Music Commons^™

Expressions Of Taiwanese Cultural Identity In Piano Music: A Study Of Hsiao Tyzen’S Memories Of Home And Ma Shui-Long’S A Sketch Of The Rainy Harbor, Fang-Yu Hsu

UNLV Theses, Dissertations, Professional Papers, and Capstones

This study investigates how Taiwanese cultural identity is expressed in the piano works of composers Hsiao Tyzen and Ma Shui-Long, focusing on Hsiao’s Memories of Home and Ma’s A Sketch of the Rainy Harbor. While both composers are pivotal figures in Taiwan’s musical history, their approaches to integrating local heritage with Western compositional techniques differ significantly. This dissertation argues that they represent two distinct creative paths: Hsiao’s model of Romantic Nationalism and Ma’s model of Modernist Synthesis.

Through historical contextualization and detailed musical analysis, this research examines the specific methods each composer employed. The findings reveal that Hsiao directly quotes …

The Vocal Songs Of Ángela Peralta: A Performer's Guide, Ana Rangel Ortiz

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document is a performer’s guide to the five vocal works of Ángela Peralta from her 1875 Álbum Musical. While she is known as an operatic soprano in Mexico, her work as a composer is slowly receiving more recognition. This project builds on that growing interest by bringing her songs back into conversation by bringing her songs into a performance-centered framework and demonstrating that they extend beyond the expectations of salon music. This document combines historical context, score editing, and performance analysis to support modern singers. The original published scores contain many inconsistencies, including issues with text underlay, spelling, and …

The Collision Between Chinese Traditional Culture And Western Musical Styles In Zhang Zhao’S Piano Work Pi–Huang, Weijing Li

UNLV Theses, Dissertations, Professional Papers, and Capstones

This study focuses on Zhang Zhao’s solo piano work Pi–Huang and explores how Chinese traditional operatic culture is expressed through the piano as a Western instrument. As a piano work with a strong Chinese cultural background, Pi–Huang connects directly to the pihuang vocal system of Beijing opera and shows important elements of Chinese traditional music in its melody, rhythm, timbre, texture, and structure. This dissertation examines the historical and cultural background of pihuang, analyzes the musical language of the work, and discusses its interpretation in performance practice. It focuses especially on pentatonic materials, operatic melodic lines, rhythmic features, timbral images …

Developing Vocal Technique Through The Canción Ranchera In The Middle School Mariachi Classroom, Perry Chacon Jr.

UNLV Theses, Dissertations, Professional Papers, and Capstones

Mariachi is taught in more than 500 public school programs across the United States, yet current scholarship on the mariachi voice primarily focuses on defining and analyzing performance practice, offering limited guidance for classroom instruction. This study provides a methodology for developing healthy vocal technique in the middle school mariachi classroom. Grounded in established vocal pedagogy and informed by teaching practice, this approach first builds student confidence through participation in group vocal exploration that encourages active vocal participation. Instruction progresses from foundational skill development, including aural skills, breath coordination, and healthy vocal projection, to the application of these skills through …

An Authentic Key To Universality: The National Sound Of Tajčević And The International Sound Of Milojević In Serbian Piano Music, Nikola Šćepović

UNLV Theses, Dissertations, Professional Papers, and Capstones

This thesis argues that the authenticity of the works of Marko Tajčević and Miloje Milojević arises from their deep artistic response to the cultural and historical environment in which they lived and created, while their universality lies in their ability to articulate this authentic language within established artistic forms that resonate with a broader international musical community. It situates these works within the broader cultural context of Serbian music between the two World Wars, a period marked by the negotiation between national identity and European artistic integration.1

It also explores the two formative directions of Serbian piano music, the music …

And Now It Blooms And Sings: The Music And Poetry Of Noël By Clémence De Grandval, Nicholas Stephen Carozza

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document presents a historical background with poetic and musical analysis of Noël for voice, oboe, and piano by Clémence de Grandval (1828–1907) to contextualize the work within the lives of the composer, performers, and poet. Noël occupies an important period in Grandval’s life as one of the few pieces composed after 1900, and features a unique instrumentation of voice, oboe, and piano. The work is a musical setting of poetry by Nobel laureate Sully Prudhomme and was dedicated to oboist Louis Bleuzet and baritone Paul Daraux. This document presents biographical information, compositional background, records of performances, and analysis to …

