Music Commons^™

Concert Recording 2019-03-09a, Austin Mcfarland, Landon Cole, Victoria Ledbetter, Samantha Ellis, Jenny Chang, Benjamin Cook, Carson Vanduch, Shelby Swanson-Williams, Connor Gott

Concert Recordings & Programs

[00:00]. Duo sonata / Gregory Wanamaker -- [05:53 ]. Aulos - In memorium a Debussy / Ivana Loudova -- [09:13]. Strange humors / JohnMackey -- [14:16]. Circus parade / Pierre Max Dubois -- [26:44]. Parable XI for solo alto saxophone / Vincent Persichetti -- [32:54]. Three preludes / George Gershwin ; arranged by Ryan Reynolds.

Concert Recording 2019-11-24b, Benjamin Turner, Masae Mizuno, Victoria Ledbetter, Amber Burks, Catherine Ryan, Mckenzie Thompson

Concert Recordings & Programs

[00:10]. Sonata. I. Andante, Allegro moderato ; II. Adagio non troppo ; III. Allegro con brio / James Di Pasquale -- [09:28]. Epitaph de Jean Harlow / Charles Koechlin -- [13:19]. Divertimento. I. Allegro ma non troppo ; II. Andante ; III. Presto / Roger Boutry -- [23:08]. Ulla in Africa / Heiner Wilberny.

Concert Recording 2019-04-01, Elizabeth Greener, Avigail Gomez, Megan Park, Logan Morris, Jonathan Catron, Brandon Garrett, Bryce Owens, Victoria Ledbetter, Anastasia Mills, Nathan Barker, Bailey Ross, Connor Gott, Austin Dearing, Isaac Orvin, Charles Hartman

Concert Recordings & Programs

[00:02]. Glory to God -- [03:06]. Morning tide -- [05:18]. Name -- [08:57]. Light from below -- [12:33]. Demented dances. I. Erratic polka ; II. Waltz in limbo ; III. Grandiose gigue.

Concert Recording 2019-03-30c, Kaitlyn Craven, Clayre Parson, Dennese Adkins, Ann Rye, Victoria Ledbetter, Savannah Ellis, Fiona Slaughter, Katelyn Barry, Florencia Zuloaga, Manchusa Loungsangroong, Traci Hall, Emily James, Lisa Kulczak, Samantha Canon, Bryce Owens, Anastasia Mills, Isaac Orvin, Connor Gott, Charles Hartman, Dominique Phillips, Jordan Barnes, Donald Bohanon, Hyun Kim

Concert Recordings & Programs

[00:00]. Kokopelli / Katherine Hoover -- [04:06]. Mélodie in C-sharp minor, op. 4, no. 2 Notturno in G minor / Fanny Cecile Mendelssohn -- [10:07]. Cowboy songs / Libby Larsen -- [16:36]. Sound bytes. I. Invention ; II. Thirds ; III. Short circuit ; IV. Get up / Katherine Hoover -- [22:36]. Overheard on a saltmarsh / Erin Goad -- [30:31]. Sonatina for clarinet and piano / Caroline Schleicher Krämer -- [40:47]. Winter spirits / Katherine Hoover -- [45:19]. I never saw another butterfly . The butterfly from/ Lori Laitman -- [49:51]. Demented dances. Erratic polka from / Elizabeth Greener …

Concert Recording 2019-11-16c, Alexandria Holcomb, Henry Runkles, Cadi Stair, Lily Fuentes, Christian Leon

Concert Recordings & Programs

[00:01] Overture in B-flat Major, GVW 484. II. Air / Christoph Graupner arr. Holcomb -- [Track 2]. 05:26 Clarinet sonata in B-flat Major. III. Rondo / John Baptist Vanhal -- [10:20]. Divertimento no. 3 in B-flat Major, KV Anh. 229 (439b). I. Allegro ; II. Menuetto ; III. Adagio ; IV. Menuetto ; V. Rondo: Allegro assai / W.A. Mozart ; arranged by Trio di Clarone -- [23:04]. Fantasy for clarinet and piano / Carl Nielsen -- [27:18]. Sonata for clarinet and piano. I. Allegro tristamente ; II. Romanza ; III. Allegro con fuoco / Francis Poulenc -- [41:28]. Four …

