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Articles 1411 - 1440 of 1645
Full-Text Articles in Performance Studies
The Cutting Edge, May/June 1995, Vol. 6 Issue 3, The Society Of American Fight Directors
The Cutting Edge, May/June 1995, Vol. 6 Issue 3, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
The Fight Master, Spring 1995, Vol. 18 Issue 1, The Society Of American Fight Directors
The Fight Master, Spring 1995, Vol. 18 Issue 1, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
The Cutting Edge, March/April 1995, Vol. 6 Issue 2, The Society Of American Fight Directors
The Cutting Edge, March/April 1995, Vol. 6 Issue 2, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
Hoppla! Here Comes Grosz, Agnieszka Taborska, Szymon Bojko, Marc Cannon, Denise Emerson, Aurora Gist-Yochum, Alex Hart, Arthur Jones, Laleh Khorramian, Scott King, Maki Koto, Sarah Kreiger, Ricahrd Lloyd, Luciana Mallozzi, Michael Mckenna, Pilar Newton, Heidi Sawyer, Jasmine Winkler, Sue Yoo, Heather Henson, David Medina, Doug Kim, Tara Markus, Hugh Watson, Yoon Cho, Yu-Kyung Chung, Arthur Jones, Polly Spencer
Hoppla! Here Comes Grosz, Agnieszka Taborska, Szymon Bojko, Marc Cannon, Denise Emerson, Aurora Gist-Yochum, Alex Hart, Arthur Jones, Laleh Khorramian, Scott King, Maki Koto, Sarah Kreiger, Ricahrd Lloyd, Luciana Mallozzi, Michael Mckenna, Pilar Newton, Heidi Sawyer, Jasmine Winkler, Sue Yoo, Heather Henson, David Medina, Doug Kim, Tara Markus, Hugh Watson, Yoon Cho, Yu-Kyung Chung, Arthur Jones, Polly Spencer
Programs
Program for the eighth annual RISD Cabaret held in Cellar at the top of the Waterman Building. Publicity, posters, cartoons and program designed by Yoon Cho, Yu-Kyung Chung,Arther Jones, Scott King, Richard Lloyd and Polly Spencer. View the Performance Recording.
Sternheim's Burger Schippel And The Theatre Scene In Cologne, William Grange
Sternheim's Burger Schippel And The Theatre Scene In Cologne, William Grange
Johnny Carson School of Theatre and Film: Faculty Publications and Creative Activity
Cologne has for centuries been one of the most important cities in Europe; wealth and comfort are nothing new here. Yet unlike other German cities with perhaps an equal amount of prosperity it has never had a theatre history to match its stature as a major metropolitan center on the Continent. It has indeed had a troublesome and complicated relationship with theatre despite the fact that it is the fourth largest city in Germany (after Berlin, Hamburg, and Munich).
Horváth's Glaube Liebe Hoffnung And The Current Scene In Dresden, William Grange
Horváth's Glaube Liebe Hoffnung And The Current Scene In Dresden, William Grange
Johnny Carson School of Theatre and Film: Faculty Publications and Creative Activity
While the venerable Dresden Schauspielhaus, built in 1910, is undergoing renovation (the process was begun in August of 1993 and is scheduled for completion next summer), the Staatschauspiel Dresden is located in numerous venues throughout the city. They include the Kleines Haus in der Neustadt, a former recital hall on the north bank of the Elbe; a small space in a former recital hall on the north bank of the Elbe; a small space in a former automotive factory; a small chapel in the restored Dresden Castle; and a tent near the present Schauspielhaus. The tent is called the "Kuppeltheater" …
The Cutting Edge, November/December 1994, Vol. 5 Issue 5, The Society Of American Fight Directors
The Cutting Edge, November/December 1994, Vol. 5 Issue 5, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
Group Therapy: A Play, Eleanor L. Earl
Group Therapy: A Play, Eleanor L. Earl
Institute for the Humanities Theses
Group Therapy is a modem drama set in Portsmouth, Virginia, a small Naval town which is part of a larger area called Hampton Roads. Hampton Roads is best known for its Naval shipyards, Naval bases, and historic landmarks. The year is 1994.
The play focuses on interpersonal communication in a setting that serves as a surrogate family. In the play, seven men and women from varied walks of life come together and share their most intimate joys and sorrows in group therapy. Together, with the assistance of a dedicated psychologist, they struggle to confront and overcome depression and anxiety.
The Cutting Edge, September/October 1994, Vol. 5 Issue 4, The Society Of American Fight Directors
The Cutting Edge, September/October 1994, Vol. 5 Issue 4, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
Karen Stevenson's Review Of Greg Dening's Mr Bligh’S Bad Language: Passion, Power, And Theatre On The “Bounty”, Karen Stevenson
Karen Stevenson's Review Of Greg Dening's Mr Bligh’S Bad Language: Passion, Power, And Theatre On The “Bounty”, Karen Stevenson
Pacific Studies
No abstract provided.
Vol. 17 No. 3 (1994): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 17 No. 3 (1994): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Vol. 17 No. 3 (1994): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 17 No. 3 (1994): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Contributors: Vol 17 No. 3, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Contributors: Vol 17 No. 3, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Contributors list of Vol. 17 (1994): Pacific Studies Full Issue 3
Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Book Listing for the Vol 17, No 3 Edition of the Pacific Studies Journal
The Cutting Edge, July/August 1994, Vol. 4 Issue 4, The Society Of American Fight Directors
The Cutting Edge, July/August 1994, Vol. 4 Issue 4, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
The Fight Master, Spring/Summer 1994, Vol. 17 Issue 1, The Society Of American Fight Directors
The Fight Master, Spring/Summer 1994, Vol. 17 Issue 1, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
Richard Feinberg's Review Of William E. Mitchell's Clowning As Critical Practice: Performance Humor In The South Pacific, Richard Feinberg
Richard Feinberg's Review Of William E. Mitchell's Clowning As Critical Practice: Performance Humor In The South Pacific, Richard Feinberg
Pacific Studies
No abstract provided.
