Music Commons^™

Su People, Yuhan Xu, Paula Meseroll, Kathleen Haley, Jay Cox, Jim Reilly, Carol L. Boll

Syracuse University Magazine

No abstract provided.

"Baroque Music, The Library Of Essays On Music Performance Practice" Edited By Peter Walls And Mary Cyr, David Schulenberg

Performance Practice Review

David Schulenberg discusses and reviews Walls' 2011 work.

Walls, Peter, ed. Baroque Music, The Library of Essays on Music Performance Practice, series editor Mary Cyr. Farnham, Surry, UK, and Burlington, VT, USA: Ashgate, 2011.

ISBN 978-0-7546-2882-8.

Joining The Professoriate, Jeremy C. Baguyos

Music Faculty Publications

As someone who made the mid-career cutover from orchestral musician to music academic, I am often asked how one goes about becoming a college professor in the music discipline. Like many questions about pursuing a career in music, there is never a simple answer. I wish it were as simple as going to graduate school, earning an advanced degree, applying for listed jobs (in the Chronicle of Higher Education http://chronicle.com/section/Jobs/6 l/, www.higheredjobs.com, or the College Music Society's Music Vacancy List http://music.org/cgibin/ showpage.pl), sending some applications, demos and letters of recommendation, and successfully completing an audition/interview. If this were the case, …

Lesson Plan: We Wish You A Merry Christmas And Special Christmas Desserts (Grades Pre-K-5), Cynthia Braun

Project Documents

No abstract provided.

I Want My Hands In Yours | 44-96880, James Q. Mulholland

Music Faculty Scores

I Want My Hands in Yours, for SATB Voices with Piano Accompaniment

Part Number:
44-96880

Price:
$1.80

Voicing:
SATB

Lyrics By:
John Flanery

Music By:
James Q. Mulholland

Commissioned to John Flanery:
For my dearest wife, Juliane on the occasion of our tenth wedding anniversary.

"Classical And Romantic Music, The Library Of Essays On Music Performance Practice" Edited By David Milsom And Mary Cyr, Colin Lawson

Performance Practice Review

Colin Lawson discusses and reviews Milsom's 2011 work.

Milsom, David ed. Classical and Romantic Music, the Library of Essays on Music Performance Practice, series editor Mary Cyr. Farnham, Surry, UK, and Burlington, VT, USA: Ashgate, 2011.

ISBN 978-0-754-62859-0.

Book Reviews, John M. Cipolla

Music Faculty Publications & Performances

Book reviews by John Cipolla of:

• Mandat, Eric. Chips Off the Ol' Block for Solo Bass Clarinet
• Rossini, Gioachino & Carlos Pässler. Divertimento for Clarinet & Piano
• del Aguila, Miguel. Pacific Serenade, Op. 59 for Clarinet & String Quartet
• Wilson, Jeffrey. Colour Studies for Clarinet

Care And Handling Of Historic Sound Recordings, Robert J. Hodge, James Meade

Treatment Manuals

Manual on the care and handling, and cleaning of historic sound recordings as practiced at the Belfer Audio Archive. Covers cylinders and discs (78s, LPs, ...). Document contains links to videos demonstrating these techniques.

Teachers Believe Singing Will Scaffold, Mediate, And Facilitate Oral Language Acqusition: Place Arts Back In The Curriculum, Alicia Rubio

Theses Digitization Project

The objective of this qualitative study was to explore if elementary school teachers who teach English Language Learners (ELLs) believe that singing used as an instructional tool would facilitate the development of oral English language acquisition.

Nearly Madrigals (2012), Frank Felice

Music Faculty Scores

SATB (with some additional splits) – text by the composer, commissioned by Trion Central High School, Nate Foley conductor – premiered in May 2013

Come, Thou Long Expected Jesus Orchestra | 13-96881, James Q. Mulholland

Music Faculty Scores

Come, Thou Long Expected Jesus, Orchestra Score/Parts

Part Number:
13-96881

Price:
$75.00

Voicing:
SATB

Music By:
Rowland H. Pritchard (1811-1887)

Arranged By:
James Q. Mulholland

Come, Thou Long Expected Jesus-Brass | 13-96882, James Q. Mulholland

Music Faculty Scores

Come, Thou Long Expected Jesus, Brass Score/Parts

Part Number:
13-96882

Price:
$45.00

Voicing:
SATB

Music By:
Rowland H. Pritchard (1811-1887)

Arranged By:
James Q. Mulholland

2hn;2tpt;2tbn;tba

Mysterium Fidei | 15-95310, Shane Monds

Music Faculty Scores

Mysterium Fidei (Mystery Of Faith)

Part Number:
15-95310

Price:
$1.85

Voicing:
TBB

Music By:
Shane Monds

a cappella

Musica | 20-95910, Nancy Grundahl

Music Faculty Scores

Musica

Part Number:
20-95910

Price:
$1.85

Voicing:
SSAA

Music By:
Jacob Arcadelt

Arranged By:
Nancy Grundahl

a cappella

Featured at:
2014 Southern Division ACDA Convention

Singing, I Roam Afar | 20-95920, Judith Herrington

Music Faculty Scores

Singing, I Roam Afar

Part Number:
20-95920

Price:
$1.90

Voicing:
SATB

Lyrics By:
Paul Laurence Dunbar

Music By:
Judith Herrington

with Violincello

Concerto For Clarinet And Orchestra (Reduction For Clarinet And Piano), Emmanuel M. Dubois

Emmanuel Dubois Compositions

Op. 34 : 2 parts (iv + 41 pages) ; includes parts for clarinet and piano.

