Open Access. Powered by Scholars. Published by Universities.®
- Institution
-
- Lincoln Memorial University (1393)
- Gardner-Webb University (711)
- SUNY Buffalo State University (320)
- Western Kentucky University (290)
- Columbia College Chicago (251)
-
- University of Southern Maine (96)
- Georgia Southern University (93)
- City University of New York (CUNY) (62)
- Cleveland State University (60)
- Marshall University (34)
- St. Norbert College (34)
- Brigham Young University - Hawaii (32)
- Indiana State University (29)
- University of North Alabama (21)
- Gettysburg College (18)
- Longwood University (18)
- Loyola Marymount University and Loyola Law School (18)
- Yale University (18)
- Rhode Island School of Design (17)
- Morehead State University (16)
- Wright State University (16)
- Edith Cowan University (14)
- Liberty University (14)
- University of Kentucky (13)
- Claremont Colleges (11)
- Augustana College (10)
- Fordham University (9)
- Otterbein University (9)
- Brigham Young University (8)
- Louisiana Tech University (8)
- Keyword
-
- Music (1701)
- Nineteenth Century (1357)
- Sheet Music (1261)
- Civil War Music (793)
- Kentucky (190)
-
- Gospel music (147)
- Hart County (139)
- Hart County Gospel Music Association (139)
- Munfordville (139)
- Piano--Instruction and study (77)
- Piano (68)
- Methods (Music) (64)
- Western Kentucky University (56)
- Composer (53)
- Finding aid (50)
- Leo Podolsky (50)
- Commencement (49)
- Concert (48)
- Research (48)
- Gretsch instruments (47)
- Gretsch drums (46)
- Beethoven (44)
- Arthur Wildman (43)
- History (43)
- Conservatories of music--Illinois--Chicago (42)
- Music--Instruction and study--Illinois--Chicago (42)
- Walter A. Erley (41)
- Georgia Kober (39)
- Chopin (38)
- Liszt (38)
- Publication
-
- ALLM: Civil War Sheet Music Collection (1393)
- The Etude Magazine: 1883-1957 (711)
- Concert & Event Programs (178)
- Gospel Reaching Out (139)
- Manuscript Collection Finding Aids (72)
-
- WMPG Program Guides (69)
- CBMR Collection Guides / Finding Aids (63)
- Commencement Programs (48)
- Gretsch Company Catalogs & Price Lists (44)
- Newspapers (44)
- Academic Catalogs (42)
- The Journal of Traditions & Beliefs (33)
- Pacific Studies (32)
- Piano Courses (32)
- Violin Courses (32)
- Publications and Research (31)
- St. Norbert Times (31)
- Correspondence (29)
- All-Inclusive List of Electronic Theses and Dissertations (28)
- Darius Milhaud Society Newsletters (25)
- Dissertations, Theses, and Capstone Projects (25)
- WKU Administration Documents (25)
- Advertisements for Events (24)
- Documents (20)
- Guides to Manuscript Collections (18)
- Yale Journal of Music & Religion (18)
- Monsoon: South Asian Studies Association Journal (17)
- Slingerland Drum Company (17)
- Incite: The Journal of Undergraduate Scholarship (16)
- Obituaries (15)
- Publication Type
- File Type
Articles 1 - 30 of 3928
Full-Text Articles in Music
Here Comes The Sun: A Diachronic Study Of The Role Of Music In The Amarna Period, Waleed Hawatky
Here Comes The Sun: A Diachronic Study Of The Role Of Music In The Amarna Period, Waleed Hawatky
Theses and Dissertations
Music has and continues to play a prominent role in the lives of individuals and in society, hardwired into the human experience and integral to our understanding of the world in both its tangible and intangible manifestations. This was no different in dynastic Egypt, where abundant iconographic and physical evidence from the Old Kingdom onward shows music performed in many diverse contexts at every social level.
Music appears not only to gain prominence during the reign of Amenhotep IV/Akhenaten (c. 1353–1335), also known as the Amarna Period, but also to develop innovations, including new kinds of instruments and musical ensembles, …
"The Sounds Of Handy's Music On The Tennessee River", William Lindsey Mcdonald
"The Sounds Of Handy's Music On The Tennessee River", William Lindsey Mcdonald
Research Articles
William Christopher Handy "the father of the blues" was raised in Florence, Alabama. The article offers a synopsis of the connection between Handy, his music, and the Tennessee River.
