From Assertion To Conversion: Classroom Management For 21st Century Teachers,
2019
South Dakota State University
From Assertion To Conversion: Classroom Management For 21st Century Teachers, Benjamin Halbkat
Empowering Research for Educators
The following position paper provides a new teacher's perspective on modern classroom management. Where is there room for improvement? What might the future hold?
High School Biology Preparation: Do Students Feel They Have Been Adequately Prepared For Introductory College Biology?,
2019
South Dakota State University
High School Biology Preparation: Do Students Feel They Have Been Adequately Prepared For Introductory College Biology?, Mara Neitzel
Empowering Research for Educators
The purpose of this study was to determine how well students are being prepared in high school for introductory college biology courses. Specifically, the objectives of the study are as follows: To gain a better understanding about how well students feel they have been prepared for college science classes based on their high school education, to gain insight on how college preparation in high school impacts students’ self-confidence, and to determine if the accessibility of advanced education courses is influenced by the size of a high school. A mixed methods survey was distributed to freshman in the fall semester of …
In Support Of The Tinker V. Des Moines Decision,
2019
South Dakota State University
In Support Of The Tinker V. Des Moines Decision, Matthew Olson
Empowering Research for Educators
The following position outlines a case for the Tinker v. Des Moines decision, including a historical and modern perspective. With freedom of speech and protest being a regular part of the discussion about U.S. society and schools, now is a good time to look back.
Montana Shape Poem/What Makes A State?,
2019
Savage Public School
Montana Shape Poem/What Makes A State?, Alan Hoffmann
The Montana English Journal
Savage teamed up with the Yellowstone Writing Project in order to foster a writing community at Savage Schools. As part of that process, teacher leaders in Savage had to write original works for discussion. This is one of those pieces. During this time, I became interested in word art, and set out to see if I could create something. The poem is inspired by the book Fifty-Six Counties by Russell Rowland as well as by the works of Mark Z. Danielewski. The small font size represents all of the little things that go into making a state what it is. …
Using 3d Card-Making Project To Motivate Students’ Writing,
2019
University of Houston
Using 3d Card-Making Project To Motivate Students’ Writing, Dan Li
The Montana English Journal
Based on the ideas of inclusive education and multiple intelligences, I advocate using a “3D card” project to inspire students' writing. A 3D card project incorporates sessions on organization's logo appreciation, discussion, letter design, slogan design, and 3D card making as well as a writing task. All of these steps provide students with background information on the topic. In this article, I use these steps to teach my diverse middle school students to design a logo and write a statement for a nonprofit organization.
Multisensory And Active Learning Approaches To Teaching Medieval Art,
2019
Fairfield University
Multisensory And Active Learning Approaches To Teaching Medieval Art, Marice Rose, Tera Lee Hedrick
Art History Pedagogy & Practice
In this article, two professors share methods and examples of active learning in order to teach Western European and Byzantine medieval art through a multisensory lens. The course content and pedagogy are situated in the “sensory turn,” a conceptual and methodological approach that began in anthropology and has transformed medieval art historical scholarship in recent years. The discipline of art history has traditionally focused on the visual impact of objects and monuments, but the sensory turn has prompted art historians and architectural historians to investigate how art objects and monuments engage all five senses, transforming the “period eye” into the …
Creativity-Integrated Art History: A Pedagogical Framework,
2019
Drexel University
Creativity-Integrated Art History: A Pedagogical Framework, Alysha Meloche, Jen Katz-Buonincontro
Art History Pedagogy & Practice
Art history offers a unique opportunity for students to encounter real, historical examples of the creative process in action. By showing examples of the complex process through which artwork is created, art history classes can provide emulative examples for the next generation of innovative designers, artists, historians, educators, and creative thinkers. Art history has a tradition of teaching Big-C creativity principles by highlighting creative products and individuals. Therefore, the art object is emphasized at the expense of unpacking the process and everyday, or mini-c, creativity of the work. At a time when the field of Art History is beginning to …
I Landed A U.F.O. On Main Street: An Autoethnography Of The Founding Of An Arts Education Organization In Appalachian Kentucky,
2019
Murray State University
I Landed A U.F.O. On Main Street: An Autoethnography Of The Founding Of An Arts Education Organization In Appalachian Kentucky, Elise L. Kieffer Phd
Faculty & Staff Research and Creative Activity
Abstract: The Appalachian region in the southern mid-west has long been the source of stereotyping for dramatic and political affect. Through the course of nine years as a resident in an Appalachian community in south-central Kentucky, the author experienced life as it is lived by the local people. Through the establishment of an art education organization, the author became entwined with local families and became familiar with the origins of many of those stereotypes. Using autoethnography to interpret her experiences, through the lens of academic research, the author will confront the primary issues that surfaced: the acute designation of outsider …
