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Articles 20491 - 20520 of 45981
Full-Text Articles in Music
Tempo Interviews Dean Edward Kocher
A Celebration For Joseph Wilcox Jenkins
Pro Musica Newsletter, Winter 2014, Bowling Green State University. College Of Musical Arts
Pro Musica Newsletter, Winter 2014, Bowling Green State University. College Of Musical Arts
Pro Musica Newsletters
No abstract provided.
An "Alien Foundation": The Eclectism Of Antonin Dvorak's American Period, Kelly Marie Fallon
An "Alien Foundation": The Eclectism Of Antonin Dvorak's American Period, Kelly Marie Fallon
Theses, Dissertations and Capstones
In 1891 Bohemian composer Antonin Dvorak (1841-1904) was offered a position as the Director of the American Conservatory in New York City by Jeanette Thurber (1850-1946) due to his reputation as a nationalistic composer. Thurber was intending to create a national music for America and hired Dvorak to not only promote the American Conservatory, but help her achieve her goal of an American style. By early 1892 an agreement was reached between the two parties, and Dvorak assumed his role as Director of the Conservatory in October of 1892, a tenure which lasted until May 1895. This three year period, …
Edgerton Center 2014/15 Season, Edgerton Center For The Performing Arts
Edgerton Center 2014/15 Season, Edgerton Center For The Performing Arts
Edgerton Center Programs
Program brochure for the Edgerton Center for the Performing Arts 2014/15 season.
Between Jennings And Jones: Jamey Johnson, Hard-Core Country Music, And Outlaw As Authenticating Strategy, Stephen A. King
Between Jennings And Jones: Jamey Johnson, Hard-Core Country Music, And Outlaw As Authenticating Strategy, Stephen A. King
Faculty Research and Creative Activity
In this essay, I examine how country artist Jamey Johnson rhetorically transformed himself from Nashville hopeful into a “hard-core,” “authentic” country outlaw. By associating himself with the original 1970s outlaw movement and including folklore elements of the American outlaw-hero in his songs, Johnson was successful in rhetorically crafting a “double outlaw” persona. This essay is the first scholarly examination of Jamey Johnson and his music. In addition, this essay provides an opportunity to study the rhetorical dimensions of the country outlaw as well as examine key rhetorical strategies employed to create an authentic, hard-core country artist.
Interview With Margaret Toomey, Mary Moynihan
Interview With Margaret Toomey, Mary Moynihan
Books/Book Chapters
No abstract provided.
On Constructing A Sonic Gangbang: System And Subversion In Gerald Barry’S Chevaux-De-Frise, Mark Fitzgerald
On Constructing A Sonic Gangbang: System And Subversion In Gerald Barry’S Chevaux-De-Frise, Mark Fitzgerald
Articles
This paper examines Chevaux-de-frise by Gerald Barry. The work is from a transitional period in Barry's work forming a bridge between the work of the 1980s (most notably The Intelligence Park) and the more polyphonic work of the 1990s. The paper describes Barry's use of canonic devices and his manipulation of found material before making some brief links to later works from Barry's output.
I Shall Not Live In Vain | 16-96760, Christopher Matthews
I Shall Not Live In Vain | 16-96760, Christopher Matthews
Music Faculty Scores
I Shall Not Live in Vain (Three Choral Fugues)
Part Number: 16-96760
Price: $1.85
Voicing: SATB
Lyrics By: Emily Dickinson
Music By: Christopher Matthews
a cappella
Java City: Developing A Successful Cultural Center, Jack G. Montgomery Jr.
Java City: Developing A Successful Cultural Center, Jack G. Montgomery Jr.
DLTS Faculty Publications
Introduction:
Western Kentucky University Library had a large two-level, but largely unused lobby that had once been the library’s entrance but had been closed as a new entrance was created. By 2002, it sat empty and all but devoid of human traffic just outside our Reference area. Also, in 2002, Reference statistics were down, as was Circulation and library usage in general. Dean Binder believed that with the renovation and development of this former lobby, the library would realize an increase in campus visibility and library usage would increase.
