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Articles 28261 - 28290 of 45982

Full-Text Articles in Music

Concert Recording 2008-09-09, Kelly Henderson, Henry Runkles Jan 2008

Concert Recording 2008-09-09, Kelly Henderson, Henry Runkles

Concert Recordings & Programs

Sonata for flute and harpsichord in g minor, bwv 1020 / J.S. Bach -- Lamento / J. Guy Ropartz -- Fantasy pieces for oboe and piano, op. 2 / Carl Nielsen -- Pan ; Phaeton ; Bacchus. Six metamorphoses after Ovid, op. 49 / Benjamin Britten -- Piece en forme de habanera / Maurice Ravel -- Sonate for oboe and piano, op. 166 / Camille Saint-Saens

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Concert Recording 2008-09-15, Piotr Janowski, Joanna Maklakiewicz Jan 2008

Concert Recording 2008-09-15, Piotr Janowski, Joanna Maklakiewicz

Concert Recordings & Programs

Op. 47 nr 1 in A Major "Kreutzer" ; Op. 96 in G Major / Ludwig van Beethoven

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Concert Recording 2008-10-08, Heather Atwood, Henry Runkles, Kassie Roland, Kristin Harwell, Jason Rutledge, S. Michael Shuman, Matthew Shipes, University Of Arkansas, Fayetteville. Razorbrass Quintet Jan 2008

Concert Recording 2008-10-08, Heather Atwood, Henry Runkles, Kassie Roland, Kristin Harwell, Jason Rutledge, S. Michael Shuman, Matthew Shipes, University Of Arkansas, Fayetteville. Razorbrass Quintet

Concert Recordings & Programs

Il mio bel foco / Benedetto Marcello -- Una voca poco fa. Il barbierre id Siviglia / Gioachino Rossini -- Il mio tesoro. Don Giovanni / W.A. Mozart -- Firefly ; Moonlight across the water. Blue lake fantasies / David Gillingham -- Quintet / Michael Kamen

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Concert Recording 2008-01-20, Jane Thomason, Lyndon Meyer Jan 2008

Concert Recording 2008-01-20, Jane Thomason, Lyndon Meyer

Concert Recordings & Programs

Partita no. 2 / J. S. Bach -- "Adelaide" concerto / Marius Casadesus ; cred. to Mozart -- Jocul cu bata - dance with sticks ; Braul - waistband dance ; Pe loc - stamping dance ; Buciumenana - hornpipe dance ; Poarca Romaneasca - Roumanian polka ; Manuntelul - quick dance / Bela Bartok ; transcribed by Zoltan Szekely

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Concert Recording 2008-02-06, Carina L. N. Washington, Brian Conaster Jan 2008

Concert Recording 2008-02-06, Carina L. N. Washington, Brian Conaster

Concert Recordings & Programs

Fantasy / Hans-Ake Gafvert -- 4 Pezzi brevi (1963) / Hans Eklund -- Duo / Franz Berwald ; transcribed by Carina L.N. Washington -- "Ack varmeland du skona" -- Mercury dream / Roland Pontinen -- Introduction et air suedois varie / Berhard Henrik Crusell

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Concert Recording 2008-02-20, Emily High, Kristin Harwell Jan 2008

Concert Recording 2008-02-20, Emily High, Kristin Harwell

Concert Recordings & Programs

Come ready and see me / Richard Hundley

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Concert Recording 2008-03-06, Bill Jackson, Ya-Ting Liou Jan 2008

Concert Recording 2008-03-06, Bill Jackson, Ya-Ting Liou

Concert Recordings & Programs

Sonata for clarinet and piano in e♭, op. 120, no. 2 / Johannes Brahms -- Konzertstucke no. 2, op. 114 / Felix Mendelssohn -- Introduction and rondo capriccioso op 28 / Camile Saint-Saens -- Three Preludes / George Gershwin

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Concert Recording 2008-03-28, Benjamin Pierce, Lyndon Meyer Jan 2008

Concert Recording 2008-03-28, Benjamin Pierce, Lyndon Meyer

Concert Recordings & Programs

Sonata / Henry Eccles -- Secrets of the paper tiger (2008) / Wendy Wan-Ki Lee -- Concerto (1988) / John Williams -- Tuba-triptychon (2000) / Wilhelm von Grunelius -- Concerto (1990) ; II canzone / Arild Plau -- Tourmaline / Jack Stamp -- Moto perpetuo / Peter Khristoskov ; arr. Benjamin Pierce

