Music Commons^™

Vilma Weber Von Webenau : Die Marienlieder, Sommerlieder Für Streichquartett Und Eine Sprechstimme, Carolyn Dehdari

Undergraduate Honors Theses

Vilma von Webenau (1875-1953) is not only worthy of study because of her connection with teacher Arnold Schoenberg. Her music is unique in the era of fin-de-siecle Vienna, but it also holds interest today because of its atmoshpheric and durational complexity, self-composed texts, and harmonic ambiguities. This critical edition seeks not only to present two of WEbenau's seventy works, but also to place Webenau in her historical and musical context. Exploring the aspects of Viennese modernism and the world that created it, I wish to give background to Webenau's life, of which so little is known. In trying to understand …

Inside Unlv, Diane Russell, Shane Bevell, Carol C. Harter, Cate Weeks, Mamie Peers, Regina Vaccari

Inside UNLV

No abstract provided.

Senor Recital: Megan Smith, Soprano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

The Relationship Between Perceived English Proficiency And Success In Clinical Work: A Survey Of Asian International Music Therapy Students And Music Therapy Instructors/Supervisors, Yayoi Nakai

Masters Theses

The purpose of this study was (1) to identify the students' and instructors'/supervisors' perceptions regarding Asian international music therapy students' English proficiency, and (2) to identify successful strategies students use or instructors/supervisors suggest for resolution regarding English proficiency in clinical situations. The participants of this study were Asian international music therapy students who are currently enrolled in practicum classes or internships in the United States, and instructors/supervisors who have supervised Asian international music therapy students. It was found that there were various difficulties for Asian international music therapy students using English in clinical situations; however, overall both students and instructors/supervisors …

The City Of Jacksonville Presents The Jacksonville Jazz Festival, Jacksonville Jazz Festival

Jacksonville Jazz Festival Collection Materials

Program for the 2006 Jacksonville Jazz Festival, April 6-9 with events scheduled at the Florida Theatre, Metropolitan Park, and Ritz Theatre & LaVilla Museum.

Structural Analysis Or Cultural Analysis? Competing Perspectives On The "Standard Pattern" Of West African Rhythm, Kofi Agawu

Publications and Research

Polyrhythmic dance compositions from West Africa typically feature an ostinato bell pattern known as a time line. Timbrally distinct, asymmetrical in structure, and aurally prominent, time lines have drawn comment from scholars as keys to understanding African rhythm. This article focuses on the best known and most widely distributed of these, the so-called standard pattern, a seven-stroke figure spanning twelve eighth notes and disposed durationally as <2212221>. Observations about structure (including its internal dynamic, metrical potential, and rotational properties) are juxtaposed with a putative African-cultural understanding (inferred from the firm place of dance in the culture, patterns of verbal discourse, …

The City Of Jacksonville Presents Jacksonville Jazz Festival, Jacksonville Jazz Festival

Jacksonville Jazz Festival Collection Materials

Music event Downtown Jacksonville April 6-9, 2006 with concert locations at Metropolitan Park, Ritz Theatre & LaVilla Museum, The Jacksonville Marriott, and The Florida Theatre.

New Mexico Musician Vol 53 No 3

New Mexico Musician

No abstract provided.

A Joint Rolled In Toilet Paper: Funkadelic’S Funky Soul, Joseph T. Thomas Jr.

Reconstruction: Studies in Contemporary Culture

Through an examination of Parliament-Funkadelic’s lyrics and music, this paper explores shit, dirt, and the funk, investigating their relationship to George Clinton and his band’s desire to darken the Humanistic project of Enlightenment, their desire to soil language, and thereby question conventional, bourgeois values. The author argues that Funkadelic participate in what Mikhail Bakhtin calls the “peculiar logic” of the carnivalesque, detourning status quo notions of culture and society, creating complex contortions through the blurring of the good and the bad, the cerebral and the carnal, the sublime and the mundane. In essence, Funkadelic are a musical carnival that exists …

Unlv Magazine, Carol C. Harter, Joe Cockrell, Tony Allen, Regina Bacolas, Lori Bachand, Jennifer Lawson, Bret C. Birdsong, Steve Parker, Erin O'Donnell, Jennifer Robison

UNLV Magazine

No abstract provided.

Illinois State University 10th Annual Jazz Festival, March 31, 2006, School Of Music

School of Music Programs

Center for the Performing Arts
March 31-April 1, 2006

Iwu Chamber Singers In Concert, Kay Mitchell

News and Events (Discontinued Series)

No abstract provided.

2005-2006 Performance Forum - March 31, 2006, Nikola Nikolovski, Yang Shen, Aziz Sapaev, Tao Lin, Mijail Rodriguez, Aaron Mahnken, Eraldo Araujo, Matthew Henderson, Drew Wood, Gentry Barolet

Performance Forum

No abstract provided.