Where Do We Go From Here? A Semi-Autobiographical Performance Exploration Into The Therapeutic Benefits Of Theatre, Emma Elliott

Scripps Senior Theses

My intention in this performance is to create a therapeutic theatrical process for myself and engage the audience with intense emotional vulnerability regarding the combination and validation of the nobody and performative self. I utilized both my vocal and acting training to work through emotional trauma that I have experienced and created a musical performance to demonstrate my journey of therapy and emotional reconciliation within myself and my family. I focused my research on using autobiographical performances to solidify and validate the identity of the performer to an audience. In doing so, this allows the performers to become the …

A Selected Comparison Of Music Librarians' And Musicologists' Self-Archiving Practices, Rachel E. Scott

Faculty and Staff Publications – Milner Library

The importance of open access (OA) advocacy is well-documented in the literature of academic librarianship, but previous research shows that librarians' OA behaviors are less conclusive. This article compares the self-archiving practices of music librarians and musicologists to see how librarians rank in OA adoption. Availability of articles published from 2013 to 2017 in six green OA journals in music librarianship and musicology indicates a need for continued advocacy and enhanced understanding of OA policies and opportunities.

Retrieving The Real Frederick May, Mark Fitzgerald

Articles

Although Frederick May (1911–85) is seen as holding an important position in the history of twentieth-century composition in Ireland, writing about May has been sporadic. There exists no serious biographical study to date and most of the commentary on the music has been superficial and frequently misleading. Utilizing the recently re-catalogued collection of May’s manuscripts in the Manuscripts and Archives Research Library in Trinity College Dublin (TCD) and also libraries and public collections in Cork, the United States, London, the Czech Republic and Vienna as well as a number of private archives, this essay attempts to build a clearer picture …

Graduate Recital In Oboe, David Thompson

Dissertations and Theses @ UNI

David Thompson presented a Graduate Oboe Recital on March 1, 2019 in Davis Hall of the Gallagher Bluedorn Performing Arts Center at the University of Northern Iowa. This recital was given in partial fulfillment of the Master of Music degree in Oboe Performance. Natia Shioshvili collaborated on piano for each of the pieces. The first piece on the program was Johann Sebastian Bach’s Sonata for Oboe and Piano in G Minor BWV 1030b. The edition performed was by C.F. Peters, based on the publication by Raymond Meylan. The second piece performed was Franz Wilhelm Ferling’s Concertino Op. 5 for Oboe …

Graduate Recital In Composition, Denzel Washington

Dissertations and Theses @ UNI

This graduate composition recital took place on 5 February 2019 at 8:00 pm in Davis Hall. The compositions on the program included: Washington Variations for Solo Violin, Utopy for Alto Saxophone and Piano, Freedom Concerto for Clarinet Quintet, and Four Songs on Liberty. This abstract will summarize the structural, rhythmic, and harmonic conception of each work.

Graduate Recital In Viola, Gabriel Mateo Forero Villamizar

Dissertations and Theses @ UNI

Gabriel Forero Villamizar performed his Master of Music Recital in viola on March 29, 2019, at 8:00 pm in the Gallagher-Bluedorn Performing Art Center’s Davis Hall. He was assisted by pianists James Mick and Sean Botkin. The program selected included the Sonata No.3 for Viola da Gamba in G minor BWV 1029 by Johann Sebastian Bach, the Concerto “Der Schwanendreher” by Paul Hindemith, Morpheus for Viola and Piano by Rebecca Clarke, Cadenza for Solo Viola by Krzysztof Penderecki, and Nahum by David Wallace. This program’s repertoire was selected to represent a wide variety of styles, techniques, and performance …