Treatment And Recovery Of Mucoceles In Brass Musicians: The Performance Trap And Its Consequences, David D. Torres

UNLV Theses, Dissertations, Professional Papers, and Capstones

This dissertation examines the treatment and recovery of oral mucoceles in professional brass musicians through a qualitative case study combining personal narrative, semi-structured interviews, and analysis of medical and pedagogical literature. I interviewed four professional trumpet players who experienced mucoceles and lip trauma, and three medical professionals with relevant expertise. My own case serves as the primary study, documenting 15 years of scar tissue management following surgical excision and an immediate return to demanding performance. Medical literature treats mucocele excision as a routine procedure with recovery measured in weeks. Brass pedagogy literature assumes healthy lips and offers no guidance for …

Negro Spirituals: The Long Journey West, Lavell Thompson, Jr.

UNLV Theses, Dissertations, Professional Papers, and Capstones

This text seeks to explore the origins of Negro spirituals, and how they evolved, highlighting their arrival to Las Vegas, Nevada. It outlines the primacy of vocal music, particularly in reference to African American spirituals, and how they were shaped via the influence of African and European traditions. As it is impossible to address every type of spiritual created, the text focuses on a few types of spirituals—namely joyous accounts and spirituals that use codes for messages. Moreover, it seeks to create a comprehensive understanding of the origins of Las Vegas, because without acknowledging the contributions of the Mormon Church, …

Culturally Responsive Tent: An Architectural Journey, Marcos Amado Petroli, Elmira Ebadi

UNLV Best Teaching Practices Expo

Culturally responsive teaching in architecture encourages students to connect design thinking with identity, culture, and lived experience. This studio assignment introduced the tent as an archetypal architectural form and weaving as a generative tectonic strategy, allowing students to explore how lightweight structures can respond to social needs, cultural narratives, and material expression.

Using “Ticket Out” To Create A Continuous Feedback Loop For Student Learning, Jacob D. Skousen

UNLV Best Teaching Practices Expo

This presentation highlights the use of a brief end-of-class “Ticket Out” to create a continuous feedback loop for student learning. Students reflect on learning targets and provide feedback on the class experience, which is then analyzed and used to guide instructor response, follow-up communication, and instructional adjustments. The practice supports reflective teaching, student voice, and timely, responsive instruction.

Understanding The Musical Theatre Female Mixed Belt Through The Lens Of The Operatic Tenor: A Comparative Study, Courtney Schwalbe

UNLV Theses, Dissertations, Professional Papers, and Capstones

Since its emergence in the early 20th century, the female belt voice has become central to musical theatre, yet it still receives less systematic attention than classical singing in both scholarship and collegiate pedagogy. This document frames the contemporary female belt, especially the high or mixed belt, in dialogue with the Western operatic tenor to demystify belt production for teachers trained in classical vocal pedagogy. Drawing on historical context, voice science, and applied pedagogy, the study compares defining characteristics, vocal challenges, registration, and resonance strategies across the two traditions. Both voices extend chest-dominant qualities above the primary register transition and …

Comparative Study Of Vocal Pedagogy Systems In South Korea And The United States: Developmental Strategies For Classical Voice Education In South Korea, Dongmin Byeon

UNLV Theses, Dissertations, Professional Papers, and Capstones

This dissertation presents a comparative study of vocal pedagogy systems in South Korea and the United States, with the aim of identifying deficiencies in Korean higher education and proposing strategies for reform. While South Korean university voice programs are deeply rooted in the traditional master–apprentice model and rely heavily on anecdotal teaching methods, U.S. institutions have developed structured, evidence-based pedagogical frameworks informed by anatomy, physiology, acoustics, and voice science. This research explores the historical evolution of vocal pedagogy in both countries, highlighting how traditional practices in Korea, though culturally significant, have not sufficiently adapted to contemporary scientific standards.

