Music Commons^™

In The Race To Reach New Wine Drinkers Old World Taste Is Losing Out, Lillian Knoepp

Capstones

But this old world is losing its grip on the wine industry. French wine production and consumption are falling while the New World of wine is gaining ground in both areas. Experts say that new wine making techniques and higher consumption in New World markets like the United States have changed the French wine industry.

For the French, more than just their wine industry is at stake. For many, the loss of French wine is a loss of French identity.

“They can't choose between the two. Because French people - we are wine and cheese - we are everything,” said …

Reshaping The Event Horizon‑ Marketing Utopia At Music Festivals, Justin D. Joffe

Capstones

Imagine a world where every leisure activity is tracked, recorded, and then analyzed as market research according to your age and gender demographic. Imagine the next phase after smartphone payments, when a chip linking your finances isn’t in your phone, but on your wrist. Imagine a vast field of fellow fun-­‐seekers, eating, drinking and dancing in hedonistic, chemically enhanced utopia. Such a scene certainly requires some open-­‐ mindedness and improvisation, sure, a willingness to submit oneself to a vulnerable environment of whimsy. Now imagine being subtly exposed to advertisements in such a mindset. It’s no Orwellian controlled dystopia, really. You’ve …

#Sociallyconnected: The Now And Then Era Of The Fangirl, Tionah Y. Lee

Capstones

Exploring the increased feeling of connection between fans and their favorite male musicians through social media.

Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press And Fluxus, Meghan A. Dellacrosse

Theses and Dissertations

"Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press and Fluxus," positions Knowles’ Big Book (1966) as a case study of historical methodology and interdisciplinary artistic practice in the post-war period. This comprehensive analysis of Big Book, a work of art no longer extant, contextualizes its publisher, Something Else Press through Dick Higgins’ concept of “intermedia,” and important lesser-known junctures relevant to Fluxus and the group’s leader George Maciunas are illuminated. Knowles' early and lesser-known silkscreen paintings are also examined.

Transgender And Black, Looking For An Audience, Brian C. Josephs

Capstones

Commodore Barry Park is an unappealing mid- sized space on most days. It sits next to Farragut Projects, tucked a few blocks away from Fort Greene Park andits neighboring brownstones. But today is Aug. 22, Day 1 of the Afropunk Music Festival. It’s 5 p.m — the hundreds of attendees gathered under the hot sun press against the barricade separating them from the empty main stage. No one wants to miss a moment of Ms. Lauryn Hill, who’s scheduled as the next performer. But Ms. Lauryn Hill isn’t the performer who gets on stage next. Transgender activist Cherno Biko leads …

Shanghai Quartet With Wu Man, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University

2015-2016 Art Between Real and Imagined

Renowned for its passionate musicality, impressive technique, and distinctive blend of styles, the Shanghai Quartet has become one of the world’s foremost chamber ensembles. The “utterly sublime” (The New York Times) ensemble returns for two enchanting engagements. The Shanghai Quartet is the quartet-in-residence at Montclair State University’s Cali School of Music.

Counter Culture: A Brief Oral/Visual History Of Independent Record Shops, Lee Ann Fullington

Publications and Research

Independent record shops have long been focal points of local music communities. As online music becomes the new normal, the role of these shops is changing. Though many shops have disappeared, others continue to flourish as they have evolved to meet the tastes and demands of collectors, crate diggers, producers, and fans who prefer LPs to MP3s.

Drawing on original ethnographic research conducted in the early 2000s in the US and the UK, this presentation discusses the role and significance of independent record shops in various music scenes. Based on interviews with owners, staff, and customers, this talk is a …

Soundboard Scholar No. 1: Editor's Letter, Thomas Heck

Soundboard Scholar

An introduction to the aims and scope of this new scholarly journal of the guitar, and an introduction to the individual articles.

