Performance Studies Commons^™

Pamela On Directing Three The Hard Way: An Exploration Of Theatrical And Communicative Processes., Pamela S. Adolphi

Electronic Theses and Dissertations

The direction of the play Three the Hard Way by Linda Eisenstein achieved the playwright's intent and the super objective of the play. The application of theatrical and communicative processes facilitated the direction of the desired metacommunicatations associated with the family's dynamics by expressing the struggles and perceptions associated with the family and their relationships. The implementation of the director's prompt book illustrates the use of proxemics in creating picturizations for the stage. In addition, the exploration of the directing process and the progression of the production are examined in daily journal entries. The successes of the directorial approach and …

December 2007 - Volume Vii, Number 1, Theatre Arts Department

Sides (Newsletter)

SIDES Volume VII Number 1 includes articles on the new Doudna Fine Arts Center and also an obituary of Ernest Glendon Gabbard.

The Cutting Edge, November/December 2007, Vol. 17 Issue 6, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

«American Awakenings» Dos Nous Musicals, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

A Nova York, la temporada teatral 2006-2007 ha estat marcada per la presència de dos nous musicals que han tingut un gran èxit de públic i que han rebut diversos premis i distincions: Grey Gardens (música de Scott Frankel, llibret de Doug Wright i lletres de Michael Korie), basat en el documental epònim d’Albert i David Maysles, de 1975; i Spring awakening (música de Duncan Sheik, llibret i lletres de Steven Sater), basat en una obra de teatre de Franz Wedekind de 1891. La premsa ha elogiat a bastament aquestes dues produccions, que han estat considerades les «estrelles» de la …

The Cutting Edge, September/October 2007, Vol. 17 Issue 5, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

Madre Patria (Mother Country): Latino Identity And Rejections Of Blackness, Marta I. Cruz-Janzen

Trotter Review

When I was in third grade, in Puerto Rico, I wanted to be the Virgin Mary for the community Christmas celebration. A teacher promptly informed me that the mother of Christ could not be black. A girl with blonde hair and blue eyes was selected for the role, and I was given the role of a shepherd. In middle school, also in Puerto Rico, I played a house servant for a school play. Only children of black heritage played the slaves and servants. A white student with a painted face portrayed the only significant black character. All the other characters …

The Cutting Edge, July/August 2007, Vol. 17 Issue 4, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

The Fight Master, Spring/Summer 2007, Vol. 30 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

June 2007 - Volume Vi, Number 2, Theatre Arts Department

Sides (Newsletter)

SIDES Volume VI Number 2 includes a letter from former Chair John Oertling and a "Where Are They Now?" section.

The Cutting Edge, May/June 2007, Vol. 17 Issue 3, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

No Sleep 'Til Minsky's: A One-Man Tribute To Burlesque And Vaudeville., Carl Glenwood Williams

Electronic Theses and Dissertations

No Sleep '˜Til Minsky's is a one-man show paying tribute to early 20th century variety entertainment. The writing process began with research into the forms of vaudeville and burlesque, including films of period acts, study of autobiographies and biographies of burlesque performers, and study of historical scripts performed in the time period and stored at the Library of Congress.

The format of the show consists of a one-hour core script in which Lou Drake speaks of his life and career in burlesque. In addition to the core script, the structure is designed to allow more actors to participate in staging …

Inspired Women: Changing The Face Of The Film Industry, Allison Mcmanus

Renée Crown University Honors Thesis Projects - All

The Honors Capstone project I created explores the inequalities women face in a predominantly male film industry. The focus was on how gender identity permeated their own artwork, their inspiration and drive, and the need for female voices to be heard.

The documentary was filmed in New York City, Los Angeles, and Syracuse. It was shot on Mini-DV and edited using Final Cut Pro. The film includes both interviews with female film professionals and students juxtaposed with my own life experiences.

The project was a journey of discovery, understanding, and inspiration. The film chiefly illustrates how collaboration, respect and assistance …

The Cutting Edge, March/April 2007, Vol. 17 Issue 2, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

Female Agency And Oppression In Caribbean Bacchanalian Culture: Soca, Carnival, And Dancehall, Kevin Frank

Publications and Research

In this essay Kevin Frank discerningly analyzes agency and gender in public sexual performances emanating out of what Paul Gilroy identifies as part of the compensatory politics of the subordinated within Black Atlantic culture, Jamaican dancehall (dancehall reggae/ dancehall queens).

Spectator To Actor To Multiplier: Edisca’S Humanizing Methodology, Hannah Mcdowell

Independent Study Project (ISP) Collection

Augusto Boal, a Brazilian theater theorist and practitioner, transferred the means of production of theater to the oppressed. The oppressed, formally passive spectators filled by the elites’ images of the world, became liberated participants in the creation of dramatic action. Through “people’s theater,” Boal encouraged participants to critically analyze their relationships with the world and in the world through onstage action. EDISCA (Escola de Dança e Integração Social para Criança e Adolescente [School of Dance and Social Integration for Children and Adolescents]), located in Fortaleza, Brazil, introduces artistic languages to children and adolescents from socio-economically disadvantaged backgrounds. The youth then …

The Cutting Edge, January/February 2007, Vol. 17 Issue 1, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

Guillermo Gómez-Peña's "Tekno Poética" Web Verse, Lost And Found In A Webspora, Angélica Huízar

World Languages and Cultures Faculty Publications

For an author who likes to cross borders Guillermo Gómez-Peña (1955) has certainly reached audiences in both the U.S. and Mexican artistic, literary, theoretical, and political arenas. Now, with the advent of more technological mediums such as the Internet, the borderless artist makes use of the global fetish that, in theory, reaches a global community. As a prelude to his performances, workshops, conferences and lectures, Gómez-Peña’s collaborative webiste engages his readers in video-poetic selections, and hypertext poetic medley with topics that are sure to catch their interest with poems such as "Apocalypse," "Sexo," "Militias," and the video-poems "Apocalypse" and "Califas." …

The Fight Master, Fall/Winter 2007, Vol. 30 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

Els Paisatges Europeus De Carles Batlle, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

A l'escena final d'Oasi (2001) de Carles Batlle, en un moment que conjura, curiosament, reminiscències de L'hort dels cirerers d'Anton Txékhov, el personatge d'Abdal·là, un vell home àrab, roman a l'interior de la casa (situada a Ia Catalunya rural) que és a punt de desaparèixer sota les aigües d'un nou pantà. Abdal·là se serveix un got de vi, un gest més europeu que àrab, mentre descriu el joc del guetan. El joc, una invenció de l'autor i de lleugera semblança al joc dels escacs, és una al·legoria dels encreuaments transnacionals, des del sud cap al nord i des del nord …