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Articles 1 - 30 of 99
Full-Text Articles in Performance Studies
"The Climate Emotion Wheel" - An Exercise To Address Climate Anxiety Inspired By Boal's Forum Theatre, Talin Abadian
"The Climate Emotion Wheel" - An Exercise To Address Climate Anxiety Inspired By Boal's Forum Theatre, Talin Abadian
Communication and Theater Association of Minnesota Journal
The goal of this exercise is to provide students a space to articulate these complex emotions, engage in collaborative problem-solving with their peers, reclaim a sense of agency and empowerment by exploring meaningful action collectively while also highlighting individual responsibilities towards the environment. This exercise can be used effectively to demonstrate the power of Boal’s Forum Theatre as a tool for collaborative problem-solving and communal rehearsing of solutions to real-world challenges.
Exploring The Seams Of Performance: Performance Studies & Theater Praxis, Sarah Kozinn
Exploring The Seams Of Performance: Performance Studies & Theater Praxis, Sarah Kozinn
Communication and Theater Association of Minnesota Journal
The exercise aims to use a taxonomy of performance, as theorized by Richard Schechner in his essay “Drama, Script, Theatre, and Performance,” to think analytically about what performance is. (Part of the goal is to “make strange” what students, most often, think they already know by giving then tools to better define and identify the spectrum of what is termed “performance.”) Students will articulate the porously bounded areas of drama, script, theatre, and performance, teasing apart and developing a definition of what defines theatre as theatre in relation to how they define performance. Through this, students will develop an analytic …
Creating The Role Of Passerby And Stationmaster In The Cherry Orchard, Selwyn Ofori
Creating The Role Of Passerby And Stationmaster In The Cherry Orchard, Selwyn Ofori
All Graduate Theses, Dissertations, and Other Capstone Projects
This paper will serve as a thesis submitted in partial fulfilment of the Master of Fine Arts degree in Acting. It is a detailed account of Selwyn Ofori's artistic process in creating the role of Passerby and Stationmaster in Anton Chekhov's The Cherry Orchard staged at Ted Paul at Minnesota State University, Mankato in Spring 2026. This thesis entails the actor's analysis from pre-production till performance in five chapters, namely: pre-production analysis, historical and critical perspective, journals, post-production analysis, process development, and appendix. The sources of my research are also recorded in the works cited.
Creating The Role Of Aunt Eller In Oklahoma!, Phyllis Horridge
Creating The Role Of Aunt Eller In Oklahoma!, Phyllis Horridge
All Graduate Theses, Dissertations, and Other Capstone Projects
This document is a thesis submitted in partial fulfillment of the Master of Fine Arts degree in Theatre Arts with concentration in Musical Theatre. It is a detailed account of author Phyllis Horridge’s artistic process in creating the role of Aunt Eller in Minnesota State University, Mankato’s Fall 2025 production of Oklahoma! This thesis follows the actor’s process through pre-production analysis, an historical and critical perspective, journals detailing the rehearsal and performance process, a post-production analysis, and process development. Appendices and works cited follow the process development.
Gemstoning: Character Creation Exercise For The Classroom & Production, Abigail Dillard, Lucas Skjaret
Gemstoning: Character Creation Exercise For The Classroom & Production, Abigail Dillard, Lucas Skjaret
Communication and Theater Association of Minnesota Journal
In the summer of 2023, we participated in an online training course with the Stella Adler Studio of Acting titled Awareness Without Judgement: A Teacher Training Intensive. Over the weeks, we studied with three main teachers at the Studio on Character, Technique, and Script Interpretation with ‘master classes’ led by actors and scholars scattered over the weeks. The course is designed for theatre practitioners who want more in-depth experience and exposure to the more pedagogical side of acting and performance; in other words, for acting teachers who want to use the techniques of Stella Adler within their teaching. Given this …
Review Of Storytelling On Screen: An Online Playback Theatre Archive And Guidebook, Lucas Skjaret
Review Of Storytelling On Screen: An Online Playback Theatre Archive And Guidebook, Lucas Skjaret
Communication and Theater Association of Minnesota Journal
Review of Storytelling on Screen: An Online Playback Theatre Archive and Guidebook, https://vtechworks.lib.vt.edu/handle/10919/104420
Creating The Role Of Richard Iii For Richard Iii, Travis Grey Robertson
Creating The Role Of Richard Iii For Richard Iii, Travis Grey Robertson
All Graduate Theses, Dissertations, and Other Capstone Projects
This document is a thesis submitted in partial fulfillment of the Master of Fine Arts degree in Acting. It is a detailed account of author Grey Robertson’s artistic process in creating the role of Richard III in Minnesota State University, Mankato’s Fall 2022 production of Richard III. This thesis follows the actor’s process through pre-production analysis, an historical and critical perspective, journals detailing the rehearsal and performance process, a post-production analysis, and process development. Appendices and works cited follow the process development.
