Performance Studies Commons^™

Breaking Down The Fourth Wall With Artaud, Punchdrunk, And The Wooster Group, Megan Huggins

[Archive] Belmont University Research Symposium (BURS)

Antonin Artaud, a radical theatre artist working during the first half of the 20thcentury, developed a style and philosophy of storytelling called the Theatre of Cruelty. Artaud wanted to shock his audiences into an emotional connection with the people and situations around them. Hoping to shake the audience out of their complacency by combating realism, Artaud envisioned performances that would eliminate the fourth wall and confront the audience directly. Two contemporary theatre companies, the Wooster Group and Punchdrunk,adapt Artaud’s ideas to modern storytelling practices. The Wooster Group incorporates technological advances in its jarring, innovative performances, and Punchdrunk creates immersive and …

Student One-Acts: "Way Deep" And "Dna"

Theatre Programs

No abstract provided.

Moon Over Buffalo Playbill, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre Smith Center for the Arts

Moon Over Buffalo

A comedy from the playwright of "Lend Me a Tenor"

April 5-7 & 12-14, 2019

Written by Ken Ludwig

Directed by Brett Epstein

Set Designer: Josh Christoffersen

Sound Designer: Timothy Brown '20

Voice and Dialect Coach: Megan Chang

Costume Designer: Jessie Darrell Jarbadan

Lighting Designer: Jen Rock

Properties Designer: Peggy Becker

Flight Choreographer: Sarah Elizabeth Bedard

The Cast - George: Thomas Edwards, Charlotte: Julia DiBari, Ethel: Caprial Harris, Roz: Aisling Sheahan, Howard: Ryan Worrell, Eileen: Halle Pratt, Paul: Steven Sawan, Richard: …

Moon Over Buffalo Poster, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre Smith Center for the Arts

Moon Over Buffalo

A comedy from the playwright of "Lend Me a Tenor"

Written by Ken Ludwig

Directed by Brett Epstein

April 5-7 & 12-14, 2019

She's Not Allowed To Do That: Two Actors Embody Female Same-Sex Sexuality [Poster], Orion Lee Risk

Research in the Capitol

The art of acting requires the authentic embodiment of another being; what happens in this process when a performance requires taking on a stigmatized sexuality? In summer 2018, an emerging theatre company in Cedar Falls, Iowa, produced Stop Kiss by Diana Son: a show that required its two female leads to embody same-sex sexuality. Guided by scholarship from Judith Butler, Jill Dolan, and Jerzy Grotowski — and following principles of practice-as-research — interviews and observation were used to explore and interpret how the actors in Stop Kiss experienced similarities and differences between their characters’ experiences and their own. Findings led …

Hegelian Political Theater, Cade M. Olmstead

Research in the Capitol

What could politics, theater, and the project of German idealism all hold in common?This research seeks to explore the usage of comedy in modern political discourse through the perspectives of theater and German idealist philosophy.

It begins with an analysis of ancient Greek theater by the philosopher G.W.F. Hegel, applies this reading to the 2013 Turkish Gezi Park protests, and ultimately makes a normative claim about comedy’s use in public discourse and proper democratic politics.

She's The Jazz: An Exploration Of Dance And Society In The Age Of The Flapper, Jillian Terry

Mahurin Honors College Capstone Experience/Thesis Projects

The 1920’s, most affectionately known as “The Roaring Twenties,” was a time of dramatic social and political change. Economic growth pushed Americans into an unfamiliar consumer society where people bought the same goods, heard the same songs, danced the same dances, and used the same slang. Prohibition laws led to the underground sale of alcohol in speakeasies where new freedoms were found through communities uniting in music and dance. Here we saw the emergence of flappers. Unlike the generations that came before, these women were seen performing unladylike actions, such as drinking and smoking, while embracing their sexuality. While not …

The Fight Master, Spring 2019, Vol. 41 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

Performing Queerness, Jasmina Sinanovic

Open Educational Resources

This is a syllabus for a course Performing Queerness

3rd Place Contest Entry: Aesthetic Activism: Protest Art In The Delano Grape Strike, Felicia Viano

Kevin and Tam Ross Undergraduate Research Prize

This is Felicia Viano's submission for the 2019 Kevin and Tam Ross Undergraduate Research Prize, which won third place. It contains her essay on using library resources, a three-page sample of her research project on the use of art as a social movement tactic by the United Farm Workers during the Delano Grape Strike, and her works cited list.

Felicia is a senior at Chapman University, majoring in History and Peace Studies. Her faculty mentor is Dr. Robert Slayton.