Employing qualitative …

Integrating Classical Singing Techniques To Aid Natives In Performing Traditional Tongan Folk Songs Of The Late Queen Sālote Tupou Iii, Pauline 'Ofa Vaitāfā Tamale

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document introduces a structured, classical vocal approach to equip native singers with healthier performance techniques and enable anyone in the music world to perform the art songs derived from the poetry and compositions of Queen Sālote Tupou III. The objective of this project is to provide performers, particularly those with a native proficiency, with classical techniques to perform this music with vigor while circumventing vocal fatigue caused by the linguistic, dialectal, and cultural demands inherent in the repertoire. Queen Sālote Tupou III (1900–1965) reigned for nearly 50 years – the longest of any Tongan monarch – and left an …

Balanced Artistry: Integrating The Methods Of Michael Chekhov And Body Mapping For The Versatile Singing Actor, Olivia Yokers

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document explores the integration of movement-based techniques in vocal performance training by focusing on integrating Michael Chekhov’s acting method and Body Mapping. It examines how these methodologies enhance expressive freedom, technical efficiency, and injury prevention in singers. By providing a framework for performers to embody characters with greater authenticity, this document contextualizes exercises from both Body Mapping and Chekhov’s technique through an interdisciplinary approach that enhances student achievement of technical vocal and acting proficiency. Synthesizing principles from Body Mapping, such as inclusive awareness and the dynamic points of balance, with key elements of Michael Chekhov’s acting technique, including crossing …

Bridging The Gap Between Vocal Performance Degrees And Opera Apprentice Programs: A Comparative Study Of Pedagogical Methods, Emily Marie Dirks

UNLV Theses, Dissertations, Professional Papers, and Capstones

While operatic apprentice programs seek singers with strong vocal potential, they rarely define the specific technical skills necessary for success. This study bridges the gap between vocal performance degrees and the opera industry by identifying the vocal techniques that may improve a singer’s likelihood of acceptance into an apprentice program. To achieve this, the research draws from two primary sources: pedagogical texts and interviews with industry experts who actively teach, coach, or perform alongside apprentice artists at elite opera houses. These experts include voice teachers Darrell Babidge and Jack LiVigni, vocal coaches Beatrice Benzi and John Parr, and internationally acclaimed …

Musical Language And Communication: Students Connect Music Streams To Literacy, Mathematics, Science, And Movement, Kelly Collier

UNLV Theses, Dissertations, Professional Papers, and Capstones

This dissertation discusses how music and literacy claim many of the same skills, ways music may be used as a motivational tool to help promote strategies for skill development, and how teachers working in teams have the innovation to generate strategic learning. By combining music symbolism with the literacy curriculum, one can create a set of elementary school lessons that integrate musical melody with the facets of literacy, mathematics, science, and movement to formulate beneficial opportunities for student engagement and learning. Students cultivate learning by using the elements of rhythmic literacy, such as identifying beat values in conjunction with their …

The Development Of Violin Art In China And The Exchange Of Eastern And Western Elements: A Case Study Of Fritz Kreisler's Tambourin Chinois, Chengyu Ren

UNLV Theses, Dissertations, Professional Papers, and Capstones

The Violin, often regarded as one of the most expressive and versatile instruments in the world, holds a central place in both Western and non-Western musical traditions. Its wide dynamic range, tonal flexibility, and unmatched capacity for nuanced expression have allowed it to transcend cultural boundaries and play a key role in the development of diverse musical genres. From classical symphonies and chamber music to folk, jazz, and even popular music, the violin's distinctive voice can be heard shaping the sonic identity of cultures across the globe. In the context of Chinese music, the violin's influence has grown significantly since …

East Meets West In Chinese Orchestral Repertoire: The Fusion Of Chinese Nationalism And Western Musical Influence, Tianxi Wen

UNLV Theses, Dissertations, Professional Papers, and Capstones

This doctoral document explores the intersection of Chinese musical traditions and Western orchestral influences, focusing specifically on how Chinese composers have navigated this blend to create distinctive orchestral works. Grounded in my background as a doctoral student in orchestral conducting and enriched by my ethnomusicological expertise, this document examines how these composers have integrated both traditions into their music.CHAPTER 1, “Introduction”, introduces the document’s structure, central argument, and the selection of orchestral works for analysis. It also defines the document's purpose and scope. CHAPTER 2, “A Brief History of the Orchestra in China”, examines the origins, evolution, and development of …

