Music Commons^™

Making Czech Art Song Accessible For Novice Singers, Rachel Jane Sweeney Green

Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–

Czech art song is often overlooked by vocal instructors while assigning music for the novice singer. The repertoire of Czech art song is vast, yet seldom used in vocal studios in America. Though some consider the language difficult, when approached in the correct manner it is easy for a novice to sing in Czech. This document advocates for Czech art song to be assigned and selected for the novice singer. Each chapter serves as a tool to understand and navigate Czech repertoire. The last chapter provides five examples of Czech art song selected because they align with the guidelines of …

An Unnecessary Barrier: A Critical History Of Efforts To Define A Core Repertoire For The Wind Band, Trevor Frost

Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–

The wind band saw significant development in its literature, instrumentation, and programming practices throughout the twentieth century. Midway through the twentieth century the identification of a “core” repertoire began to make its way into the forefront of the wind band profession’s priorities, resulting in three significant studies by Acton Eric Ostling Jr. (1978), Jay Warren Gilbert (1993), and Clifford N. Towner (2011). Along with these studies many smaller studies and surveys were being published with this same goal of identifying either a “performance core” or an “intellectual core.” However, with new works of serious artistic merit constantly being written and …

Preparing The Next Generation Of Music Teachers: Illuminating Motivations Of Nebraska Preservice Teacher Mentors, Emily Marie Chapman

Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–

This mixed methods study examined factors influencing practicing educators' decisions to mentor preservice teachers in Nebraska. Guided by Expectancy-Value-Cost Theory, the study utilized a sequential explanatory design, integrating a quantitative survey design and qualitative phenomenological interview. Findings indicated that educators' belief in their mentoring ability or Expectancy-Ability Belief (EAB) significantly predicted their willingness to mentor, with PK-12 music educators exhibiting higher EAB scores than elementary or high school music educators. Qualitative insights highlighted reciprocal benefits of mentoring, such as skill development and professional growth. The impact of the COVID-19 Public Health Emergency on mentoring experiences varied among participants. Recommendations included …

Singing While Acting: A Mixed Methods Study Of Classical Singers’ Application Of The Chekhov And Meisner Acting Methods, Amy C. Johnson

Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–

When considering the minimal acting training incorporated into most voice performance programs, it is understandable why many singers struggle to balance vocal demands with acting demands. Furthermore, the expectations on singers to deliver authentic and nuanced performances are increasing as opera evolves. There is little in-depth understanding of classical singers’ experiences with applying specific acting techniques to their singing. There is also little information about how different acting methods may affect classical singing. This mixed methods collective case study aims to identify the impact of training in a specific acting method on classical singing. The qualitative strand focuses on the …

J.S. Bach's Application Of The Baroque Violin Concerto In His Violin Concerti In A Minor, Bwv 1041 And E Major, Bwv 1042, Stephanie Krell

Great Plains Graduate Review

Concerti from the Baroque to contemporary times stand as one of the pillars of the violin repertoire. The form initially developed in the 1600s as composers experimented with groups of performers. It became increasingly standardized in the early 1700s, with the violin concerto advancing as a favored application. Several Baroque composers contributed characteristics that were absorbed into the violin concerti of the period, including Arcangelo Correlli, Giuseppe Torelli and Antonio Vivaldi.

Johann Sebastian Bach analyzed the traits of violin concerti from earlier and contemporaneous composers, incorporating certain features while modifying others in his own works. This may be observed in …

University Of Northern Iowa New Horizons Band Spring Concert, April 30, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Suzanne Hendrix-Case, Mezzo-Soprano Korey Barrett, Piano, April 30, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Uni Clarinet Studio Recital, April 30, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Student Chamber Music Recital, April 30, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

French Music By An Italian Count: A Survey Of Selected Recordings Of Ludovico Roncalli, Ellwood Colahan

Soundboard Scholar

The following recordings of Roncalli are reviewed:

Roncalli: Complete Guitar Music, Bernhard Hofstötter, baroque guitar, Brilliant Classics, 2021, 2 CDs

Ludovico Roncalli: Works for Guitar, Hideki Yamaya, baroque guitar, Mediolanum, 2011, 1 CD

Sonatas for Baroque Guitar, Richard Savino, baroque guitar, Dorian, 2008, 1 CD

Ludovico Roncalli: Capricci armonici sopra la chitarra spagnola, Sandro Volta, baroque guitar, Arion, 1994, 1 CD

Recital: Convocation, April 30, 2024, Illinois State University School Of Music

School of Music Programs

Center for the Performing Arts
April 30, 2024
Tuesday Morning
11:00 a.m.

Induction Ceremony: Pi Kappa Lambda And Epsilon Chi Chapter, April 30, 2024, Illinois State University School Of Music

School of Music Programs

Center for the Performing Arts
April 30, 2024
Tuesday Evening
7:00 p.m.

