Music Commons^™

Core Curriculum For Orchestra, Andrew Thomas Aycoth

Graduate Theses, Dissertations, and Problem Reports (ETD)

Core Curriculum draws inspiration from the idea of a sound collage that incorporates many specific pieces and techniques that I have encountered or studied during my time in music academia. Nearly everything is derived from something else, often being transformed or altered in some way. From my own private teaching of guitar lessons to analyses of 20th century art music, I tried to represent as much music as possible from these formative years. There are two main features that continue throughout the piece. The first is the repetitive rhythmic figure based on eighth notes that are out of phase, which …

How Does The Pronunciation Of Native Languages Affect Beginning Singers? A Research Focusing On Native Mandarin Chinese And American English Speaking Singers, Ruobing Zhao

Graduate Theses, Dissertations, and Problem Reports (ETD)

The classical style of singing is taught at music institutions around the world as a mainstream artform. The main languages of classical vocal repertoires are Italian, German, French and English, which means most classical singers need to sing in non-native languages. When people learn a new sound from a foreign language, they often search for reference points within their native language(s), which usually is the reason behind singers performing with incorrect accents or diction.

This research focuses on beginning singers whose native language is either Mandarin Chinese or American English. This research introduces the romanization system and basic pronunciation rule …

Contemporary Music Notation For The Flute: A Unified Guide To Notational Symbols For Composers And Performers, Ms. Eftihia Victoria Arkoudis

Graduate Theses, Dissertations, and Problem Reports (ETD)

David Cope stated: “There are two basic approaches to the study of New Music Notation: codification and comprehension […] what really needs to be done is not to keep listing the diverse ways each composer symbolizes his music or create substantially new and negating systems of notation, but to concentrate on codifying one way for future composers to symbolize their music.”^[1]

In an attempt to limit the inconsistency and complexity characterizing contemporary notation idiomatic to the flute, this paper is the first to adopt Cope’s statement and ultimately apply it in relation to the notation of non-standard extended flute …

Los Ritmos Latinoamericanos Como Estrategia De Resistencia En La Ópera La Ruta De Su Evasión (2017) De Abya Yala Y Carlos Castro, Pamela Zamora Quesada

Graduate Theses, Dissertations, and Problem Reports (ETD)

In this Master’s thesis I examine the most recent Costa Rican opera The Path of Avoidance (2017), produced by the Cultural Association for Performing Arts Abya Yala, directed by Roxana Ávila and composed by Carlos Castro, based on the homonymous novel of Yolanda Oreamuno (1948).Through a semiotic analysis, I will discuss how the innovative manner of incorporating Latin American rhythms such as salsa, bolero, vals criollo, bossa nova and tango is a musical strategy which promotes a problematization of the gender dominant discourse and patriarchal context. Simultaneously, these rhythms offer a way of resistance on the direct or psychological violence …

The "Organ-Accompanied Solo Motet" In In La Maîtrise, 1857–1861, John David O'Donnell

Graduate Theses, Dissertations, and Problem Reports (ETD)

In his work, Motets for One Voice by Franck, Gounod, and Saint-Saëns, Richard Benefield began the scholarly study of a unique body of repertoire, the organ-accompanied solo motet repertoire of nineteenth century France. While Benefield chose to restrict his project to the work of only three major composers, he indicated other collections of Latin texted solo motets, one of which was the solo motets published in the Parisian church music journal La Maîtrise,between 1857–1861. These songs are examined in terms of historical context, musical features, and possible contemporary uses.

As France recovered from the ravages of the Revolution, …

Discovering The "Finnish Chopin"—Selim Palmgren's 24 Preludes, Op. 17, And Tres Piezas Para Piano, Op. 54, Sijia Wang

Graduate Theses, Dissertations, and Problem Reports (ETD)

Selim Palmgren (1878-1951) is one of the most significant musical figures in Finland. Unlike Jean Sibelius, who is undoubtedly the greatest Finnish symphonic composer of his time, Palmgren’s concentration is more on smaller-scale character pieces. His contribution to the piano and vocal repertoires earned him the reputation of being the “Chopin of the North” and also the “Schumann of the North.” Palmgren was not only prolific, having written over 300 piano works and 200 vocal pieces, but also versatile, frequently blending within his works various nationalistic, impressionistic, and other musical styles and elements within his works.