Challenges Of Technique And Interpretation: A Performance Guide To Selected Works By Kevin Bobo, Benjamin Bailey Seabury

Theses and Dissertations

Kevin Bobo is an American percussionist and composer whose compositions for marimba consistently expand the technical and musical potential of the instrument. Performance of Bobo’s marimba works requires the performer to utilize specific performance techniques that are departures from standard practices. This study looks in- depth at technical and interpretive challenges present within three works for marimba by Bobo, and provides the performer with detailed explanations and exercises to assist with the performance of the included works. The Odyssey, According to Penelope, and Three Etudes are works for solo marimba, while Prayer for the Broken is a duet for …

Redirecting My Path And Reclaiming My Voice: An Actor Becomes A Director, Lindsay Rae Taylor

Theses and Dissertations

This thesis is an exploration of my growth as a director. I dissect and discuss five of the seven productions I have directed over the past three years, discovering my directing style and identifying the tools that I will take with me as I shift into my profession. Each chapter describes my preparation, process, and evaluation for every project. It is a reflection of my journey and a celebration of my work.

The Toccatas Of Johannes Hieronymus Kapsberger’S Libro Primo D’Intavolatura Di Lauto: Analysis, Performance Practice, And Transcription For Modern Classical Guitar, Brett Edwin Floyd

Theses and Dissertations

Johannes Kapsberger (1580-1651) was an Italian composer of the early Baroque era. Known for his compositions for the lute, and chitarrone, Kapsberger was a talented composer who worked for great patrons like Francesco Barberini and Pope Urban VIII. Kapsberger published his only surviving lute works in 1611, which contained eight lute toccatas, twelve galliards and twelve courantes. Music produced for the lute during the renaissance and baroque eras are products of their time. Published lute music was written in tablature and relied heavily on the performance practices of its day. Today, trained lutenists have the skills and knowledge needed to …

Evoke: A Historical, Theoretical, And Cultural Analysis Of Africana Dance And Theatre; Volume 1 Issue 1, Ofosuwa Abiola

Evoke: A Historical, Theoretical, and Cultural Analysis of Africana Arts

No abstract provided.

Modes Of Cartoon Corporeal Performance, Gregory Langner

LSU Doctoral Dissertations

This dissertation project works to introduce and interrogate a phenomenon I am calling cartoon corporeality. The phenomenon refers to the varied ways in which cartoons “escape” their usual two-dimensionality through performance, appearing to manifest in physical environments in ways that should be understood as culturally impactful. Cartoon corporeality encompasses different modes of performance wherein the explicit visual presence of a cartoon subject informs an immediately observable physical impact through the body of the performer. I interrogate the phenomenon by focusing on four select modes of cartoon corporeal performance: videogame play, cosplay, theatrical adaptation, and the active weaving of cartoons …

Dance – A Healthy Gateway To Steam Practice, Kenneth Walker

The Transdisciplinary STEAM+ Journal

A rumination on dance and STEAM

Avenue Q

Theatre Programs

No abstract provided.

From Gaza City To The Golden Gate A Call To The International Theatre Community To Join The Struggle For Cultural Justice, Jessica Litwak

Student Articles, Chapters, Presentations, Learning Objects

On 9 August 2018, Gaza theatremaker Hossam Madhoun was chatting with friends a little more than fifty yards from the city’s Al Mishal Cultural Centre. One friend, who had just returned to the area, asked where his theatre and performance could be produced in town. The beautiful and well-equipped Red Crescent Society, perhaps? Madhoun had to remind him it had been bombed by the Israeli Army during the military offensive on Gaza in 2008. The friend then asked about the theatre at Holst Cultural Center.

“When was the last time you visited Gaza?” Madhoun asked. “Hamas turned the Holst into …

“In The Beginning Was Body Language” Clowning And Krump As Spiritual Healing And Resistance, Sarah S. Ohmer

Publications and Research

In the neighborhood of HollyWatts in Los Angeles, dance allows a shift from existing as bodies presented as sites of threat and extinction to sources of spiritual empowerment. Clowning and Krump dancers—their subjectivity and their dancing bodies—negotiate survival from trauma and socioeconomic marginalization. I argue that the dancers’ performances act as embodied narratives of “re-membering in the flesh.” The performance acts as a spiritual retrieval and re-integration of traumatic memories and afflictions into memory through the body. Choreography and quotes from dancers support the claim that Krump and Clowning is “re-membering in the flesh” that enacts self-worth, self-defined sexuality, and …

Performing Desire In Times Square: Sailors, Hustlers And Masculinity, Kel R. Karpinski

Dissertations, Theses, and Capstone Projects

From WWII to the early 1970s, New York City as a port town created a liminal space extending from the piers in the Brooklyn Navy Yard all the way to Times Square in Midtown Manhattan. In Times Square, through interactions on the street, in bars and in hotel rooms, desire and masculinity become a performance between and for men. The queerness of these performances lies in the fact that they fall outside of the norms of society both as same-sex encounters and because sex work is viewed as “deviant.” Further, these interactions eschew traditional labels and limits of desire and …

Giau Minh Truong Interview, Gin To

Asian American Art Oral History Project

Bio: Giau Minh Truong is a company member of A-Squared Theatre Workshop and an at- large artist for various performing arts companies in the Chicago area. For A-Squared, he directed Ching Chong Chinaman, The Other Shore, and short plays for My Asian Mom, acted in Trial By Water, and designed lights for The Wind Cries Mary. Giau’s other directorial credits include Downward Facing, Lights Out, Everybody, and Theatre of Women for Dream Theatre Company. He directed Sister Outlaw, Mr. and Mrs. LaQuesta Go Dancing, My Name is Flor Contemplacion, and I Dream Electric for CIRCA-Pintig, Chicago’s …

