Music Commons^™

Where Springs Not Fail, Hannah Guo

Graduate Thesis Collection

Where Springs Not Fail is a 23-minute multimovement work for mixed choir, mezzo-soprano and baritone soloists, and a chamber instrumental ensemble. Drawing texts from Gerard Manley Hopkins and Rabindranath Tagore, the composition explores themes of spiritual darkness, anxiety, and a profound yearning for hope—shared human experiences that are often under-acknowledged. The work aims to reside between sacred and secular expressions, offering a space of vulnerability, reflection, and honesty for performers and listeners alike.

The composition engages a wide range of stylistic influences, including serial and minimalist techniques, chant-like melodic writing, modal language, and motivic symbolism. Structured as an arch form, …

Playful Music Learning In Piano Lessons: Implications For Intrinsic Motivation And Sustained Engagement, Cora Lynne Hart

Undergraduate Honors Thesis Collection

Within the field of piano pedagogy, there is a great need to adapt teaching strategies to a new generation of learners. Traditional pedagogical methods are not always conducive to student-directed, process-based, and most importantly, joyful learning. The beginning elementary level is the most critical time to start a student’s musical journey with positivity and encouragement, and is a time when these teaching strategies make a profound impact. This thesis explores how play activities can facilitate engaging musical experiences that are more aligned with children’s natural way of learning. Through a literature review, the thesis synthesizes existing research on child learning …

Blue Waves And Razor Blades: For Large Jazz Ensemble / Big Band, Mikel Shane Prather

Graduate Thesis Collection

The concept and main theme of Blue Waves and Razor Blades originally began in 2014 when I was a young composer attending Butler University for my master’s degree in composition. The idea of the piece was to use flow and motion based upon my imagining of an ocean wave crashing into the bank, sometimes moving past rocks and barriers causing slight tension. The theme and the beginning structure was created and originally titled Blue Waves. Before I could really focus on this piece, opportunities arose in Los Angeles where I started my current career in the music film industry and …

Saxophone Quartet "Phoenix", Noah Magnus

Graduate Thesis Collection

This thesis is a musical composition which is a saxophone quartet lasting ca. 35 minutes. It also has an accompanying paper.

Songs Through Statues: The Mask Of Sorrow For Baritone, Accordion, Guitar, Piano & Wind Duo, Alexander T. Schmidt

Graduate Thesis Collection

The Mask of Sorrow is a twelve-minute song written by me, Alexander Schmidt, that utilizes a variety of techniques that I have learned over the course of my study in graduate school. The piece utilizes leitmotives in a unique and interesting way via the usage of set theory to represent the text in musical form, produce a constant development of material, and encourage a musical narrative to supplement the text. This analysis moves through the whole of the form and documents its usage of timbre, motive, harmonic set, and much more, to showcase the means of which all the techniques …

Social Connections: The Role Of Community In Johannes Brahms's Viola Writing, Alex Beauchamp

Graduate Thesis Collection

Despite a negative opinion of the viola held by musicians and audiences alike in the nineteenth century, Johannes Brahms (1833–1897) wrote orchestral, chamber, and solo pieces that highlight the viola. We can trace an affinity for this black sheep of the string instrument family beginning with his Serenade No. 2 in 1859—which uses the viola as the primary melodic voice—and extending through his Clarinet Sonatas in 1894, which Brahms also authorized for viola performance.

Throughout his life, Brahms was close with several violists, three of whom inspired Brahms to write substantial music for the viola. Joseph Joachim (1831–1907), a famous …

How Mental And Emotional Stress Impacts Vocal Phonation In Adolescent Singers, Samantha M. Thielen Pak

Graduate Thesis Collection

This study examines the relationship between mental/emotional stress and vocal phonation abilities in high school choir students. 17 pairs of General Health Questionnaires and Vocal Screenings were completed by four student participants. These questionnaires and screenings were completed on a weekly basis. Within the General Health Questionnaire, there were several negative correlations with “Concentration” from the General Health Questionnaire results, those being “Loss of Sleep” (r = -0.547, p = 0.023) and “Losing Confidence in Self” (r = 0.575, p = 0.016), as detailed in Table 3. The largest correlations to “Concentration” are “Under Strain” (r = -0.742, p = <.001) and “Feeling Unhappy” (r = -0.746, p = <.001). From the documented screenings, there was very little impact noted on the phonological abilities of the participants. Presence of “Non-Musical Sounds” had a strong correlation with “Tone Quality” (r = 0.683, p = 0.001), showing that there was an increase of non-musical sounds when tone quality had decreased in score.