Honk! (2014), Frank Felice
Honk! (2014), Frank Felice
Music Faculty Scores
Horn and piano – commissioned by Kent Leslie, premiered by him, June, 2014
Time & Motion (2014), Frank Felice
Time & Motion (2014), Frank Felice
Music Faculty Scores
Medium orchestra – commissioned by and premiered by the Butler University Symphony Orchestra, October 25, 2015, Richard Auldon Clark, cond.
James Whitcomb Riley Tryptych (2014), Frank Felice
James Whitcomb Riley Tryptych (2014), Frank Felice
Music Faculty Scores
SATB – text by James Whitcomb Riley – commissioned by Eric Stark and Butler University – premiered by them, between March 2014 - 2016
Dear Friends Farewell | 10-96065, James Q. Mulholland
Dear Friends Farewell | 10-96065, James Q. Mulholland
Music Faculty Scores
Dear Friends Farewell, Appalachian Folk Song for SATB Voices with Piano Accompaniment
Part Number: 10-96065
Price: $1.75
Voicing: SATB
Lyrics By: Traditional
Music By: Traditional
Arranged By: James Q. Mulholland
Composed for the Berea College Concert Choir, Berea, KYStephen C. Bolster, conductor (2014)
Featured at:2014 Rodney Eichenberger Conductor's Clinic
Christmas Lullaby-Satb | 10-96055, James Q. Mulholland
Christmas Lullaby-Satb | 10-96055, James Q. Mulholland
Music Faculty Scores
Christmas Lullaby (Away in the Manger)
Part Number: 10-96055
Price: $1.75
Voicing: SATB
Arranged By: James Q. Mulholland
Featured at:2015 ACDA Convention2015 Atlanta Summer Conducting Institute
Christmas Lullaby-Sa | 10-96050, James Q. Mulholland
Christmas Lullaby-Sa | 10-96050, James Q. Mulholland
Music Faculty Scores
Christmas Lullaby (Away in the Manger)
Part Number: 10-96050
Price: $1.75
Voicing: Treble (Univson S/A)
Arranged By: James Q. Mulholland
Featured at:2015 TCDA Convention
If Love Should Count You Worthy Ttbb | 10-96040, James Q. Mulholland
If Love Should Count You Worthy Ttbb | 10-96040, James Q. Mulholland
Music Faculty Scores
If Love Should Count You Worthy
Part Number: 10-96040
Price: $1.85
Voicing: TTBB
Music By: James Q. Mulholland
with Horn (part included)
Also available in SATB
Prayers Of Teasdale | 10-96070, James Q. Mulholland
Prayers Of Teasdale | 10-96070, James Q. Mulholland
Music Faculty Scores
Prayers of Teasdale
Part Number: 10-96070
Price: $1.80
Voicing: SATB
Lyrics By: Sara Teasdale
Music By: James Q. Mulholland
Commissioned and Premiered by the 2014 Indiana Choral Directors Association's All-State Honor Choir in honor of past ICDA All-State Chairs, Phil Dunn and Herb Perry.
Rhosymedre | 41-96740, James Q. Mulholland
Rhosymedre | 41-96740, James Q. Mulholland
Music Faculty Scores
Rhosymedre (Welsh for "Lovely")
Part Number: 41-96740
Price: $1.85
Voicing: TTBB
Lyrics By: Based on Robert Burns
Music By: Melody by J.D. Edwards (1805-1885) Adapted by Ralph Vaughan Williams
Arranged By: James Q. Mulholland
with Four-Hand Piano
Featured at: 2014 Rodney Eichenberger Conductor's Clinic
Written for and dedicated to The Singing Statesmen,Gary R. Schwartzhoff, conductor
Shall I Compare Thee To A Summer's Day Satb | 13-96865, James Q. Mulholland
Shall I Compare Thee To A Summer's Day Satb | 13-96865, James Q. Mulholland
Music Faculty Scores
Shall I Compare Thee to a Summer's Day
Part Number: 13-96866
Previous Part Number: AMP 0142
Price: $1.80
Voicing: SATB
Lyrics By: William Shakespeare
Music By: James Q. Mulholland
Also available in SSAA
Commissioned by Lousiana American Choral Direcor's Association In Memory of Louise Cochrane Boteler
Shall I Compare Thee To A Summer's Day Ssaa | 13-96860, James Q. Mulholland
Shall I Compare Thee To A Summer's Day Ssaa | 13-96860, James Q. Mulholland
Music Faculty Scores
Shall I Compare Thee to a Summer's Day
Part Number: 13-96860
Previous Part Number: AMP 0143
Price: $1.80
Voicing: SSAA
Lyrics By: William Shakespeare
Music By: James Q. Mulholland
Also available in SATB
Commissioned by Lousiana American Choral Direcor's Association In Memory of Louise Cochrane Boteler
Sour Wood Mountain | 10-96060, James Q. Mulholland
Sour Wood Mountain | 10-96060, James Q. Mulholland
Music Faculty Scores
Sour Wood Mountain
Part Number: 10-96060
Price: $1.80
Voicing: SATB
Arranged By: James Q. Mulholland
Composed for the Berea College Concert Choir, Berea, KY - Stephen C. Bolster conductor (2014)
Featured at:2015 MN ACDA Summer Convention
That I Shall Never Look Upon Thee More Satb | 13-96850, James Q. Mulholland
That I Shall Never Look Upon Thee More Satb | 13-96850, James Q. Mulholland
Music Faculty Scores
That I Shall Never Look Upon Thee More
Part Number: 13-96850
Previous Part Number: AMP 0147
Price: $2.40
Voicing: SATB
Lyrics By: John Keats (1795-1821)
Music By: James Q. Mulholland
Also available in TTBB.
Commissioned by the American Choral Directors AssociationRaymond W. Brock Memorial Endowment Trustfor the 1996 ACDA Convention
Auburn Mass | 20-95780, John Starr Alexander, Henry Leck
Auburn Mass | 20-95780, John Starr Alexander, Henry Leck
Music Faculty Scores
Auburn Mass
Part Number: 20-95780
Price: $1.90
Voicing: SA
Music By: John Starr Alexander
Edited By: Henry Leck
Featured at: 2015 TCDA Convention
Farewell To Tarwathie | 20-95790, Shelly Cooper, Henry Leck
Farewell To Tarwathie | 20-95790, Shelly Cooper, Henry Leck
Music Faculty Scores
Farewell to TarwathieScottish Folk Song
Part Number: 20-95790
Price: $1.85
Voicing: Two-Part Treble
Arranged By: Shelly Cooper
Edited By: Henry Leck
Featured at: 2015 ICDA/OCDA State Conventions 2016 SW ACDA Convention
Rapsodia Española No. 2, Judith Herrington
Rapsodia Española No. 2, Judith Herrington
Music Faculty Scores
Rapsodia Española No. 2Spanish Tongue Twister
Part Number: 20-95800
Price: $1.85
Voicing: Unison/Two-Part
Lyrics By: Spanish Tongue Twister
Music By: Judith Herrington
Featured at: 2014 WACDA Summer Institute 2014 Rodney Eichenberger Conductor's Clinic 2014 KCDA Summer Conference 2015 ACDA National Convention 2015 MN ACDA Summer Convention 2016 MSVMA Summer Workshop
Cliffs Of Dooneen, The | 20-95770, Robert I. Hugh
Cliffs Of Dooneen, The | 20-95770, Robert I. Hugh
Music Faculty Scores
The Cliffs of Dooneen(Irish Folk Song)
Part Number: 20-95770
Price: $1.90
Voicing: Four-Part Treble
Arranged By: Robert I. Hugh
Come Ye Who Love: Melody For Soprano, Horn And Piano Trio (Full Score, Horn Part), Emmanuel M. Dubois
Come Ye Who Love: Melody For Soprano, Horn And Piano Trio (Full Score, Horn Part), Emmanuel M. Dubois
Emmanuel Dubois Compositions
Op. 43a : 1 score + 1 part (ii + 19 pages) ; includes part for (F) Horn
Setting to Music of a Collage of Verses by Transcendentalist Poets. Commissioned by Michigan State University College of Music.
Ua1c11/39 Steely Veach Photo Collection, Wku Archives
Ua1c11/39 Steely Veach Photo Collection, Wku Archives
WKU Archives Collection Inventories
Photographs created by and of Steely Veach.
Appalink, Appalachian Studies Association