A Master's Recital In Flute, Kimberly Ann Abeyta

Dissertations and Theses @ UNI

Kimberly Ann Abeyta performed a graduate flute recital on Thursday, March 14, 2019, in Davis Hall at the Gallagher Bluedorn Performing Arts Center. Collaborative pianists for the recital were Dr. Robin Guy and Serena Hou. This recital was presented in partial fulfillment of the requirements for the Master of Music degree in flute performance. The program opened with Sonata No. 1 in B minor BWV 1030 by Johann Sebastian Bach, a work for flute and harpsichord from the Baroque era. Two modern, unaccompanied works followed the Bach, creating significant contrast. First Katherine Hoover’s Kokopeli for solo flute, then Mimosa for …

A Master's Recital In Clarinet, Sayyod Mirzomurodov

Dissertations and Theses @ UNI

Sayyod Mirzomurodov performed his graduate recital on March 26, 2019 at 6:00 p.m. in Davis Hall at the Gallagher-Bluedorn Performing Arts Center. The recital was in partial fulfillment of the requirement for his Master of Music degree in Clarinet Performance. The recital program included The Shepherd on the Rock D. 965 by Franz Schubert, Clarinet Sonata No. 2, Op. 120 No. 2 by Johannes Brahms, and Klezmer Dances No. 2 by Göran Fröst. Following intermission, another part of the recital program included Prelude for Solo Clarinet by Krzysztof Penderecki, Concerto for Clarinet and String Orchestra, with Harp and Piano by …

Graduate Recital In Trombone, Thomas Mortenson

Dissertations and Theses @ UNI

The purpose of this recital is to partially fulfill the requirements for the Master of Music degree in Trombone Performance. It features repertoire selected to demonstrate the performer’s musical and technical abilities while exploring a wide range of historical differences in trombone pedagogy. Consideration was given to creating a cohesive program arranged to help prevent stamina issues related to the technical demands of the repertoire. The program features Georg Christoph Wagenseil’s Concerto in E-flat Major for Trombone; two selected Lieder from Johannes Brahms’s Vier Gesänge, op. 43; Henri Tomasi’s Concerto for Trombone and Orchestra; Frigyes Hidas’s Fantasia for Trombone; and …

Increasing Student Perceptions Of Success And Inclusion Through Strategic Programming Of Underrepresented Composers, Joyce J. Beyer

Dissertations and Theses @ UNI

There is a disproportional representation of women and people of color in orchestra and classical music. Both on the stage and in the music being performed, white and male musicians are more prominent than women and people of color. This disproportionality impacts underrepresented people, especially young students.

A study was done to see if introducing students to successful women and people of color who were musicians would increase student perceptions of success and inclusion in orchestra. The study included 37 students from 5 public school orchestra programs. The treatment was a series of pre-designed mini-lessons on underrepresented musicians. Growth was …

Master's Recital In Jazz Pedagogy: A Performance-Demonstration Of Rhythm Section Instruments, Trumpet, Electric Wind Instrument, Synthesizer, Compositions, And Arrangements By Demetrio Lyle, Demetrio Lyle

Dissertations and Theses @ UNI

My education at the University of Northern Iowa in the Master of Music, Jazz Pedagogy track has included two full academic years of continuous study as well as one year of independent study. During my two years in residence, I had the pleasure of experiencing an in-depth curriculum of classes, ensembles, and applied lessons, as well as opportunities to lead large and small ensembles. All of these components were designed to make me into a more effective jazz musician in the disciplines of performance, composition, arranging, and pedagogy.

The latter of these disciplines acts as the synthesis of the recital …

A Master Of Music Recital In Clarinet, Lucas Randall

Dissertations and Theses @ UNI

Lucas Randall presented a graduate clarinet recital on Friday, November 22, 2019 at eight o’clock in the evening in Davis Hall of the Gallagher-Bluedorn Performing Arts Center at the University of Northern Iowa. This recital, in collaboration with Dr. Robin Guy (piano) and Jarod Kral (bassoon), was given in partial fulfillment of the Master of Music degree. The program includes works by Ludwig van Beethoven, Johannes Brahms, Leslie Bassett, and Robert Muczynski, representing a variety of styles and periods from the clarinet repertoire.