A Comparative Analysis Of Fife And Flute Pedagogical Methods And Resources For Amateur Musicians, Lauren A. Zwonik

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document explores the pedagogical literature and tools used by fife and drum instructors during private lessons and ensemble rehearsals. The document will address the general history of the fife and drum and how the instrumental pair has been a leading cultural, historical, and musical signifier across Europe and the United States over the past millennium. It also analyzes the strengths and pitfalls in fife pedagogical literature and highlights supplemental teaching resources from flute pedagogical literature. This research aims to strengthen the current methodological tools for amateur fife learning while providing a dialogue between different music genres and ensemble structures. …

Kealaikahiki By Michael-Thomas Foumai: A Transcription For Wind Orchestra With Accompanying Historical Context, Cultural Significance, And A Discussion Of The Transcription Process, Ocean Kupono Akaka

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document includes a transcription of the three movements of Michael-Thomas Foumai’s suite for orchestra, Kealaikahiki. An overview of the historical context of the work; including biographical information about the composer, and the history surrounding the inspiration of the work is included. A detailed explanation of the techniques used in transcribing the work for wind orchestra is also included.

The Science Behind Free Rebound, Ryan Nash Bond

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document examines a history of the the percussion stroke used throughout history leading to Free Rebound. It focuses on how grip, technique, and pedagogy have evolved over time through various pedagogues. The concept and stroke motion in Free Rebound was first advocated by George Lawrence Stone, Billy Gladstone, Fred Hinger, Buster Bailey, Ed Soph, and Joe Morello, it was implemented in playing and teaching by Gary Cook, and furthered by Dean Gronemeier. This discussion aims to support professionals', students', and teachers' interests by discussing the pedagogies of different approaches over time. The health and wellness section helps to discuss …

Influences On The Ecuadorian Flute Repertoire: Compositions By Sixto María Durán, Jacinto Freire, Gerardo Guevara, Luciano Carrera, Juan Carlos Urrutia, Blanca Layana, And Leonardo Cárdenas, Ligia Verduga

UNLV Theses, Dissertations, Professional Papers, and Capstones

Ecuadorian music is rich, diverse, and beautiful. It encompasses several genres, rhythms, histories, backgrounds, and influences. Ecuador is a small country situated in the northwest corner of South America atop by the equatorial line that divides the northern Hemisphere from the South, hence the name Ecuador. It borders to the north by Colombia, to the south and east border by Peru, and to the west, by the Pacific Ocean. The repertoire for flute from Ecuadorian composers is a very interesting topic that deserves further exploration and research. As additional repertoire is available; however, there are not many scholarly papers written …

Flexing In Popular Songs From 2024 - 2023, Jasmine Ayon, Sky Romeo, Christian Casaerez, Alexa Adame, Kesi Land

Undergraduate Research Symposium Podium Presentations

Purpose:

Music is a major agent of socialization. As an art form, music carries with it messaging and rhetoric capable of reaching people en masse. With this in mind, it is vital that we pay a careful eye to music in order to understand what messaging is reaching the public at large. This project is intended to build off of the current literature on music, rhetoric, and socialization by understanding what artists in music brag about - flex - as a means of gaining cultural capital.

The Development Of Liking And Familiarity Responses To A Novel Musical Scale, Maya Velazquez, Dan H. Berkowitz, Nicholas Kathios, Psyche Loui

Undergraduate Research Symposium Posters

Musical preference is shaped by listening experience

Listeners tend to like music they’ve heard before familiarity correlates with liking (1).

As listeners acquire knowledge of how music is structured, they make better predictions about events as they unfold.

Familiarity and prediction are key drivers of musical pleasure (2,3).