This paper is focused …

The Ancient-Future Of Worship Education: The Evangelical-Sacramental Movement's Effect On Modern Worship Education, Jordan Miles Covarelli

Masters Theses

This thesis looks at developments in evangelical/Pentecostal contemporary Christian worship music (CWM) in response to its theological critiques and analyzes the effects they are having on what training worship leaders will need. CWM has grown into a global phenomenon that largely either disregards or is ignorant of its theological critics. The rapid rate of churches adopting CWM practices in their services has led to numerous universities creating post-secondary degrees in Worship Leadership focused specifically on modern expressions of worship. This thesis uses a convergent parallel mixed methods research model to analyze how worship practices are changing in key evangelical-turned-sacramental churches …

Latin American Influences On Selected Piano Pieces By Louis Moreau Gottschalk And Darius Milhaud, Hyejeong Seong

Graduate Theses, Dissertations, and Problem Reports (ETD)

This research document examines selected piano works by Louis Moreau Gottschalk (1829-1869) and Darius Milhaud (1892-1974) that are influenced by Latin American cultures.The paper traces the influence of Latin American music and the incorporation of characteristic melodic, harmonic, and rhythmic elements in the following compositions: Souvenir de Porto Rico, op. 31 (1857) and Souvenir de la Havane, op. 39 (1859) by Gottschalk; Saudades do Brasil, op. 67 (1920-1921) and Brasileira: Third movement of Scaramouche Suite, op. 165b (1937), for Two Pianos, by Milhaud. After a brief introduction, the study reviews the existing related literature about this topic. Then, Chapters Three …

Hyperscales: Analysis, Historical Uses, And Possible Applications In Contemporary Music Composition, Douglas Wayne Brown

Graduate Theses, Dissertations, and Problem Reports (ETD)

This paper introduces the hyperscale, defines terminology that is new or potentially ambiguous, examines historical scales which may be a hyperscale or not (with examples when available), introduces two synthetic hyperscales created by the author, tells the story behind their creation through an analysis of an original piece by the author that uses both scales, compares the scale characteristics and composition techniques used in the piece with those of another piece written by a contemporary composer, and finally offers some concluding thoughts on the future of the hyperscale in art music. Because relatively little scholarship exists for this topic, this …

Pedagogical Thoughts On Album Des Six: A Piano Set By Les Six To Represent French Nationalism, Dipendra Sunam

Graduate Theses, Dissertations, and Problem Reports (ETD)

Les Six, formally established in 1920, included a group of young French composers: Georges Auric (1899-1983), Louis Durey (1888-1979), Arthur Honegger (1892-1955), Darius Milhaud (1892-1974), Francis Poulenc (1899-1963) and Germaine Tailleferre (1892-1983). The primary motivation for their formation was the reaction against foreign influences, especially German Romantic music, in French music. Jean Cocteau, inspired by Erik Satie’s style, proposed a new French musical aesthetic: simplicity, directness, clarity, and terseness. Les Six followed these ideals in their formative years. Their artistic association was short-lived, but while it lasted it produced Album des Six, their sole joint production, a published …

Folk-Song To Formal Performance: Interpreting The Songs Of Jean Ritchie For Voice Recital, Julianne E. Laird

Graduate Theses, Dissertations, and Problem Reports (ETD)

The purpose of this study was to identify the value of incorporating American folk-song into a formal voice recital program, specifically the collections and compositions of Jean Ritchie. This qualitative study identified criteria for choosing specific folk-songs to include in formal recital, assessed quality in a folk-song arrangement, discussed suitable instrumentation for accompaniment, and suggested appropriate performance practices for concert performance. New folk-song literature was discovered through accessing original unpublished sources in the American Folklife Center of the Library of Congress. Finally, a format and program for incorporating the collected and composed folk-songs of Jean Ritchie in formal recital was …

We Will Join The Spheres Once More’: Social Critique And The Scientific Imagination In Johanna Beyer’S Status Quo, Charissa Noble

Music: Faculty Scholarship

Sexy cyborgs, gruesome monsters, invasions and body-snatchings: common perceptions of science fiction tend to cite such “pulpy” scenarios as evidence that the genre at best lacks substance and at worst supports misogynist and xenophobic views. Yet, if one adopts a broader definition of science fiction as any piece using science-inspired fantasy as a mode of social discourse, the genre then encompasses a dizzying array of canonic literary works spanning the nineteenth, twentieth, and twenty-first centuries. This expansion of science fiction to include works that traffic in what could be called the “scientific imagination” need not be contained to the artistic …

