer-Identifying Artists, 1970–Present, Rowan Diaz-Toth
Fugitive Formalisms: Strategies Of Dissemblance And Dissent In The Work Of Queer-Identifying Artists, 1970–Present, Rowan Diaz-Toth
Theses and Dissertations
Utilizing case studies of works by Hélio Oiticica, Scott Burton, and Felix Gonzalez-Torres as points of departure, this thesis puts forth a speculative historical framework for reconsidering queer art practices up through the present day in opposition to regimes of visibility and transparency, exploring the subversive, fugitive potential of non-representational formalisms.
Staging Violence With Intentionality, Toby O'Brien
Staging Violence With Intentionality, Toby O'Brien
Theses and Dissertations
This thesis examines the role of the fight choreographer in the theatre while addressing the potential issues staged violence has in distracting an audience from the intended narrative of the play. Avoiding the instruction manual approach of stage combat in favor of expounding on the theory of violent entertainment, I have constructed a thesis that informs the reader of certain types of violence found in both classical and modern productions and have researched the psychological ramifications of violent spectatorship and the necessity for content acknowledgements as well as consideration for the performer’s well-being. By exploring the history of violent entertainment …
Inherited Fervor: Maternal Archive, Maria Angela Talavera Tejeda
Inherited Fervor: Maternal Archive, Maria Angela Talavera Tejeda
Theses and Dissertations
Inherited Fervor: Maternal Archive investigates the deconstruction of the non-verbal language of Catholic ecstasy rituals to develop a choreographic language. Through the piece Doves Don’t Fly at Night, it explores the expansion of dancers’ physical range, positioning the body as an archive that embodies memories and mirrors the audience’s humanity.
Post Opera, Suzy Lykins
Post Opera, Suzy Lykins
Theses and Dissertations
Post Opera is a spell and work of embodied research which explores medicalization, desire, labor, and belief. Through methods of performance, sound, text and installation, I facilitate encounters of trans-femininity, spiritual power and connectivity. An opening wound, a set of psychic scalpels, sutures and bandages prepare this text for your consumption, take care to digest her well.
Stop Suffering For Your Art, Amanda Bryers
Stop Suffering For Your Art, Amanda Bryers
Theses and Dissertations
What does the process look like for an actor to disconnect from a circumstance that they take on during the course of a rehearsal or performance? And how does this disconnection process affect the actor’s mental, physical, and emotional health? This project consists of interviews of CSU student actors about their personal experiences in letting go of imaginary circumstances immediately following a performance, rehearsal, or actor’s exercise. The purpose of this project is to determine whether or not actor’s training provides sufficient tools for an actor to disconnect. Interviewees detailed their own personal methods, as well as whether or not …
Theatre As Sanctuary: Queer Identity, Religious Trauma, And The Path To Healing, Casey Worley
Theatre As Sanctuary: Queer Identity, Religious Trauma, And The Path To Healing, Casey Worley
Theses and Dissertations
Growing up as a queer individual in a deeply religious Southern Baptist community, I learned early that faith and identity could feel like irreconcilable forces. I sat in the pews, surrounded by voices that preached love but often excluded people like me. For years, I struggled with the question: Can I be both queer and faithful? This tension—between belief and belonging, between the church I was raised in and the identity I could no longer deny—became the foundation of my journey, my artistic practice, and this thesis.
Through this research, I explore the intersections of queer identity, religious trauma, and …
Queer-Keying: Performing Video Processes As [Trans]Gressive Resistance, Wren Tiffany
Queer-Keying: Performing Video Processes As [Trans]Gressive Resistance, Wren Tiffany
Theses and Dissertations
As part of the 2025 VCUarts MFA Thesis Exhibition at the Institute of Contemporary Art (ICA) at Virginia Commonwealth University (VCU), I transformed the 'Sponge' gallery on the top floor of The Anderson, VCU’s historic thesis exhibition home, into The Green Room, a neon green, immersive video and performance space featuring mirrors, disco lights, a foam tile dance floor, makeup stations, and a functioning green-screen editing suite. This hybrid drag rehearsal and ‘Chroma-key’ green video production room deepened both my understandings of Queer performance art and process-based art making during the Spring of 2025, through two public performance activation …
The Page And The Stage: How Comics Perform, Elizabeth Buccella
The Page And The Stage: How Comics Perform, Elizabeth Buccella
Theses and Dissertations
Comics and theatre share several, often overlooked similarities, like their unique concept of the gaze, interpretation and execution of a script, and the curation of a distinct visual language. This makes comics a viable candidate for analysis using the field of performance studies and other theatrical forms of analysis. The process of comics and how they are read is discussed before a brief literature review of performance and comics studies scholarship. Two comics, one nonfiction and one fiction, are analyzed using the key concepts from the literature review.