“Death Leaves A Heartache No One Can Heal:” Musical Subversion In The Irish Caoineadh Tradition, Charissa Joy Garrigus

Graduate Thesis Collection

My thesis details the subversive, inherently feminine nature of Irish caoineadh (keening). This research focuses on how a practice with pagan, druidic roots survived in a culture that was experiencing intense religious and structural upheaval including the arrival of Protestant English settlers, tensions with the Catholic church, and longstanding pagan traditions. I contend that early modern Irish lament (caoineadh/keening) was inherently subversive due to its feminine liminality, its origins from druidic ritual, and its musical, poetic, and lyrical content that was often condemnatory of patriarchal Christian and English power structures. This thesis investigates three main topics occurring from ancient times …

Concerto For Flute, Wind Ensemble, And String Quintet, Catherine A. Hoelscher

Graduate Thesis Collection

Concerto for Flute, Wind Ensemble, and String Quintet is a 15 minute work created to demonstrate the virtuosic abilities of the flute. This thesis contains a 47-page score separated into three movements, along with a list of its instrumentation and statements of gratitude. Alongside the score there is a brief overview of the piece with excerpts from the score and descriptions of its musical themes. The overview compares and contrasts the themes and the three movements.

From The Four Winds: A Suite For Orchestra And Jazz Musicians, Thomas James Johnson

Graduate Thesis Collection

From the Four Winds is a four-movement suite for orchestra and jazz musicians. Work on the first movement started in early 2021, and work on the other three movements began in fall 2023. All of music is based on four pitches, B, C, Db, and Eb, which are usually used as chord roots. The concept of four winds was inspired by Chinese culture, but the relationship between the music and the four compass directions was from the perspective of the Midwestern United States. Two movements have sections for jazz style improvisation, and two were influenced by musical minimalism. The final …

Percussive Practices: Scholastic Programming Of Pageantry Indoor Percussion And Concert Percussion Ensembles, Robert A. Halpner

Graduate Thesis Collection

This thesis focuses on an evaluation of the spring practices of percussion programs in the greater Indianapolis area. This qualitative research study was designed to study and analyze the differences in programming of pageantry indoor percussion and concert percussion ensembles at the high school level. Specifically, this thesis focuses on the rationale and educational practices behind school percussion programming of either of these two ensemble types. This thesis attempts to answer the primary research question: what musical or educational philosophies guide the reasoning behind determining if a particular school participates in either concert percussion ensemble or pageantry indoor percussion during …

Letters Between Lovers: A Wartime Woe A Romantic Seven Scene Dance, Rachel Gruszecki

Graduate Thesis Collection

Letters Between Lovers: A Wartime Woe is a ballet that tells the tragic tale of Genevieve and Raymond. Once childhood best friends, their bond grew into a romance that is quickly ripped apart when Raymond is drafted into World War II. Genevieve must fight for her love of Raymond, as well as within the war itself to get him back. This ballet instrumentation features a brass quintet, strings, piano, and various percussion.

Charting The Stars: Hypatia Of Alexandria For Solo Violin And Chamber Wind Ensemble, Amanda S. Ellery

Music Graduate Theses

This is a score and analysis of Charting the Stars: Hypatia of Alexandria which is for Solo Violin and Chamber Winds. This piece is a single movement tone poem representing Hypatia of Alexandria’s life. The piece has six sections, and each represents a different part of Hypatia’s life, leading to her violent murder. The first section represents Hypatia’s childhood learning. The second section represents Hypatia growing into a respected philosopher. Next represented is Hypatia’s connection to Neoplatonism, followed by a section that represents Hypatia’s life as a public philosopher and political advisor. The fifth section shows political and religious conflict …

Music In The Sky Like Bombers: Representations Of Airplanes In Interwar Futurist Music, W. E. Cooke

Music Graduate Theses

Since its founding in 1909 by F. T. Marinetti, the artistic movement of futurism gathered momentum as a politically charged avant-garde that challenged tradition and day-to-day life while promoting nationalism, war, and complete artistic expression. Marinetti and his artistic movement followed fascisms’ slow march to power through multiple aesthetic phases, beginning with the study of movement through plastic dynamism (1909-1919), engaging with speed and controlled power through machine aesthetics (1920-1929), cumulating with the more mystical aeroaesthetics (1929-1944), which Marinetti described as “the daughter of fascist aviation and Italian Futurism.”