Johannes Brahms’S Fünf Ophelia-Lieder Performance History, Cultural Context, And Character Study As It Pertains To Johannes Brahms’S Fünf Ophelia-Lieder: A Performer’S Perspective, Caryn Alexis Crozier

Graduate Theses, Dissertations, and Problem Reports (ETD)

This document aims to contribute research on the lesser known and under researched vocal works by Johannes Brahms, particularly his Fünf Ophelia Lieder. This song cycle, while not written to be performed on its own, originally, is a rich technical resource for beginning singers and advanced singers alike. Brahms wrote a simple melody with sparse accompaniment that really allows the performer to focus on language, technique, or dramatic interpretation. This document looks at Brahms’s setting of Ophelia’s mad scene through many different lenses including theoretical, by analyzing each song musically and dramatically, historical analysis of Hamlet and its many iterations, …

Musical And Cultural Perspectives Of Héctor Campos Parsi: An Examination Of His Influences And Analysis Of Selected Vocal Works, Cynthia Ortiz-Bartley

Graduate Theses, Dissertations, and Problem Reports (ETD)

This paper examines the historical and cultural atmosphere in Puerto Rico and how it affected one of Puerto Rico’s most celebrated composers, Héctor Campos Parsi, and two selected works in two different times of his life. The discussion includes events that affected the island with respect to art music from 1898, the birth of Héctor Campos Parsi in 1922, and up to 1986, which marks the date of the second selected work. This document considers three questions about cultural and structural influences about the life and experiences of Héctor Campos Parsi: Does a composer’s life experience and environment and culture …

Contemporary Collaborative Piano Practices In Korea: Five Case Studies, Jiyeon Lee

Graduate Theses, Dissertations, and Problem Reports (ETD)

This research paper provides insight into the practices of collaborative piano in Korea. Interviews are included with five Korean pianists who have enjoyed successful careers in either Korea or the United States: Eun Young Lee, Young Kyung Hyun, Jin Hye Lee, Tony Cho and Hun Won Yim. Their responses provide practical advice for collaborative pianists as well as details about educational and career opportunities for collaborative pianists in Korea and the United States. Also included is biographical information about the selected pianists, information about Korean collaborative pianists’ associations, a list of Korean universities offering collaborative piano degrees, and a bibliography.

Examining Musical Hybridity And Cultural Influences In Valerie Coleman’S Wish Sonatine And Fanmi Imèn, Brittany Marie Trotter

Graduate Theses, Dissertations, and Problem Reports (ETD)

The purpose of this research document is to examine elements of musical hybridity and cultural influences in renowned African-American flutist-composer Valerie Coleman’s Wish Sonatine and Fanmi Imèn for solo flute and piano. Prominently known for her chamber music works, Coleman describes her compositional style as “urban-classical,” which infuses elements of popular American styles into modern Western art music traditions to highlight and encapsulate the cultural experiences of various diasporas of our time.

The most significant elements of hybridity and cultural influences examined in Wish Sonatine and Fanmi Imèn are programmatic imagery and compositional motifs. The programmatic imagery is represented through …

The Marvel Sonic Narrative: A Study Of The Film Music In Marvel's The Avengers, Avengers: Infinity War, And Avengers: Endgame, Anthony Walker

Graduate Theses, Dissertations, and Problem Reports (ETD)

This document explores the music of three films in the Marvel Avengers enterprise: Marvel’s The Avengers, Avengers: Infinity War, and Avengers: Endgame. It does not examine the second film of the series, Avengers: Age of Ultron. The document seeks to uncover and further understand the music’s function in each film and to determine its continuity throughout all three films. This study uses a combination of film music studies and theory-based analysis to support the findings with the aim of identifying connecting musical elements that stretch throughout these three films. This includes the use of leitmotif/themes, previously …

Music Technology, Gender, And Sexuality: Case Studies Of Women And Queer Electroacoustic Music Composers, Justin Thomas Massey

Graduate Theses, Dissertations, and Problem Reports (ETD)

This document aims to contribute to the established scholarship that highlights the role gender and sexuality has with one’s fundamental relationship to composition and music technology. The profession of electronic music composition and music production are strongly associated with notions of power and control, as much of this technology was built during the World Wars and Cold War. These aggressive views have created gendered language and metaphors in the field. Metaphors are the primary way in which we accommodate and assimilate information and experience to our conceptual organization of the world. It is at the source of our capacity to …