The J In Danger, Zachary Delamater
The J In Danger, Zachary Delamater
Theses and Dissertations
“The J in Danger” merges autobiographic and formal concerns in sculpture and installation to describe the existential hazards contemporary life poses to Queer and Disabled individuals. The paper utilizes silent letters as thematic device to connect notions of precarity to a broader sense of contemporary “doomerism.”
My Sauce! Living In The Polyrhythm, Zakiya Harris
My Sauce! Living In The Polyrhythm, Zakiya Harris
Theses and Dissertations
This paper contextualizes “Ghana: The Place Where the Chief Sleeps,” for which Harris served as dance captain, rehearsal director, dancer, stager and choreographer. Harris details how her work living inside the polyrhythms of performance, practices, and pedagogies can produce a holistic West African dance education for students.
Container Film, Dena Kopolovich
Container Film, Dena Kopolovich
Theses and Dissertations
Container Film is an experimental nonfiction short film that explores the theme of carrying. Drawing inspiration from a blend of anthropological, religious, and artistic sources, the film is guided by an unknown narrator who contemplates the origins of humanity. Unlike conventional storytelling, the narrator’s uncertainty and inner dialogue punctuate the narrative, challenging a traditional linear structure. Jumping between diverse thoughts, she resists depicting human history with a singular hero or linear trajectory. Visually, the film unfolds through vivid tableaux vivants, dance sequences, and curious object arrangements, illustrating the subtle relationship between human cognition and materiality. Through its nuanced, tactile approach, …
間, Lele Dai
間, Lele Dai
Theses and Dissertations
LeLe Dai makes contingent participatory public interventions using sensory materials such as sound, flickering light, and water. This paper examines their works through the lens of Chinese character Jian (間), meaning “gap/slit/incision,” to investigate the concept of “in-betweenness.”
Sense Make Before Book, Bradley Sinanan
Sense Make Before Book, Bradley Sinanan
Theses and Dissertations
“Sense Make Before Book” is an Indo-Caribbean turn of phrase which refers to common sense being more important than book smarts. My sister sent me a post the other day on Instagram of an Trinidadian woman using this phrase, saying it was one of Indo-Caribbean origin. I was interested and asked my mom about it. My mom says that when she was younger my grandpa said it often around their house in Princes Town, Trinidad and Tobago. This adage feels charged thinking about the history of indenture and its effects on the Indo-Caribbean diaspora.
The written word of archival history …
Keeping Both History And Magic Alive: Judson Dance Theater: The Work Is Never Done (2018) At The Museum Of Modern Art, Beatrice M. Johnson
Keeping Both History And Magic Alive: Judson Dance Theater: The Work Is Never Done (2018) At The Museum Of Modern Art, Beatrice M. Johnson
Theses and Dissertations
This thesis examines the exhibition, historical reconstruction, and museum acquisition and conservation of postmodern dance, with the 2018 MoMA exhibition Judson Dance Theater: The Work Is Never Done as a case study. This exhibition considered the history and legacy of 1960s postmodern dance through a presentation of artifacts and archives alongside a continuous program of live, in-gallery performances. The Work Is Never Done catalyzed questions in the three areas of dance exhibition, reconstruction, and conservation and, as this thesis argues, represents a unique example of preserving canonical dance history while creating a generative context for spontaneity, experimentation, and reinvention.
Blacklash: Phenomenological Hermeneutics In Black Dance, Darvejon A. Jones
Blacklash: Phenomenological Hermeneutics In Black Dance, Darvejon A. Jones
Theses and Dissertations
The horrors inflicted on Black bodies, souls, and spirits in the United States during the transatlantic slave trade, the Jim Crow era, and the current era (2023) have a lasting legacy of trauma metabolized through the body and transmuted generationally. Jones uses this data to contextualize the work of Black dance artists as hermeneutic phenomena in which the Black dance artist is a hermeneut tasked with delivering a message of the Black body/spirit complex: “I AM HUMAN. DO NOT KILL ME.” This paper examines how Black dance artists frequently petition for their survival — incessantly subjugated to the interpreter’s empathy, …
For What Is A Man?: Towards Languaging Contemporary Dance In A Black, Queer, Male-Presenting Body, Thomas Ford
For What Is A Man?: Towards Languaging Contemporary Dance In A Black, Queer, Male-Presenting Body, Thomas Ford
Theses and Dissertations
This paper examines Queering Blackness: Solo on a Theme of Reconciliation, a performance event that invokes movement, spoken text, projections and sound to explore the mechanisms of identity. Engaging performance, Black, queer and dance studies, the paper contextualizes cultural identity markers, towards an understanding of what it means to be Black, queer and male-assigned in Black spaces.
