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Articles 1 - 30 of 1144
Full-Text Articles in Music
Front Matter/Table Of Contents
Front Matter/Table Of Contents
Performance Practice Review
Includes the table of contents and journal information for this issue.
Contributors/End Matter
Performance Practice Review
Includes information about the authors features in this issue.
Performance Practice Bibliography (1987)
Performance Practice Bibliography (1987)
Performance Practice Review
A bibliography of important books and/or articles published up to 1987.
"Performing Haydn's The Creation: Reconstructing The Earliest Renditions." By A. Peter Brown, Frederick Hammond
"Performing Haydn's The Creation: Reconstructing The Earliest Renditions." By A. Peter Brown, Frederick Hammond
Performance Practice Review
Reviews and critiques Brown's 1986 book.
"Jean-Henry D'Anglebert And The Seventeenth-Century Clavecin School." By Beverly Scheibert., Erich Schwandt
"Jean-Henry D'Anglebert And The Seventeenth-Century Clavecin School." By Beverly Scheibert., Erich Schwandt
Performance Practice Review
Reviews and critiques Scheibert's 1986 book.
A Suggested Improvement For The Fisk Organ At Stanford, Mark Lindley
A Suggested Improvement For The Fisk Organ At Stanford, Mark Lindley
Performance Practice Review
The unequal temperaments of Stanford's Fisk organ should be modified to reflect more accurately the characteristics of Renaissance and Baroque keyboard tunings.
Interpretation Problems Of Ornament Symbols And Two Recent Case Histories: Hans Klotz On Bach, Faye Fergusonon Mozart, Frederick Neumann
Interpretation Problems Of Ornament Symbols And Two Recent Case Histories: Hans Klotz On Bach, Faye Fergusonon Mozart, Frederick Neumann
Performance Practice Review
The reliance on 17th- and 18th-c. ornament tables in 'authentic' performance often leads to rigid interpretations. A monograph by Hans Klotz (RILM 1984-05515-bm) and a review by Faye Ferguson perpetuate a rigid view of how 18th-c. ornaments should be interpreted.
Stravinsky, Tempo, And Le Sacre, Erica Heisler Buxbaum
Stravinsky, Tempo, And Le Sacre, Erica Heisler Buxbaum
Performance Practice Review
In reviews of recorded performances by others of Le sacre du printemps, Stravinsky contradicted his metronome markings and his own recorded performance tempos. His preferred tempos in the reviews encompass a range wider than the markings imply, yet more narrow than his own performance tempos suggest.
The "Not-So-Precisely Measured" Music Of The Middle Ages, Hendrik Van Der Werf
The "Not-So-Precisely Measured" Music Of The Middle Ages, Hendrik Van Der Werf
Performance Practice Review
Evidence from medieval writers, musical notation, and variant readings in the sources all suggest that troubadour and trouvere songs were performed in more or less equal note values and in a manner that presented the poetry clearly.
'Back To The Land': Performance Practice And The Classic Period, Malcom S. Cole
'Back To The Land': Performance Practice And The Classic Period, Malcom S. Cole
Performance Practice Review
Although much valuable work has been done on performance practice in the Classic period, many issues await detailed study.
The Performance Of French Baroque Music: A Report On The State Of Current Research, Albert Cohen
The Performance Of French Baroque Music: A Report On The State Of Current Research, Albert Cohen
Performance Practice Review
A survey, with a bibliography, of published research on French Baroque performance practice that appeared during the period 1978-88.
Performance Practice: Criticism, Summary, Discovery, Roland Jackson
Performance Practice: Criticism, Summary, Discovery, Roland Jackson
Performance Practice Review
Promising new directions for performance research include: (1) firsthand experience with historical instruments; (2) reexamining musical sources; (3) exploring archival and literary material; and (4) establishing links with ethnic research.