Present study aims to characterize the relationship between listening experience/exposure and preferences during childhood

A Performance Guide To Lisabeth-Claude Jacquet De La Guerre’S Cantate Fran Oise: Semel, Cho Hee Hwang

UNLV Theses, Dissertations, Professional Papers, and Capstones

This study explores one of the French cantatas, Semel , composed by lisabeth-Claude Jacquet de La Guerre (1665–1729) to provide an analysis of her sophisticated text painting and a performance guide for singers. The cantata genre originated in Italy and by the early-eighteenth century, it flourished in France as well: approximately eight hundred French cantatas were composed between 1700 and 1730. lisabeth-Claude Jacquet de La Guerre was among the French composers who adopted the genre, along with Jean-Baptiste Morin (1677–1745), Nicholas Bernier (1664–1734), Fran ois Couperin (1668–1733), and Louis-Nicolas Cl rambault (1676–1749). In 1715, Jacquet de La Guerre published the …

Investigation Of The Influence Of Body Weight Support And Listening To Different Beats Of Music, Natalia Pravica, Kenji Masumoto, Alina Swafford, Kate Afanasyeva, John Mercer

Undergraduate Research Symposium Posters

Music has been an important part of human expression throughout history. With recent technological advancements, it has never been easier for individuals to listen to music while they train. Previous studies have indicated there is a relationship between music and physical activity. The goal of our research project is to examine the relationship between the physiological effects of listening to music while running at different body weight support (BWS). A lower body positive pressure treadmill (Boost) was used to provide BWS. Phase one measured preferred stride frequency and self selected speed. Phase two measured VO2, heart rate, stride frequency, and …

Psychological Pitfalls Of The Modern Percussionist: A Survey Of Coping Mechanisms For Downward Spirals In Mental Health, Andrew Naughton

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document explores three key facets of mental health significantly impacting percussionists in both educational and professional settings: Imposter Syndrome, sleep deprivation, and stress management. The primary focus is to understand the impact of these psychological conditions on percussionists and discover effective approaches to prevent, alleviate, or manage these ailments. This document is divided into four sections. The initial section delineates the concept of “Imposter Syndrome” and discusses its various manifestations as encountered by percussionists in both educational and professional environments. The second section discusses the consequences of sleep deprivation on mental well-being when it is disregarded. The third section …

A Transcription For Piccolo Trumpet With Historical Context And Methodology: Oboe Quartet Kv 370/368b By Wolfgang Amadeus Mozart, Christopher Massa

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document explores the challenges of transcribing Mozart's Oboe Quartet for piccolo trumpet, emphasizing performance practices. Both oboe and trumpet navigate mid-high to high ranges with fluidity, underscoring the importance of mastering flexibility through study and practice. This document examines the process of transcription by comparing other successful transcriptions.Achieving balance among instruments is crucial due to the piccolo trumpet's volume compared to the oboe or violin. Careful dynamics adjustment ensures harmonious blending within the ensemble, allowing each instrument to shine without overpowering the others. Breath management poses another significant challenge, and while similarities between oboe and piccolo trumpet breath control …

The Transformative Power Of Traditional Spirituals In "Spiritual Sketches" By Damien Sneed: A Study Of Musical Influence And Cultural Heritage, Haylee Glenn

UNLV Theses, Dissertations, Professional Papers, and Capstones

This doctoral project aims to comprehensively study Damien Sneed's life, work, and legacy by examining his musical career, the themes and inspirations that inform his art, and the impact he has had on classical music. Through a detailed analysis of compositions “Every Time I Feel the Spirit,” “Deep River,” and “Sometimes I Feel Like a Motherless Child” from Damien Sneed's "Spiritual Sketches," this study will shed light on how Sneed incorporates this important cultural and musical tradition into his compositions in an innovative way. This dissertation will explore the roots of the traditional spiritual, examine its significance during the Black …

Exploring Intention Mapping And Action In Pursuit Of Emotional Storytelling For Musicians, Douglas Carpenter

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document presents a novel approach to music education by integrating acting pedagogies, specifically the concepts of "Intention" and "Action," to enhance the expressive capabilities of musicians. Rooted in the methodologies of Konstantin Stanislavski, Sanford Meisner, and Michael Chekhov, this research seeks to bridge the gap between traditional music education, which often emphasizes technical execution, and the need for emotional expressivity and storytelling in musical performances.

The role of the musician as a 'human instrument,' capable of conveying complex human emotions and narratives through music is explored in this document. Drawing from acting techniques, the document proposes methods to help …