Languishing Without A Human Touch: Directing In The Next Room Or The Vibrator Play, Sarah Belfrage Honerman
Languishing Without A Human Touch: Directing In The Next Room Or The Vibrator Play, Sarah Belfrage Honerman
All Graduate Theses, Dissertations, and Other Capstone Projects
This document is a thesis submitted in partial fulfillment of the Masters of Fine Arts degree in Theatre Arts at Minnesota State University, Mankato. It is a detailed account of Sarah Belfrage Honerman’s directorial process for In The Next Room or the vibrator play by Sarah Ruhl. The play was produced in the Andreas Theatre and ran from September 21 to 24, 2022. The thesis outlines the director’s artistic process from pre-production through the performance in five chapters that include a early production analysis, an historical and critical perspective, a rehearsal and performance journal, a post-production analysis, and a process …
Production Stage Management For A Christmas Carol, Jenna Atherton
Production Stage Management For A Christmas Carol, Jenna Atherton
All Graduate Theses, Dissertations, and Other Capstone Projects
This thesis is submitted in partial fulfillment of a Master of Fine Arts degree in Theatre Arts: Production and Stage Management at Minnesota State University, Mankato. This thesis contains a detailed account of Jenna M. Atherton’s stage management process and research for A Christmas Carol. The thesis gives a chronological overview of the manager’s process in four chapters; a pre-production analysis, a historical and critical perspective, a journal detailing the process, and a post-production analysis. The fifth and final chapter provides the process development of the manager's career before and during her time in graduate school. Appendices feature technical paperwork, …
The Creation Of Choreography For Disney's High School Musical, John Greer
The Creation Of Choreography For Disney's High School Musical, John Greer
All Graduate Theses, Dissertations, and Other Capstone Projects
This document is a thesis submitted in partial fulfillment of the Master of Fine Arts degree in musical theatre. It is a detailed account of author John Greer’s artistic process of creating the choreography for Disney’s High School Musical as a part of Minnesota State University, Mankato’s mainstage theatre season in the fall of 2022. The thesis chronicles the choreographer’s artistic process from pre-production through performance in five chapters: a preproduction analysis, an historical and critical perspective, a rehearsal journal, a post-production analysis and a process development analysis. Appendices and works cited are included.
Full Volume, Nfa Journal
Front Matter, Nfa Journal
Rehearsing With Imagined Interactions Theory: Exploring Imagined Interactions As Framework For Ensemble And Solo Performance Rehearsals, Joshua Hamzehee
Rehearsing With Imagined Interactions Theory: Exploring Imagined Interactions As Framework For Ensemble And Solo Performance Rehearsals, Joshua Hamzehee
National Forensic Journal
How should I practice is a common question that comes up while teaching performance and public speaking classes, when directing and performing in productions, and when coaching and competing for forensics squads. This essay provides a rationale for fusing Honeycutt’s imagined interactions theory (2003) with performance rehearsal processes, employing research guiding retroactive and proactive imagined interactions as a template to frame rehearsals that have the purpose of future actor ó spectator engagement. I use my experiences applying imagined interactions to an ensemble performance rehearsal and during a solo performance rehearsal to show the usefulness, limitations, and potentials of this methodological …
An Experiment Testing The Influence Of Oral Interpretation On Entertainment And Persuasion, Shane Semmler, Megan Swets, Bailey Quanbeck, Blake Warner
An Experiment Testing The Influence Of Oral Interpretation On Entertainment And Persuasion, Shane Semmler, Megan Swets, Bailey Quanbeck, Blake Warner
National Forensic Journal
A post-test only experimental design evaluated the empirical influence of three 2016 National Forensic Association final round oral interpretation performances (two Dramatic Interpretations and one Prose Interpretation) on entertainment (parasocial interaction, identification, and narrative transportation); the capacity of entertainment to elicit enjoyment; and the capacity of entertainment to elicit persuasion (i.e., changes to attitude valence and attitude importance) through the mediating process of reduced counterarguing against subjective interpretations of arguments in the oral interpretation performances. The influence of oral interpretation on entertainment, enjoyment, counterarguing, and persuasion was substantially similar to that found in the larger body of empirical scholarship investigating …
Resisting And Persisting Through Organizational Exit: An Autoethnographic Exploration Of Disclosing Sexual Harassment In Collegiate Debate, M. A., Tennley A. Vik
Resisting And Persisting Through Organizational Exit: An Autoethnographic Exploration Of Disclosing Sexual Harassment In Collegiate Debate, M. A., Tennley A. Vik
National Forensic Journal