This posturing was not done merely in support of fascism. In …

A Zipfian Distribution Of Sets In Honor Of The James Webb Space Telescope, Timothy D. Blaisdell

Music Graduate Theses

A Zipfian Distribution of Sets in Honor of the James Webb Space Telescope is a trio for Clarinet, Viola, and Piano. The piece aims to celebrate the accomplishments of several international teams responsible for the completion of the JWST, as well as honor the spirit of human space exploration as it works to reveal the universe to us. Each movement is titled after one of the images that NASA released in July 2022. The first is The First Deepfield which captures the broad expanse of space full of speckled galaxies twisting under the effects of gravitational lensing. The second is …

Lived Musical Experiences Of Autistic Adults, Anetta Fortner

Graduate Thesis Collection

This research set out to explore the relationship between autistic individuals and music. Current research on autism and music education focuses primarily on the accounts of teachers, parents, and other stakeholders, and does not center autistic voices. The following research questions guided this study: (1) What can we learn from autistic adults, specifically those still involved in music, about their lifelong experiences in music and music education? (2) What insight can we gain from these experiences to create more inclusive environments for autistic individuals? To answer these questions, autistic adults who self-identified as still involved in music completed a short …

Actualizing Unwritten Operatic Conventions: Oral Transmission And The Work-Concept, Jessie Miller

Undergraduate Honors Thesis Collection

Controversy around the actualization of unwritten conventions in operatic performance has become an inescapable reality over the course of the twentieth and twenty-first centuries. The “work-concept”, the term coined by Lydia Goehr, is the strongly held conception in Western music that pieces of music are concrete and immutable, and therefore should not be changed. It is because of this concept that performance controversy exists; a performance that is not viewed to have represented an opera “correctly” is responsible for infringing on the central governing tenet of Western art music performance. I seek to prove that the diametrically opposed ideas of …

Music And Academics: The Ultimate Mashup?, Emmah Keller

BUHealth

Music surrounds us. It is a significant part of our daily lives. People listen to music in a variety of settings and for multiple reasons. Students often listen to music while studying, in hopes of increasing productivity. Others listen to music as a way to relax before an exam. Yet...is there proof that music is beneficial for academic performance? Research shows that music and academics is a good mashup. Study after study reveals that music has several benefits for students. It reduces anxiety, improves focus and concentration, and enhances cognition. These all result in improved academic performance. So, students who …

Symphony: Tambora, Logan Purcell

Graduate Thesis Collection

Symphony: Tambora is a piece for chamber orchestra that is inspired by the 1815 eruption of Mount Tambora in the Lesser Sunda Islands of the Phillipines. Its three movements deal with the genesis of Mount Tambora, the magma chambers filling up and spilling over, and the series of eruptions that resulted in some of the worst climate crises in recorded history. The thesis includes a score of the work, and an accompanying analysis.

The Reconciliation Of Theology And Mythology In Philosophical Defenses Of Music In Early Modern London, Leanna York

Graduate Thesis Collection

Since Antiquity, elements of Greek mythology and Hebraic history have intersected in many forms of literary and visual art. Renaissance philosophers, moved by skepticism, struggled to reconcile the historical and theological contradictions of these ancient sources, and scholars of European history Arthur Ferguson and Jean Seznec recognize resulting trends of mythological interpretation among authors of diverse disciplines. My research investigates ways in which London university professors John Taverner, John Case and an anonymous Oxford author utilized these interpretive methods in their music treatises of the early modern period and discusses the intersection of Protestant theology and Greek mythology in these …

The Machine Is Angry, Seth David Allen

Graduate Thesis Collection

At its heart (or lack thereof) The Machine is Angry is a theater work. The visual components are as equally important as their acoustic counterparts. Sounds are only as valuable as the images they evoke and the intention of The Machine is to outline a picture that simultaneously conveys community and isolation; the idea that one can feel most alone when in a crowded room.