Facial Re-Enactment, Speech Synthesis And The Rise Of The Deepfake, Nicholas Gardiner

Theses : Honours

Emergent technologies in the fields of audio speech synthesis and video facial manipulation have the potential to drastically impact our societal patterns of multimedia consumption. At a time when social media and internet culture is plagued by misinformation, propaganda and “fake news”, their latent misuse represents a possible looming threat to fragile systems of information sharing and social democratic discourse. It has thus become increasingly recognised in both academic and mainstream journalism that the ramifications of these tools must be examined to determine what they are and how their widespread availability can be managed.

This research project seeks to examine …

The Performer-Composer: A Reimagined Career Pathway For The Modern-Day Saxophonist, Jazmin Ealden

Theses : Honours

The ambiguity of the twenty-first century classical musician career pathway has resulted in a change of professional traditions and opportunities for musicians both within Australia and internationally. The literature discussing the portfolio career model of musicians demonstrates a clear place for this career in the current music industry; one such pathway is that of the performercomposer musician. The aim of this research project was to explore the career pathways of three performer-composer saxophonists. Specifically, this study aimed to identify the change and development of traditional composer-performer roles, explore the fluidity in the spectrum of composer and performer led creative outputs, …

No Human Ever Made A Cathedral Such As This: Scoping The Ecology Of The Carols By Candlelight Effect In Australia’S Open-Air Environments, Robin Ryan

Research outputs 2014 to 2021

During Australia’s dry December, traditional and popular forms of caroling shape the sight and sound of the key Christian festival of Christmas. Creative connections between belief, place, and music are characteristically manifest in focused open-air environments of beach, bushland or park. Reasoning from gospel belief that the very first “Christmas carol” emanated from a heavenly host of angels singing to an audience of shepherds in a field, caroling alfresco is an appropriate activity. How, then, do Australian caroling venues become conducive to environmental spheres of sound and influence? While the annual mass Carols by Candlelight concerts televised from Melbourne and …

Night Music (Compositions, Performance And Improvisations) –And– Developing A Chromatic-Intervallic Approach To Jazz Improvisation Through Reflexive Practice. An Exegesis, Jamie Oehlers

Theses: Doctorates and Masters

This research examines the processes involved in developing and applying a novel melodic jazz improvisation technique—a chromatic-intervallic approach (CIA). Improvised melodic approaches in jazz music from the 1920s until today have primarily been driven through the development of tension within melody lines by using variations of the scale/chord method and harmonic substitution. The CIA examined through my saxophone and improvisatory practice in this research explores the incorporation of melodies derived from intervallic combinations, and assesses the resulting tension within the melody through the use of the Melodic Tension Rating tool; a tool created through the research period of this study. …

Re-Composing Feminism: Australian Women Composers In The New Millennium, Talisha Goh

Theses: Doctorates and Masters

In the age of postfeminism and fourth-wave feminism online, Australian women composers are theoretically able to “have it all,” however, the proportion of women in the occupation appears to have plateaued in recent years. In this thesis, I explore the multiple ways in which gender and feminism interact with practising Australian women composers. Feminist musicology has had a large impact on the Australian musicological scene, with theorists such as McClary and Macarthur bringing the subject of women in music to the fore in the 1990s, aiding efforts to advocate for reform on behalf of women composers. Additionally, third-wave feminist scholars …

The Grain Of The Digital Audio Workstation, Michael Terren

Theses: Doctorates and Masters

This thesis explores the material conditions and practices of the digital audio workstation (DAW), treating them as a subject of musical composition. The DAW is a software application currently ubiquitous in facilitating the creation of recorded and electronic music. Despite its prominence, few have articulated its unique possibilities for compositional practice, or historically contextualised the emergence of such practices. To clarify the locus of inquiry, a theoretical framework termed the grain of the DAW is developed. Derived primarily from Roland Barthes’ notion of the grain (1977), it is understood as the sonic effects in a recorded musical work that infer …