The Cutting Edge, May/June 1994, Vol. 5 Issue 3, The Society Of American Fight Directors
The Cutting Edge, May/June 1994, Vol. 5 Issue 3, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
The Cutting Edge, March/April 1994, Vol. 5 Issue 2, The Society Of American Fight Directors
The Cutting Edge, March/April 1994, Vol. 5 Issue 2, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
The Life And Times Of Joseph Beuys, Agnieszka Taborska, Marcin Gizycki, Mark Snyder, Margaret Lewis, Julie Strandberg, Maki Koto, Yvonne Roe, Sven Armster, Ting-Ting Lee, Luciana Mallozzi, Lucinda Wolf, Christine Pellicano, James Bewley, Leah Smith, Matthew Saam, Dawn Marie Caulfield, Ellen Godena, Catherine Warner, Roy Fabian, Shirly Whong, Scott King, Megan Mclarney, Lucinda Wolfe, Andrew Feder
The Life And Times Of Joseph Beuys, Agnieszka Taborska, Marcin Gizycki, Mark Snyder, Margaret Lewis, Julie Strandberg, Maki Koto, Yvonne Roe, Sven Armster, Ting-Ting Lee, Luciana Mallozzi, Lucinda Wolf, Christine Pellicano, James Bewley, Leah Smith, Matthew Saam, Dawn Marie Caulfield, Ellen Godena, Catherine Warner, Roy Fabian, Shirly Whong, Scott King, Megan Mclarney, Lucinda Wolfe, Andrew Feder
Programs
Program for the seventh annual RISD Cabaret held in the Waterman Building. Graphic design: Mark Snyder; program editor: Margaret Lewis; program photography: Marcin Gizycki. View the Performance Recording.
The Cutting Edge, January/February 1994, Vol. 5 Issue 1, The Society Of American Fight Directors
The Cutting Edge, January/February 1994, Vol. 5 Issue 1, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
Ello Dispara De Fermín Cabal: Hacia Una Configuración Posmoderna Del Espacio Textual/Teatral, Sharon G. Feldman
Ello Dispara De Fermín Cabal: Hacia Una Configuración Posmoderna Del Espacio Textual/Teatral, Sharon G. Feldman
Latin American, Latino and Iberian Studies Faculty Publications
Ya que estamos llegando al final (o, al desenlace) del siglo XX, casi se ha convertido en tópico la idea de señalar - semiologicamente hablando - la relación dinamica que existe en el teatro entre el texto y la representación de ese texto. Si vuelvo una vez más a esta dicotomía histórica, no es para establecer- como han hecho algunos semiólogos - un modelo comunicativo que plantee la posibilidad de una relación dialéctica entre los dos términos, sino para observar basta qué punto el teatro posmodernista plantea una ausencia y una imposibilidad de tal relación. Anne Ubersfeld propone la …
The Cutting Edge, November/December 1993, Vol. 4 Issue 5, The Society Of American Fight Directors
The Cutting Edge, November/December 1993, Vol. 4 Issue 5, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
The Fight Master, Fall 1993, Vol. 16 Issue 2, The Society Of American Fight Directors
The Fight Master, Fall 1993, Vol. 16 Issue 2, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
The Cutting Edge, May/June 1993, Vol. 4 Issue 2, The Society Of American Fight Directors
The Cutting Edge, May/June 1993, Vol. 4 Issue 2, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
The Fight Master, Spring 1993, Vol. 16 Issue 1, The Society Of American Fight Directors
The Fight Master, Spring 1993, Vol. 16 Issue 1, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
The Big Yes And The Little No, Agnieszka Taborska, Steven L. Jobe, David L. Campbell, Christopher F. Lowery, Paul Phillips, Elsie T. Hill, Priscilla Yeh, Adele Abide, Miriam Borchherdt, Dawn Marie Caulfield, Mimi Chung, Daniela Fiss, Hector Gonzalez, Akiko Hamazaki, Sarah R. Kreiger, Luciana L. Mallozzi, Ervin Ramos, Katherine Sheehan, Vanessa Sterbenz, Bruce Jason Tennis, Antanas Vainius, Andrea Winter, Julie Wollaeger, Ofra Yacobi
The Big Yes And The Little No, Agnieszka Taborska, Steven L. Jobe, David L. Campbell, Christopher F. Lowery, Paul Phillips, Elsie T. Hill, Priscilla Yeh, Adele Abide, Miriam Borchherdt, Dawn Marie Caulfield, Mimi Chung, Daniela Fiss, Hector Gonzalez, Akiko Hamazaki, Sarah R. Kreiger, Luciana L. Mallozzi, Ervin Ramos, Katherine Sheehan, Vanessa Sterbenz, Bruce Jason Tennis, Antanas Vainius, Andrea Winter, Julie Wollaeger, Ofra Yacobi
Programs
Program for the sixth annual RISD Cabaret held in the cellar at the top of the Waterman Building. Design and layout by Nonie Close. View the Performance Recording.
Vol. 16 No. 1 (1993): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 16 No. 1 (1993): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Book Listing for the Vol 16, No 1 Edition of the Pacific Studies Journal
Vol. 16 No. 1 (1993): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 16 No. 1 (1993): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …