Music Commons^™

The Holy Cross College Choir Chronicle (October 2013), Choir, College Of The Holy Cross

Holy Cross Choirs Newsletter

No abstract provided.

The Same Person, Jeffrey C. Binner

Student Publications

How can we conceptualize curriculum and school knowledge to better address important questions of social change, contingency of knowledge, life in mediated worlds, and inequalities? This question was given to me by Dr. Brent Talbot for my final presentation in Music 149, Social Foundations of Music Education. The purpose of this assignment was to synthesize the knowledge of various philosophies and models of music education covered in this course while utilizing the course material given to us throughout the semester. After Dr. Talbot’s emphasis on creativity and having already written too many papers to count, I decided to write and …

In Process And Practice: The Development Of An Archive Of Explicit Stylistic Data For Irish Traditional Instrumental Music, Martin Tourish

Doctoral

The study of style in Irish traditional music is very much in its infancy. Although current authors locate its beginnings in the 1980s, valuable information can be found from as far back as the eighteenth century. While style is a much-discussed topic, to date it has not been the subject of a major study. Through what is termed ‘the oral tradition’, much of the genre’s stylistic features are transmitted as implicit knowledge. This type of knowledge is difficult to measure, consciously use and share and while these difficulties have been highlighted in one EU-level report, they are also well known …

Fracturing Jazz, Freeing Fusion: Miles Davis’S Role In Counterculture Rock, Blake A. Thatcher

Student Publications

The paper details Miles Davis's influence in the counterculture rock and roll movement through his development of jazz fusion and his personal connections with rock musicians of the period, as well the overlap in musical ideology that occurred when both rock and jazz began to incorporate elements of each others' styles.

Rhythms: Music At The University Of Northern Iowa, V32, Fall 2013, University Of Northern Iowa. School Of Music.

Rhythms: Music at the University of Northern Iowa

Contents:

From the Director --- 3
-- UNI Welcomes President Ruud --- 6
-- Sean Botkin performs in Italy --- 6
-- John Hines performs at Carnegie Hall --- 6
-- Jazz Band One Tours Thailand --- 7
-- Music Education at UNI --- 7
-- Percussion Department Update --- 8
-- New Faculty --- 9
-- Scholarship Benefit Concert --- 10
-- Community Outreach --- 12
-- Faculty Spotlight --- 13
-- Celebrating Tom Barry's Retirement --- 14
-- Student Awards and Honors --- 14
-- Guest Artists 2013-14 --- 16
-- Faculty News and Activities --- 19
-- …

A Bridge Over Troubled Waters : Jazz, Diaspora Discourse, And E. B. Dongala's "Jazz And Palm Wine" As Response To Amiri Baraka's "Answers In Progress"., Ann Elizabeth Willey

Faculty and Staff Scholarship

This essay explores how Emmanuel Dongala’s story “Jazz and Palm Wine” (1970) rewrites Imiri Baraka’s story “Answers in Progress” (1967). Baraka’s story calls for a black revolution based in furturist thinking and diaspora consciousness embodied in jazz. In rewriting Baraka, Dongala resists discourses of coherent and stable identity through a recasting of the aesthetic functions of futurism and jazz. Dongala’s intertextual use of, and emendations to, Baraka’s story suggest his discomfort with articulations of diaspora identity that, in the late 60s, were increasingly defined by cultural symbols. In transposing Baraka’s futurist fable of the revolution to the African continent, Dongala …

Was That A Song?, Donald J. Herzog

Articles

Jazz constantly spins off new possibilities, seizing on fusion with rock, new rhythms from Brazil and then "world music," astringent harmonies and atonal combinations from "new" music or twentieth-century "classical," and more. [...]jazz musicians have been relaxing constraints since the beginning. Piano players might keep "comping" or accompanying the soloists with well-chosen chords, but they might roam free or just stop playing.\n Again you can wonder how much of this was deliberately plotted out before the trio hit the stage, how much developed on the spot.

Stay In Time, Oct. 2013, San Jose State University, School Of Music And Dance

Upbeat (School of Music and Dance)

No abstract provided.

The David Esleck Trio, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Viola Ensemble, University Of Connecticut. Department Of Music. Recitals And Concerts

Concert Programs

No abstract provided.

Marshall University Music Department Presents An American Classics, Michael Stroeher, Trombone, And Henning Vauth, Piano, Michael Stroeher, Henning Vauth

All Performances

No abstract provided.

Guest Artist Recital, Christina Castellanos, Jed Moss

Chamber Music Programs

Program listing performers and works performed.

Invencia At 10!: Andrey Kasparov And Friends, Andrey Kasparov, Oksana Lutsyshyn

Ensemble Performances

No abstract provided.