Towards Interaction: Combining Jazz Techniques And Idiomatic Writing For Varied Ensembles. A Collection Of Musical Works -And- An Exegesis, Glyn Alan Macdonald

Theses: Doctorates and Masters

This practice-led research project has produced musical works that bring together ensembles from the Western Classical tradition that only read notation, and, jazz soloists who improvise. Three works ‘Standing Ground’, ‘The Journey’ and ‘Matt versus the Zombies’ were composed for three ensembles each with an improvising soloist. These ensembles included a British style Brass Band, Brass Quintet and a double Saxophone quartet.

The project built on the work of Andy Scott and Eddie Sauter, both of whom wrote for non-jazz ensembles and an improvising artist without including a jazz rhythm section. The accompanying non-jazz ensemble was written in such a …

Performance Practice In Hungarian Folk Music And Its Relationship To The Style Hongrois, Teresa Vinci

Theses: Doctorates and Masters

This study investigates style and performance practice within the oral traditions of Hungarian folk music, and explores intersections with the nineteenth-century idiom style hongrois. Interviews, lessons, and workshops were undertaken as part of a practice-based immersive research experience, and comparisons with the style hongrois made via analysis of scores and recordings of Jeno Hubay (1858-1937). The research strives towards an ‘Historically Informed Performance’ specific to these styles, and explores how they can inform each other. Findings are presented through a dissertation and a CD recording “Never Far Away…” comprising the researcher’s violin performance as leader of an Hungarian folk …

Concert Recording 2019-02-07a, Christopher Macrae, Tomoko Kashiwagi

Concert Recordings & Programs

[00:00]. Luoghi sereni e cari. Vaghissima semianza. O del mio amato ben / Stefano Donaudy -- [08:03]. Ideale. Non t'amo piu . L'ultima canzone / Francesco Paolo Tosti --[18:22]. The Songs of travel. The vagabond ; Let beautyawake ; The roadside fire ; Youth and love ; In dreams ; The infinite shining heavens ; Whither must I wander? ; Bright is the ring of words ; I have trod the upward and the downward slope / Ralph Vaughan Williams.

Concert Recording 2019-02-12, Christopher Macrae, Tomoko Kashiwagi

Concert Recordings & Programs

[00:00]. Luoghi sereni e cari. Vaghissima semianza . O del mio amato ben / Stefano Donaudy -- [08:04 Ideale. Non t’amo piu . L’ultima canzone / Francesco Paolo Tosti -- [18:22]. The songs of travel. The vagabond ; Let beauty awake ; The roadside fire ; Youth and love ; In dreams ; The infinite shining heavens ; Whither must I wander? ; Bright is the ring of words ; I have trod the upward and the downward slope / Ralph Vaughan Williams.

Subito 2019, Portland State University. School Of Music & Theater

Subito: Student Voices from Portland State University School of Music & Theater

Issue 2, Spring 2019

A symphony concert unites Americana with Italian Romanticism. Californian Gabriela Lena Frank composes a string quartet in dialogue with her Peruvian heritage. Jennifer Higdon tells a fresh viola joke. I Spat in the Eye of Hate and Lived, based on the poetry of PSU student Micah Fletcher.

Cover

Soundboard Scholar

The scene of angel musicians on our cover is a detail shot of the topmost portion of the famous “Paradiso” fresco in the Cathedral of Orvieto, Italy. It was painted by Luca Signorelli in 1499, at the very time of Columbus’s third voyage, when (as Richard Pinnell explains in this issue) Spanish guitarras and vihuelas were first being introduced to the New World. The Signorelli fresco’s music-historical interest for us lies in the guitar-like instrument depicted in the hands of the highest angel in the heavenly ensemble—a position of no small honor for her or her instrument. It is approximately …

Francesco Corbetta: La Guitarre Royalle (Carter), Ellwood Colahan

Soundboard Scholar

A review of Francesco Corbetta: La Guitarre Royalle, album by Carter, William.