Medical Humanities Commons^™

Trichina, Krishna Suri

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Classical India provided a unique juxtaposition of art and life. One would readily see monasteries which extolled the values of asceticism and celibacy yet would display female sculptures that exuded sensuality. Such presentations are not hedonistic, but instead present the female form at its most divine and graceful. The tribhanga position was the epitome of this philosophy accentuating the curves and elegance of the sacred female.

Art offers me an avenue to decompress from school life and to use the knowledge I have gained in innovative ways. As a healthcare practitioner, I want to use this passion to develop new …

My Body Is Mine: Yet For A Time It Was Yours, Isabel Thompson

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My body is mine, yet for time it was yours. I was made for you - my form created to be your habitat, all aspects of my being working in unison to support your growth and development. You grew and grew, becoming your own person within the liminal space of my womb. On the shoreline of a new life, breathing in and out like the waves washed upon the sand. You are of me, of us, yet separate, your own unique being. I housed you, gave you food and warmth through my body. Flesh of my flesh, blood of my …

Cintya, Seher Chowhan

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This is a painting of a girl names Cintya from Huancayo, Peru. I went to Peru on a medical mission trip with the Foundation for the International Medical Relief of Children in 2012. Cintya was in an orphanage called Rosario that houses victims of sexual abuse. Another girl at the orphanage had gone around the orphanage taking pictures and this painting depicts one on those pictures. I’m not sure what it is about the photo, but I just love the expression on her face and she has a natural, relaxed happiness that can only come from a close friend taking …

She Is, Andrew Lister

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No abstract provided.

Every Woman, Jamie Eller

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I gave her a metallic outline to symbolize how women can be strong and resilient and simultaneously shiny and beautiful. Her core is painted the same as her surroundings and the color blue symbolizes fluid and flexibility that reminds us of the strength women possess while constantly adapting throughout their lives.

Hyster Lux, Jamie Eller

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Hyster Lux is Latin for “womb light.” This is a painting of the menstrual cycle hormones displayed in the light spectrum to show the complexity and beauty of the hormones that shape women. Red is estrogen. Yellow is progesterone. Blue is LH. White is FSH. Black is the absence of light. White is a mixture of all the colors of the light spectrum.

Untitled, Bhavik Upadhyay

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Female First year medical students celebrate Black History month on the osteopathic campus of NSU as the backdrop. Inspired by Leonardo da Vinci’s Last Supper, I wanted to give this picture a strong perspective that would provide a solid foundation to the African American female students who would one day be future doctors of this country. I tried to contrast the man-made pillars on the left that appear to be steady but are temporary while on the right there is nature, often considered a female form, highlighted by branches of the tree; uncertain yet permanent.

Untitled, Bhavik Upadhyay

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This picture was taken on a medical mission trip to India in the winter of 2015. The steep hills of Saputara, Gujarat in the background represent the long and treacherous path to medical school. In the center, first year medical student, Rachel Salveson (pictured) is willing to accept these challenges with commitment reflected by her calm and steady posture.

Untitled, Bhavik Upadhyay

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This picture was taken during the medical mission trip to India and it is of a mother consoling her son. It represents the love and affection of a mother and her willingness to give everything to her child despite all of the challenges - and with a smiling face.

Untitled, Bhavik Upadhyay

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This picture was taken in a local school in Gujarat, India. These happy girls, who shied away from the camera, walk miles every day to attend their school that does not have a roof. This picture represents their commitment to a better future and my commitment to the people of the country of my birth as I continue my training.

Untitled, Bhavik Upadhyay

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This picture is also taken during the medical mission trip and first year medical student, Rachel Salveson and other aspiring ophthalmologists visit a school for the blind community in India. It represents a commitment made by future doctors to acquire the powerful knowledge of medical science, so that one day they can take care of the sick and most vulnerable.

Antithetic, Masood Mohammed

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No abstract provided.

To: Womanhood: All The Women Of Our Generations, Barbara Diana Gilbert

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No abstract provided.

Untitled, Sara Hartey

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Her work is inspired by a vision of medical equality and the magic within the intricacies of our bodies.

Blinding Blue Neon, Tracey Emin

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Blinding Blue Neon created in 2000, exemplifies the artists use of familiar forms to establish relationships with the viewer through deeply personal narratives, brutal honesty and a blunt sense of humor. Caste in electric blue, the glowing neon is reminiscent of commercial signage fabricated with the intention of seducing its viewer to consume. The outline of the women, however, is rendered with a loose freedom which gives the form a liveliness and character which transcends otherwise racy connotations. Emin’s autobiographical and confessional work spans a variety of mediums, including drawing, photography, neon, video performance and applique.

Madonna And Child, Janie Packer

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Clay is such an exciting and responsive medium in which to work. Most often I only have a germ of an idea when I begin a project. I begin to build a form and before I know it, a wild dance has begun between me and the clay. It seems to know the steps and where we are headed, so I blithely follow along, taking my cues from a bend or an outcropping in the clay. Maybe it’s starting to look like a weeping woman, or a cat with a crown on its head. I just let the dance go …

Fragile, Janie Packer

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Clay is such an exciting and responsive medium in which to work. Most often I only have a germ of an idea when I begin a project. I begin to build a form and before I know it, a wild dance has begun between me and the clay. It seems to know the steps and where we are headed, so I blithely follow along, taking my cues from a bend or an outcropping in the clay. Maybe it’s starting to look like a weeping woman, or a cat with a crown on its head. I just let the dance go …

Sad Swimmer, Janie Packer

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Clay is such an exciting and responsive medium in which to work. Most often I only have a germ of an idea when I begin a project. I begin to build a form and before I know it, a wild dance has begun between me and the clay. It seems to know the steps and where we are headed, so I blithely follow along, taking my cues from a bend or an outcropping in the clay. Maybe it’s starting to look like a weeping woman, or a cat with a crown on its head. I just let the dance go …

The Mysterious Woman, Eno-Emem Okpokpo

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While creating this image, I took these questions into account. What I love most about the process is that all of these questions can be answered by the viewers of this artwork. Based on our own experiences, we can come up with story lines for everything that we see. Therein lies the beauty of art. Its true meaning is left to the creative imagination of whomever appreciates it.

As healthcare professionals, we have to understand that each patient might be our “Mysterious Woman”. We have to appreciate the fact that our patients are emotional beings and not just a collection …

Looking From Within, Phillip Berges, Berges Alvarez

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I made this with my father using a lateral chest X-ray superimposed under a quality control film. Together, we drew in the facial features, cut and pasted and enlarged the photographic image to produce this beautiful, strong assertive woman. We thought this image perfectly reflects the power, determination, and mystery contained within her gaze. Together and from within, women show their strength.