Lord Of The Flies Playbill, Providence College

Playbill and Promotion

Lord of the Flies

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

by William Golding, Adapted for the stage by Nigel Williams

Directed by Patrick Mark Saunders and John Garrity

Scenic Designer: Renée Surprenant Fitzgerald

Costume Designer: Anna Grywalski

Lighting Designer: Marc Tiberiis II

Sound Designer: Paul Perry

Voice and Dialect Coach: Megan Chang

Properties Designer: Peggy Becker

Fight Choreographer: Jim Beauregard

Cast

(in order of appearance)

Rafe: Amanda Piechota

Piggy: Abdelnasser Zadieyh

Jack: Timothy Brown

Simon: Daniel Jameson

Sam: Thomas Edwards

Erin: Caprial Harris

Hailey: Charlie Seymour

Bill: Bruno Guiop

Robin: Halle Pratt

Persephone: Katie Vennard …

Impact By Intention: An Argument For Forensics As A High-Impact Practice, Vincent L. Stephens

National Forensic Journal

This essay locates forensics within national discourse about high-impact practices (HIPs) in higher education, as outlined by scholar George D. Kuh. Forensics shares all the characteristics associated with the ten promising practices Kuh (2008) outlined initially. Though Kuh's original overview and expanded list of practices (Kuh, 2016) serve as reference points for addressing HIPs, forensics has not been recognized as a HIP. The essay argues that framing forensics as a HIP could enrich advocacy efforts to start and/or sustain current forensics programs. The article connects the fiscal climate with the assessment paradigm, examines the ways forensics adheres to Kuh's definition, …

Black: :Body: :Gesture: From Puppetry To Performance & Design, Gabrielle Civil, Kelly Walters

Living Objects: African American Puppetry Essays

In this visual document, Gabrielle Civil and Kelly Walters distill and recreate key aspects of their live dialogue on African-American puppetry, black performance art, material and digital design. What are examples of African American living objects in the 21st century? What does it mean to animate objects when, as a people, we were once considered to be living objects ourselves? Drawing on their own practice, these artists engaged these questions, activated audience discussion, and transformed the results into a new source text for further activation.

Performing Arts And Performance Anxiety, Jacklyn Sue Bascomb

Theses, Dissertations and Capstones

Background: Performing arts are a broad view of a range of human activities that occur in front of an audience with the attempt to express human experience and emotion. Performing artists consist of dancers, instrumental musicians, vocal musicians, and drama/comedy or theater/actors. Actors and instrumental musicians participate in tremendous training to provide the emotional story they deliver. Multiple factors contribute to mental and physical stress experienced by a performer. Performance anxiety results from a performer’s fear of an adverse reaction or evaluation of their performance. Performance anxiety can be debilitating with negative effects on a performer’s performance, career, and health. …

Volume 36 - Front Matter

National Forensic Journal

No abstract provided.

Editor's Note, Richard E. Paine, Emily M. Cramer

National Forensic Journal

No abstract provided.

Is It Prose Or Is It Drama? Distinguishing Events Based On Judging Criteria, Justin J. Rudnick, Anthony Peavy, Balencia Crosby, Alyssa Harter, Cristy Dougherty

National Forensic Journal

Genre distinctions have been a source of confusion and contention in the collegiate forensics community, particularly in terms of distinguishing between appropriate source material for prose and drama. As the most powerful indicators of current forensic performance evaluations, ballots help illustrate the judging paradigms shaping the community. To that end, we conducted a content analysis of preliminary-round prose and drama ballots from the 2014 NFA championship tournament to determine how judges distinguish between prose and drama. Results illustrate substantial similarities in how each event is evaluated by judges. We discuss implications for this distinction in the conclusion of this essay.

How Can Sotl Help Forensic Educators Assess Their Performance?, Leah White

National Forensic Journal

Scholarship of Teaching and Learning (SoTL) is a movement among educators which seeks to acknowledge the work we do teaching as its own form of unique scholarship. SoTL argues the work we do as teachers can be peer-reviewed, critiqued and shared with others in our academic communities. The goal of this paper is to outline how forensic educators can use SoTL approaches to help build an argument about their scholarly activity as illustrated in coaching practice. SoTL provides a frame through which we can articulate the significance of this aspect of our scholarly performance.

Shush: A Creative (Re)Construction, Kathleen Spring

Faculty & Staff Publications

Shush: A Creative (Re)Construction stems from work conducted during a sabbatical in fall 2017. The audio piece, Shush Me Awake, is a composition that explores the shush as a performative act. The accompanying framing essay uses an autoethnographic approach to provide a contextualized look at the composition process for this piece, while simultaneously situating it within existing scholarship in library and information studies on the image of the librarian and stereotypes. The composer notes provide additional technical details about the audio piece itself.