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Concert Recording 2008-04-18, University Of Arkansas Fayetteville. Tuba Ensemble, University Of Arkansas Fayetteville. Euphonium Ensemble, Oliver Molina, C. J. Morris, Clay Parkhurst, Benjamin Pierce Jan 2008

Concert Recording 2008-04-18, University Of Arkansas Fayetteville. Tuba Ensemble, University Of Arkansas Fayetteville. Euphonium Ensemble, Oliver Molina, C. J. Morris, Clay Parkhurst, Benjamin Pierce

Concert Recordings & Programs

Five Dances / Tylman Susato ; arr. John Stevens -- Epitaph VI: phoenix rising (Coventry/Dresden) (2006) / Martin Ellerby -- Mixtures and mutations (1992) / Robert Jager -- Adagio and rondo (1992) / Aldo Forte -- Refractions (2004) / Patrick Schulz -- Samson and Delilah. Danse bacchanale / Camille Saint-Saens ; Arr. Avinash Mehta

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New Indeterminate Music: The Influence Of The Cagean Trajectory In The Importance Of Being Earmarked, Brett Philip Murray Jan 2008

New Indeterminate Music: The Influence Of The Cagean Trajectory In The Importance Of Being Earmarked, Brett Philip Murray

Theses : Honours

This paper explores the influence of John Cage (1912-1992) on contemporary experimental music focusing on the indeterminate work The Importance of Being Earmarked (2008). Firstly through an investigation of selected works from Cage (written between the 1930s- 1960's) and the concepts that form a Cagean trajectory, and secondly by showing how a contemporary composer has adopted this trajectory in the composition of a new work that combines sound-installation, theatre, and Max/MSP programming.

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Performing Le Merle Nair: An Investigation Into The Performance Issues In The Music Of Olivier Messiaen, Kirsten Smith Jan 2008

Performing Le Merle Nair: An Investigation Into The Performance Issues In The Music Of Olivier Messiaen, Kirsten Smith

Theses : Honours

This paper investigates certain performance issues associated with Messiaen's 1951 chamber work, Le Merle Noir. This paper can be seen as a practical guide to performers wishing to gain a deeper perspective on the interpretational issues associated with performing this work. It is ·written from the vantage point of a performer and should be seen to complement a number of already existing analytical studies of this piece. The paper can also be read as an exemplar of the research a performer makes when developing a coherent and truthful interpretation of a music work.

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Musical Actions Of Dihedral Groups, Alissa S. Crans, Thomas M. Fiore, Ramon Satyendra Jan 2008

Musical Actions Of Dihedral Groups, Alissa S. Crans, Thomas M. Fiore, Ramon Satyendra

Mathematics, Statistics and Data Science Faculty Works

The sequence of pitches which form a musical melody can be transposed or inverted. Since the 1970s, music theorists have modeled musical transposition and inversion in terms of an action of the dihedral group of order 24. More recently music theorists have found an intriguing second way that the dihedral group of order 24 acts on the set of major and minor chords. We illustrate both geometrically and algebraically how these two actions are {\it dual}. Both actions and their duality have been used to analyze works of music as diverse as Hindemith and the Beatles.

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Tonalidad, Tradición, Y El Sabor Del Son Cubano, Peter L. Manuel Jan 2008

Tonalidad, Tradición, Y El Sabor Del Son Cubano, Peter L. Manuel

Publications and Research

A discussion of dual tonicity in Cuban popular music.

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Performing The Keyboard Percussion Works Of Nebojsa Jovan Zivkovic, Joshua James Webster Jan 2008

Performing The Keyboard Percussion Works Of Nebojsa Jovan Zivkovic, Joshua James Webster

Theses : Honours

This study deals with the keyboard percussion works of Serbian composer, Nebojsa Jovan Zivkovic, with a special focus on understanding and interpreting two of his concert works: Ultimatum I and Ultimatum II. Part one contextualises these two works by offering the most complete life and works study of the composer to date. This section concludes with some observations regarding Zivkovic's compositional style and musical background. Part two focuses on two of Zivkovic's best-known works, Ultimatum I & II, and offers a descriptive analysis of the music and a guide to performance. This study is informed not only by recourse to …

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Unlv Jazz 2008 Fall Performances, David L. Loeb, Bruce Paulson, Tom Warrington, Joe Lano, Rick Baptist, Bernie Dresel, Phil Wigfall, Rob Mader, Peter Erskine, Joe Labarbera, Bob Sheppard, Gil Kaupp, Tony Branco, Jobelle Yonely, Tom Bruner, Joel Kennedy, Brian Murphy Jan 2008