Gloria Rehearsal (Excerpt) A Feminist Mechanism For Metabolization, Eleanor Smith
Gloria Rehearsal (Excerpt) A Feminist Mechanism For Metabolization, Eleanor Smith
Theses and Dissertations
Weaving embodied trauma studies with feminist theory, non-hierarchical creative structures, and research in dance improvisation, this thesis paper written by Eleanor Smith contextualizes the dance performance gloria rehearsal (excerpt). The performance piece was choreographed and performed by Molly Lieber and Eleanor Smith, who have been co-choreographing feminist dances since 2006.
A Methodology Of Paradoxes: Investigating Authenticity In The Representation Of Queerness On The Contemporary Stage, Kendall C. Walker
A Methodology Of Paradoxes: Investigating Authenticity In The Representation Of Queerness On The Contemporary Stage, Kendall C. Walker
Theses and Dissertations
In my experience as a queer theatre practitioner, performer, and student, I have always had questions of ownership and authenticity when it comes to LGBTQIA+ narratives on the contemporary theatre stage. The question of: “Who is allowed to tell what story?” and the many complex ideas that this leads to, is what has inspired this thesis and my own pedagogy of intersectionality and inclusivity.
The purpose of this thesis is to investigate the relationship between authenticity and queerness on the contemporary stage in order to develop a methodology for how all theatre practitioners—no matter their identity—can effectively tell queer-identifying stories …
Laying Out A Space: Spectral Geographies, Fictions Of The Soul, Erin D. Yerby
Laying Out A Space: Spectral Geographies, Fictions Of The Soul, Erin D. Yerby
Theses and Dissertations
Laying out a Space: Spectral Geographies, Fictions of the Soul, arises out of my artistic practice, and thoughts behind my current project and MFA exhibition, Spectral Geographies.
Linking the problem of the world ‘out there’ or external space, to inner experience through painting as both medium and practice, my work expresses what I call inner geographies, spaces where intimate immensities, folding inside and outside, find expression. I think of my paintings as beginning with this gesture of laying out a between-space where the intimacies of waking dreams and visions are opened by, and grow into, actual places, …
Generational Theory As A Lens For Approaching Musical Theatre History, 1943-2023, Or A Strange Loop, Ben J. Lundy
Generational Theory As A Lens For Approaching Musical Theatre History, 1943-2023, Or A Strange Loop, Ben J. Lundy
Theses and Dissertations
In 1991, William Strauss and Neil Howe published generational theory in Generations: The History of America’s Future, 1584-2069. Though critiqued, Strauss and Howe’s generational theory suggests that American history occurs in cycles characterized by four distinct generational turnings or moods that occur approximately every eighty years, roughly the span of a human life. Though the theory has been applied to American history, usually through a political and economic lens, this thesis will focus on the most recent Millennial Cycle and apply the theory to the development of Broadway musical theatre history. Innovative musicals such as Oklahoma! (1943), Hair (1968), Rent …
An Arbitrary Aesthetic: Cultural Reproduction And Hegemonic Canonical Formations In The Western Theatrical Academy, Sim C. Rivers
An Arbitrary Aesthetic: Cultural Reproduction And Hegemonic Canonical Formations In The Western Theatrical Academy, Sim C. Rivers
Theses and Dissertations
Theatre as an artistic practice has often been celebrated as an art of and for the people, being a modality that in theory the common person has access to learn, explore and experience. In recent years I have become preoccupied with the growing rarification and privileging of this art form, particularly in how it is cognized and taught in the academic world. As such, I set out to investigate the mechanisms at work at levels structural, artistic, and personal that determine how theatre is taught and understood within the western academy.