Collegiate debate has documented extensive problems with sexual harassment. This manuscript uses the first author’s layered account of sexual harassment experienced as a collegiate debater, her transition to a different university, and the management of private information with her family. Communication Privacy Management (CPM) theory and a plethora of studies provide a theoretical lens of the first author’s autoethnographic experience. We advance CPM theory by examining how young adult children manage their privacy through constructing more rigid privacy boundaries than their adolescent counterparts and provide the first look at how disclosure can both enable and constrain victims/survivors of sexual harassment, …
"The Most Beautiful Thing In The World": A Rhetorical Analysis Of Relational Dialectics And Friendship In The Musical Kinky Boots, Adam Clayton Moyer, Valerie Lynn Schrader
"The Most Beautiful Thing In The World": A Rhetorical Analysis Of Relational Dialectics And Friendship In The Musical Kinky Boots, Adam Clayton Moyer, Valerie Lynn Schrader
Communication and Theater Association of Minnesota Journal
In this article, we examine Kinky Boots, a musical that won the Tony Award for Best Musical in 2013 and continues to win over audiences with its positive message about acceptance, as a rhetorical text through William K. Rawlins’ theoretical construct of relational dialectics regarding friendship. Through rhetorical criticism as a research method, we apply Rawlins’ concepts of political and personal friendships, as well as the dialectics of affection and instrumentality, expressiveness and protectiveness, judgment and acceptance, and the ideal and the real to examine notable relationships between characters in the musical. Specifically, we examine the relationships between Charlie and …
Painted Nails: The Gender(Ed) Performance Of Queer Sexuality, Justin Rudnick
Painted Nails: The Gender(Ed) Performance Of Queer Sexuality, Justin Rudnick
Communication Studies Department Publications
In this essay, I interrogate my own experiences performing my queer identity through my painted nails. I attest to the ways queer bodies might performatively challenge and/or reinforce rigid norms of sexuality through mundane performances of (gendered) identity. To accomplish this, I engage in an autoethnographic exploration of queer performativity. I recount and analyze a series of anecdotes that illustrate how performances of queer identity in everyday life are accomplished—and policed—in mundane situations. In turn, I reflexively investigate the ways in which these performances situate me within a nexus of aesthetic, embodied, and ethical social interaction and performative resistance. I …
The Times, They Were A-Changin': Exploring The Interstate Oratorical Contests Of The 1960s, R. Randolph Richardson, Kathy Brittain Richardson
The Times, They Were A-Changin': Exploring The Interstate Oratorical Contests Of The 1960s, R. Randolph Richardson, Kathy Brittain Richardson
National Forensic Journal
Since 1874, a handful of American college classrooms have hosted generations of students practicing the art of oratory. Throughout the intervening decades, students involved in the Interstate Oratory Contest have, to varying degrees, addressed the compelling social, political, economic and educational issues of their time. When one considers the shifting socio-political landscape of the 1960s, this decade seems a far cry from the rhetorical contexts that gave rise to speeches for the previous nine decades. Did stock issues give way to Woodstock issues? An analysis of the Interstate Oratory winning orations from the 1960s raises numerous questions. To what extent …
Volume 37 - Front Matter, Nfa Journal
1970-1979: Investigating The Interstate Oratorical Contest During The "Me Decade", Karen Morris
1970-1979: Investigating The Interstate Oratorical Contest During The "Me Decade", Karen Morris
National Forensic Journal
The decade of the 1970s further entrenched the socially progressive values that came to the U.S. cultural forefront in the 1960s. Investing in such activities as the Women's Movement and Vietnam War protests, college students became increasingly vocal about social issues. Those speaking up on such topics included the interstate orators who crafted the IOC speeches of the 1970s. In order to analyze the speeches presented at the Interstate Oratorical Contest between 1970 and 1979, the first part of this paper will explore how this socially important historical time period influenced the speeches themselves. The second section will address the …
What We Value: Trends In Value Appeals Of Interstate Oratory Contest Final Round Speeches, Carson Kay, Eric Mishne
What We Value: Trends In Value Appeals Of Interstate Oratory Contest Final Round Speeches, Carson Kay, Eric Mishne
National Forensic Journal
Value appeals are crucial to persuasion. However, we wonder if forensic educators prioritize certain values. This content analysis examines the value appeals in the introductions of the three highest-placing persuasive speeches (N = 56) from the 1996-2016 Interstate Oratory Contests. Our two-decade comparison reveals that the diversity of values to which the finalists appealed decreased in the last decade. Drawing upon the Interstate Oratorical Association's historical context, Rokeach's (1973) value appeals, and Social Judgment Theory, we explain this trend and explore practical implications regarding exclusivity and judge bias, as well as methodological implications for future content analyses of value appeals.