More information about W.C. Handy and a digitized image gallery is available at the William Christopher Handy Collection.
Representasi Identitas Dan Gastronomi Budaya Kuliner Jawa Dalam Lima Lagu Karya Ki Narto Sabdo, Aditya Pratama, Darmoko -, Ari Prasetiyo, Dwi Woro Retno Mastuti
Representasi Identitas Dan Gastronomi Budaya Kuliner Jawa Dalam Lima Lagu Karya Ki Narto Sabdo, Aditya Pratama, Darmoko -, Ari Prasetiyo, Dwi Woro Retno Mastuti
Paradigma: Jurnal Kajian Budaya
Culinary is not just food and drink, but has transformed into a study of culinary gastronomy which focuses on aspects of history, values, philosophy, taste and components. The study of the problems discussed in this research is related to the cultural identity of Javanese culinary gastronomy in the five songs by Ki Narto Sabdo. Descriptive qualitative research methods with an objective approach were applied in this research. This research uses Santich's culinary gastronomy theory and Stuart Hall's theory of cultural identity representation with a constructionist approach. As a result, the representation of Javanese culinary gastronomic cultural identity is built on …
"Unsung Americans Sung" List Of Songs, W. C. Handy
"Unsung Americans Sung" List Of Songs, W. C. Handy
Documents
List of songs in Unsung Americans Sung, a volume of African American music edited by W.C. Handy. The volume's thirty-eight songs range from ballads about specific historical figures, such as Frederick Douglass and Booker T. Washington, to arrangement of poems like Langston Hughes' "The Negro Speaks of Rivers."
"Let Not Your Heart Be Troubled", Russell Smith, Handy Brothers Music Co. Inc.
"Let Not Your Heart Be Troubled", Russell Smith, Handy Brothers Music Co. Inc.
Documents
Sheet music for the sacred solo "Let Not Your Heart Be Trouble" with lyrics derived from the fourteenth chapter of the Gospel of St. John. The sheet music was published by Handy Brothers Music Co. Inc. and signed by W.C. Handy on December 30, 1946
"Opportunity," Signed Sheet Music, Walter Malone, W. C. Handy, Handy Brothers Music Co. Inc.
"Opportunity," Signed Sheet Music, Walter Malone, W. C. Handy, Handy Brothers Music Co. Inc.
Documents
Sheet music for "Opportunity" with music by W.C. Handy and lyrics based on the poem by Walter Malone. The sheet music was published by the Handy Brothers Music Co. Inc. and signed by W.C. Handy on December 30, 1946.
"How Like A Rose Is Love," Signed Sheet Music, Hal Hode, Peter Tinturin, Handy Brothers Music Co. Inc.
"How Like A Rose Is Love," Signed Sheet Music, Hal Hode, Peter Tinturin, Handy Brothers Music Co. Inc.
Documents
Sheet music to How Like a Rose is Love published by Handy Brothers Music Co. Inc. and signed by W.C. Handy on December 30, 1946.
"How The First Song Was Born," Signed Sheet Music, Alexander Hill, Handy Brothers Music Co. Inc.
"How The First Song Was Born," Signed Sheet Music, Alexander Hill, Handy Brothers Music Co. Inc.
Documents
Sheet music for the Alexander Hill Ballad "How the First Song was Born" published by Handy Brothers Music Co. Inc. and signed by W.C. Handy on December 30, 1946.
Obituary & Memorial Article, The Florence Times
Obituary & Memorial Article, The Florence Times
Documents
Obituary and memorial article entitled "Father of the Blues: W.C. Handy, Famed Composer Dies; Florence Native" derived from The Florence Times. Handy passed way at Sydenham Hospital in New York following admission to the hospital with bronchial pneumonia. The article recounts memories from community members of Handy's youth in Florence and lasting influence on the community.
"Pasadena: Romanza Occidental," Signed Sheet Music, W. C. Handy
"Pasadena: Romanza Occidental," Signed Sheet Music, W. C. Handy
Documents
Sheet music for "Pasadena: Romanza Occidental" with lyrics and music by W.C. Handy. The composition was published by Handy Brothers Music Co. Inc. and signed by W.C. Handy.