This thesis seeks to examine and unpack the perceived …
A Gun For Every Woman, Gentë Retkoceri
A Gun For Every Woman, Gentë Retkoceri
Theses and Dissertations
Six centuries ago in Kosova, my home country, unmarried women known as sworn virgins, were forced to adopt a male persona and carry a gun to protect themselves. But today, guns have become tools of oppression and violence against women. And while the legal system carries penalties for domestic violence, marital rape is excluded. To shine a light on, and expose the topic of hidden violence, my thesis uses artivism to address a sensitive but provocative issue, exhibiting a large-scale sculpture of a gun, designed to provoke raw emotions; to challenge visitors to consider the terror felt by women threatened …
Childhood Reliquary De Una Catracha/Mexi Entre Nopales, Juliana Bustillo
Childhood Reliquary De Una Catracha/Mexi Entre Nopales, Juliana Bustillo
Theses and Dissertations
Childhood Reliquary De Una CatrachaMexi Entre Nopales is a multisensory based installation consisting of three large and six medium scale mixed media paintings with performance. It is informed by my upbringing in Boyle Heights in the projects during the 90s, followed by East LA in the mid 2000s. It is the reliquary for my discomfort in institutional spaces and why I have found comfort in dystopian-like installations. This is the landscape in which I exist, regardless of where I am now. It is where I place my work. It is the context in which I celebrate the powerful delicacy of …
Spectrum Of Shit, Hannah Hiaasen
Spectrum Of Shit, Hannah Hiaasen
Theses and Dissertations
Contending with the loss of a parent to a mass shooting in their workplace, a newsroom, I find myself suspended in time, in an office. Post-its, fans, button-ups, snow globes, clipboards, reporters notebooks, scrap paper, jot downs, keyboards hold me up. I crave the comfort of repetitive cumulative hand work. Quilting, weaving, and cutting away help me breathe, haptically process and memorialize these grieving objects, this grieving person. Weed-wacking towards intimacy, my work employs a range of materials to mourn the mundanity of a workday, fantasize transformative justice, and steward embodied grief to the surface. My only speed is slow-- …
Dungeons And Devised Theatre: A Study Of Tabletop Gaming And Its Application In Playwriting And Character Development, Sabrina E. Becker
Dungeons And Devised Theatre: A Study Of Tabletop Gaming And Its Application In Playwriting And Character Development, Sabrina E. Becker
Theses and Dissertations
This thesis is an exploration of the connections and application of tabletop gaming in theatre. It looks at the initial process that was used in devising a play from tabletop gaming and also the applications of using tabletop gaming to further character development. This paper serves as a journal of first-hand accounts and interviews during this process so you may be inspired to build your own process either based in what you read here or discovering your own. There is a sample excerpt of the play to show what can be accomplished as well as other artistic works that came …
Boundary As Borderland: Mexico City’S Central Plaza And The Politics Of Presence, Re'al Christian
Boundary As Borderland: Mexico City’S Central Plaza And The Politics Of Presence, Re'al Christian
Theses and Dissertations
In the postcolonial era, the land surrounding national borders—the borderland—has inherited a specific identity and relationship with those who navigate it. While national borderlands are oft discussed amid conversations on globalization, land disputes, and war, the Spanish colonization of the Americas in the fifteenth and sixteenth centuries saw the new establishment of borderlands from within in the form of segregative boundaries that purported to separate Indigenous and European peoples. This thesis concerns the manifestation of the borderland as not only an external entity, but an internal one as well. Using Mexico City, the center of the Spanish colonial empire, as …
The Communal Roots Of The Tree Of Life: The Performativity Of The Torah Scroll In Jewish Ritual, Joseph Maybloom
The Communal Roots Of The Tree Of Life: The Performativity Of The Torah Scroll In Jewish Ritual, Joseph Maybloom
Theses and Dissertations
The Torah scroll’s materiality is central to its use in ritual and encourages a performance-based analysis. The object acts as a physical connection to the divine, a material embodiment of Jewishness. The congregation’s participation in the scroll’s lifecycle rituals fosters their communion with the object and with each other.
Eagle Eye Vs. Gear Jammer, Jessica Danielle Ellis
Eagle Eye Vs. Gear Jammer, Jessica Danielle Ellis
Theses and Dissertations
Where similarities in class struggle have historically operated as a unifying force globally, the American crafted mythos isolates the individual and dehumanizes those that do not fall within the parameters of the cowboy archetype. The national protagonist is turned into a class traitor and an extension of government power.
The Music Festival: A Case Study On The Establishment, Development, And Long-Term Success Of An Instrumental Music Education Event From A Logistical Perspective, Dakota Corbliss
Theses and Dissertations
In this paper, I will combine insight collected from interviews of people involved with events related to the arts, particularly in the field of the music. These discussions include a variety of perspectives including executive directors, logistics personnel, operations managers, faculty, guest artists, as well as festival participants. Through a multi-layered and thoroughly filtered lens, I aim to establish an outline for a guide that will allow individuals in the field of music set their extracurricular educational program up for success.
There are many factors that need to be considered when establishing a music festival, but this paper will mainly …