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Articles 1 - 17 of 17
Full-Text Articles in Performance Studies
December 2004 - Volume Iv, Number 1, Theatre Arts Department
December 2004 - Volume Iv, Number 1, Theatre Arts Department
Sides (Newsletter)
SIDES Volume IV Number 1 includes an article welcoming new faculty Allison Cameron, and a piece on the Liz Marfia and Phil Ash wedding on October 10, 2004, attending by 26 Theatre Arts alumni.
The Cutting Edge, November/December 2004, Vol. 14 Issue 6, The Society Of American Fight Directors
The Cutting Edge, November/December 2004, Vol. 14 Issue 6, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
The Cutting Edge, September/October 2004, Vol. 14 Issue 5, The Society Of American Fight Directors
The Cutting Edge, September/October 2004, Vol. 14 Issue 5, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
The Cutting Edge, July/August 2004, Vol. 14 Issue 4, The Society Of American Fight Directors
The Cutting Edge, July/August 2004, Vol. 14 Issue 4, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
The Fight Master, Spring/Summer 2004, Vol. 27 Issue 1, The Society Of American Fight Directors
The Fight Master, Spring/Summer 2004, Vol. 27 Issue 1, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
June 2004 - Volume Iii, Number 2, Theatre Arts Department
June 2004 - Volume Iii, Number 2, Theatre Arts Department
Sides (Newsletter)
SIDES Volume III Number 2 includes a welcome to new faculty Chris Mitchell and a "Where Are They Now?" section.
The Cutting Edge, May/June 2004, Vol. 14 Issue 3, The Society Of American Fight Directors
The Cutting Edge, May/June 2004, Vol. 14 Issue 3, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
The Cutting Edge, March/April 2004, Vol. 14 Issue 2, The Society Of American Fight Directors
The Cutting Edge, March/April 2004, Vol. 14 Issue 2, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
The Cutting Edge, January/February 2004, Vol. 14 Issue 1, The Society Of American Fight Directors
The Cutting Edge, January/February 2004, Vol. 14 Issue 1, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
Laughing Together : Community Based Theatre's Vital Sense Of Humour, Mary Moynihan, Paul Kennedy
Laughing Together : Community Based Theatre's Vital Sense Of Humour, Mary Moynihan, Paul Kennedy
Books/Book Chapters
No abstract provided.
Moulinet: An Action Quarterly, Volume 5, Issue 2, Moulinet Staff
Moulinet: An Action Quarterly, Volume 5, Issue 2, Moulinet Staff
Moulinet: An Action Quarterly
No abstract provided.
Moulinet: An Action Quarterly, Volume 5, Issue 1, Moulinet Staff
Moulinet: An Action Quarterly, Volume 5, Issue 1, Moulinet Staff
Moulinet: An Action Quarterly
No abstract provided.
Moulinet: An Action Quarterly, Volume 5, Issue 3, Moulinet Staff
Moulinet: An Action Quarterly, Volume 5, Issue 3, Moulinet Staff
Moulinet: An Action Quarterly
No abstract provided.
The Fight Master, Fall/Winter 2004, Vol. 27 Issue 2, The Society Of American Fight Directors
The Fight Master, Fall/Winter 2004, Vol. 27 Issue 2, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
Rules, Regulations, And The Reich: Comedy Under The Auspices Of The Propaganda Ministry, William Grange
Rules, Regulations, And The Reich: Comedy Under The Auspices Of The Propaganda Ministry, William Grange
Johnny Carson School of Theatre and Film: Faculty Publications and Creative Activity
When the National Socialist regime assumed power in Germany on January 30, 1933, it set about immediately to formulate regulations, edicts, and policies for a "renewal" of the German theatre. Adolf Hitler had an interest of long standing in the theatre, and Nazi strategies for controlling, supporting, and re-generating the theatre went into effect over a period of about eighteen months. On September 22, 1933 Hitler's cabinet passed the Reich Cultural Chamber Law (Reichskulturkammergesetz), giving Propaganda Minister Joseph Goebbels charge of an organization the new Law created, the Reich Cultural Chamber. The legislation stipulated seven individual chambers subsumed …
Taming 10 Things I Hate About You: Shakespeare And The Teenage Film Audience, L Monique Pittman
Taming 10 Things I Hate About You: Shakespeare And The Teenage Film Audience, L Monique Pittman
Faculty Publications
When I first paired William Shakespeare’s The Taming of the Shrew with Gil Junger’s film adaptation 10 Things I Hate About You (1999), my students’ responses to the juxtaposed works of art revealed a number of fascinating and deeply-rooted ideological conflicts. While more than willing to dissect the gender trouble readily observable in Shakespeare’s sixteenth-century play, my students resisted steadily any serious critique of the recent film version. The varied responses of my students coupled with their almost uniform approbation of the film and censure of the play prompt questions that lead the critic to speculation on the nature of …
Dins La Nostra Memòria, Sharon G. Feldman
Dins La Nostra Memòria, Sharon G. Feldman
Latin American, Latino and Iberian Studies Faculty Publications
L'àmbit espacial de la cultura catalana configura un paisatge fluid i dinàmic, un espai simbòlic d'emoció, percepció i subjectivitat. De la mateixa manera, Barcelona ha sorgit i ressorgit al llarg d'aquest segle i del passat com un espai transcultural fluid de migracions. En una ciutat en què en l'actualitat almenys el 12% de la població prové de fora de les fronteres espanyoles, tot faria pensar que els dramaturgs catalans se senten ara especialmente inclinats a considerar l’espai del pluralisme cultural que és per a'ells «casa seva». Tanmateix, al teatre el procés d'autoreconeixement i el desig d'autoconscienciació es complex. Referintse al …