Elliott Carter’S March: An Applicable Analysis, Troy W. Palmer

Mahurin Honors College Capstone Experience/Thesis Projects

This thesis, in summation, can be divided into two parts. The first half focuses on the story of Eight Pieces for Four Timpani, composed by Elliott Carter and published in 1968. Both its compositional and performance history are addressed. The compositional history starts with the writing of the first version of Carter’s music, Six Pieces for Kettledrums, written in 1950; next, the revision process is addressed, including the actual revisions seen in March. The performance history consists of a study done to determine which piece from the Eight Pieces is the most performed piece; to the author’s …

H. Villa-Lobos' Concerto Para Piano E Orquestra N. 4: A Stylistic Analysis, Vicente Della Tonia Junior

Theses and Dissertations

The purpose of this study was to provide a stylistic analysis of Heitor Villa- Lobos’ Concerto No. 4 for piano and orchestra through investigation of its form, thematic materials, harmony, orchestration, stylistic influences and keyboard usage. The secondary purpose of this study was to offer the historical background, including the commission of the work, its première, reception and publication, which, along with the composer’s influences, will further illustrate his style and contribution to the genre. This study helps to fill a research gap by promoting and educating performers about Villa-Lobos’ writing. The ultimate goals are to encourage informed performances of …

An Annotated Bibliography Of Saxophone Works By Taiwanese Composers, Po-Fang Chang

Theses and Dissertations

Saxophone works by Taiwanese composers are, as yet, rarely researched nor introduced to the Western saxophone community. The purpose of this research paper is to create an annotated bibliography of works by prominent Taiwanese composers as a practical resource for pedagogues, researchers, and performers. Each work is introduced with background information, compositional ideas, performance length, a performance guide, and level of difficulty. In addition, a short biography and contact information for each composer is also included. It is the author’s goal to increase the exposure of these important contemporary works to the wider saxophone community, so that there will be …

The Wind Ensemble Trilogy Of Joseph Schwantner: An Examination Of The Close Musical Relationship Between "And The Mountains Rising Nowhere," "From A Dark Millennium," And "In Evening's Stillness..." With An Approach To Programming The Works As A Trilogy, James Willson Taylor Ii

Theses and Dissertations

Joseph Schwantner’s Trilogy for Wind Ensemble consisting of and the mountains rising nowhere (1977), From a Dark Millennium (1981), and In evening’s stillness… (1996) presents a unique problem. While it is clear that the composer’s intent is that the works be considered smaller parts of a whole, there are several complications to negotiate in order to both perform and appreciate the works as a trilogy. This document is a study of the characteristics that bind these pieces despite their seemingly disparate qualities, including such major components as programmatic inspiration, instrumental requirements, compositional traits, and pitch and rhythmic material. Additionally, it …

Frank Martin's Arranged Works For Flute: Sonata Da Chiesa And Deuxieme Ballade, Jessica Dixon Leeth

Theses and Dissertations

The Swiss composer Frank Martin (1890-1974) wrote three major works for flute—Ballade for flute and piano, Sonata da Chiesa for flute and organ, and Deuxième Ballade for flute and piano. Of these, both the Sonata da Chiesa and Deuxième Ballade were arrangements of two of his previously written works, Sonata da Chiesa for viola d’amore and organ and Ballade for saxophone and piano (or string orchestra, piano, and percussion), respectively. Martin wrote both works in their original versions in 1938, a time in his career when he realized his true individual style, embracing the chromaticism of twelve-tone serialism while maintaining …

Soundboard Scholar No. 1: Cover

Soundboard Scholar

The three guitars were reproduced from La chitarra: quattro secoli di capolavori / The Guitar: Four Centuries of Masterpieces (Edizioni il Salabue, 2008), with the kind permission of Giovanni Accornero. The instruments were made (L to R) by Magno Graill (Rome, c.1620), Antonio Vinaccia (Naples, 1787), and Ignacio Fleta (Barcelona, 1961).