Family Weekend Concert, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

2013-2014 Performance Forum - September 27, 2013, Jordan Robison, Hsin Hui Liu, Yasa Poletaeva, Yordan Tenev, Jesse Yukimura, Jared Cooper, Brian Garcia, Mark Poljak, Clinton Soisson, Josue Jimenez Morales, Kevin Karabell, Ricardo Chinchilla, Hugo Valverde Villalobos, Zongxi Li, Derek Mitchell, Blaine Inafuku, Timothy Nemzin, Peter Smith, Daniel Leon, Joseph Guimaraes

Performance Forum

No abstract provided.

Marshall University Music Department Presents Dr. George Palton, Ms. Alanna Cushing, George Palton, Alanna Cushing

All Performances

No abstract provided.

2013-2014 Guillermo Figueroa (Violin) And Ivonne Figueroa (Piano), Guillermo Figueroa, Ivonne Figueroa

Faculty Recitals

No abstract provided.

Unlv Symphony Orchestra, Taras Krysa

Orchestra

Program listing performers and works performed.

F. Ludwig Diehn Concert Series: Stefon Harris And Blackout, Stefon Harris, Blackout

Guest Performances

No abstract provided.

Harmon, Arlis Odell, 1905-1992 (Mss 153), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Collection 153. Poems, 1934-1991, obituaries, 1964-1990, written by Arlis Odell Harmon, a gospel song writer and enthusiast, of Allen County, Kentucky. Includes correspondence about gospel music, genealogical data, photos, etc.

The Music Of Robert Schumann: Correlation With His Mental And Physical Health, Cari Elizabeth O'Neil, Dr. Stephen D. Lindeman

Journal of Undergraduate Research

The lives of famous artists in every genre are dissected again and again. What inspires them to create extraordinary works of art such as the Mona Lisa, Pablo Picasso’s Guernica, and the operas of Mozart? Popular psychology commonly links genius with various forms of mental and physical ailments. To what extent, if at all, does an illness help to inspire an artist? I chose to analyze the life and compositions of Robert Schumann to see if physical and mental illness impacted his musical compositions in both number and in style. After a review of literature, biographies, compositions, analysis of composition, …

Wind Ensemble Concert, Danielle Kamp

News and Events (Discontinued Series)

No abstract provided.

Faculty Recital: Vadim Mazo, Danielle Kamp

News and Events (Discontinued Series)

No abstract provided.

Trio Solari To Perform, Tia Patsavas

News and Events (Discontinued Series)

No abstract provided.

Marshall University Music Department Presents A Faculty Recital, Reed Smith, Violin, Wendell Dobbs, Flute, With Guest, John Ingram, Piano, Elizabeth Reed Smith, Wendell B. Dobbs

All Performances

No abstract provided.

Old Dominion University Wind Ensemble, Old Dominion University Wind Ensemble, Dennis J. Zeisler (Director), Doug Earlenbaugh (Graduate Conductor)

Ensemble Performances

No abstract provided.

Pierrots Fâchés Avec La Lune: Debussy, Fauré And Ravel During World War 1, Arun Rao

Dissertations

This dissertation proposes to consider the music of French composers Claude Debussy, Gabriel Fauré and Maurice Ravel written during the Great War, under tremendous professional, personal and cultural pressures. These pressures are examined largely through these composers’ correspondence and the writings of contemporary critics, composers and artists in the first two chapters; a selection of their output from the war years, in particular their piano works and their chamber music, is the subject of the third chapter. The aim of the dissertation is to reveal certain aspirations common to all three, aspirations that were motivated, dictated even, by the political …

Cathedrals, Castles, And Colonies, Music Department

Concerts

Performed by the EIU Choral Ensembles & Collegium Musicum. Conducted by Richard Robert Rossi and April Lee.

Concert Recording 2013-09-20, Alexandra Bond, Kristine Mezines, Shannon Horner

Concert Recordings & Programs

[00:00]. Don Giovanni. Vedrai, carino / W.A. Mozart -- [02:41]. Se florindo e fedele / Alessandro Scarlatti -- [04:49]. Heidenroslein / Franz Schubert -- [06:31]. In dem schatten meiner locken / Hugo Wolf -- [08:25]. Aimons-nous / Camille Sant-Saens -- [11:57]. Mandoline / Gabriel Faure -- [13:52]. Le contes d'Hoffmann. Elle a fui, la touterelle! / Jacques Offenbach -- [17:37]. The hermit songs. The crucifixion / Samuel Barber -- [19:37]. Sure on this shining night / Samuel Barber -- [21:31]. Dream with me / Leonard Bernstein.

2013-2014 Performance Forum - September 20, 2013, Winnie Santia Soekojo, Tamuna Giorgadze, Chen Liang, Jihong Park, Peter Smith, Marianela Cordoba, Shuyu Yao, Mariana Cisneros, Nicole Kukieza, Heqing Huang, Zongxi Li, Sheng Yuan Kuan

Performance Forum

No abstract provided.