The Hard Bop Trombone: An Exploration Of The Improvisational Styles Of The Four Trombonist Who Defined The Genre (1955-1964), Emmett Curtis Goods

Graduate Theses, Dissertations, and Problem Reports (ETD)

This dissertation examines the improvisational stylings of Curtis Fuller, Locksley “Slide” Hampton, Julian Priester and Grachan Moncur III from 1955 through 1964. In part one of this study, each musician is presented through their improvisational connections to J.J. Johnson, the leading trombonist of the Bebop era. His improvisational signatures are then traced through to the musical innovations of the Hard-Bop Trombone Era. Source material for this part of the study includes published books, dissertations, articles, online sources, discographies and personal interviews. Part two of this paper analyzes selected solos from each of the four subjects to identify the defining characteristics …

Music Therapy Effects On Social-Communicative Response Of Children With Autism Spectrum Disorder, Raymond Payton

Walden Dissertations and Doctoral Studies

Children diagnosed with Autism Spectrum Disorder (ASD) are challenged with communicative skills, which can negatively influence their emotional development. As children with ASD in the local school were not demonstrating functional communication skills as measured by the Assessment of Social Skills for Children with Autism (ASSCM), music therapy was introduced as remediation. The purpose of this study was to determine the extent to which music therapy increased the ASSCM scores. This single subject design study was guided by Bronfenbrenner's ecological theory, which holds that individuals are impacted by various environmental systems around them. The research question addressed the extent to …

[Introduction To] Soda Goes Pop: Pepsi-Cola Advertising And Popular Music, Joanna K. Love

Bookshelf

From its 1939 “Nickel, Nickel” jingle to pathbreaking collaborations with Michael Jackson and Madonna to its pair of X Factor commercials in 2011 and 2012, Pepsi-Cola has played a leading role in drawing the American pop music industry into a synergetic relationship with advertising. This idea has been copied successfully by countless other brands over the years, and such commercial collaboration is commonplace today—but how did we get here? How and why have pop music aesthetics been co-opted to benefit corporate branding? What effect have Pepsi’s music marketing practices in particular had on other brands, the advertising industry, and popular …

The Roles Of Absorption In Music Therapy, Michael John Russo

Theses & Dissertations

Absorption refers to the phenomenon of total attentional engagement. The purpose of the current study was to gain a preliminary understanding of the roles that absorption may have in different music therapy approaches. The research questions were: a) How might music therapists know when their clients are in states of absorption?, b) How might absorption influence the ability of music therapy clients to progress towards therapeutic goals?, and c) What is the potential relationship between absorption and music? Three music therapists with self-identified expertise and experience in conceptualizing absorption in music therapy were interviewed about their observations and opinions of …

Exploring The Use Of Marimba In Nordoff Robbins Music Therapy With Children With Autism Spectrum Disorder, Lucas Mccarren

Theses & Dissertations

This study explored the use of the marimba in Nordoff Robbins music therapy with children with Autism Spectrum Disorder. Three clients each received two individual 30 to 45-minute music therapy sessions over the course of three weeks. After reviewing the sessions an inductive thematic analysis was competed in order to determine themes that occurred throughout the study. Five themes were discussed using clinical examples and musical transcriptions. These themes included: (a) sharing the marimba to strengthen the therapeutic relationship, (b) the use of marimba as an accompanying instrument, (c) rhythmic structuring, (d) the use of Nordoff Robbins repertoire on marimba, …

Understanding Group Dynamics In Dir-Based Improvisational Music Therapy With Autistic Children, Anne Therese Crean

Theses & Dissertations

The purpose of this study was to describe the group dynamics of Autistic children in a developmental, individual difference, relationship-based improvisational music therapy group, understand how those dynamics manifested, and to observe changes over time. The primary data source was archived clinical videos from the first, middle, and last sessions of one clinical year. A qualitative content analysis using the Music Therapy Group Improvisation Analysis Model involved a cyclical process of listening, writing descriptive narratives, and analyzing those narratives to develop meaning categories describing the group dynamics. The group dynamics of each session were described individually, and after a process …

The Experience Of Songwriting In Music Therapy For Adults With Intellectual Disability, Jasper Lewis

