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Articles 1441 - 1470 of 1645

Full-Text Articles in Performance Studies

Contributors: Vol 16 No. 1, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Mar 1993

Contributors: Vol 16 No. 1, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Contributors list of Vol. 16 (1993): Pacific Studies Full Issue 1


Ua1f Wku Archives Vertical File - Dinner Theater, Wku Archives Jan 1993

Ua1f Wku Archives Vertical File - Dinner Theater, Wku Archives

WKU Administration Documents

Digitized vertical file materials regarding WKU Theatre & Dance dinner theater program.


The Cutting Edge, January/February 1993, Vol. 4 Issue 1, The Society Of American Fight Directors Jan 1993

The Cutting Edge, January/February 1993, Vol. 4 Issue 1, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.


“It’S The Same Old Song But With A Different Meaning”: Community And Ethnicity In Sikaiana Expressive Culture, William W. Donner Dec 1992

“It’S The Same Old Song But With A Different Meaning”: Community And Ethnicity In Sikaiana Expressive Culture, William W. Donner

Pacific Studies

No abstract provided.


The Theater Of Politics: Contrasting Types Of Performance In Melanesia, Dorothy K. Billings Dec 1992

The Theater Of Politics: Contrasting Types Of Performance In Melanesia, Dorothy K. Billings

Pacific Studies

No abstract provided.


Epilogue: States Of The Arts, Adrienne L. Kaeppler Dec 1992

Epilogue: States Of The Arts, Adrienne L. Kaeppler

Pacific Studies

No abstract provided.


Dancing Defiance: The Politics Of Pohnpeian Dance Performances, Glenn Petersen Dec 1992

Dancing Defiance: The Politics Of Pohnpeian Dance Performances, Glenn Petersen

Pacific Studies

No abstract provided.


Celebrations Of Government: Dance Performance And Legitimacy In The Federated States Of Micronesia, Eve C. Pinsker Dec 1992

Celebrations Of Government: Dance Performance And Legitimacy In The Federated States Of Micronesia, Eve C. Pinsker

Pacific Studies

No abstract provided.


Pulapese Dance: Asserting Identity And Tradition In Modern Contexts, Juliana Flinn Dec 1992

Pulapese Dance: Asserting Identity And Tradition In Modern Contexts, Juliana Flinn

Pacific Studies

No abstract provided.


Politicization Of La Culture Ma‘Ohi: The Creation Of A Tahitian Cultural Identity, Karen Stevenson Dec 1992

Politicization Of La Culture Ma‘Ohi: The Creation Of A Tahitian Cultural Identity, Karen Stevenson

Pacific Studies

No abstract provided.


Heteroglossia In Samoan Oratory, Alessandro Duranti Dec 1992

Heteroglossia In Samoan Oratory, Alessandro Duranti

Pacific Studies

No abstract provided.


The Monster (A Fantasy): A One-Act Play, With An Interview With The Playwright, Vilsoni Hereniko Dec 1992

The Monster (A Fantasy): A One-Act Play, With An Interview With The Playwright, Vilsoni Hereniko

Pacific Studies

No abstract provided.


Comic Theater In Samoa As Indigenous Media, Caroline Sinavaiana Dec 1992

Comic Theater In Samoa As Indigenous Media, Caroline Sinavaiana

Pacific Studies

No abstract provided.


The Cutting Edge, November/December 1992, Vol. 3 Issue 6, The Society Of American Fight Directors Nov 1992

The Cutting Edge, November/December 1992, Vol. 3 Issue 6, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.


The Fight Master, Fall 1992, Vol. 15 Issue 2, The Society Of American Fight Directors Oct 1992

The Fight Master, Fall 1992, Vol. 15 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.


The Cutting Edge, September/October 1992, Vol. 3 Issue 5, The Society Of American Fight Directors Sep 1992

The Cutting Edge, September/October 1992, Vol. 3 Issue 5, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.


The Cutting Edge, July/August 1992, Vol. 3 Issue 4, The Society Of American Fight Directors Jul 1992

The Cutting Edge, July/August 1992, Vol. 3 Issue 4, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.


The Cutting Edge, May/June 1992, Vol. 3 Issue 3, The Society Of American Fight Directors May 1992

The Cutting Edge, May/June 1992, Vol. 3 Issue 3, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.