1940 - 1949: Understanding The Interstate Oratorical Contest During And After World War Ii, Richard E. Paine
1940 - 1949: Understanding The Interstate Oratorical Contest During And After World War Ii, Richard E. Paine
National Forensic Journal
The 1940s began shortly after the first salvos of World War II were fired. That war dominated the decade-for millions of lives touched or ended by the war, for those faced with the task of rebuilding when it ended, and even for the Interstate Oratorical Association. This paper examines the impact of the decade on the speeches presented at IOC and looks at patterns which appeared in the topics chosen, structures used, styles employed, and choice of supporting materials on which speakers relied. Attention is also paid to such logistical aspects of the contest as the tournament's continuing use of …
1990 - 1999: Examining How The Interstate Oratorical Contest Closed Out The 1900s, Judy Santacaterina, Harry Bodell, Jessica Bozeman
1990 - 1999: Examining How The Interstate Oratorical Contest Closed Out The 1900s, Judy Santacaterina, Harry Bodell, Jessica Bozeman
National Forensic Journal
This paper examines the top six speeches presented each year during the 1990s at the Interstate Oratorical Contest. Our purpose is to explore how these speeches reflected the political, social, economic and cultural climate of the time as well as the changes our discipline was experiencing in the final decade of the millennium.
Volume 37 - Editor's Note, Richard E. Paine, Emily M. Cramer
Volume 37 - Editor's Note, Richard E. Paine, Emily M. Cramer
National Forensic Journal
No abstract provided.
The Inter-State Oratorical Contest In The 1800s: The Beginning Of Organized Collegiate Competitive Speaking, Lisa Roth
National Forensic Journal
The purpose of this article is to explore the beginnings of the Inter-State Oratorical Contest (IOC) and the Inter-State Oratorical Association (IOA) and to examine the characteristics of the Inter-State Oratorical speeches from 1874 to 1899. Through an analysis of the top two speeches from each of these years in regard to topic, evidence, organization, style, and delivery, I identify trends and strategies which appeared in competitive collegiate persuasive speaking in the late 1800s.
Directing Nocturne, Trevor Belt
Directing Nocturne, Trevor Belt
All Graduate Theses, Dissertations, and Other Capstone Projects
This document is a thesis submitted in partial fulfillment of the Master of Fine Arts degree in Directing. It is a detailed account of author Trevor Belt’s artistic process in directing Nocturne as a part of Minnesota State University, Mankato’s studio theatre season in the fall of 2019. The thesis chronicles the director’s artistic process from pre-production through performances in five chapters: a preproduction analysis, an historical and critical perspective, a rehearsal and performance journal, a post-production analysis and a process development analysis. Appendices and works cited are included.
Volume 37 - Full Volume, Nfa Journal
Impact By Intention: An Argument For Forensics As A High-Impact Practice, Vincent L. Stephens
Impact By Intention: An Argument For Forensics As A High-Impact Practice, Vincent L. Stephens
National Forensic Journal
This essay locates forensics within national discourse about high-impact practices (HIPs) in higher education, as outlined by scholar George D. Kuh. Forensics shares all the characteristics associated with the ten promising practices Kuh (2008) outlined initially. Though Kuh's original overview and expanded list of practices (Kuh, 2016) serve as reference points for addressing HIPs, forensics has not been recognized as a HIP. The essay argues that framing forensics as a HIP could enrich advocacy efforts to start and/or sustain current forensics programs. The article connects the fiscal climate with the assessment paradigm, examines the ways forensics adheres to Kuh's definition, …
Editor's Note, Richard E. Paine, Emily M. Cramer
Editor's Note, Richard E. Paine, Emily M. Cramer
National Forensic Journal
No abstract provided.