Score Reduction for practice only, not for performance.

This reduction of the original score for clarinet and orchestra to clarinet and piano was prepared by the composer and is intended for rehearsal purposes only.

Movements:

1. Summer - As Told in the Language of Clouds
2. Autumn - Spider on a Web (Cadenza)
3. Winter - Rustle of Wind over the River of Grass
4. Spring - Alligators and Egrets in the Mangrove

Concerto For Clarinet And Orchestra (Clarinet Part), Emmanuel M. Dubois

Emmanuel Dubois Compositions

Op. 34 : 1 part (ii + 9 pages) ; part for clarinet solo

Florida concerto: Four Seasons in the Everglades

Movements:

1. Summer - As Told in the Language of Clouds
2. Autumn - Spider on a Web (Cadenza)
3. Winter - Rustle of Wind over the River of Grass
4. Spring - Alligators and Egrets in the Mangrove

Brigitte's Ave Maria For Alto Flute And Strings, Emmanuel M. Dubois

Emmanuel Dubois Compositions

Op. 32a : 1 score (ii + 10 pages)

For: Alto Flute (G), Violins I, Violins II, Violas, Cellos, Double Basses

Concerto For Clarinet And Orchestra (Full Score), Emmanuel M. Dubois

Emmanuel Dubois Compositions

Op. 34 : 1 score (iv + 126 pages) ; including table of contents and instrumental nomenclature

Florida concerto: Four Seasons in the Everglades

Movements:

1. Summer - As Told in the Language of Clouds
2. Autumn - Spider on a Web (Cadenza)
3. Winter - Rustle of Wind over the River of Grass
4. Spring - Alligators and Egrets in the Mangrove

National Treasures Of The American Midwest: Concerto For Alto Flute And String Orchestra (Parts), Emmanuel M. Dubois

Emmanuel Dubois Compositions

Op. 40a : all part (i + 41 pages) ; parts for G-Flute, violins I & II, violas, cellos, double basses.

National Treasures of the American Midwest

1. At Sleeping Bear Dunes - Lake Michigan
2. On the Great Plains
3. Dance of the Loons - the Ten Thousand Lakes of Minnesota

National Treasures Of The American Midwest: Concerto For Alto Flute And String Orchestra (Full Score), Emmanuel M. Dubois

Emmanuel Dubois Compositions

Op. 40a : 1 score (iv + 42 pages)

National Treasures of the American Midwest
Movements:

1. At Sleeping Bear Dunes - Lake Michigan
2. On the Great Plains
3. Dance of the Loons - the Ten Thousand Lakes of Minnesota

Smithiger Teaches The Magic Of Percussion, Aldemaro Romero Jr.

Publications and Research

No abstract provided.

Clara Schumann, Andante, Jennifer Snodgrass

Journal of Music Theory Pedagogy

No abstract provided.

Bell Teaches Students Art Of Music Conducting, Aldemaro Romero Jr.

Publications and Research

No abstract provided.

Ua94/6/12 Student / Alumni Personal Papers Wku Raldon Smith, Wku Archives

WKU Archives Collection Inventories

Sheet music and music composition books used by Raldon Smith while a student at WKU.

If There's No "Fat Lady," When Is The Opera Over? An Exploration Of Changing Physical Image Standards In Present-Day Opera, Emily L. Stephenson

Electronic Theses and Dissertations

Though present-day American society generally assumes opera is one of the few remaining entertainment fields where talent matters more than physical appearance, as the 2004 firing of Deborah Voigt demonstrates, present-day opera singers are increasingly being held to stricter image standards. In 2004, Covent Garden dismissed Voigt from their production of Ariadne auf Naxos, in which Voigt was supposed to reprise her critically acclaimed interpretation of the title role. According to Voigt, Covent Garden's casting director Peter Katona felt that she was too large to fit into the black dress the new production required of the character. Voigt's removal …

Dynamic Aspects Of Musical Imagery, Andrea R. Halpern

Faculty Conference Papers and Presentations

Auditory imagery can represent many aspects of music, such as the starting pitches of a tune or the instrument that typically plays it. In this paper, I concentrate on more dynamic, or time-sensitive aspects of musical imagery, as demonstrated in two recently published studies. The first was a behavioral study that examined the ability to make emotional judgments about both heard and imagined music in real time. The second was a neuroimaging study on the neural correlates of anticipating an upcoming tune, after hearing a cue tune. That study found activation of several sequence-learning brain areas, some of which varied …

Clippings, Bruno Ruviaro

Music

Clippings is a collection of (so-to-speak) sound poems for voice, flute, and assorted objects. The first three are presented here: I. Whine II. Save my husband III. Crank her Monday

The Perfect Pitch 2012, Wmu School Of Music

School of Music News

The Perfect Pitch 2012:

• 99 Years and Counting
• What’s New
• World Class
• Student Achievements
• Alumni News
• New Faculty and Staff
• Faculty News
• Recent Retirements
• 2011 Honor Roll
• Remembering

Worrying The Line: Blues As Story, Song, And Prayer, Kimberly R. Connor

Public and Nonprofit Administration

No abstract provided.