Guest Artist Series: Alexandra Mascolo-David, Piano; March 30, 2006, Alexandra Mascolo-David

School of Music Programs

Center for the Performing Arts
Thursday Evening
March 30, 2006
8:00 p.m.

2005-2006 Philharmonia At Huntington Pointe, Lynn University Philharmonia, Albert George Schram

Philharmonia

Performing Arts at Huntington Pointe Presents Philharmonia Orchestra of Lynn University

Marshall University Music Department Presents The University Of North Carolina At Greensboro, Percussion Ensemble, Cort Mcclaren, Conductor, Marshall University

All Performances

No abstract provided.

Faculty String Trio: Sarah Gentry, Violin; Karen Collier, Viola; Amy Flores, Cello; Judith Dicker, Oboe; March 28, 2006, Sarah Gentry, Karen Collier, Amy Flores, Judith Dicker

School of Music Programs

Kemp Recital Hall
Wednesday Evening
March 29, 2006
8:00 p.m.

General Recital - March 28, 2006, Music Department

General and Sophomore Recitals

This general recital program is from March 28, 2006.

Graduate Recital: Brian Badgley, Tuba; March 28, 2006, Brian Badgley

School of Music Programs

Kemp Recital Hall
Tuesday Evening
March 28, 2006
6:30 p.m.

Faculty Brass Quintet: Amy Gilreath, Trumpet; Ken Wendt, Trumpet; David Snyder, Horn; Stephen Parsons, Trombone; Mike Forbes, Tuba; March 28, 2006, Amy Gilreath, Ken Wendt, David Snyder, Stephen Parsons, Mike Forbes

School of Music Programs

Center for the Performing Arts
Tuesday Evening
March 28, 2006
8:00 p.m.

Kristin Guy, Oboe, Kristin Guy

School of Music Graduate Recitals

• KRISTIN GUY, Oboe
• assisted by Courtney Phelps, Piano A. François Henkins, Violin Arturo Ziraldo, Viola Ellen Nettleton, Cello

Kristin Guy is a candidate for the Master of Music degree majoring in performance. She received her bachelor’s degree from Boise State University.

Fred Glesnes, Tenor Saxophone, Fred Glesnes

School of Music Graduate Recitals

• FRED GLESNES, Tenor Saxophone
• assisted by Bartosz Hadala, Piano Mark Ziegler, Bass Chris Earley, Drums
• and the University Jazz Orchestra

Fred Glesnes is a candidate for the Master of Music degree majoring in jazz performance. He received his bachelor’s degree from the Northern Norway Music Conservatory.

2005-2006 Bravissimo! From The Violin Studio Of Sergiu Schwartz, Tao Lin, Edgar Leite, Kaitlin Richardson, Gareth Johnson, Marcoantonio Real-D'Arbelles, Dmitri Pogorelov, Brandie Phillips, Marvette Henderson, Nelli Jabotinsky, Sonia Shklarov, Valentin Mansurov, Anastasia Agapova

Studio Recitals

No abstract provided.

Senior Recital: Hannah Braud, Soprano, And Emily Schmalz, Soprano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Graduate Student Recital: Michelle Sawyer, Bassoon; March 26, 2006, Michelle Sawyer

School of Music Programs

Kemp Recital Hall
Sunday Evening
March 26, 2006
7:00 p.m.

Junior Recital: Andrew Seng, Baritone; March 26, 2006, Andrew Seng

School of Music Programs

Kemp Recital Hall
Sunday Evening
March 26, 2006
8:30 p.m.

Ensemble Concert: Women's Choir And University Choir, March 26, 2006, Lauren Saeger, Tim Fredstrom

School of Music Programs

Center for the Performing Arts
Sunday Afternoon
March 26, 2006
3:00 p.m.

Annual Piano Showcase Recital, Vincent Bartens, Diana Brinks, Noel Itchon, Erick Morales, Diana Patterson, Jessica Ross, Miwa Sugiyama, Akiko Watanabe, David Zedaker, Kathleen Mangusing

Printed Performance Programs (PDF Format)

No abstract provided.

Marco Blackmore, Alto Saxophone And Flute, Marco Blackmore

School of Music Graduate Recitals

• MARCO BLACKMORE, Alto Saxophone and Flute
• assisted by Yu-Lien The and Dave Izard, Piano Zach Lane, Bass
• and the WMU Jazz Octet Chris Beckstrom, Tenor Saxophone Pat Laslie, Baritone Saxophone Terrence Massey, Trumpet Shawn Bell, Trombone Logan Thomas, Piano PJ Roberts, Bass Spiro Sinigos, Drums

Marco Blackmore is a candidate for the Master of Music degree majoring in performance. He received his bachelor’s degree from the University of Utah.

Junior Recital: Rhiannon Nolt, Mezzo-Soprano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.