Scipp: An Expanded Community Of Practice - Community Publishing,
2019
California State University - San Bernardino
Scipp: An Expanded Community Of Practice - Community Publishing, Juan Delgado, Kelly (Kl) Straight Dortch, Daiana Rodriguez, Alex Avila, William Beshears, Juliana Cruz, Gina Hanson, Frank Houlihan, Lacey Kendall, Larry Light, Cati Porter, Molly Tor, Timothy "Isaac" Pieper, Bianka Sanchez, Sara Trowbridge, Daniel Aguilar, Bernardo Benigno, Arely Bernal, Alejandra Bueno, Emily Campos, Jason Cannon, Griselda Caudillo Gallo, Joshua Clemente, Sarah Coblentz, Diana D'Arcangelo, Georgia Darwin, Mary Grace Deasis, Kaylan Els, Keith Fernandez, Maria Flores, Khiyara Frontela, Anthony Galvan, Monica Galvez, Martin Garcia, Jessica Godin, Freda Guzman, Madison Hall, Diana Huitron Munoz, Jennifer Ledesma, Maria Lias Chacon, Rebekah Linares, Prisma Loya, Elijah Magana, Alberto Mancillas, Lorinda Maya, Jennifer Pimentel, Nancy Ramirez, Angelica Rodriguez, Alexis Ruvalcaba, Sandra Sandoval De Rosas, Emily Stoddard, Andrea Tinajero, Lesly Velez Montenegro, Saulo Velez Montenegro, Matthew Vigil, Sergio Zamora, Marylou Alvarez, Roxanna Cervantes, Tenaya Fuentes, Wendy Moreno, David Valenzuela, Philip Colunga, Augustine "Auggie" Fuentes, Nadia Fuentes, Olive Fuentes, Sophia Fuentes, Miraya Martinez, Diego Mercado, Iker Valenzuela, Roma Valenzuela
Q2S Enhancing Pedagogy
SCIPP redefines and expands the existing notions about what makes for a vibrant and robust community of practice by partnering CSUSB students and professors with K-12 students, parents, and educators, along with committed community partners. SCIPP encourages curiosity in ways that leads to critical thinking, exploration, "risk taking", confidence building, open-mindedness, and other personal traits that equip them with the softskills to be active, critical, and creative contributors to our communities. SCIPP pedagogy embraces our students' collective wisdom and focuses on relational building where multi-directional communication is promoted and students are viewed as equal stakeholders in their own educations. SCIPP …
A Guide To Thesis Book Design,
2019
Rhode Island School of Design
A Guide To Thesis Book Design, Marcus Peabody, Center For Arts And Language
Thesis Writing
57 pages. "This guide is more basic and specific than other design manuals. Used in isolation it should tell you all you need to produce your book, even without prior graphic design knowledge. It could also be a starting point for a deeper dive into book design: other manuals that deal more thoroughly with elements such as book binding or typography are mentioned along the way for further reference." – from the introduction. "This book is set in Brandon Grotesque and Miller Text. Written and designed by Marcus Peabody (GD MFA 2019). Edited by Jen Liese and Meredith Barrett (A&L). …
Exploring Public Space: Interventionist Artworks And The Creative Disruption Of The Everyday,
2019
Virginia Commonwealth University
Exploring Public Space: Interventionist Artworks And The Creative Disruption Of The Everyday, Jack Watson
High School Resources
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Attempting to bridge a gap between artist and spectator while also challenging the elitism and preciousness associated with art, artists have long sought ways to blend the art experience into the everyday. From the ephemeral performances and “social sculptures” of 20th century conceptual art to the culture-jamming interventions of contemporary street art, there is a rich historical context for engaging directly with the spectator in public spaces. Taking artwork into public spaces in the form of actions rather than objects – actions which involve the participation of the spectator – bypasses the negotiations and mediations that take place when a …
Jane Addams, Hull-House, And The “Danger” Of Women’S Work,
2019
Virginia Commonwealth University
Jane Addams, Hull-House, And The “Danger” Of Women’S Work, Melanie L. Buffington, Courtnie N. Wolfgang, Pamela G. Taylor
The Melanie Buffington Papers
In this paper, we investigate the work of Jane Addams and Hull-House, through Cornel West’s (1999) ideas of prophetic pragmatism. In accordance with West’s writings, we consider the importance of investigating the historical underpinnings of what we believe to be true, while at the same time questioning existing practices, and considering where and from whose work these practices originate. Addams and Hull-House were revolutionary during their time and their work resulted in major neighborhood and community reform. Additionally, through the open forums and frequent visitors to Hull-House, the work there influenced many of Addams’ contemporaries, including John Dewey. Yet, historically, …
When You Were Made: Tshab Her & Victoria Kue,
2019
Lawrence University
When You Were Made: Tshab Her & Victoria Kue, Wriston Art Center Galleries
Exhibition Materials
Her and Kue are emerging Hmong-American artists whose work addresses the complexities of being second-generation women members of this nationless ethnic minority. In their artwork they navigate the politics of displacement, the connections between cultural identity and place, the impact of gendered social roles, and the weight of tradition from this unique perspective. Curated by Kate Mothes, founder of Young Space.
