Art Education Commons^™

The Entwined Shape Project, Barry Goldberg

College Partner Collection

This project is excellent for making children aware of the shape of the space between painted forms. It also provides an opportunity to point out how the shape of these spaces relates to the cardboard shapes they have painted.

The Entwined Shape project functions as a compliment to the Attached Shapes Project.

The Tall Box Sculpture Project, Barry Goldberg

College Partner Collection

A free-standing sculpture offers a completely different experience than what was true of projects which end up affixed to a wall. There is now the opportunity to create an object that occupies the same space the child’s own body occupies.

The Standing Screen Project, Barry Goldberg

College Partner Collection

In this project, children use rollers rather than brushes to paint on “scored’’ cardboard shapes. “Scored” is a term which means essentially to cut lightly. With cardboard, it means to cut the face-paper of just one side of the cardboard and not cut all the way through the material. A scored piece of cardboard folds very easily along the scored lines.

The Tube Construction Project, Barry Goldberg

College Partner Collection

There is much learning by doing in this project. Children test out ideas and continuously adjust their thinking as they gain more knowledge about the material they are using. The sculpture is the material evidence of that back-and-forth process of evolving thought.

The Venetian Blind Sculpture Project, Barry Goldberg

College Partner Collection

The slats from venetian blinds are quite stiff. When combined with cardboard tubes and glue, they allowed for new, and at times remarkable, solutions to the question of how one slat might be joined to another.

The Cardboard Construction Project, Barry Goldberg

College Partner Collection

A limitation, restriction, or constraint can force us to consider previously unimagined possibilities. In the Cardboard Construction Project, the restriction is a material one. In preparing the materials for this project, I take cardboard and cut or score* it in as many ways as I can think of.

What will quickly become apparent is the surprising variety of forms that can be generated by altering a single material.

The Divided Box Project, Barry Goldberg

College Partner Collection

For this project I use a broad variety of cardboard materials, along with some wood and paper materials, but I avoid materials with other color. The reason for doing this is to bring more attention to the different textures of the materials that are available.

The Puzzle Painting Project, Barry Goldberg

College Partner Collection

In this project, each child is given a single sheet of cardboard that has been cut to form a useable puzzle. These puzzles can be as simple or as complex as suits the age of the child. Older children may be able to draw the shapes they want. A teacher can then use a mat-knife to cut the shapes out.

The Shoe Project, Barry Goldberg

College Partner Collection

Taking an object that is generally associated with a single common purpose and using it for an entirely different purpose is more than just a mischievous, aesthetic diversion—it is a deeply liberating act with considerable implications. It demonstrates an ability to see past the conventions and mental habits that usually limit our thinking. It is an ability that goes to the very heart of invention—not just aesthetic invention, but creative thinking itself.

The Ink Drawing Project, Barry Goldberg

College Partner Collection

In this project, the children have before them a piece of paper 42” high that is pinned to the wall. A child is given a length of bamboo about as long as they are tall, to which a brush has been inserted. Because the handle of the brush is so long, even a small movement of a child’s hand can create a startlingly long mark on their large paper. This is a thrilling experience for a child, and it offers the opportunity to create a very different vocabulary of marks than they could with a small brush.

The Cut Up Painting Project, Barry Goldberg

College Partner Collection

With some projects, it is the mischievous allure of a suggested action that draws children in. The Cut-up Painting Project uses this idea to open the door onto a valuable experience: take something which you thought of as whole, complete, finished, then literally cut it to pieces, and then reassemble it to discover a completely new set of possibilities.

The Stretched Fabric Painting Project, Barry Goldberg

College Partner Collection

One of the first things children will experience is that it feels completely different to paint on fabric stretched over a frame, rather than on a piece of paper lying on a hard floor. The fabric has give to it, and texture. Most significantly, I use patterned fabrics, which is to say, before a child has even made a mark, there is something for them to consider and respond to. The heart of this project lies in the dialogue between the pattern the child encounters and the marks the child makes.