Unlv Jazz 2008 Fall Performances, David L. Loeb, Bruce Paulson, Tom Warrington, Joe Lano, Rick Baptist, Bernie Dresel, Phil Wigfall, Rob Mader, Peter Erskine, Joe Labarbera, Bob Sheppard, Gil Kaupp, Tony Branco, Jobelle Yonely, Tom Bruner, Joel Kennedy, Brian Murphy

Jazz Ensembles

Program listing performers and works performed

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Concert Recording 2008-10-01a, Heather Atwood, Henry Runkles, Sarah Balch, S. Michael Shuman Jan 2008

Concert Recording 2008-10-01a, Heather Atwood, Henry Runkles, Sarah Balch, S. Michael Shuman

Concert Recordings & Programs

Il mio bel foco / Benedetto Marcello -- My soul's been anchored in the Lord / Florence B. Price

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Concert Recording 2008-11-12a, Jason Tacker, Matt Mccool, Gregory Battista, Olga Greenhut, Leanne Scaggs, University Of Arkansas, Fayetteville. Razorbrass Quintet, University Of Arkansas, Fayetteville. Tuba Quartet Jan 2008

Concert Recording 2008-11-12a, Jason Tacker, Matt Mccool, Gregory Battista, Olga Greenhut, Leanne Scaggs, University Of Arkansas, Fayetteville. Razorbrass Quintet, University Of Arkansas, Fayetteville. Tuba Quartet

Concert Recordings & Programs

Brass quintet / Malcolm Arnold -- Tubku / Kenyon Wilson -- Diverse elements / David R. Gillingham -- Galgenlieder / Jan Koetsier -- Four pieces for tuba quartet / Gordon Jacob -- Black armored wings / Michael Nickens

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Concert Recording 2008-12-03, Fonda Laughlin, Olga Greenhut, Mindy Williams, Amy Mayes, Jeannie Lee, Matt Beach Jan 2008

Concert Recording 2008-12-03, Fonda Laughlin, Olga Greenhut, Mindy Williams, Amy Mayes, Jeannie Lee, Matt Beach

Concert Recordings & Programs

Soliloquy / John W. Work -- Rhapsody for clarinet / Wilson Osborne -- Sonate g-moll opus 22 / Robert Schumann -- Concerto no. 1 in f minor / Carl von Weber -- A day in the city / H.J. Buss

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Concert Recording 2008-10-20, Brian Allen Jan 2008

Concert Recording 2008-10-20, Brian Allen

Concert Recordings & Programs

Transmission 1; Transmission 2 ; Transmission 3 ; Transmission 4 ; Transmission 5 ; Transmission 6 ; Transmission 7 ; Transmission 8 ; Transmission 9 ; Transmission 10 / Brian Allen

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Concert Recording 2008-10-14, Øystein Baadsvik, Kristin Harwell, Benjamin Pierce Jan 2008

Concert Recording 2008-10-14, Øystein Baadsvik, Kristin Harwell, Benjamin Pierce

Concert Recordings & Programs

Anitras dance ; A dream ; Norwegian dance / Edward Grieg ; arr. Baadsvik -- Concerto / Arild Plau -- Encounters II / William Kraft -- Milonga del angel ; Invierno porteno ; Adios nonino / Astor Piazzolla ; arr. Sivelov ; arr. Baadsvik -- Song / Erlend Skomsvoll -- The city / David Uber -- Variations on the carnival of Venice; Fnugg / Jean-Baptiste Arban ; arr. Baadsvik

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Mozart Effect: Exploring The Relationship Between Classical Music And Improvement In The Spatial-Temporal Cognitive Abilities Of Elementary School Children, Michael J. Ader Jan 2008

Mozart Effect: Exploring The Relationship Between Classical Music And Improvement In The Spatial-Temporal Cognitive Abilities Of Elementary School Children, Michael J. Ader

Graduate Student Dissertations, Theses, Capstones, and Portfolios

The purpose of this study was to learn if classical music stimuli can be used to enhance the thinking abilities of children as measured by a cognitive testing instrument. A comparison of classical music exposure and student achievement was conducted to specifically ascertain if music of varying types had an effect on measurable intelligences (especially spatial-temporal intelligence), as measured by the Naglieri Nonverbal Ability Test (NNAT). An exploration of the theoretical and empirical literature regarding the improvement of cognitive abilities of elementary school aged children was examined to identify if exposure to arts education produced measurable gains which could facilitate …

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Disability And “Late Style” In Music, Joseph N. Straus Jan 2008