Theses & Dissertations

This research study investigated the lived experience of adults with Intellectual Disability (ID) in a music therapy songwriting session. Three study participants, referred to here as Emma, Anne, and Abdoul, took part in individual songwriting music therapy sessions. The participants each completed an original song in collaboration with a board certified music therapist. The songs were recorded and the lyrics of the song were transcribed. After the songwriting experience was complete a 10-20 minute semi-structured interview was conducted to gather data about the participants’ subjective experiences. This data was analyzed according to the interpretive phenomenological analysis (IPA) framework. Themes were …

Principals’ Leadership Practices For Sustaining Music In K-3 Education, Ivone Fraiha Clark

Walden Dissertations and Doctoral Studies

Public school principals who provide and sustain music in elementary programs are often confronted with budgetary cuts and reduced funding for music education. There is a dearth of research regarding music as an essential element in K-3 education in low-income rural schools. The purpose of this generic qualitative inquiry was to explore and describe leadership practices of principals, who despite fiscal challenges, include and sustain music in the K-3 curriculum in a low-income rural area of a small county in North Carolina. Elliott and Silverman’s concept of praxial music education and Leithwood and Riehl’s philosophy of instructional leadership practices were …

Key Notes: The Newsletter Of The Department Of Music, Georgia Southern University

School of Music: News & Publications (2017-2023)

• GEORGIA SOUTHERN CHORALE FUNDRAISER

• Georgia Southern Chorale

• Georgia Southern University Symphonic Wind Ensemble

• Southeast Georgia Bassoon Day

• Coastal Saxophone Day 2019

• Faculty Features

• Student Accomplishments

• Upcoming Events in Statesboro

• Upcoming Events at Armstrong

Concert Recording 2019-11-12, Nicholas Liebl, Jordan Alimena, Austin Dearing, Stephen Hunt, Ryan Moos, Chandler Abbott, Brady Callicott, Will Fettig, Brandon Garrett, Derick Ekekwe, Peter Scott

Concert Recordings & Programs

[00:00]. Epitaph VI: Phoenix rising / Martin Ellerby -- [07:03]. Now hear this / Ray Dempsey -- [10:00]. Air on the G string / J.S. Bach ; arranged by Goble -- [13:04]. Four pieces. I. Andante tranquillo ; II. Allegro vivace ; III. Larghetto ; IV. Allegro / Gordon Jacob -- [20:42]. Bottoms up rag / Keith Mehlan -- [22:53]. When tubas waltz / Alfred H. Bartles -- [27:05]. Requiem for a dead little cat / Ernst-Thilo Kalke -- [29:11]. Inertia / Kenyon Wilson -- [32:42]. Tubasonatina. I. Sea chanty ; II. Meditation ; III. Dance / Thom Ritter George …

Concert Recording 2019-10-10, Ryan Moos, Peter Scott, Tomoko Kashiwagi, Donald Bohanon, Carson Vanduch, Austin Dearing, Will Fettig, Nicholas Liebl, Micah Walsh-Levi, Prashant Anand, Benjamin Grief

Concert Recordings & Programs

[00:00]. Two part invention (1989) / Phillip Sparke -- [05:59]. Drei duos for clarinet and bassoon WoO 27 (1790). I. Allegro commodo ; II. Larghetto sostenuto ; III. Rondo allegretto / L.V. Beethoven -- [10:15]. Drei duos for clarinet and bassoon WoO 27 (1790). I. Allegro commodo ; II. Larghetto sostenuto ; III. Rondo allegretto / L.V. Beethoven -- [16:05]. Ratata! / Fernando Deddos -- [18:28]. Spitfire (2013) / Nathan Daughtry -- [27:22]. Pavane, op. 50 (1887) / Gabriel Faure ; arranged by Kenyon D. Wilson -- [33:37]. Quartet for tubas (1969). I. Allegro ; II. Andante ; III. Vivo …

Concert Recording 2019-03-09a, Austin Mcfarland, Landon Cole, Victoria Ledbetter, Samantha Ellis, Jenny Chang, Benjamin Cook, Carson Vanduch, Shelby Swanson-Williams, Connor Gott

Concert Recordings & Programs

[00:00]. Duo sonata / Gregory Wanamaker -- [05:53 ]. Aulos - In memorium a Debussy / Ivana Loudova -- [09:13]. Strange humors / JohnMackey -- [14:16]. Circus parade / Pierre Max Dubois -- [26:44]. Parable XI for solo alto saxophone / Vincent Persichetti -- [32:54]. Three preludes / George Gershwin ; arranged by Ryan Reynolds.