Continuing Abby Whiteside's Legacy--The Research Of Pianist Sophia Rosoff's Pedagogical Approach, Carol Ann Barry
Continuing Abby Whiteside's Legacy--The Research Of Pianist Sophia Rosoff's Pedagogical Approach, Carol Ann Barry
Dissertations, 2014-2019
Since 1956, Sophia Rosoff has dedicated herself to performing and teaching principles developed by piano pedagogue Abby Whiteside. Whiteside became internationally known between 1930 and 1956 for her pioneering work in the study of the use of the body in producing beautiful sound and freedom of technique. Her research was considered revolutionary and instrumental in raising physical awareness in pianists. Committed to ongoing research, Rosoff continues to teach in her apartment in the Upper East Side of New York City. The purpose of this document is to present Rosoff’s musical background, research, teaching philosophy, and the strategies she has developed …
A Performance Perspective: Un'aura Amorosa From Mozart's Cosi Fan Tutte, Laney Benson
A Performance Perspective: Un'aura Amorosa From Mozart's Cosi Fan Tutte, Laney Benson
Honors Theses
There are common themes that performers investigate in evaluating a character. They include: the history surrounding the opera, especially of the composer and librettist; devices employed in the opera; the relationship between its characters and, of course, examples of past performances. Each of these will be equally applicable to a performance of the aria "Un 'aura amorosa" from Mozart's opera Cosi fan tutte. All of these elements form a cohesive template for observation of how to give a performance of the piece.
2011 Holiday Concert: Old Dominion University Wind Ensemble, Old Dominion University Madrigal Singers, And Old Dominion University Symphony Orchestra, Old Dominion University Wind Ensemble, Dennis Zeisler (Director), Old Dominion University Madrigal Singers, Lee Teply (Director), Old Dominion University Symphony Orchestra, Lucy Manning (Director)
2011 Holiday Concert: Old Dominion University Wind Ensemble, Old Dominion University Madrigal Singers, And Old Dominion University Symphony Orchestra, Old Dominion University Wind Ensemble, Dennis Zeisler (Director), Old Dominion University Madrigal Singers, Lee Teply (Director), Old Dominion University Symphony Orchestra, Lucy Manning (Director)
Ensemble Performances
No abstract provided.
Clarinet Ensemble Recital, Brian Myer, Shane Jensen, Samantha Alterman, John Pollock, Amanda Gentile, David Warner
Clarinet Ensemble Recital, Brian Myer, Shane Jensen, Samantha Alterman, John Pollock, Amanda Gentile, David Warner
Chamber Music Programs
Program listing performers and works performed
2011-2012 Gingerbread Holiday Concert, Lynn University Philharmonia, Albert George Schram
2011-2012 Gingerbread Holiday Concert, Lynn University Philharmonia, Albert George Schram
Philharmonia
9th Annual Gingerbread Holiday Concert sponsored by Bank of America, presented by Friends of the Conservatory of Music
Piano And Strings Small Ensemble Concert, Lydia Dutcuic, Javier Chacun, Conner Bogenrief, Evan Roth, Ann Marie Kawai, Kevin Baker, Clara Cheng, Alayne Hsieh, Rachelle Schouten, Launa Kressin, Conrad Ho, Matt Owensby, Gabby Stetz, Jill Marriage, Lizzie Murtough, Macie Slick, Laura Schillbach, Nathaniel Cook, Emily Uematsu, Elizabeth Lee, Nickolas Kaynor, Jake Wiens, Marie Park, Maria Myrick, Will Kellogg, Eli Kaynor, Eileen Regullano
Piano And Strings Small Ensemble Concert, Lydia Dutcuic, Javier Chacun, Conner Bogenrief, Evan Roth, Ann Marie Kawai, Kevin Baker, Clara Cheng, Alayne Hsieh, Rachelle Schouten, Launa Kressin, Conrad Ho, Matt Owensby, Gabby Stetz, Jill Marriage, Lizzie Murtough, Macie Slick, Laura Schillbach, Nathaniel Cook, Emily Uematsu, Elizabeth Lee, Nickolas Kaynor, Jake Wiens, Marie Park, Maria Myrick, Will Kellogg, Eli Kaynor, Eileen Regullano
Printed Performance Programs (PDF Format)
No abstract provided.