"Shine Like A Mornin' Star," Signed Sheet Music, W. C. Handy
"Shine Like A Mornin' Star," Signed Sheet Music, W. C. Handy
Documents
Sheet music arranged by W.C. Handy for the unrecorded spiritual "Shine Like a Mornin' Star" published by Handy Brothers Music Co. Inc. and signed by Handy on December 30, 1946.
"Twenty-Third Psalm," Signed Sheet Music, Lillian Evanti, Handy Brothers Music Co. Inc.
"Twenty-Third Psalm," Signed Sheet Music, Lillian Evanti, Handy Brothers Music Co. Inc.
Documents
Sheet music for the "Twenty-Third Psalm" arranged by Lillian Evanti. The arrangement was published by Handy Brothers Music Co. Inc. and signed by W.C. Handy on December 30, 1946.
"There's A Red Glow In The Sky Above Vesuvius," Signed Sheet Music, Andy Razaf, William C. Handy, Handy Brothers Music Co. Inc.
"There's A Red Glow In The Sky Above Vesuvius," Signed Sheet Music, Andy Razaf, William C. Handy, Handy Brothers Music Co. Inc.
Documents
Sheet music for "There's a Red Glow in the Sky Above Vesuvius: A Timely Plea for Universal Peace" published by the Handy Brothers Music Co. Inc. The title and arrangement are by W.C. Handy, who signed the copy.
Annotated Broadway Daily News Clipping Featuring Handy, Danton Walker
Annotated Broadway Daily News Clipping Featuring Handy, Danton Walker
Documents
Annotated excerpt from the Broadway Daily News that discusses William C. Handy and his home in Yonkers, New York.
Collier Library Archives Adds Music To Collection, Laura Jane Jenkins, Greg Biggers
Collier Library Archives Adds Music To Collection, Laura Jane Jenkins, Greg Biggers
Documents
News article about the edition of fifteen original pieces of sheet music signed by W.C. Handy music to the archives at Collier Library through Alice Nolen's donation of the Nolen Collection in memory of Mrs. Gerdes Brown Nolen.
Chamber Committee Begins Work On Handy Shrine, Wilma Hardin
Chamber Committee Begins Work On Handy Shrine, Wilma Hardin
Documents
Article from The Florence Picture discussing the development of a Handy Shrine in commemoration of W.C. Handy. The article includes a photograph of Handy's childhood home, the site of the new museum, and a brief discussion of his rise to fame alongside a photograph of Handy with Welton Reynolds.
"W.C. Handy Plays A Prominent Part At Ascap's Festival Of American Music", American Society Of Composers
"W.C. Handy Plays A Prominent Part At Ascap's Festival Of American Music", American Society Of Composers
Documents
American Society of Composers (ASCAP) program discussing W.C. Handy's prominent part at their Festival of American Music. The program includes a selection of arrangements featured as well as excerpts from The New York Sun, New York Hearld Tribune, and The New York Times discussing Handy's musical talent.
The Handy News, The Music House Of Handy
The Handy News, The Music House Of Handy
Documents
The Handy News is a compilation of articles about W.C. Handy featured in various newspapers throughout the United States "published every now and then by the Music House of Handy." This particular edition contains articles from 1955 and 1956, on topics ranging from the "Plan World Interracial Jazz Fest" to "Worker Reporter Interviews the Father of the Blues."
New U Showcase Program, 1974, University Of North Alabama
New U Showcase Program, 1974, University Of North Alabama
Documents
New U Showcase Musical, 1974 program.