Musical Quotation In The Music Of George Crumb, Richard M. Dowell May 1992

Musical Quotation In The Music Of George Crumb, Richard M. Dowell

All-Inclusive List of Electronic Theses and Dissertations

This study investigates American composer George Crumb's employment of musical quotation in his works from 1962 to 1985. The thesis also contains a brief biography of the composer and overviews of his major compositional style traits and his musical influences. Because Crumb often quotes from the same composers and musics that have influenced his musical style, the subject musical influences is related to the main thesis, musical quotation. Also, Crumb sometimes borrows a specific gesture from another composer's work without actually quoting it--that is making significant note and/or rhythm alterations; this type of borrowing is described by Crumb as a …


The Fight Master, Spring 1992, Vol. 15 Issue 1, The Society Of American Fight Directors Apr 1992

The Fight Master, Spring 1992, Vol. 15 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.


The Cutting Edge, March/April 1992, Vol. 3 Issue 2, The Society Of American Fight Directors Mar 1992

The Cutting Edge, March/April 1992, Vol. 3 Issue 2, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.


Tabou, Agnieszka Taborska, Julie Strandberg, Vivienne Cho, Jennifer Delventhal, Yvonne Roe, Yutaka Sho, Tamira Estes, Rosanna Garcia, Mariví González, Diana Brozek, Stephanie Hall, Jennifer Hayward, Dawn Marie, Michelle Regan, James O. Barnhill, Nonie Close, David Duvall, Jay Haon, Christopher Schaie, Michael Weiss, Jeff Southard, Candice Goldfarb, Charity Macdonald, Jennifer Delvanthal, Sylvie Toux, Gabriel Albarelo, Erika Munro, Aaron Abroff, Jay Haon, Olexa, Ian Smith, Ming Gale Feb 1992

Tabou, Agnieszka Taborska, Julie Strandberg, Vivienne Cho, Jennifer Delventhal, Yvonne Roe, Yutaka Sho, Tamira Estes, Rosanna Garcia, Mariví González, Diana Brozek, Stephanie Hall, Jennifer Hayward, Dawn Marie, Michelle Regan, James O. Barnhill, Nonie Close, David Duvall, Jay Haon, Christopher Schaie, Michael Weiss, Jeff Southard, Candice Goldfarb, Charity Macdonald, Jennifer Delvanthal, Sylvie Toux, Gabriel Albarelo, Erika Munro, Aaron Abroff, Jay Haon, Olexa, Ian Smith, Ming Gale

Programs

Program for the fifth annual RISD Cabaret held in the Waterman Building. Design and layout by Nonie Close. View the Performance Recording.


The Cutting Edge, January/February 1992, Vol. 3 Issue 1, The Society Of American Fight Directors Jan 1992

The Cutting Edge, January/February 1992, Vol. 3 Issue 1, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.


The Cutting Edge, November/December 1991, Vol. 2 Issue 6, The Society Of American Fight Directors Nov 1991

The Cutting Edge, November/December 1991, Vol. 2 Issue 6, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.


The Fight Master, Fall 1991, Vol. 14 Issue 2, The Society Of American Fight Directors Oct 1991

The Fight Master, Fall 1991, Vol. 14 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.


Perlimplín: Lorca's Drama About Theatre, Sharon G. Feldman Oct 1991

Perlimplín: Lorca's Drama About Theatre, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

The contemplation of a theatrical work as a type of semiotizing machine which generates a network of signification systems, implies, a priori, the task of specifying the boundaries which define the object of analysis. Hence the dichotomy of text and performance has long been recognized as uniquely inherent in the theatre genre and, therefore, a logical preoccupation of the theatre semiotician. As indicated by contemporary theoretical work (such as that of Patrice Pavis and Anne Ubersfeld), it would appear that the role of the spectator in the reception of a performance is finally coming into view as an essential aspect …


The Cutting Edge, September/October 1991, Vol. 2 Issue 5, The Society Of American Fight Directors Sep 1991

The Cutting Edge, September/October 1991, Vol. 2 Issue 5, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.


The Cutting Edge, July/August 1991, Vol. 2 Issue 4, The Society Of American Fight Directors Aug 1991

The Cutting Edge, July/August 1991, Vol. 2 Issue 4, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.


The Cutting Edge, May/June 1991, Vol. 2 Issue 3, The Society Of American Fight Directors May 1991

The Cutting Edge, May/June 1991, Vol. 2 Issue 3, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.


The Fight Master, Spring 1991, Vol. 14 Issue 1, The Society Of American Fight Directors Apr 1991

The Fight Master, Spring 1991, Vol. 14 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.