—Thomas Heck

H. Leslie Adams' Twenty-Six Etudes For Solo Piano: A Performance And Stylistic Analysis, Aaron Balthazar Mathews

Theses and Dissertations

H. Leslie Adams (b. 1932) is a prolific and well-respected American composer, performer, and educator. He currently works as a full-time composer and travels the country promoting his music. Past faculty appointments of H. Leslie Adams include serving as an Assistant Professor of Music at Stillman College, Florida A & M University, and the University of Kansas. Over the years, he has received numerous commissions, honors, and awards including the Composer Fellowship Award from the National Endowment for the Arts to study in Bellagio, Italy, the Yaddo Artists Colony fellowship, the Jennings Foundation, and grants from the Rockefeller Foundation and …

Soundboard Scholar No. 1 (Complete)

Soundboard Scholar

No abstract provided.

2015-2016 Gingerbread Holiday Concert, Lynn University Philharmonia, Guillermo Figueroa

Philharmonia

13th Annual Gingerbread Holiday Concert presented by Lynn University and Friends of the Conservatory

Lynn Chamber Music Competition 2015, Daniel Andai, Janet Harris, Joan Kretschmer, Katherine Baloff, Natalia Hidalgo, Hao Chang, Elizabeth Lee, Franz Felkl, Shaquille Southwell, Tatiana Lokhina, Mozhu Yan, Yvonne Lee, Sean Colbert, Alla Sorokoleova, John Weisberg, Jacqueline Gillette, Sebastian Castellanos, Mileidy Gonzales, Chance Israel

Lynn Chamber Music Competition

Judges

• Daniel Andai
• Janet Harris
• Joan Kretschmer

Winners

• Alla Sorokoletova (flute), John Weisberg (oboe), Jackie Gillette (clarinet), Sebastian Castellanos (bassoon), Mileidy Gonzales (French Horn), and Chance Israel (piano)

Instrumental Chamber Music: Woodwinds And Brass, Chapman Brass Ensemble, Chapman Woodwind Ensemble

Printed Performance Programs (PDF Format)

No abstract provided.

Keyboard Collaborative Arts Studio Recital, Varsénik Aslanyan, Rachel Danielson, Evangeline Jodjana, Esther Kim, Yi-Jiao Tian, Elliott Wulff, Tony Baek, Hannah Kidwell, Kimberly Levin, Cynthia Navarette, Kathryn Rock, Andrew Schmitt, Chloé Tardif

Printed Performance Programs (PDF Format)

No abstract provided.

Student Composers' Concert: Students Of Stephen Ferre, Nicholas Scherzinger, And Andrew Waggoner, Stephen Ferre, Nicolas Scherzinger, Andrew Waggoner

Setnor School of Music - Performance Programs

No abstract provided.

Diva Diversity: National Vocal Schools And Qualities, Emma Plotnik

Student Scholar Symposium Abstracts and Posters

Hearing the term “opera singer” for many triggers an image of a German dramatic soprano bearing viking horns and powerfully bursting into a high C. Yet, what is it that perpetuates this stereotype that German singers possess weighty instruments with dark timbres? Why are classically trained North American vocal students told by their teachers to sing lightly and delicately when performing French mélodie, and not any other genre?

Research in vocal pedagogy has demonstrated that singers from particular regions have been typified by their vocal qualities in terms of size and color. These qualities by nation mainly stem from contrasting …

From A Chat In The Parlor To Viral Music Videos: An Analysis Of Music As A Social Occasion, Emma Plotnik

Student Scholar Symposium Abstracts and Posters

Imagine an intimate room filled with people playing cards and casually chatting, while one of Chopin’s piano sonatas plays elegantly in the background. This scenario is characteristic of the atmosphere surrounding Classical and Romantic European salons. Salons served as havens of musical discourse from the Baroque era to the early twentieth century. However, with the advancement of technology from the mid-twentieth century to the present, there has been a decline, or, arguably, even a cessation of salon life.