Egyptian Suite: Compositional Reflections, Jeremy Fisher Jacobus
Egyptian Suite: Compositional Reflections, Jeremy Fisher Jacobus
Master's Theses
Egyptian Suite is an original composition for concert wind ensemble that takes example and inspiration from what others believe was Ancient Egyptian music, with some of today’s examples of Egyptian music. This work is divided into four movements: The Nile, The Pharaoh’s Festival, The Pyramids, The Grand Coronation, with each movement representing personal interpretation of each idea with the instrumentation, and the changes in texture, color and rhythm. With each movement of the Egyptian suite, I evaluated instruments being used as additional colors and textures, used more non-conventional key signatures modulations and time signature changes, and utilized a diverse and …
The Influence Of Gustav Holst's The Planets On The Music Of John Williams, Kara Lewis
The Influence Of Gustav Holst's The Planets On The Music Of John Williams, Kara Lewis
Senior Honors Theses
Throughout his six-decade career in film music, John Williams has achieved incredible success. Yet, one of the most prominent criticisms of Williams’ work is that it borrows heavily from classical repertoire. It is common to read that Williams stole from composers such as Gustav Holst. This paper examines in what aspects and to what extent the music of Williams takes inspiration specifically from Holst’s The Planets. Overall style and specific excerpts will be compared to demonstrate that, while the two share some characteristics, there is not an overall sameness of style. It shall also be demonstrated that certain excerpts …
Eighth-Century Paschal Hymns, Maksim Astashinskiy
Eighth-Century Paschal Hymns, Maksim Astashinskiy
Faculty Papers and Publications
The first hymn (The information is taken from footnote 1): For the Greek text, see Patrologiae cursus completus. ed. Jacques-Paul Migne, Series Graeca: Patrologia Graeca (PG) Vol. 96 (1864), 849, http://patristica.net/graeca/, or Anthologia graeca carminum christianorum. ed. Wilhelm von Christ (Leipzig: B.G. Teubner, 1871), 218, https://archive.org/details/anthologiagraec00paragoog; for a traditional nineteenth-century translation, see: Hymns of the Eastern Church. ed. and trans. John Mason Neale (London: J.T. Hayes, Lyall Place, Eaton Square, 1876), 95–96, https://archive.org/details/hymnseasternchu01nealgoog. The versification is my own. The second hymn (The information is taken from footnote 6). For the Greek text, see: Anthologia …
Contesting The Sacred: Ideology And Church Music Reform In Spain, 1850–1900, Francisco J. Legasa
Contesting The Sacred: Ideology And Church Music Reform In Spain, 1850–1900, Francisco J. Legasa
Dissertations, Theses, and Capstone Projects
This dissertation argues that sacred-music reform in Spain between 1850 and 1900 was not a unified movement culminating in the 1903 Motu proprio, but a contest between two distinct and contemporaneous programs. The first, associated with Hilarión Eslava, affirmed musical expression and artistic progress, embraced stylistic eclecticism, and sought to rebuild musical institutions, modernize pedagogy, and forge alliances with civic life. It drew on Romantic thought that attributed to music a distinctive capacity to mediate religious experience. The second, aligned with Roman ultramontanism, held that Gregorian chant and Renaissance polyphony were the only legitimate models for sacred music and that …
Conga Santiaguera: A Century Of Innovation And Competition, Nick Herman
Conga Santiaguera: A Century Of Innovation And Competition, Nick Herman
Dissertations, Theses, and Capstone Projects
Santiago de Cuba is home to the island’s biggest, oldest, and most famous carnival. Any local resident will confirm that “sin conga no hay carnaval (without conga there is no carnival).” In Santiago, conga refers to a vibrant street procession, the music that drives it, and the ensemble that makes the music. Conga Santiaguera: A Century of Innovation and Competition presents a musical history of the conga from roughly 1910 to 2010. This project, https://cuny.manifoldapp.org/projects/conga employs an eBook, musical analysis, oral histories, and audiovisual media to show how the conga has been constantly reinvigorated by innovation, competition, and Afro-Diasporic …
A Description Of Zhao Zhang’S Nature No. 2 And Xiaoxuan Xu’S An Unusual Feast Of East, Sicheng He
A Description Of Zhao Zhang’S Nature No. 2 And Xiaoxuan Xu’S An Unusual Feast Of East, Sicheng He
Dissertations, 2020-current
This research presents a new path in the development of Chinese music by aiming to incorporate both modern Western and ancient Chinese influences in form, texture, tonality, topic, and other dimensions of style and structure. Two Chinese composers whose recent compositions for the piano share similar characteristics: Zhao Zhang (b. 1964; Nature no. 2, 2013) and Xiaoxuan Xu (b. 1990; An Unusual Feast of East, 2022). The research will discuss how Zhao Zhang and Xiaoxuan Xu accomplish this fusion of old and new in their recent piano works Nature no. 2, (2013) and An Unusual Feast of East, 2022. …
Kattam Choreography- A Facade Of The Virgin Islands, Kiyani J.M. Ottley
Kattam Choreography- A Facade Of The Virgin Islands, Kiyani J.M. Ottley
Bachelor of Architecture Theses - 5th Year
Kattam Choreography reimagines a historic building in Charlotte Amalie, St. Thomas, USVI as a vibrant cultural hub that celebrates dance, memory, and commerce. Rooted in the embodied traditions of the qudrille folk dance, this project explores adaptive reuse as a performtive act—where architecture becomes a living archive of movement and heritage.