The Voices Of American Women: A Survey Of Vocal Music From 1900 - 1950, Kathryn N. Linzmaier

Student Theses

For centuries, female composers have struggled for recognition in a male-dominated field, and those who did publish were typically in privileged positions. However, in recent years, more efforts have been put forth to uncover these unsung heroines; anthologies of women's music have been curated and analyzed and continue to bring awareness to the works of these amazing women. These are necessary contributions, but there is still a void to be filled, particularly regarding women from the United States in the early twentieth century. Therefore, this research provides historical, musical, lyrical, and pedagogical information on the solo vocal music of multiple …

2023-2024 Master Of Music Recital - Jafet Diaz (Trumpet), Jafet Diaz, Yu-Hsuan Feng

Master of Music Recitals

No abstract provided.

Telling Stories Through Music—Music Without Words, Isabella Thomas

Composition/Recording Projects

This paper explores the study of listening modes associated with music with lyrics and instrumental music without words. Studies are explained in depth with explanations to current culture and society. The history of Neoclassical and Minimalist music in discussed in relevance to American culture. This background information leads into the creation of my own original compositions and how i have been inspired by life and culture around me.

2023-2024 Junior Recital - Matt Montelione (Trumpet), Matthew Montelione, Brenda Lorenzo, Julian Rauh, Jeremiah Grace, Aidan Quintana

Junior and Senior Recitals

No abstract provided.

Abigail Edlemon, Soprano & Jamie Knox, Mezzo-Soprano In A Senior Recital, April 29, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Uni Children's Choir Presents Night At The Movies, April 29, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Mostly Modern! An Evening Of Clarinet With The Adzel Duo, April 29, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Uni Trombone Society, April 29, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Methods Of Storytelling In Music: An Analysis Of Tchaikovsky's 'The Tempest', Katherine Cornell

Senior Honors Theses

Throughout history, music has been employed in storytelling. By presenting a story in musical terms, composers can bring stories to life, creating auditory atmospheres which connect the listener to the story in a deeper way. One medium composers have done this through is program music, a musical genre which seeks to tell a story through music in association with a descriptive title or short program, relying on the imagination of the listener instead of spoken word or visible action. One example is Tchaikovsky’s The Tempest, Op. 18, TH 44, an orchestral fantasia meant to convey Shakespeare’s The Tempest …

Guitar Etudes In The Lisztian Vein: Zanon Plays Mignone’S Twelve Etudes, Diogo Alvarez

Soundboard Scholar

Diogo Alvarez reviews Fabio Zanon's recording of Mignone's 12 Etudes and other works, with commentary on the music and the composer.

Taylor Swift As Religion: The Deification Of An International Pop Music Superstar And The Ramifications Of Fame, With A Comparison To Vox Lux, Jessica Cotturone

Religion and Film

This paper explores the ways in which the culture surrounding pop music superstar Taylor Swift is a religion. Taylor Swift has had an indelible impact on her fans, who are known as Swifties, and this paper brings attention to the ways that she establishes a strong connection with her fans such that they come to view her as a religious figure. Definitions of religion proposed by scholars Clifford Geertz and Meghan Johnston Aelabouni are used to analyze how this popular music culture can fit into a broader conceptualization of religion. Special attention is given to the deification of celebrities in …

Fabian Ziegler, Percussionist, Fabian Ziegler, Chapman Percussion Ensemble, Southern California Marimba

Printed Performance Programs (PDF Format)

No abstract provided.

Crimes In Different Mediums Of Art, Chloe Milhouse

ENGL 1102 Showcase

There are a few different ways we see crime and art come together as one without even realizing it and there are other topics that showcase crime punishment as well. Crime can be portrayed through music. When certain artists sing about their crime-like behaviors, this can lead to people also doing that same crime because they listened to it in a song. Crime can be derived from art itself, causing people to react emotionally and criminally to something they’ve seen. Lastly it can be represented through film and TV showcasing elements of human behavior for society to see. All of …

Metropolitan Chorale Presents Brahms Ein Deutsches Requiem, April 28, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

New Music Ensemble // Laptop Ensemble Concert, April 25, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Uni Horn Day, April 28, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Singing Sad Songs To The Savior: An Examination Of And Argument For Biblical Lament Songs, Kaden Hofheins

Senior Honors Theses

Christian lament songs play an important role in the context of the local church. There are several key differences between Christian lament and secular “sad songs” that are due to Christianity’s perspective of suffering that revolves around the hope of Jesus Christ. Christian songwriters have been writing lament songs through the lens of biblical hope in Christ throughout church history. Due to the nature of lament songs and how they give voice to negative emotions, which can help people to process their grief, and the communal nature of corporate worship, it is important that local churches ensure they use lament …

Graduate Recital: Gina Russell, Flute; Lu Witzig, Piano; April 28, 2024, Gina Russell, Lu Witzig

School of Music Programs

Kemp Recital Hall
April 28, 2024
Sunday Afternoon
1:30 p.m.