Information on the many community programs about Hmong culture related to when you were made: Tshab Her & Victoria Kue and can be found at lawrence.edu/s/wriston.
Hacking, Unlearning, Unleashing,
2019
Montclair State University
Hacking, Unlearning, Unleashing, Livia Alexander, Richard Jochum
Department of Art and Design Scholarship and Creative Works
No abstract provided.
Teaching Visual Literacies: The Case Of The Great American Dust Bowl,
2019
University of New Mexico
Teaching Visual Literacies: The Case Of The Great American Dust Bowl, Mary F. Rice, Ashley K. Dallacqua
SANE journal: Sequential Art Narrative in Education
Teachers and students require a range of tools to engage with visual texts. Using The Great American Dust Bowlby Don Brown (2013) as an exemplar text, we outline four conceptions of visual literacy: rhetorical, instructional, industrial and visuo-spatial and discuss their use in our literacy education practice. In addition, we provide a brief model of a second text, The Arrival (Tan, 2013) and a list of suggested texts for students at different levels (elementary, middle, and high school). We argue that these tools have the potential to deepen conceptions of visual literacies and empower teachers and students to understand …
Poetically Composed, Educationally Imposed: Exploring Imagination And Poetics In Curriculum—A Memoir,
2019
Georgia Southern University
Poetically Composed, Educationally Imposed: Exploring Imagination And Poetics In Curriculum—A Memoir, Whitney J. Presnal
College of Graduate Studies: Theses & Dissertations
Through the use of memoir, my work centers on how poetry is situated within public education curriculum. I explore the curricular context of poetry through the lenses of my lived experiences in early childhood, as a K-12 student, and as an early career classroom teacher. My dissertation draws upon a wide array of literature, honing in on the poetic perspectives of philosophers (Aristotle, 1996; Heidegger, 1947 & 1971/2013; Plato, 1955/2007), poets (Hall, 2003; Eliot, 1920 & 2009), and curriculum theorists (Leggo, 1997 & 2018; Pinar, 1994; Sameshima, 2007). The foundation of my work is drawn from my own circular experiences, …
Gender Representation In Art Pedagogy: A Survey Of Student Knowledge And Attitudes Around Gender Balance In Art Education,
2019
Humboldt State University
Gender Representation In Art Pedagogy: A Survey Of Student Knowledge And Attitudes Around Gender Balance In Art Education, Julia S. White
Cal Poly Humboldt theses and projects
This study explores the issue of unequal representation of women artists in the art-world (museums, galleries, auctions and texts) as well as in Studio Art, Art Education and Art-Historical pedagogy. This study examines how student knowledge and attitudes are impacted by the lack of exposure to art made by women. The problem of unequal representation of women in the arts was verified and examined in the literature review. The literature review explored feminist pedagogy as an educational method. The review made evident the unequal representation of women in visual Art History and the relative exclusion of women role models in …
2019-2020 Risd Course Announcement,
2019
Rhode Island School of Design
2019-2020 Risd Course Announcement, Risd Registrar's Office, Risd Archives
RISD Course Catalogs / Announcements
No abstract provided.
An Art Educators' Perception Of An Art Professional Development Workshop,
2019
Walden University
An Art Educators' Perception Of An Art Professional Development Workshop, Wonda Y. Hillard
Walden Dissertations and Doctoral Studies
There are no guidelines in South Carolina for developing workshops that reflect the needs of art educators, and there are no tools to evaluate and support their professional development. The problem is a lack of informative, substantive, and academically oriented art inservices that are standards-based and focused on the enhancement of pedagogy, teaching strategies, and content. The purpose of this case study was to explore participants' perceptions of an art professional development workshop as an approach to examining art standards, instructional strategies, and policy changes. Dewey's experiential theory served as the conceptual framework. A purposeful sample of 10 art educators …
Using Metacognitive Reflection To Improve Student Learning,
2019
Seattle Pacific University
Using Metacognitive Reflection To Improve Student Learning, Eric Howe
Education Dissertations
The study of art, especially perspective, involves the use of specialized vocabulary words. Vocabulary words can be difficult to comprehend, but when students learn to use the specialized vocabulary or academic language of a subject, the learner is better able to think about the content. While academic language is only a part of a visual art curriculum, students need support from the teacher to learn it. Metacognitive reflection (MR) offers a method to increase student learning of academic language in art specifically, and other subjects in general. Teacher feedback naturally occurs in response to students’ reflections and gives the learner …