Constructivism In Choral Music Education: Supplemental Activities For The Traditional Choral Ensemble, Allison Renee Fojo

Graduate Thesis Collection

Constructivism in music education can help teachers and students alike better their educational experience by working as a collaborative team. In the choral classroom, constructivist teaching establishes the teacher as the facilitator of learning rather than the “teacher as conductor.” Teachers help foster the musical-thinking of the ensemble. Students learn and retain information when teachers can support learners’ understanding of musical ideas and work within the student’s zone of proximal development. Through the use of teacher-guided questioning, cognitive apprenticeship, informal music-making, CMP, problem-solving, and Understanding by Design, students become active participants. Included are supplemental activities for the traditional choir classroom …

"You Are Safe. You Are Calm. You Are In Control.", Carly Erst

Graduate Thesis Collection

"You are safe. You are calm. You are in control." is a piece written out of a state of emotional and physical exhaustion. The piece uses an electronic track comprised of the sounds of distressed children recorded at a daycare and a flex string quintet that plays along with the track. This paper explores the reasoning behind the music, the connections the piece has to the past, and the relevance of the piece now and in the future.

Balanchine And Kirstein’S American Enterprise By James Steichen. New York: Oxford University Press, 2019., Sophie Benn

Scholarship and Professional Work – Arts

No abstract provided.

Study & Sing: A Music Class For Home Education Students, Joanna Luisi Reinhardt

Music Graduate Theses

The Study & Sing curriculum is designed (1) to provide homeschooling high school students with a music resource that is easy to access and incorporate within their homeschool environment; (2) to facilitate meaningful and effective music instruction by designing a music class for a qualified music teacher to use within cooperative homeschool groups; (3) to offer homeschooling families a comprehensive music class that closely follows the National Core Arts Standards for music education; and (4) to provide a music class for homeschool co-op students that offers a comprehensive design and fosters collaborative music experiences by integrating a performance component that …

Modes Of Infernal Rave Dancing: For Orchestra, Kyle J. Winge

Graduate Thesis Collection

Modes of Infernal Rave Dancing is a lively and compact orchestral work combining many elements that would not otherwise belong together. It applies 20th-century harmonic techniques to a simple dance melody as one would hear in the electronic dance genre. The piece begins by emphasizing one pitch, and gradually adds more pitches before presenting the main melody. Each section builds to segments with harsh dissonances. The entire piece relies on the rhythmic pulse, which creates a sense of urgency in the beginning, nearly disappears in the middle, and returns energetically at the finale. My hope is that this work is …

Two Pandemics - Making Meaning Of Illness Through The Works Of Thomas Mann And Thomas Glavinic, Samuel Stucky

Undergraduate Honors Thesis Collection

By March 2020, most of the world had gone into varying levels of lockdown to try to prevent further spread of what was proving to be a deceptively deadly disease: COVID-19, commonly referred to as “the Coronavirus.” One way to gauge the effect that a massive, traumatic event such as a global pandemic has on individuals is to analyze how those people write about their experiences. In this study, I examine what the German body of discourse contained and what it can teach regarding two major pandemics that fell one hundred years apart via Thomas Mann’s novella Der Tod in …

Pity The Nation, Kameron Zebadiah Mechling

Graduate Thesis Collection

In light of the unprecedented events of social unrest that took place in the year of 2020, this piece takes inspiration from the timeless poem “Pity the Nation” by Lawrence Ferlinghetti. Just as the text and themes relate to the United States during this time, they continue to resonate beyond multiple areas and eras.

When recalling the events of 2020, some remember fear, uncertainty, pain, anger, disgust, and loss. Pity the Nation depicts these emotions. The alto and tenor voices follow each line of text in the poem, interpreting the themes musically as they are given. The fear of the …

Bass Is My Religion: Syncretic Spirituality And Navigating The Potential For Misappropriation Among Participants In Electronic Dance Music Culture, Daniel Backfish-White

Graduate Thesis Collection

At electronic dance music events in the United States, artists and attendees tend to appropriate religious and spiritual sounds, images, and dress, especially from India but also from elsewhere, to varying degrees. This project explicates the effects of adopting religious symbology, ethos, and atmosphere in the music and culture of EDM, specifically in bass music culture. It argues that although individual participants may adopt aspects of religious traditions in ways they perceive as authentic, the potential for misappropriation still exists. In other words, EDM culture creates opportunities for misappropriation that individual participants navigate in order to construct their own individual …

Silent Dreaming: Response To Henry Jenkins, Sophie Benn

School of Music Scholarship and Professional Works

No abstract provided.