The Vertical Blind Project, Barry Goldberg

College Partner Collection

This project began with a parent donating the very flexible white slats from their vertical window blinds. In the first part of this project, the children were simply given one of the slats to physically experiment with: to explore what was possible with this new, flat, white, flexible material. In addition to getting a feel for its surface texture, weight and floppiness, they explored its capacity to bend and twist. The engagement with their bodies inspired unexpectedly inventive aspects of dance and performance. After a time, we asked them to think about the blind as a material for a sculpture …

Untalented: What Is The Role Of “Talent” In Art Class?, Sean Bianchi

College of Graduate Studies: Theses & Dissertations

The concept of talent in art education is widely accepted yet rarely challenged or questioned. This essay critically examines the construction of artistic talent perceptions, the sociohistorical roots of the term itself, and the implications of what talent does for art education. This speculative essay problematizes talent as a persuasive force over art students and art teachers alike, criticizes the accessibility of art to the naïve and art enthusiast alike, as well as the consequences of talent constructs over the future of artistic instruction within public education. Utilizing an aesthetic framework, I explore what the role of talent in art …

Hear & Now: Culturally Responsive Music Education Through Digital Audio Workstations & Musique Concrète, Benjamin T. Connolly

Pitzer Senior Theses

Hear & Now: Culturally Responsive Music Education Through Digital Audio Workstations & Musique Concrète is a two-part ethnomusicological study of how the capacities and affordability of modern electronic instruments could be utilized within school curricula as an affordable alternative to traditional music classes. I explore the musique concrète movement from mid-20th century France, aiming my examination towards the movement’s emphasis on the materiality of sound production and utilization of modern technology during the composition process. From there, the paper transitions into a study on the affordances of contemporary music technologies through a series of interviews with electronic composers, tracing the …

Tools, Mats, And Methods For Cutting Materials, Barry Goldberg

College Partner Collection

The material that has been essential to many projects is cardboard. Lightweight, sturdy, inexpensive and easy to shape, cardboard is a remarkably versatile material. It can also be seen as difficult to cut. With the right tools and cutting surface, this need not be the case.

Undergraduate Voice Students’ Understanding Of The Vocalize And Its Purpose, Natalie H. Bazemore

Honors College Theses

This research discusses undergraduate voice students' understanding of vocalizes and their purpose. To discuss this subject, a vocalize has been defined along with its purpose analyzed. By discovering what methods voice teachers are using to prescribe vocalizes tells us how they are educating their singers on developing technical singing skills. This research was collected through a survey conducted in Qualtrics and was shared via social media voice teacher forums and collegiate music settings. This 5-10 minute long survey included participants that are either undergraduate voice students or undergraduate voice teachers. The teachers and students completed different surveys, both asking about …

Supporting Sustainable Art Education: How School Structures Influence Creativity, Michelle Schutz

All Electronic Theses and Dissertations

This study examines how structural conditions within schools influence sustainable teaching practices in visual arts education. Specifically, it explores how class schedules, preparation time, and administrative support shape teachers’ ability to implement creativity-centered instruction aligned with the demands of artistic learning. Drawing on a qualitative synthesis of existing research on instructional time, organizational structures, and educational leadership, this study identifies key patterns in how school systems support or constrain meaningful visual arts instruction. Findings indicate that structural factors, rather than individual teacher characteristics, play a central role in shaping instructional quality and sustainability. Limited instructional time, fragmented scheduling models, insufficient …

10 Years Of The Hive: Successes, Challenges, And Lessons For Designing Creative Learning Hubs In Higher Education, Celine Bernhardt-Lanier

CMC Senior Theses

College students are often told to be “innovative” and to prepare themselves for a rapidly changing job market. Yet, most institutional learning environments are built for everything but that, focusing on efficiency, mastery, and content delivery. The Hive, formerly known as the Rick and Susan Sontag Center for Collaborative Creativity, pushes against this reality in higher ed. Founded ten years ago and nestled in a corner of East 7th Street in Claremont, California, the Hive brings together students, faculty, and staff through workshops, classes, skillshares, and events that are centered around making, reflecting, and collaborating. Drawing on eight semi-structured …

To Use Or Not To Use Artificial Intelligence (Ai) In Art Design? A Multigroup Utaut2 Model Based On Motivation And Engagement Profiles, Yihan Jiang, Ning Luo, Ruixiang Gao

Journal of Educational Technology Development and Exchange (JETDE)

This research investigated the acceptance of the artificial intelligence (AI) art tool, Midjourney, among 970 Chinese artists and designers using the Extended Unified Theory of Acceptance and Use of Technology (UTAUT2) model and incorporating person-centered work motivation and engagement profiles. Path analysis of the entire sample showed strong explanatory power, accounting for over 60% of the variance in usage intention and behavior. Latent profile analysis of intrinsic and extrinsic motivations and engagement revealed two subgroups: the majority “Interested and Engaged”, and the minority “Disinterested and Disengaged”. As evidenced by multigroup comparison, the former exhibited significantly greater acceptance, recognizing Midjourney’s value …