Disability And “Late Style” In Music, Joseph N. Straus

Publications and Research

“Late style” is a longstanding aesthetic category in all the arts. Late-style music is presumed to have certain internal qualities (such as fragmentation, intimacy, nostalgia, or concision) and to be associated with certain external factors (such as the age of the composer, his or her proximity to and foreknowledge of death, lateness within a historical period, or a sense of authorial belatedness with respect to significant predecessors). Upon closer inspection, it appears that many of these external factors are unreliably correlated with a musical style that might be described as late. Late style is often better correlated with the bodily …

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Concert Recording 2008-05-06, Er-Gene Kahng, Ryo Yanagitani Jan 2008

Concert Recording 2008-05-06, Er-Gene Kahng, Ryo Yanagitani

Concert Recordings & Programs

Sonata for violin & piano / Claude Debussy -- Sonata in a minor, op. 105 / Robert Schumann -- Poeme / Ernest Chausson -- Sonata no. 1, in f minor, op. 80 / Sergei Prokofiev

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Mc5 (Motor City Five) And John Sinclair, Monica Berger Jan 2008

Mc5 (Motor City Five) And John Sinclair, Monica Berger

Publications and Research

No abstract provided.

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Graduate Recital In Flute: Works By C.P.E. Bach, Widor, Messiaen, And Prokofiev, Breta Lorraine Borstad Jan 2008

Graduate Recital In Flute: Works By C.P.E. Bach, Widor, Messiaen, And Prokofiev, Breta Lorraine Borstad

Dissertations and Theses @ UNI

Breta Borstad and collaborative pianist Kirstin Dyer performed a recital for the degree of Master of Music in Flute Performance-on 13 March 2008. The repertoire consisted of the Sonata in G Major, Wq. 134, H. 548, by Carl Philipp Emanuel Bach; the Suite for Flute and Piano, Op. 34, by Charles-Marie Widor; Le Merle Noir by Olivier Messiaen; and the Sonata in D Major, Op. 94, by Sergei Prokofiev. The purpose of this abstract is to provide historical background for the works, as well as stylistic and formal considerations.

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Bach's Oratorios: The Parallel German-English Texts, With Annotations, J. S. Bach, Michael Marissen Jan 2008

Bach's Oratorios: The Parallel German-English Texts, With Annotations, J. S. Bach, Michael Marissen

Music Faculty Works

No abstract provided.

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Talking Heads, Monica Berger Jan 2008

Talking Heads, Monica Berger

Publications and Research

No abstract provided.

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Master Of Music Bassoon Performance Recital, Benjamin R. Fox Jan 2008

Master Of Music Bassoon Performance Recital, Benjamin R. Fox

Dissertations and Theses @ UNI

Benjamin Fox presented a graduate bassoon recital on 28 February 2008 at 8 P.M. in Davis Hall of the Gallagher-Bluedorn Performing Arts Center at the University of Northern Iowa. Mr. Fox was assisted by Dr. Robin Guy on piano, Bonnie Alger on violin, Renee Rapier on viola, Rachel Stadler on cello, and Dr. Jean McDonald on voice. The recital was presented in partial fulfillment of the requirements for a Master of Music degree in bassoon performance. The repertoire selected represents a variety of challenging pieces spanning a broad range of styles, instrumental groupings, and periods.

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A Graduate Recital In Voice, Carmelita Guse Jan 2008

A Graduate Recital In Voice, Carmelita Guse

Dissertations and Theses @ UNI

Carmelita Guse, soprano, presented a graduate voice recital on Friday, October 17, 2008 at 6:00 p.m. in Davis Hall of the Gallagher-Bluedorn Performing Arts Center on the University of Northern Iowa campus. The recital was given in partial fulfillment of the requirements of the Master of Music degree in Vocal Performance. It was presented in collaboration with pianist Kyung Lee, and contained art songs by Henry Purcell, Gustav Mahler, Ernest Chausson, and a cycle of spirituals by John Carter.

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Dialogue As Performance. Performance As Dialogue, Laura Lynn Jan 2008

Dialogue As Performance. Performance As Dialogue, Laura Lynn

Antioch University Dissertations & Theses

This dissertation is an arts-based qualitative study in Leadership and Change that describes the qualities of dialogue revealed through the felt experience of Native and non-Native American music composers engaged in a dialogue through music composition. The fifteen co-collaborators who participated in the study range in age from three-years-old to elders. The study is theoretically embedded within Performance Studies, Dr. Carolyn Kenny’s music therapy model Field of Play, and aesthetic philosophy. Methodologically, this work is expressed through performance ethnography and autoethnography and privileges textual and non-textual modes of account including photographs, video excerpts, poetry, and music manuscript. The text is …

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