Senior Project Recital, Kailee Ann Albitz, Nancy Porter
Senior Project Recital, Kailee Ann Albitz, Nancy Porter
Senior Recitals
Program listing performers and works performed
Orff-Schulwerk For Music Therapists, Brittney Butts Grant
Orff-Schulwerk For Music Therapists, Brittney Butts Grant
Music Therapy Theses
When using the term "Orff Music Therapy," the assumption is made that the person conducting the lesson or session is a music therapist. Conversely, one assume that the person leading an Orff-Schulwerk lesson is an educator. A major difference between Orff-Schulwerk and Orff Music Therapy is the goal of the lesson or session. The goal of Orff-Schulwerk is music education. The goal of an Orff Music Therapy session is usually non-musical, such as working on motor control or increasing attention span. In order to fully reach the whole child, teachers and therapists should take into account a secondary focus to …
Student Recital: Ariel Mitchell, Soprano, Ariel Mitchell, Bobbie Kesler-Corleto
Student Recital: Ariel Mitchell, Soprano, Ariel Mitchell, Bobbie Kesler-Corleto
Student Recitals
No abstract provided.
Student Recital: Justin Talk, Percussion, Justin Talk
Student Recital: Justin Talk, Percussion, Justin Talk
Student Recitals
No abstract provided.
Brass-Ackwards Brass Quintet, Old Dominion University Brass-Ackwards Brass Quintet, Dylan Carson, Ellis Williams, Lauren White, Wesley Miller, Bruce Lord, Peter Dubeau (Director)
Brass-Ackwards Brass Quintet, Old Dominion University Brass-Ackwards Brass Quintet, Dylan Carson, Ellis Williams, Lauren White, Wesley Miller, Bruce Lord, Peter Dubeau (Director)
Ensemble Performances
No abstract provided.
2011-2012 Nothing But Klezmer, Paul Green, Bob Weiner, Roy Fantel, Seth Merlin, Jamie Ousley, Nikki Rattinger
2011-2012 Nothing But Klezmer, Paul Green, Bob Weiner, Roy Fantel, Seth Merlin, Jamie Ousley, Nikki Rattinger
Other Seasonal Concerts
No abstract provided.
Voice Class I Recital, Amber Wynn, Zhu Sun
Voice Class I Recital, Amber Wynn, Zhu Sun
Chamber Music Programs
Program listing performers and works performed
Convocation, Dimitri Carabas, K. C. Singer, Asiamarie Domingo, Cody Stover, Damian Coughlin, Waylon Raether, Hye Youn Joo Sin, Gianni Becker, Barry Stanton, Samantha Ciarlo, Belinda Martinez, Christina Riegert, Ronna Humphries, Ava Thibodeau, Samantha Alterman, David Warner, Barbara Riske, Jessica Kim, Spencer Baker, Zhu Sun, Bilyana Tancheva, Travis Lohmann, Nancy Porter
Convocation, Dimitri Carabas, K. C. Singer, Asiamarie Domingo, Cody Stover, Damian Coughlin, Waylon Raether, Hye Youn Joo Sin, Gianni Becker, Barry Stanton, Samantha Ciarlo, Belinda Martinez, Christina Riegert, Ronna Humphries, Ava Thibodeau, Samantha Alterman, David Warner, Barbara Riske, Jessica Kim, Spencer Baker, Zhu Sun, Bilyana Tancheva, Travis Lohmann, Nancy Porter
Convocations
Program listing performers and works performed
Convocation, James Galvez, Casey Gardner, Stacy Honaker, Miguel Alasco, Patrick Garcia, Dominique Jackson, Lindsay Testai, David Warner, Bradley Taylor, Megan Hermansen, Jourdan Borowiak, Katie Bertini, Thomas Gaff, Bilyana Tancheva, Nancy Porter, Albina Asyran, Jae Ahn-Benton, Travis Bernau
Convocation, James Galvez, Casey Gardner, Stacy Honaker, Miguel Alasco, Patrick Garcia, Dominique Jackson, Lindsay Testai, David Warner, Bradley Taylor, Megan Hermansen, Jourdan Borowiak, Katie Bertini, Thomas Gaff, Bilyana Tancheva, Nancy Porter, Albina Asyran, Jae Ahn-Benton, Travis Bernau
Convocations
Program listing performers and works performed
Doctoral Recital, Latoya Lain, Karen Mccann
Doctoral Recital, Latoya Lain, Karen Mccann
Graduate Student Recitals
Program listing performers and works performed
2011-2012 Tao Lin In Recital, Tao Lin