The aim of this project was to recreate the salon environment through the generation of the online discussion forum, "Music Soirée." To …

Student Pianists In Recital, Brian Clemens, Alexandra Jones, Tyler Johnson, Dahee Jung, Stephanie Caress, Sophia Bui, Ashley Shahbazi, Janice Park, Cole Jackson, Anzhela Kushnirenko, Olivia Gerns, Ariel Chien, Andrew Siles, Michael Seaman, Janice Park

Printed Performance Programs (PDF Format)

No abstract provided.

Prodigies On Youtube: Finding The Genuine Artist In Youth, Priscilla Peraza

Student Scholar Symposium Abstracts and Posters

There seem to be more child prodigies today than ever before. This growth can be attributed to the way society contributes to and facilitates young talent. For instance, shows such as “America’s Got Talent”, “American Idol”, and “The X Factor” cultivate the younger generation to desire fame. Though these children are exceptionally talented, they are also discovered and forgotten at such a rapid pace as well, no doubt due to the amount of social medial accessible in the 21st century. YouTube has become a part of the easily accessible social media trend and is often used as a common source …

Concert Recording 2015-12-09, University Of Arkansas, Fayetteville. Latin American Ensemble

Concert Recordings & Programs

[00:00]. Beautiful love / Ray Barretto -- [03:50]. In the end / Andrew Thompson -- [10:55]. Danzon for my father / Oscar Hernandez -- [18:35]. Ritmo pa' ti / Oscar Hernandez -- [25:03]. Hoy / Gian Marco -- [29:47]. Contigo en la distancia / Cesar Portillo de La Luz -- [33:29]. Guarare / Victorio Vergara -- [37:24]. Cocinando suave / Ray Barretto -- [44:40]. Cubano chant / Ray Bryant -- [49:28]. Baila plena / Papo Vazquez.

The Effects And Comparisons Of Receptive Live Music Listening And Expressive Music Making On Mood With Elderly Adults In A Congregate Residential Setting, Rory Kendall Bolton

Theses and Dissertations

It is important to consider mood and its effect on elderly persons as many older adults will experience symptoms of depression. In prior studies, research indicated that preferred music listening and expressive music making can positively change mood in older adults. The purpose of this research study was to investigate the differences between receptive music listening and expressive music making (presented as a facilitated group music therapy session) and their effect on participants’ mood. The researcher hypothesized that 1) there would be a significant difference for pre and posttest standardized mood assessment (PANAS) scores between the receptive music listening and …

The Voice Of The Motherland: Exploring The Development Of Russian Music Before Mikhail Glinka, Alvin Ly

Student Scholar Symposium Abstracts and Posters

When learning about early western classical music history, the first countries often discussed include England, Germany, France, and Italy beginning around the time of Gregorian chant. It is not until approximately the early Romantic Era that we begin to learn about Russian composers such as Mikhail Glinka, Pyotr Tchaikovsky, or those of the “Mighty Handful” including most notably Modest Mussorgsky, Nikolai Rimsky-Korsakov, and Alexander Borodin. The emergence of Russian music into the western classical world is often taken for granted and seldom asked how or why it happened. In this study, I will compare the development of Russian music alongside …

2015-2016 Brass Chamber Music Concert, Guillermo Garcia Cuesta, Kevin Karabell, Robert Williams, Zongxi Li, Sodienye Finebone, Emily Nichols, Mariana Cisneros, Hallgrimur Hauksson, Luke Schwalbach, Natalie Smith, Shaun Murray, Zackary Brown, Mark Poljak, Hugo Valverde Villalobos, Joseph Guimaraes

Other Student Recitals

No abstract provided.

Syracuse University Baroque Ensemble: Anne Laver, Director; Janet Brown, Director; James Tapia, Director, Syracuse University Baroque Ensemble, Setnor School Of Music, Anne Laver, Janet Brown, James Tapia

Setnor School of Music - Performance Programs

No abstract provided.