The design treats the building’s layered history not as a static artifact, but as a choreographic score. Quadrille’s spatial logic—its symmetry, rhythm, and communal gestures—informs circulation, program, and atmosphere. The building unfolds as a triptych: a dance pavilion, multi-purpose educational spaces, and a gift shop. Each element responds to …
The History And Legacy Of The Monterey Jazz Festival, Ana Mendez
The History And Legacy Of The Monterey Jazz Festival, Ana Mendez
Capstone Projects and Master's Theses
The Monterey Jazz Festival holds a strong legacy in the world of jazz. Nestled in the Monterey Bay area, the festival's musical lineups entertain locals and travelers from around the world each year. Topics that are discussed within this paper are the inception of the festival, Monterey before the festival, Monterey Jazz Festival co-founders, Jimmy Lyons and Ralph Gleason, major works of art debuts at the festival including The Real Ambassadors, the international influence at the festival, the educational endeavors of the Monterey Jazz Education Team, and the 2025 rebranding of "Monterey Jazz".
New Clubs: Taking Roots, Diorama, 1981
New Clubs: Taking Roots, Diorama, 1981
Documents
Article with photographs describing the 1981 introduction of four new campus organizations: Delta Sigma Theta, Ascending Voices, Fashion Forum, and the University of North Alabama Film Society. The article is derived from the Diorama, the student yearbook.
Volume 17, Christian O’Neill, Kyara Greene, Savva Sidorov, Laura Bisaillon, Luke Clemmer, Hannah Gordon, Kitt Benson, Taylor Blount, Rachel Danzitz, Nicholas Duellman, Chase Gionis, Hima Fernando, Seth Franzyshen, Onyx Gonzalez, Bryan Lin, Samantha Start, Ysabel Wells, Maggie Duncan
Volume 17, Christian O’Neill, Kyara Greene, Savva Sidorov, Laura Bisaillon, Luke Clemmer, Hannah Gordon, Kitt Benson, Taylor Blount, Rachel Danzitz, Nicholas Duellman, Chase Gionis, Hima Fernando, Seth Franzyshen, Onyx Gonzalez, Bryan Lin, Samantha Start, Ysabel Wells, Maggie Duncan
Incite: The Journal of Undergraduate Scholarship
Introduction Dr. Amorette Barber, Director, Office of Student Research
From the Editor Dr. Hannah Dudley-Shotwell
Cover Artist’s Statement Maggie Duncan
On Mentoring Dr. Yulia Uryadova
Ukrainian Resistance in the Face of Russification: Nestor Makhno and Anarchism
by Christian O’Neill
Life Vest by Kyara Greene
Isolation and 16S rRNA Identification of Bacteria from Fire Department Connection Pipe by Savva Sidorov
The Effectiveness of Planned Exercise in Reducing ADHD Symptoms in Children by Laura Bisaillon & Luke Clemmer
Linguistic Analysis on Confidence and Communication Strategies with Disparities Between Sign Fluency and Hearing Impairment by Hannah Gordon
Freedmen in Indian Territory by Kitt …
The Harvey Pittel Saxophone Quartet: Its History And Legacy In American Saxophone Quartet Performance, James M. Lawhn
The Harvey Pittel Saxophone Quartet: Its History And Legacy In American Saxophone Quartet Performance, James M. Lawhn
Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances
The saxophone quartet has emerged as a legitimate chamber ensemble in the United States through the sustained efforts of a small number of pioneering professional groups. Despite the central role these ensembles have played in shaping repertoire, performance standards, and public perception, their histories have often gone undocumented. Among the most influential of these groups is the Harvey Pittel Saxophone Quartet, an ensemble that maintained an unusually active national and international touring career for nearly four decades and helped establish the saxophone quartet as a viable professional model.
This document addresses a significant gap in the scholarly literature by presenting …